Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category

When one talks of “Dard” (1947), one is mostly reminded on the immortal song “Afsaana likh rahi hoon dile bekaraar ka” which took the nation by storm. It was sung by Umadevi (later known as Tuntun) and picturised on Munawwar Sultana.
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Just as the male singers of 1940s were influenced by the singing of K L Saigal, the female singers were influenced by Noorjahaan and sang in her style.
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Here is a very very old song from pre independence days when Noorjahaan still ruled the roost in Bollywood movie scene. Here is a song from a movie called “Dost” (1944). This song was very popular in its time.
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In 1948, most present day legendary Bollywood figures were only just starting their careers and they had yet to acquire their cult status.
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When “Neki aur Badi” (1949), the first movie of Roshan as a music director flopped, the sensitive music director was so disappointed that he reportedly wanted to commit suicide. Kidar Sharma, who gave him his first break, gave him his second break too, in “Baawre Nain” (1950). The songs of this movie became popular and Roshan, as they say, never looked back since.
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Many people may have noticed that the picturised versions of many songs are often different from their audio versions. One reason could be that the picturised version is often curtailed while editing the movie. But the main reason for the difference between picturised version and audio version is more technical. In olden days, it was technically not possible to record a song once and use it for audio as well as picturised versions. So those days the same song used to be recorded twice- once for the picturisation and once for the audio recording. So one could find some slight, and sometimes, more than slight differences in the two versions of the same song.
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In “Baawre Nain” (1950), Mukesh did the playback singing for the hero (Raj Kapoor) whereas Raj Kumari and Geeta Dutt sang for Geeta Bali, the heroine. But they were not the only playback singers in this movie.
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“Baawre Nain” (1950) was the second movie as a music director for Roshan. Learning from his mistakes as a music director in his first movie, Roshan made amends, and came up with such an amazing musical score in this movie that the brand name of Roshan was launched with this movie. Till today, his descendents have been using the name Roshan ( which was the first name of Roshalal Nagrath) as a surname and as a brand name. And this brand name first got recognition in 1950 with this movie.
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I am aware that “Babul” (1950) had Dilip Kumar and Nargis in lead roles. So I was confused when I watched this song from “Babul”. I had no difficulty identifying Dilip Kumar singing in Talat Mehmood’s voice, but who was the lady. she looked unfamiliar. And she did not look like Nargis.
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Bollywood movies and Indian Railways are two of the major unifying factors for this vast nation of India. And these two often come face to face. We have people sitting in railway trains and singing songs (ask beggars on local trains) and on the other hand we have movies depicting songs sung in trains.
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