Posts Tagged ‘Aaina’
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3804 | Post No. : | 14797 |
When we talk of Partition and Migration of artistes from India to Pakistan and vice versa, only the famous and the well known names are considered. There were hundreds of small time less known artists, viz. actors, directors, lyricists, composers, instrument players, chorus singers, technicians etc who also had migrated for various reasons. The other day I was reading a book, ” Who’s who: Music in Pakistan ” written by A.Shaikh and M.Shaikh. In this book I found several names of singers,composers,lyricists and above all instrument players, who shifted to Pakistan.
It is a well known fact that in olden times,the instrument players,chorus singers and orchestra players had personal attachments and preferences,for particular composers and vice versa too. That is why, when Ghulam Haider went back to Lahore,he was extremely happy to meet some of his orchestra players in Lahore. In one of the interviews he had said that he felt like a family reunion. He arranged a get together for all those people.
In the Hindi film industry,many Partition immigrants came to dominate and transform the scene here.Film makers like Pancholi, Sippy,B R Chopra,Yash Chopra,Ramanand Sagar-all India’s most successful commercial producers were also Partition immigrants. Once heavily dominated by Muslim Film makers,writers,actors and composers,the Hindi film industry changed drastically after the Partition.
Many successful film personalities had gone to Pakistan between 1947 and 1950,including producers like Mehboob and Shaukat Hussain Rizvi-who went to Lahore,with capital to buy the Hindu-owned studios. Prominent producers of Lahore like Dalsukh Pancholi and Shorey were forced to sell their studios and properties for a song and flee for their life,to India,after riots in Pakistan post Partition. Some Muslim artistes returned to India,after a few years when they realised that Lahore film industry had largely collapsed due to exodus of prominent Hindu producers.
The crucial role played by films in Indian culture could be seen in the Refugee camps of Delhi,where ever evening,for 2 hours Hindi films were shown free to all. ‘ Film India’ commented that there were more than 15000 refugees from Sindh and Punjab in Bombay.It also suggested that good looking and educated women can be employed in films.Due to polarisation,there was much explosive writing published in this magazine,that time.
However,as before and always, Bombay film industry maintained its secular culture and a big rally,led by Durga Khote and Prithviraj Kapoor was taken out on 2-10-1947,in Bombay. The entire film industry had joined in it and slogans like ‘Hindu-Muslim bhai bhai’ etc were shouted in the rally. Similarly,to pacify over one lakh refugees from East Pakistan (now Bangaladesh) in Calcutta, Lata Mangeshkar had led a rally in Calcutta during 1971.
The famous Music Historian James Mc Connachie said, ” As India marched into an uncertain future-in 1947-Film songs offered something Unique: they helped creating a sense of belonging to One Nation,something that the divisive extremist right wingers in India,chanting” Hindustan for Hindus” could never achieve. When Hindi film singers sang,nobody cared that Mohd.Rafi was a Muslim or Lata was a Hindu Brahmin. Its great music bridged the gap between Hindus and Muslims,mush better than any Politician (including Gandhi and Nehru) ever could achieve.” -World Music-The rough guide,Vol II,pp 106,pub.1990 by Harper.
Like many top class composers who migrated to Pakistan, there were some small time or recently started composers who also left, like Inayat Hussain (only 1 Punjabi film Kamli),Fateh ali khan (2 films,Aaina-44 and Director-47),Tufail farooqi (2 films-Sona Chandi-46 and Dekhojee-47). Inayat Hussai of course became a Legend in Pakistan.
Today’s song is from film Aaina-1944. Its music directors were Gulshan Sufi and Fateh Ali Khan. Fateh ali khan migrated to Pakistan after Partition and Gulshan Sufi went after mid 50s.
Fateh Ali Khan was a classical singer and a Qawwali musician in the 1940s and 1950s. He was born in Jalandhar, Punjab, British India in 1901. Fateh Ali Khan was the father of Pakistani Qawwali musicians, Nusrat Fateh Ali Khan and Farrukh Fateh Ali Khan. Their family had an unbroken tradition of Qawwali, linked closely to the Sufi Chishti Order for over 600 years. Fateh Ali Khan was trained in classical music and Qawwali by his father, Maula Baksh Khan (Ali Khan), and he, soon after his training, distinguished himself as a skilled vocalist and instrumentalist. He learned to play traditional Indian instruments such as sitar, sarod and vichitra veena as well as Western instruments like the violin. He also mastered thousands of verses in Punjabi, Urdu, Arabic and Persian.
