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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘paro Devi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bijli”(1950) was directed by Sushil Sahu for Hindustan Chitra, Bombay. This “social” movie had Rehana, Ramesh Gupta, Sitara, Vilas Mohbe, Paro, Badri Prasd, Sushir Sahu, Amirbai Karnataki, Satya Narayan, Narbada Shankar, C L Shah, Kanta, Kazmi etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Behzad Lucknowi was one of many Urdu poets who entered Hindi film industry in the 1930s. However, in my view, he was also one of the least visible poet-lyricists among those who had spent over a decade in the Hindi film industry in the 1930s and 1940s. Some of his high quality ghazals like zinda hoon iss tarah ki gham-e-zindagi nahin, tumhaare bulaane ko jee chaahta hai, rehne laga hai dil mein andhera tere baghair are still remembered today. Most listeners of these ghazals would identify these songs with Mukesh, Lata Mangeshkar and Begum Akhtar, respectively, as it so often happens in case of popular Hindi film songs.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ghar Ki Bahu”(1947) was directed by Narayan Rao and G K Devre for Kohinoor pictures, Bombay. This “social” movie had Paro Devi, Umakant, Ghulam Mohammad (actor), Pandey, Mehar Sultana, Manohar Ghatwai, Dhuliya, Babu Raje, Geeta Sardesai etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Amar Asha”(1947) was directed by V M Vyas for Sunrise Pictures, Bombay. The movie had Paro Devi, Umakant, Sitara, Ghulam Mohammad (actor), Pratima Devi, Pandey, Amir Bano, Babu Raje, Radha, Ma Wazir, Mumtaz etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am aware that Begum Para and Paro Devi are two different actresses. There is no same name confusion. Yet momentarily, I tend to get confused with the names of these two actresses. If someone to ask me as to which one of these two actresses was in the film ‘Neel Kamal’ (1947), I may have to think for a while before giving the correct answer, that is Begum Para.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

KARWAT (1949) was directed by Gopal for Shri Gopal Pictures. The movie had Geeta Nizami, Satish, Paro Devi, Jeevan, Leela Mishra, Sarita Devi, Kamalakant etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shabnam” (1949) was directed by B Mitra for Filmistan Studios. The movie had Dilip Kumar, Kamini Kaushal, Jeevan, Paro, Mubarak, Harun, Rajendra Singh, Shyama, Cuckoo etc in it. AS many as eight songs from this movie have been discussed in the past.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Though I would like to be more systematic in discussing the songs in the blog, I have not been able to put my intentions to practice. One of my aims these days is to discuss a song of 1930s every day in a bid to cover all the available songs of 1930s. Another aim is to cover all the songs of movies. Yet another aim is to ensure that songs from movies as yet unrepresented in the blog are discussed in the blog. Then there are artists nearing their landmarks or artists having their anniversaries and so their songs must be discussed.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shikaari” (1946) was directed by Savak V Vacha. The movie had Ashok Kumar, Paro, Leela Mishra, Rama Sukul, S L Puri, Kishore Kumar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (1 october 2015) is the 109th birth anniversary of S D Burman (1 October 1906 – 31 October 1975).

SD Burman was a well established and well respected music director by the time I became aware of his name (sometime in late 1960s). But like everyone else, he too made his debut sometime. It is difficult to imagine it today, but his earlier career was full of struggles and his career as a music director in Hindi movies was almost a non starter. He was given his initial breaks in 1940s by Sasadhar Mukherjee of Filmistan who signed him up for “Aath Din”(1946) and “Shikaari”(1946). The music of these two movies did not create much impression at that time. It was his next movie with Filmistan,namely “Do Bhai”(1947) that helped SD Burman get some foothold in the industry. He kept scoring music for the subsequent movies of Filmistan.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13600 song posts by now.

This blog is active and online for over 3300 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13654

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Movies with all their songs covered =1024
Total Number of movies covered =3736

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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