Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Translation by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This article is the 8600th song post in the blog.

Progressing with leaps and bounds, wow. On to the 86th century already today. Welcome to the 8600th song to be posted. Greetings and congratulations to all friends and readers. Isn’t this a wonderful place to be – the celebrations just keep coming, on and on. And with the thought of celebrations, we always come up with special songs that will add to the sentiments of the occasion. So let us celebrate today’s milestone in the typical Bhangra style of Punjab.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I have been going through the biographies and profiles of some of the well known Urdu poets – Mirza Ghalib, Ibrahim Zauq, Mir Taqi Mir, Daagh Dehlvi, Majaz Lucknawi, Firaq Gorakhpuri, Josh Malihabadi, Jigar Moradabadi etc. Most of them had faced prolonged pains and sufferings due to certain events that had happened in their lives. It is said that shaayars’ personal pains and sufferings bring the best shaayaris as these are born out of their first hand experiences. The lovers of ghazals still remember the poignant and melancholic ghazals of Ghalib, Mir, Firaq, Jigar etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. Details and translation of this song are by Sudhir

Pre-Partition, India had many many legendary singers-Male and Females. After Partition, some singers migrated to the new country-Pakistan. Singing legend Noorjehan also went to Pakistan. Now India had Lata and Pakistan had Noorjehan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Traditionally, ghazals are supposed to be rendered in a soft voice and in a slow tempo to make the listeners understand the deep meaning behind each words. Ghazals rendered in an appropriate mood can awaken emotional feelings even in a stone-hearted person. Perhaps it was in these context that ghazals were sung in thumri style in the early 20th century, creating a melancholic mood and offering the opportunity for singers to emphasise on some specific words in the ghazals which were important in understanding the meaning in the ghazals. Singers like Begum Akhtar, Kamala Jharia, Master Madan, K C Dey, K L Saigal etc sang ghazals mostly in thumri style.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This song from Abhilasha (1968) is not so well known like the other two featured songs on the blog here. It is a Rafi-Manna Dey duet. Roshan used this combination of voices brilliantly in his qawaalis. This song, I think is the first time that Pancham uses this pair of voices.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I am going down memory lane, to my school days. We would come back from school at 3:30 p.m. and at that time Vividh Bharati would be silent till 5:30 p.m. So we would put on the radio and searching for songs, invariably we found All India Radio (Urdu service) where they broadcast the programme “aap ki farmaish” which continued till 5 o’clock.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the film producers and directors of early days of talky films, Kidar Sharma was one among a few producer-directors who evoked my interest in knowing him. My information about him was limited to what I had known from print media and interviews on Doordarshan in 70s and 80s. He was known for introducing new faces like Raj Kapoor, Madhubala, Geeta Bali in the Hindi film industry who subsequently attained the star status. He also introduced Snehal Bhatkar and Roshan as music directors. Kidar Sharma was a multifaceted personality – painter, photographer, story/screen play/dialogue writer, poet, lyricist, actor, director and producer as I came to know much later when I read his autobiography ‘ The One and Lonely Kidar Sharma’ (2002).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Presently, I am on a nostalgic journey of the 60s when I was blessed with listening to some popular non-filmy songs sung by the top playback singers and other singers of that time. In fact some of non-filmy songs of that time were as popular as Hindi film songs. Almost all top playback singers of that time like Talat Mehmood, Mohammed Rafi, Manna Dey, Mukesh, Geeta Dutt, Lata Mangeshkar, Asha Bhonsle had recorded non-filmy songs at one time or the other. If Hindi films songs have hidden gems which are being unearthed on this blog every day, there are also lesser known gems in non-filmy song segment which need to be brought to the notice of the readers of this blog for the sake of posterity.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

MUSIC is an inseparable part of Indian culture.

From the Vedic periods, music has been in use. Many Mantras and Richas are to be recited in musical notes. It was believed that sound waves have special powers.
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