Fateh Ali Khan was the leader of his family’s Qawwali party but they were billed as Fateh Ali Khan, Mubarak Ali Khan & Party. Mubarak Ali Khan, his brother, shared both singing and harmonium-playing duties with him. They were regarded as among the foremost exponents of Qawwali in their time. They are credited with popularizing the poetry of Allama Iqbal through their singing. Iqbal’s poetry was regarded as difficult to set musical tunes to, and while he was highly admired in academic circles and by intellectuals, Allama Iqbal did not have much of a popular following yet among the common people mainly due to the radio broadcasting technology still under development back then in British India. Fateh Ali Khan and Mubarak Ali Khan, more than anyone else, helped Iqbal achieve popular success as well: Allama Iqbal paid the ultimate homage to the two brothers by saying: ‘I was restricted to schools and colleges only. You (Ustad Fateh Ali Khan) have spread my poetry through India’.
Like many other musicians,Fateh ali khan too wanted to try his hand at Film music. In India,he gave music only to 2 films, that too with other composers. One was film Aaina-1944, along with Gulshan Sufi and the other was film Director-1947, along with Lachhiram Tamar. After partition he migrated to Pakistan with all his family. In Pakistan, however, he had better luck in films. He gave music to Do kinare-50, Harjaai-52, Shola-52, Bedari-57 ( ditto copy of our film Jagriti-1954), Saathi-59 and Tum na maano-61. He also sang in film Waada-57 and Raagini-58. Ustad Fateh Ali Khan was the foremost sitar-player and film music composer of the 1950’s in Pakistan.His compositions in Bedari (1957)became run-away super-hits in Pakistan because they were a heart-felt tribute to the founder of Pakistan, Mohammad Ali Jinnah, and the public’s sentiments about patriotism.
In 1948, his son, Nusrat, was born in Faisalabad, Pakistan. Fateh Ali Khan wanted Nusrat to become a doctor or an engineer because he felt Qawwali artists had low social status. However, Nusrat showed such interest in and aptitude for Qawwali that his father soon relented, and began training him. However, Fateh Ali Khan died in 1964 at the age of sixty-three, when Nusrat was sixteen and still in school. Nusrat’s training was completed by Fateh Ali Khan’s brothers, Mubarak Ali Khan and Salamat Ali Khan. (information adapted from wiki, Harish Raghuwanshi ji, pakfilms.net and my notes).
The cast of the film Aaina-41 consisted of Husn Banu, Yakub, Trilok kapoor, Yashodhara katju, Rajkumari Shukla, Gope etc etc. The film had two Lyricists- Pt. Phani and Tanvir Naqvi. ( Naqvi had also migrated to Pakistan). The film was directed by S.M. Yusuf. Even he had migrated to Pakistan.
S.M.Yusuf – Shaikh Mohammed Yousuf, (20-6-1910 at Poona to 17-8-1994 at Lahore) was originally from U.P. and started his career by assisting directors in various studios. He was one cine artist who migrated to Pakistan and became a very successful director there too. Actress Nigar Sultana was his second wife for 5 years.
After Partition,several artistes-heroes,heroines,Directors,Comedians,lyricists,Composers, Singers and character artistes migrated to Pakistan. Almost 90% of them failed there miserably. Some of them like Meena Shorey shone for a while but ended up in penury and anonymity. Exceptions were like Malika -e-Tarannum Noorjahan. from the successful artistes,the major chunk was musicians-composers like Khurshid Anwar,Nissar Bazmi, Nashad etc. Among the directors. S M Yusuf was the exception who succeeded. The migration of Cine artistes continued till 1965,when President General Ayub Khan banned Indian actors. Shaikh Mukhtar-1963 and Kumar-64 were probably the last to migrate to Pakistan. Till then some artistes like Sheila Ramani,Nasir Khan,pran,Manorama,composer Timir Baran etc went and worked in Pakistani films.
