Archive for the ‘NFS’ Category
Odh chunariya taaron ki
Posted on: February 10, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Reverberating through the caverns of mind, comes this deep and soothing baritone voice of CH Atma. This song is another priceless and incomparable gem that he has renderded as a non-film offering.
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Nainon mein do nain samaaye
Posted on: February 3, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
CH Atma, a voice that is soft and slow, a voice that possesses a very deep baritone, a voice that seems as if a guttural sound is passing through very deep caverns, a gravelly sound coming from somewhere deep inside his being. A voice that is oh so unique in the lineup of singers in the industry.
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Nand nandan bilmaai
Posted on: January 28, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
January 28th is the birth day of playback singer Suman Kalyanpur. She is a living example of how the career of a talented singer can be marred by a close resemblance of the voice of the numero uno singer in the field, in her case Lata Mangeshkar. Naturally, film industry preferred the reigning queen rather than giving enough opportunity to Suman Kalyanpur to prove her worth. She was mostly used as a substitute for Lata Mangeshkar when the latter was not available for recording the songs. Alternatively, she would get the singing assignments in low budget films. In the circumstances, I thought that she would have utilised her spare time in recording many NFSs. I find that even in respect of NFSs, Suman Kalyanpur is lagging in numbers in comparison to other top playback singers like Lata Mangeshkar, Asha Bhonsle, Mohammed Rafi, Mukesh etc. Was she really interested in pursuing playback singing career ? She is known to be a very private and low profile person. Only those who were close to her could get to know her mind. It took Ameen Sayani more than 40 years to persuade her to give an interview for a radio programme. Subsequently, she has given a couple of interviews through which we have come across some more information about her singing career.
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The she I love
Posted on: January 24, 2013
- In: Artist century song in blog | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | NFS | Post by Sudhir | Rafi NFS | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1967 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Welcome all to the 7400th offering on this blog, which in my opinion should now be renamed as Atul-Six-Songs-a-Day (or maybe Atul-Six-Pack 🙂 :).)
The last century milestone bade a goodbye to 2012, which turned out to be a marvelous year, as far as the accomplishments of this blog and its contributors are concerned. And then, moving on, we are now at the next century milestone, yet once again. A mite longer than regular, this century took twenty four days to arrive, far above the normal rate of one century every sixteen or eighteen days. In the interim, there were some days of travel that took time out of Atul ji’s schedule. But no matter, the interest and participation in the blog continues unabated, with unflagging enthusiasm. And that, dear friends, is the most heartening feature of this blog.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Connoisseurs of Urdu poetry may recall that sometime in early 90s, Doordarshan televised a TV serial KAHAKASHAN covering the lives of six of the doyens of Urdu poetry – Firaq Gorakhpuri, Hasrat Mohani, Jigar Moradabadi, Josh Malihabadi, Majaz Lacknawi and Makhdoom Mohiuddin. This TV serial was produced by another well known Urdu poet and writer, Ali Sardar Jafri, the contemporary of these galaxy of poets. The serial was directed by Jalal Agha. I had seen some of the episodes of this serial in the 90s but did not remembered much of the contents. A few months back, I came across the episodes of this TV serial on the internet. I have already watched the episodes covering Firaq Gorakhpuri and Majaz Lucknawi. The treatment in the serial is biographical in nature covering some of the important events in the lives of these poets interspersed with their own ghazals many of which were sung Jagjit Singh who also composed the music for the TV serial. Watching the episodes covering these two Urdu poets, to say the least, was a heart wrenching experience for me as the lives of these two poets were full of pains, misery, misfortunes and loneliness. My curiosity to learn more about these six Urdu poets grew after I had watched this T V serial.
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Ro ro beeta jeewan saara
Posted on: December 30, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Recently, I came across a non-filmy song on the internet, sung by Talat Mehmood which happened to be his first disc cut in 1941 for HMV. The mukhda of the song was
sab din ek samaan nahin thha
ban jaaunga kyaa se kyaa main
iskaa to kuchh dhyaan nahin thha
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Tum aao rumjhum karti
Posted on: December 25, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music abd a regular contributor to this blog.
There have been many an artist from the Hindi cinema, that have become enduring icons in the cultural history of our country. And there are many a great artists with wonderful qualities to create and render in films and film music. Majority of those whom we remember, are not with us anymore in this physical world. And we think of them, remember them, and feel blessed that we have had the good fortune to be born in this time and in this place, where this wonder that we call the Hindi film music ruled, and still rules, the hearts of millions. The sounds and songs of the yesteryear still abound in the memory of music lovers. That memory is a great treasure, and a heritage of lasting presence.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Among the Mughal emperors, Bahadur Shah Zafar (24/10/1775 – 7/11/1862) evoked my sympathy whenever I used to read the chapters on Mughal Empire in the history book during my school days. One rarely comes across such a moving tale of a reluctant emperor at a time when Mughal empire had almost crumbled. It is an irony of fate that the last emperor of Muhgal dynasty who had ruled India for over 300 years had to spend the last few years of his life in exile in Rangoon (Yongon) in Burma (Myanmar) and died unsung in anonymity.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my younger days, I disliked the traditional classical vocal music as I had no patience to listen to a couple of verses umpteen times with longish alaaps. I used to feel that the ‘progression’ in the vocal music was too slow for me to get interested in listening to such recitals. However, I liked the filmy and non-filmy songs based on classical ragas as those would get over in about 3 minutes. My taste on traditional classical vocal music changed when I bought a LP of Pandit D V Paluskar in early 70s mainly for 5 devotional songs contained in the one side, the other side being his full length vocal recital on raag Shri. This LP was a turning point for me and I started liking Hindustani classical music. I felt that he must be a great classical vocalist whose vocal music sounded great to my untrained ears.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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