Archive for the ‘Noorjehaan songs’ Category
Today (15 august 2013) is the 66th Independence day of India. On this occasion, here is a patriotic song from 1946 when India had yet to acquire her independence.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Today’s song is a real treat to the Connoisseurs. It is a group song from the film MIRZA SAHIBAN-1947, sung by Malika-E-Tarannum Noorjahan, Zohrabai Ambalawali, Shamshad Begum and chorus. The music was provided by three brothers together- Pt.Amarnath and Husnlal-Bhagatram.
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this article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the last few days, I have been looking for songs composed by Shyam Sundar, the forgotten music director of 40s and early 50s. Whenever I think of him, the name of another forgotten music director Sajjad Hussain creeps in my mind. If Shyam Sundar was called a genius music director, Sajjad Hussain was called an original music director by none other than Anil Biswas, the ‘Bheeshm Pitaamah’ of Hindi film music. Despite these superlatives against their names, Shyam Sundar and Sajjad Hussain composed music for only 20 and 17 Hindi films respectively in their careers. This works out to on an average 2 films per year for Shyam Sunder (1943 to 1953) and less than 1 film per year for Sajjad Hussain ( 1944 to 1977). One common reason attributed for their musical output not being commensurate with their talents was that both were short tempered and perfectionist to the extent that they were uncompromising which was not to the liking of producers/directors of the films.
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Hindi movie titles are often like comets that visits us at periodical intervals. For instance, the title “Dost” seems to get repeated once every decade. We have had movies with this title in 1944, 1954 and 1974. We did not have a movie of the title “Dost” in 1964, but we had “Dosti” in 1964 !
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This blog had songs from “Naadaan”(1951) and “Nadaan” (1971). It turns out that a movie of the same title was also released as early as 1941. Very little information is available about this movie. This movie was directed by Zia Sarhadi. The movie had Aman, Noorjahaan, Masood etc in it.
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Aa intezaar hai tera
Posted on: April 23, 2013
“Badi Maa” (1945) was a Praful Pictures production. It was produced and directed by Master Vinayak. The starcast was Noorjahan, Ishwarlal, Yakub, Meenakshi, Sitara Devi etc.
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Hamen maar gayee re
Posted on: March 9, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regulkar contributor to this blog.
Folk music has played an important role in popularising Hindi film songs. The films’ producers and more so the music directors knew that folk music based film songs bring instant connectivity with the cine goers especially in the semi-urban and rural areas. The beats and rhythms of most of the folk music are good inspirations for music directors to customise the Hindi film songs accordingly. In the early years of Hindi film music following the advent of talkies, songs were mostly based on classical and semi-classical tunes which included the traditional devotional music. The earliest Hindi film songs recorded on a folk based tune as per my search of the Hindi film songs on the internet was a song bande naav ka langar chhod from ‘Kangan’ (1939) which appears to be based on a bhatiali ( boat man’s) folk song of Bengal. There may be a few more Hindi film songs in the 30s based on folk music.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I was aware of four popular folklores of Punjab-Sind provinces which are now in Pakistan – Heer Ranjha, Mirza Sahiban, Sohni Mahiwal and Sassi Punnu. These are the tragic love stories in which the lovers die at the end. The common features of all these four folklores are (i) the female character is extremely beautiful, (ii) families of both the lovers resent their unions, (iii) female lovers are forced by their families to marry other man and (iv) at the end, female lovers die first followed by the male lovers except in case of Mirza Sahiban where the two lovers die in the reverse order.
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- In: Actor-Singer song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Happy-Sad song | Lyrics contributed by readers | Noorjehaan songs | Post by nahm | Rajkumari song | Rare song | Songs of 1940s (1941 to 1950) | Songs of 1943 | Translation by Sudhir | Translations by readers | Yearwise breakup of songs
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I am going down memory lane, to my school days. We would come back from school at 3:30 p.m. and at that time Vividh Bharati would be silent till 5:30 p.m. So we would put on the radio and searching for songs, invariably we found All India Radio (Urdu service) where they broadcast the programme “aap ki farmaish” which continued till 5 o’clock.
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“Jugnu” (1947) was a major Hindi movie in many ways. It was Noorjehaan’s last Hindi movie. It was this movie which gave us Dilip Kumar, who till then was a struggler. Noorjahaan acting opposite Dilip Kumar gave Dilip Kumar’s career a big fillip and he never looked back since.
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