S.M.Yusuf started directing films in India from Bharat ke Laal-36. He directed 20 films like,Darban, Aaina, grihasthi, Saheli, Mehendi,GuruGhantal, Bahurani, Maalik, Gujara, Hyderabad ki Nazneen, Bikhre Moti etc.
When he went to Pakistan,in late 50s,he made his first film there Saheli,which was a ditto remake of his own Hindi film- Mehendi-1950. This film Saheli became such a great hit that it virtually grabbed all major awards including a Nigar award for S M Yusuf himself. He made about 13 films in Pakistan,before he died on 17-8-1994,at Lahore,from where he had begun his career !
Film Aaina-44 was a social film. It depicted a family, in which the mother in law, due to her short temper, querulous and quarrelsome nature almost destroys her happy family. She has 2 existing daughters in law who are submissive. The third daughter in law is different. Initially she tolerates mother in law’s tantrums,but later on she teaches her a lesson and brings peace and happiness back to the family. This type of stories were abundant in the 70s and 80s in Bollywood. Title Aaina was used in 1944,1977, 1993 and 2014 also.
Film Aaina-44 had 8 songs. 7 songs were already covered. Today’s song is the 8th and the final song of the film. So, film Aaina-44 joins those films which have ALL songs covered.
Song-Bharat Mata ki Beti shakti ka avtaar (Aaina)(1944) Singer-Zohrabai Ambalewali, Lyrics-Pt. Phani
MD- Fateh Ali Khan
chorus
Lyrics
Bharat Mata ki Beti
shakti ka avtaar
ae Bharat Mata ki Beti
shakti ka avtaar
ae Bharat Mata ki Beti
shakti ka avtaar
aa samay samay par devi toone
samay samay par devi toone
badla hai sansaar
samay samay par devi toone
badla hai sansaar
ae Bharat Mata ki Beti
shakti ka avtaar
ae Bharat Mata ki Beti
shakti ka avtaar
jahaan pati pooja karwaaya
wahaan shaanti laayi
jahaan pati pooja karwaaya
wahaan shaanti laayi
deep bani andhere ghar ka
shobha ban muskaayi
deep bani andhere ghar ka
shobha ban muskaayi
pati ki kismat ka hai taara
bindiya teri naam
pati ?? hai taaraaaa
bindiya teri naam
ae bharat mata ki beti
shakti ka avtaar
ae bharat mata ki beti
shakti ka avtaar
dheeraj tera dharam hai naari
daya hai teri shaan
dheeraj tera dharam hai naari
daya hai teri shaan
prem pujaaran tu satwanti
pati tera bhagwaan
prem pujaaran tu satwanti
pati tera bhagwaan
sote bhaagya jagaaye
tere paayal ki jhankaar
sote bhaagya jagaaye
tere paayal ki jhankaar
ae Bharat mata ki beti
shakti ka avtaar
ae Bharat mata ki beti
shakti ka avtaar
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3791 | Post No. : | 14775 |
“Aaina”(1974) was produced by N Selvaraja and L Duraiswamy and was directed by K Balachandar for Kalakendra Films production. The movie had Mumtaz, Rajesh Khanna, A.K.Hangal, Nirupa Roy, Rita Bhaduri, Ratan Chopra, Lalita Pawar, Jayasudha, Adil Aman, Manmohan Krishna, Anjum Savera, Vandana Rane, Yasmin, Baby Seema, Kalpana, Jagdish Raj, Polson, Madhukar, Brahmachari, Suraj, Prem Kumar, Master Paresh Kumar, Master Jaganath, Madan Puri, Suresh Chatwal, Jagdeep etc in it. This movie had Neetu Singh and Dharmendra in special appearances. The film also had Kamal Hasan in it who was also one of the dance directors of the movie.
The movie had five songs in it. Three songs have been covered in the past.
Here is the fourth song from “Aaina”(1974) to appear in the blog. This song is sung by Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. Music is composed by Naushad.
