Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1947’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There are two beautiful songs rendered by G M Durrani in ‘Nayi Kahaani’ (1943). Fortunately, video clips of both the songs are available. In the first of the two songs, neend hamaari khwaab tumhaare kitne meethhe kitne pyaare a boy suddenly gets up from the group of musicians and start singing sargam in a ‘rapid fire’ mode and then sits down for the song to continue. He sings sargam in his own voice. Again, in hamen kya ab khizaan jaaye na jaaye , the boy gets up during the musical interlude of the song and starts conducting the orchestra. These are the ‘scene stealer’ situations in the songs which, I am sure, must have remained in the minds of the audience when they came out of the theatre after watching the film. The boy was actor-singer Balakram.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am aware that Begum Para and Paro Devi are two different actresses. There is no same name confusion. Yet momentarily, I tend to get confused with the names of these two actresses. If someone to ask me as to which one of these two actresses was in the film ‘Neel Kamal’ (1947), I may have to think for a while before giving the correct answer, that is Begum Para.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the late 50s and early 60s when I got interested in Hindi film songs, I used to identify the popular songs only with the playback singers who had rendered them. It never came to my mind that I should also know as to who wrote the lyrics and who composed the music for the songs.  In the next stage of my interest in Hindi film songs, I was keen to know as to who composed the music for the songs that I liked very much. It was only when I heard some of the songs from films such as ‘Pyaasa’ (1957), ‘Kaaghaz Ke Phool’ (1959), ‘Anaadi’ (1959), ‘Barsaat Ki Raat’ (1960) etc, I felt that need to know as to who wrote the lyrics of the songs as well.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

… a lilting voice […]
falling softer than petals from blown roses on the grass,
and then lingering on and echoing endlessly…

(excerpted from an article by Anup Kumar Pande, published in the Hindu dated December 17, 2004).

A description more decent, more appropriate, I have not been able to find, or even be able to conjure up. The word ‘grace’, characterizes this persona, in ways more than one. And in all ways, nothing more appropriate would appeal – the ‘grace’ of the Almighty, that was gifted to her; the ‘grace’ with which she carried this gift through a lifetime that can only be described as matchlessly supreme; and the ‘grace’ with which she conducted her life, and herself, in an era wherein being blemish-less is a dream accomplishment.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaanti”(1947) was directed by S U Sunny for Firdaus Art Productions, Bombay. The movie had Vijaylaxmi, Jeewan, Afzhal, Latika, Sunalini Devi, Pratima Devi, Sharda, Shabnam, Munees Begam, Mustaf, Ameer, A R Kashmiri, Master Ratan, Sulemaan etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = =
The Voice of Mukesh #70
– – – – – – – – – – – – – –

The film industry has seen many stars, who, by logical analysis, should not have been. Let me mention the names of four male singers, who have become legends now – Saigal Sb, Rafi Sb, Mukesh, and Kishore Kumar. Besides all four of them being singers who have rendered songs that have become timeless in their essence and popularity, there is one more common thread that runs through their lives. None of these four had any recognized formal training in classical music. And yet, their voice, their renditions, the emotional alchemy contained therein – has an element of something that can only be attributed to providence.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Doli” (1947) was directed by S K Ojha. The movie had Amar, Jayant, Madhuri, Pratima Devi, Shashikala, Sulochana Chatterji, Wasti etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Giribaala”(1947) was produced and directed by Madhu Bose for Madhu Bose Productions, Calcutta. The movie had Indrani Devi, Dheeraj, Ahindra Cahudhary, Hrishikesh, Chitralekha, Rajlaxmi, Kamta Prasad, B R Tandon, Poornima, Vitthal, Das Panchotia, Abani Mitra, Tulsi Chakraborty etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gaaon” (1947) was directed by Dwarka Khosla for Jamuna Productions, Bombay. The movie had Karan Dewan, Indu Mishra, Tiwari, Amir Bano, Khaleel, Ram Singh, Leela, Shanti, Anand, Shekhar, Mahendra Watal, Lalit etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jugnu”(1947) was produced and directed by Shaukat Hussain Rizvi. The movie had Noorjahaan, Dilip Kumar, Ghulam Mohammad, sulochana, Latika, Zia, laddan, Agha Mirza, Sengar, Praveen, Shashikala, Nazeer Kashmiri, Munawwar Agha, Jillo bai etc in it.
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