Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1944’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my younger days, I disliked the traditional classical vocal music as I had no patience to listen to a couple of verses umpteen times with longish alaaps. I used to feel that the ‘progression’ in the vocal music was too slow for me to get interested in listening to such recitals. However, I liked the filmy and non-filmy songs based on classical ragas as those would get over in about 3 minutes. My taste on traditional classical vocal music changed when I bought a LP of Pandit D V Paluskar in early 70s mainly for 5 devotional songs contained in the one side, the other side being his full length vocal recital on raag Shri. This LP was a turning point for me and I started liking Hindustani classical music. I felt that he must be a great classical vocalist whose vocal music sounded great to my untrained ears.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #3
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As I come in to the third post in this series, I must put on record that I have still not been able to trace and secure a recording of the second duet from the film ‘Dukh Sukh’ (1942). The duet – “Mori Atariyaa Pe Aa Jaa, O Pardesi Panchhi”, is sung with Sitara. And I repeat my request to my friends and fellow contributors on this blog, to please inform in case one has any information about the availability of this song. I am hopeful we shall get to hear this song, since the physical record number is known – N26105. Right now, just waiting for the luck to strike.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Lesser known singers- Singer 8 (Vatsala Kumthekar)
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Lord Byron had said,” Time is a great leveller”.
To paraphrase Lord Byron, Hindi film industry is a great leveller. This industry has taken some people from Rags to Riches and some others from Riches to Rags !
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his article is writteb by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Lesser known singers- Singer 4 (Ira Nigam)
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India is a very peculiar country.

It is rather Unique.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In this blog we have discussed three pairs of Hindi film personalities having more or less the same name leading to considerable confusion. Shyam vs Shyam Kumar, Shashi (chand) F. Kapoor vs Shashi Kapoor ,and Arun Kumar(Ahuja) vs Arun Kumar (Mukherji).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We all know that Mukesh was regarded as Raj Kapoor’s voice. The film audience accepted it, though in my view, Raj Kapoor’s voice matched more with that of Manna Dey. I came across a somewhat similar situation albeit on a smaller scale in the 40s with reference to a lead actor of that time viz Ragini and the playback singer Zeenat Begum. It is said that Zeenat Begum’s voice matched so much with that of Ragini that many filmgoers of that time felt that it was Ragini who was singing for herself on the screen. Obviously, during that period, Zeenat Begum became the main playback singer for Ragini and with this tag, she became the playback singer for many lead actors of that time. For those to whom these two names do not ring any bells, here are their brief profiles (with inputs from various sources on the internet).
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