The song is picturised as a wedding ritual song where Mumtaz, playing a saheli of the bride is seen teasing the bridegroom. While I can identify a few actors seen in the picturisation (such as Nirupa Roy), I am unable to identify most of them. I request our knowledgeable readers to help identify them.
PS-Several months later, I realised that this song is a multi part song according to HFGK. The song begins as “teri dulhan badi jaadoogarni” sung by Vani Jairam. Then the part sung by Asha Bhonsle appears.
So this song basically is a multi part song.
With this, all the five songs of the movie get covered and the movie joins the list of movies that have all their songs covered in the blog.
Song-Kaho to aaj bol doon (Aaina)(1974) Singer-Vani Jairam, Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-Naushad
Chorus
Lyrics
teri dulhan badi jaadugarni
ho teri dulhan badi jaadugarni
dulha raja pe kya jaadu daala re
mere chhaila pe kya tona maara re
teri dulhan badi jaadugarni
roop koi na rang koi
gun hai na dhang
hahahah
roop koi na rang
koi gun hai na dhang
abhi karni to dulhaa ko bharni re
teri dulhan badi jaadugarni
hahahaaha
hahahaha
—————————————
Dialogue
—————————————–
didi
dekho na hamaari bahan ko kis tarah chhed rahe hain
tum kyun nahin unhen chhedti didi
didi
dulhe ko to tum hi ulloo bana sakti ho
jaao na
jaao na
jaao na
haan chalo
hahahahaaha
maza aayega
maza aayega
——————————–
end of dialogue
——————————–
kaho to aaj bol doon
kaho to aaj bol doon
main saare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
kaho to aaj bol doon
main saare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
mujhko maaloom hai sab
dhang iske hain ajab
kabhi jhaanke ye idhar
kabhi taake ye udar
har haseena pe mare
roop kya kya na bhare
laakh nadaan lage
mujhko shaitaan lage ae ae
kaho to
haha
kaho to aaj bol doon
mai sare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
itna bhookha hai ke bas mujhko aata hai taras
iske man bhaaye sabhi
jo mile khaaye sabhi
chaahe jhootha hi mile
sabka thhooka hi mile
ye kahaan tak hai gira
munh na khulvaao mera
kaho to
kyun
kaho to aaj bol doon
main saare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
poochho dulhe se zara
kyun hai gusse mein bhara
aisi kya maine kahi
teer ban ke jo lagi
kyun jhuki jaaye nazar
kyun paseene mein hai tar
iski baaten main sabhi kah deti hoon abhi ee
kaho to aaj bol doon
ho o
kaho to
kaho to aaj bol doon
main saare bhed khol doon
ke dulha sharmaaye
rang ud ud jaaye
Kuchh bol bol panchhi
Posted on: August 8, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3673 | Post No. : | 14556 |
“Aaina”(1944) was directed by S M Yusuf for D R D Productions. This movie had Trilok Kapoor, Husn Bano, Kaushlya, Yakub, Gope, Yashodhara Katju, Rajkumari Shukla, Sulochana Chatterji, Mirza Musharraf, Leela Mishra, Sayyad Ahmad, Bibi, Sultan Bawa etc in it.
The movie had eight songs in it that were composed by two music directors viz Fatah Ali Khan and Gulshan Soofi. HFGK mentions three songs as composed by Fateh Ali Khan and two songs as composed by Gulshan Soofi. Music directors for three remaining songs are not known.
Six songs have been covered in the past.
Here is the seventh song from “Aaina”(1944). This song is sung by Kaushalya. Pt Phaani is the lyricist of this song. Music director for this song is not known. I have provisionally considered Gulshan Soofi to be the composer of this song.
Since Kaushalya has acted in the movie, so it is clear that the song was picturised on her as well.
