Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rajkumari song’ Category


“Neelkamal” (1947) was directed by Kidar Sharma. He had signed up Raj Kapoor, then working as his third assistant (viz clap boy) as the hero of this movie. When Raj Kapoor enquired which heroine was being signed up opposite him, Kidar Sharma asked him if he had any specific choice. Raj Kapoor named Madhubala who was then signed up for the movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 30s and 40s, two groups of female actor-singers emerged prominently. The first group excelled in both acting and singing. Barring a few exceptions, they confined to playback singing on themselves. This group consisted mainly of Khursheed, Kanan Devi, Noor Jahan and Suraiya. The second group though started their filmy career as actor-singer in a smaller way, later they concentrated mainly on playback singing. This group comprised mainly of Rajkumari, Amirbai Karnataki, and Zohrabai Ambalewaali.
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“Hanste Aansoo” (1950) was one of the first Hindi movies to get an Adult certificate from the censors. The reasons for getting A certificate those days used to be quite flimsy. For instance, “Barsaat” (1949) had become the first Hindi movie to get an A certificate. The reason why censors were provoked thus was that the female actors in the movies, viz Nargis, Nimmi etc are shown without dupattas and in one song there is even the talk of dupatta flying away in the breeze, viz. Hawa me udta jaaye mora laal dupatta malmal ka. 🙂 And the censors were righteously indignant about all this. 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1957. The time in the Hindi film industry when the big name banners prominently ruled, and the success and recognition of film music was the domain of the high profile music directors. An era with a lot of stories of how Filmfare awards were influenced, and how the privileged songs were made to climb to the top of Binaca Geetmala list. In such a time and such an era, an ‘unprivileged’ song rapidly climbed the charts of popularity, completely defying the set commercial conventions, and confounding the hold of hierarchical tradition of established big names in the industry, it became the no. 1 song of 1957 at the top of Binaca Geetmala charts. The film – an unimpressive and an unremarkable socio-religious drama by the name of ‘Janam Janam Ke Phere’. The song – an unmatchable and a very endearing duet by Rafi Sb and Lata Mangeshkar – “Zaraa Saamne To Aa O Chhaliye”, an unlikely song of a human being’s search for the Almighty. The deep and impressive words of Bharat Vyas tuned to a lovely melody by a master craftsman of classical and folk genre – Shrinath Tripathi, better known as SN Tripathi.
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“Panghat” (1943) was a produced by Vijay Bhatt and directed by Mahesh Chandra and K J Parmar. The movie had Alaknanda, Sushil Kumar, Leela Pawar, Rajkumari Shukla, Umakant according to imdb, but then this site also mentions Ramesh Gupta and Pt Indra as the playback singers of this movie !
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I am going down memory lane, to my school days. We would come back from school at 3:30 p.m. and at that time Vividh Bharati would be silent till 5:30 p.m. So we would put on the radio and searching for songs, invariably we found All India Radio (Urdu service) where they broadcast the programme “aap ki farmaish” which continued till 5 o’clock.
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“Mahal” (1949) was a Bombay Talkies production. This movie was directed by Kamal Amrohi who was making his debut as a director in this movie. This movie was the first Hindi suspense movie and it was made in an extremely professional manner. When the movie begins and credits roll on the screen against the backdrop of a spooky looking mansion (Mahal) and accompanied by suspenseful background music, each and every name that appears on the screen turns out to be legendary name, be they actors or background personnel. For example, choreography of dances in this movie was done by Pt Lachchu Maharaj, while the cinematographer of this movie was Josef Wirsching.
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