Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1930s (1931 to 1940)’ Category


When I look at the statistics for the blog, I find that there have been 13 singers,13 lyricists and 15 music directors who have completed their individual centuries of songs. Among the list of non centurions, I notice four music directors and three lyricists who have 50 + songs to their credits in the blog at present and they are next in line for their individual centuries. But when I look at the list of singers, I find that the singers who are closest to 100 songs mark are in their twenties and thirtees. K L Saigal is the closest to 100 and he is at 34. Next are Usha Mangeshkar, C Ramchandra, Amirbai Karnataki and Meena Kapoor.
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“Wahaan” (1937) is a very old Hindi movie which few people know about today. Many legends of Hindi movies had acted in this movie. Names like Chandramohan, Shanta Apte, Leela Chitnis, Prahlad, Ulhas, Master Chhotu etc had figured in this movie.
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Most music lovers of Hindi movie music are familiar with the names of major artists who began their careers in 1940s and later. But the artists who worked in the earlier decades are not all that well known, and worse, it is often believed that they were not in the same league as the artists who came later. Nothing could be farther from the truth, as I have been discovering.
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“Chandidas” (1934) is a movie that was produced by Calcutta’s New Theatre. It is one of the earliest Hindi talkie as it came just three years after movies began to talk in India in 1931. This movie is a landmark movie in the annals of Hindi movies because K L Saigal came into prominence for the first time with this movie.
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“Street Singer” (1937) is one of the earliest Hindi movie after movies started talking in 1931. This movie had K L Saigal, Kanan Devi, Jagdish Sethi, Bikram Kapoor, Nirman, Satya Mukherji etc. This movie was produced by New Theatre of Calcutta and it was directed by Phani Majumdar.
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Very little is known Hindi movie songs from the earlier days, viz 1930s and 1940s. Those were the days when actors themselves sang for themselves. Sound reecording technology was in its infancy and producing decent quality records was a technological challenge. The fact that films and records quickly degraded meant that preservation of these items was a Herculean task as well.
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