Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Helen appears on the screen, a very automatic thought that crosses the mind is – the playback singer will be Asha Bhosle. Such is the association between the two, that across the decades, most of the Helen dance songs have been crooned by Asha ji. But yes, there are other playback singers also that have sung for Helen on screen, and it will be an interesting category by itself – ‘non Asha Bhosle songs of Helen’. As I was searching for a special song for this post, it is completely by chance that I came across this wonderful peppy number, a Helen mujra song, sung by Usha Timothy. I heard it for the first time last night, and it is one of those matters of falling in love on the first hear.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #37
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Ah haa, another lovely ghazal, this time from a lesser known film from 1949. The film is ‘Nazaare’, from the renowned banner of Ranjeet Movietone. The film is directed by Prahlad Dutt. A reading of the star cast indicates this would be one of those assembly line outputs of Ranjeet. The star cast includes Shashikala, Agha, Satish, Shanti Madhok, Khan, Anwari, Ramesh Thakur, Ram Avtar, Rajendra. The poet for the lyrics is identified as Rajinder Krishan, and the music is from the baton of Bulo C Rani. The film has sixteen songs in all, and a bit surprising that Bulo C Rani thought of using Mukesh for only one song in this film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #36
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1949, in my opinion, is the pinnacle of Hindi film music. Many a music directors, lyricists and singers, wrote their histories in this year. There has been great music both before and after this singular year. But the numbers and quality of music from this year, simply speaks for itself.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #35
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Today I am posting the next song by Mukesh, from the year 1949. The film is ‘Lekh’. Given that this film stars the famous pairing of that era – Motilal and Suraiyyaa, I am guessing that this film must have been one of the successes of its time. Maybe so, but today, the name sounds unfamiliar and obscure.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The name behind the unforgettable sound of “Aa Gup Chup Gup Chup Pyaar Karen”(‘Sazaa’, 1951) – Sandhya Mukherjee. Remembering Sandhya ji on the anniversary of her birth today.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #34
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We shall now start with the pending songs from 1949. Starting with Mukesh’s debut in 1941 with the film ‘Nirdosh’, we have now covered all the songs till the end of 1948, except for the following four.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Since today morning there has been a flurry of activity, as the post for Burman Dada birth anniversary took me by surprise. Our anniversary list posts this event on the 10th of this month, and so I was a little surprised to see the song “Dil Mera Udaa Jaaye”, from the 1976 film ‘Arjun Pandit’ posted today morning announcing the dual anniversary of Burman Da and Majrooh Sb together.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In 1946, the renowned Ghulam Haider took a very young 18 year old girl to Filmistan Studio, to introduce her to S Mukherjee. The young girl went through a voice audition for the big boss of Filmistan, who summarily rejected her, saying that her voice was too thin, without depth and without range. A disappointed Ghulam Haider had remarked to S Mukherjee, that he would one day regret this decision, and the world will know the capabilities of this artist.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In September 1988, Doordarshan National channel started telecasting what was to become the stupendously popular serialization of the renowned epic ‘Mahabharat’. And for a period of almost two years (94 Sundays), an audience of almost 20 crore Indians would be glued to the TV sets. And in every episode, the audience was greeted with the rendition of the title song and shlokas, and the every episode was bid good bye with a verse that summarized the story, the state of affairs, and the learnings from the particular episode. These opening and ending title song and verses came through the telecast riding on the booming voice of the one and the only singer who could have made the impact with his voice. His rendition of the opening word ‘Mahaaa-Bhaaarat’ is now etched in the aural memory of the viewers. The voice that had the power to shake a thunder. Mahendra Kapoor – the only voice that could make it happen.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When he passed away twenty four years ago, in 1989, it was just one year after that he had received the national award for the Best Male Singer (1988). This was despite the fact that he had suffered a major heart attack in 1980, after which, many reviewers said that he was not his original self, and had lost the quality of his voice.
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