Archive for the ‘Songs of 1940s (1941 to 1950)’ Category
Aata hai dil pe pyaar kyun
Posted on: June 17, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
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The Many Colors of Love #2
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लिखने वाला लिख गया है. . .
(and so the scribe has written. . .)
“Mohabbat Aisi Dhadhkan Hai Jo Samjhaayi Nahin Jaati”.
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Chanda ki chaandni mein haay raama
Posted on: June 16, 2013
“Do Dil” (1947) was a Jamuna Productions movie. It was directed by Jagdish Sethi. The movie had Motilal, Suraiyya, Karan Dewan, Badri Prasad, Gulab, Ram Singh, Shabnam, Sudhir, S Baburao, Khalil etc in it.
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Jam jam rahe meharbaan
Posted on: June 15, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Sajjaad Hussain – the enigmatic genius of the industry. A self trained composer par excellence, for whom the venerated Anil Biswas has used the epithet of the “only original composer” in Hindi films. An artist whose composition have the capacity to surprise you and confound you at the same time. No other music director comes even close to creating the fusion of the spoken sound and the music so seamlessly and so beautifully, and one is left wondering at the depth of this genius as he will move from one arrangement to another one, as the song moves from one antaraa to the next one.
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Phir nain baawre bhar bhar aaye
Posted on: June 15, 2013
“Do Dil” (1947) was a Jamuna Productions movie and it was directed by Jagdish Sethi. The movie had Motilal, Suraiyyaa, Karan Dewan, Badri Prasad, Gulab, Ram Singh, Shabnam, Sudhir, S Baburao, Khalil etc in it.
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Jhoom jhoom ke naache manwa
Posted on: June 15, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
When Manoj Kumar approached him for lyrics and music for his film on the life of Bhagat Singh, the first thing he did was he traveled to Banga village in Punjab, and personally met with the Bhagat Singh’s moher, Mata Vidyawati ji. He talked with her about the legendary martyr, his childhood, his time in college, and as a freedom fighter. And the time he spent in the prison. From these reminiscences of Mata Vidyawati, the incredible poetry that emerged from the pen of this extraordinary poet became the iconic song of patriotic inspiration – “Tu Na Rona Ke Tu Hai Bhagat Singh Ki Maa. . .”.
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Hawa tu unse jaa kar keh de
Posted on: June 14, 2013
“Rimjhim” (1949) has become an obscure movie by now, though it was a well known movie of its time.
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Hamaare sainyya daaroo pi ke aaye
Posted on: June 14, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
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The Voice of Mukesh #20
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We are discussing songs sung by Mukesh, in the year 1947. In this year, the film ‘Do Dil’ was a veritable bonanza for Mukesh, with the music director Pt. Gobindram getting Mukesh to sing for as many as six songs. Three of these songs are solo, and three duets. On this blog, we have already posted the three solo songs, and two of the duets (with Suraiyyaa). Here is the third duet, and the sixth Mukesh song from this film. The accompanying voice in this song is that of Rajkumari.
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Ye hawa ye fiza ye bahaaren
Posted on: June 14, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Geeta Dutt was one of the few singers who got a godsend opportunity as a playback singer in Hindi films. The devdoot or farishta (angel) in her case was none other than Pandit Hanuman Prasad, one of the music director of the 40s. While walking on a Mumbai street, he heard a singing voice coming from the balcony of the building above him which attracted his attention. He straightway walked into the room and found a teenage girl singing. She was Geeta Roy as she was known then. He liked her singing so much that he offered her the chance to sing a predominantly chorus song in the film ‘Bhakt Prahlad (1946) in which she had two lines to sing. These two lines from the song attracted the attention of S D Burman who persuaded her parents to let her sing in ‘Do Bhai’ (1947). The iconic song “mera sundar sapna beet gaya” and the box office success of the film signalled the arrival of Geeta Roy as a playback singer. By the end of 40s, she had already attained the status of one of the prominent female playback singers of Hindi films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This is the 4th song in the series “Lata with uncommon singers “.
In today’s song Lata is singing with Ashalata Biswas.
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