Song-Kuchh bol bol panchhi (Aaina)(1944) Singer-Kaushalya, Lyrics-Pt Phaani, MD-Gulshan Soofi
Lyrics
kuchh bol bol panchhi
kuchh bol bol panchhi
ho o
par khol khol panchhi
ho o
par khol khol panchhi
kuchh bol bol panchhi
?? sej tujhko
par dekh
ud na jaana
par dekh
ud na jaana
moh lega man kisi ka
tera ye chahchahaana
tera ye chahchahaana
ho o
par khol khol panchhi
ho o
kuchh bol bol panchhi
kuchh bol bol panchhi
ho o
munh khol khol panchhi
ho o
kuchh bol bol panchhi
kuchh bol bol panchhi
aazaad aaj hai tu
kal ki magar na jaane
kal ki magar na jaane
kar lega qaid koi
kitne bhi kar bahaane
kitne bhi kar bahaane
ho o
mat dol dol panchhi
ho o
kuchh bol bol panchhi
kuchh bol bol panchhi
ho o
par khol khol panchhi
ho o
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
kuchh bol bol panchhi
Aansoo na bahaana
Posted on: August 6, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3671 | Post No. : | 14551 |
“Aaina”(1944) was directed by S M Yusuf for D R D Productions. This movie had Trilok Kapoor, Husn Bano, Kaushlya, Yakub, Gope, Yashodhara Katju, Rajkumari Shukla, Sulochana Chatterji, Mirza Musharraf, Leela Mishra, Sayyad Ahmad, Bibi, Sultan Bawa etc in it.
The movie had eight songs in it that were composed by two music directors viz Fatah Ali Khan and Gulshan Soofi. HFGK mentions three songs as composed by Fateh Ali Khan and two songs as composed by Gulshan Soofi. Music directors for three remaining songs are not known.
Five songs have been covered in the past.
Here is the sixth song from “Aaina”(1944). This song is sung by Shama. Tanveer Naqvi is the lyricist of this song. Music director for this song is not known. I have provisionally considered Gulshan Soofi to be the composer of this song.
I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Aansoo na bahaana (Aaina)(1944) Singer-Shama, Lyrics-Tanveer Naqvi, MD-Gulshan Soofi
Lyrics
aansu na bahaana
aankhon
aansu na bahaana
ye raaz hai dil ke
ye raaz hain dil ke
dil hi mein chhupaana
aansu na bahaana
aankhon
aansu na bahaana
aankhon
hai tumne jinhen ae
hai tumne jinhen
palkon ki chilman mein chhupaaya
hai tumne jinhen
palkon ki chilman mein chhupaaya
pardon mein khisaaya(?)
unhen ro kar na ganwaana
ro kar na ganawaana
aansu na bahaana
aankhon
aansu na bahaana
aankhon
tumse mili shikwa aa
taqdeer hamaari ee ee ee
tum jeet gayi ho o o
kismat hai tumhaari
ae dil
na tadapna
ae dil
na tadapna
hum pe na tadapna
ae dil na tadapna
hum pe na tadapna
wo khud hi chale aayen
wo khud hi chale aayen
asar apna dikhaana
asar apna dikhaana
aansu na bahaana
ye raaz hain dil ke
ye raaz hain dil ke
dil hi mein chhupaana
aansu na bahaana
aankhon
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3667 | Post No. : | 14541 |
| Blog Day : | 3662 | Post No. : | 14530 |
| Blog Day : | 3578 | Post No. : | 14326 |
Today (5 may 2018) is the twelfth rememberance day of Naushad (26 December 1919 – 5 May 2006).
Naushad composed just above 600 songs in 64 Hindi movies. 530 songs from 60 of his movies have been covered in the blog. 49 of these movies have already been YIPPEED in the blog. So unlike other music blogs/ radio stations/ TV stations, who play the usual well known songs as always, we in this blog only have 70 odd Naushad compositions from 15 movies to chose from, seeing that we do not repeat a song in the blog.
Seeing that all Naushad movies of 1950s and 1960s have already been YIPPEED, we only have Naushad songs of 1970s and beyond left to be covered.
Here is a song from “Aaina”(1974) as a tribute to Naushad. This movie was a Kalakendra Films production. It was produced by N Selvaraja and L Duraiswamy and was directed by K Balachandar. The movie had Mumtaz, Rajesh Khanna, A.K.Hangal, Nirupa Roy, Rita Bhaduri,Ratan Chopra, Lalita Pawar, Jayasudha,Adil Aman, Manmohan Krishna, Anjum Savera,Vandana Rane, Yasmin,Baby Seema, Kalpana, Jagdish Raj, Polson, Madhukar, Brahmachari, Suraj, Prem Kumar, Master Paresh Kumar, Master Jaganath, Madan Puri, Suresh Chatwal, Jagdeepetc in it. This movie had Neetu Singh and Dharmendra in special appearances. The film also had Kamal Hasan in it who was also one of the dance directors of the movie.
