Archive for the ‘Songs of 1940s (1941 to 1950)’ Category
O re jeene waale hans le gaa le
Posted on: October 5, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Sandhya Mukherjee – a voice that is comparatively heard less frequently on the Hindi film screen, is a big name in the world of Bangla music and Bangla film music. In fact her association with Hemant Kumar as a duet singer, is almost as legendary as the on screen pair of Uttam Kumar and Suchitra Sen. Majority of the duets of these two actors in Bangla cinema, have been playback sung by these two singers.
Greetings to Sandhya ji on her 83rd birthday (4th october).
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Band jeewan ki khhidki mein
Posted on: October 4, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There is an interesting trivia about the logo of the New Theatres film company. Encircling the image of the elephant with a raised trunk, there are two phrases, one in English and one in Bangla. The English phrase in the upper half of the circle records the name of the company – ‘The New Theatres Limited’. The Bangla phrase in the lower half of the circle says – ‘Jivatang Jyotiretu Chhayam’ which translates to ‘Light Infusing Shadows with Life’. I have not seen many logos of some of the earlier production companies, but from the later decades, I do not recall a logo which carries any specific message. It is possible this is a unique trivia in the history of Indian cinema.
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Mohabbat kare so maaraa jaaye
Posted on: September 30, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Yaad” (1942) was directed by Mazhar Khan for Asiatic Pictures, Bombay. The movie had Mazhar Khan, Veena, Satish, Azurie, Shahzaadi, Indira Devi, Haadi, Chanda, Kanta, Girdhaari, Haaroon, Girish, RamAvtaar, Devraj, Ameer, Agha etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kashinath”(1943) was directed by Nitin Bose for New Theatres, Calcutta. The movie had Asit Baran Mukherji, Sunanda Devi, Bharati Devi, Nawab, Nemo, Puttan, Dilip Bose, Manorama, Buddhadev, Latika Mullick, Bijoli, Jawed Hussain, Radharani, Biren Das etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Chaandni raaten – Song no. 12
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chaand ek bewaa ki choodi ki tarah toota huaa
har sitaara besahaaraa soch mein dooba huaa
gham ke baadal ek janaaze ki tarah thehre huye
hichkiyon ke saaz par kehtaa hai dil rotaa huaa
Thus began a classic Talat Mahmood song ‘koyi nahin mera iss duniya mein’ from the movie ‘Daag’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In the discussion of the last two Suraiyya songs, I have discussed the statistics of Suraiyya songs- moviewise as well as music directorwise. In this writeup, I have given lyricists wise breakup of all Suraiyya songs in HFM.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
An icon that stands the tallest on the horizon of the Hindi film landscape. And a persona whose influence spans more than six decades of the history of this medium – a medium that itself is just over eight decades young now.
Dharam Devdutt Pishorimal Anand – born this day in Shakargarh, district Gurdaspur. The year – is irrelevant. With a persona like Dev Sb, the length of years behind was as meaningless as the number of years ahead of him were meaningful. The zest for life and the energy to be – the age and years did not matter. The only thing that mattered was the young-ness of the mind that simply refused to be afraid of the towering Time that overcomes all. Not that he professed any eternal life. And neither did he survive the scythe of reaper of time. But the time and the years that he lived and breathed, there was always another horizon to reach, always another mountain to scale. And the mantra for life simply was – young-ness of the mind.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
SONGS FROM ARTISTE NAME FILMS……Song No. 5
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Today’s song is from the film Renuka-47. It is sung by a less known singer Putul Chatterjee, under the baton of composer Sardar Malik ( father of composer Anu Malik-who is for ever “inspired” by foreign music).
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