Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Pathos’ Category


“Mera Naam Joker” was a labour of love for Raj Kapoor and he had made this movie with great hopes and expectations. Unfortunately, the story was ahead of its times and the Indian movie watchers were not ready for such movies in 1970. The movie flopped and Raj Kapoor suffered great losses as a result.
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Listening to this Mukesh song all these years without any additional information, I thought that this song had all the attributes of a Raj kapoor song. It was sung by Mukesh, lyrics looked Shailendra like and music appeared Shankar Jaikishan like, and I was sure that the song was picturised on Raj Kapoor.
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Usha Khanna, the sole female music director in Bollywood movies in the last 50 years remained confined to lesser movies for most of her career. But every once in a while, she tended to rise above the mediocrity of the movies she gave music in.
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This song is one of those memorable and immortal songs that the trio of Madan Mohan, Lata and Raja Mehdi Ali Khan created in 1960s. Most such songs were favoured by class audience, and the masses kept away. But here was a classy song that influenced even the masses. This song featured in Binaca geetmala final of 1964 (at 15th position).
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This song is one of the oldest in this blog, and one of the most cherished one. Noorjahan makes her debut in my blog with this song. Rafi figures in this song too. This was one of the earliest hit filmy song of Rafi.

Except this song and singers, most other things about this song have been largely forgotten. This movie was called Jugnu ( I only knew a Dharmendra- Hema Malini movie of this name in 1970s). The lyricist is someone called Tanvir Naqvi, a namesake of the current Pakistani new ball bowler. Music director was someone called Feroz Nizami.
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I grew in that era when masses would run away a mile from classical songs or classical dances. There were few takers for such kind of art.

Those days, some bollywood makers on a shoe string budget would make movies different from mainstream movies. Such movies earned rave reviews and critical praise, but these movies were rejected by masses. Film festivals were often the only place one could watch such movies.
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The dashing Joy Mukherji, a Shammi Kapoor clone ( I do not call him poor man’s Shammi Kapoor, that title is reserved for Vishwajeet) sings a piano song in his home production “Humsaaya”. The movie itself was a failure, but this song survived and was the saving grace for this disaster of a movie.
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