The movie had five songs in it. Two songs have been covered in the blog.
This song, the third from the movie, is sung by Lata. Jaan Nisaar Akhtar is the lyricist.
The song is picturised as a radio song on Reeta Bhaduri, who is seen singing this song as a tribute to Mumtaz, who plays the long suffering and scarificing bhartiya naari in the movie, as far as I can tell from the picturisation of this song.
The picturisation also shows many other persons, including Nirupa Roy, listening to the broadcast of this song on radio.
Song-Wo jo auron ki khaatir jiye (Aaina)(1974) Singer-Lata, Lyrics-Jaan Nisaar Akhtar, MD-Naushad
Lyrics
wo jo auron ki khaatir jiye mar mite
sochti hoon unhen kya mila
wo jo auron ki khaatir jiye mar mite
sochti hoon unhen kya mila
kya mila
kya mila
jaise baadal barasta hua
pyaas jag ki bujhaata hai
aa aa aa
jaise baadal barasta hua
pyaas jag ki bujhaata hai
jaise chandan sabhi ke liye
apni kushboo lutaata rahaa aa
yoonhi tum apna jeevan lutaati rahi
par tumhen pyaar kiska mila
wo jo auron ki khaatir jiye mar mite
sochti hoon unhen kya mila
khwaab dekhe hamaare liye
ek pal bhi agar so gayi ee ee
khwaab dekhe hamaare liye
ek pal bhi agar so gayi
tum ho maa saare pariwaar ki ee
sabki fikaron mein tum kho gayi ee
tum ho ma sare pariwar ki ee
sabki fikaron me tum kho gayi ee
tum na biyahi
na hatho me mehndi rachi
aur na maathe ko teeka mila
wo jo auron ki khaatir
unhen kya mila
ek aurat ho meri taraha
phir bhi lagti ho devi mujhe
aa aa
ek aurat ho meri tarha
phir bhi lagti ho devi mujhe
apna sab kuchh mitaaya magar
ik nayi zindagi di mujhe ae
apna sab kuch mitaya magar
ik nayi zindagi di mujhe ae
har andhere mein jalti pighalti rahi
dil tumhen deep jaisa mila
wo jo auron ki khaatir jiye mar mite
sochti hoon unhen kya mila
kya mila
kya mila
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Aaina”(1944) was an R D Production movie. This movie was directed by S M Yusuf. The movie had Trilok Kapoor, Husn Bano, Kaushlya, Yakub, Gope etc in it.
Here is a song from this movie. This song is sung by Zohrabai Ambalewaali and Gope. Pt Phani is the lyricist. The movie had two music directors in it viz Gulshan Soofi and Fateh Ali Khan. Both names are attributed against this song which means that the music director of this song is not known.
Read more on this topic…
Dharti hansti re
Posted on: February 14, 2013
“Aaina”(1974) was a Kalakendra Films production. It was produced by N Selvaraja and L Duraiswamy and directed by K Balachandar. The movie had Mumtaz, Rajesh Khanna, A.K.Hangal, Nirupa Roy, Rita Bhaduri,Ratan Chopra, Lalita Pawar, Jayasudha,Adil Aman, Manmohan Krishna, Anjum Savera,Vandana Rane, Yasmin,Baby Seema, Kalpana, Jagdish Raj, Polson, Madhukar, Brahmachari, Suraj, Prem Kumar, Master Paresh Kumar, Master Jaganath, Madan Puri, Suresh Chatwal, Jagdeepetc in it. This movie had Neetu Singh and Dharmendra in special appearances. The film also had Kamal Hasan in it who was also one of the dance directors of the movie.
Read more on this topic…
“Aaina”(1944) was an R D Production movie. This movie was directed by S M Yusuf. The movie had Trilok Kapoor, Husn Bano, Kaushlya, Yakub, Gope etc in it.
Read more on this topic…
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