Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1947’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the 5th song in the “Music Directors sing for other Music Directors” series.

This song has been sung by composer Bulo C Rani, for Music Director Khemchand Prakash, in the film ” Mulaaqaat”-1947.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a song from the film Dil ki Rani-1947, and the singer is SHYAM SUNDER, for the film’s Music Director S.D.Burman.
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If one looks online for details about old obscure movies, we most likely end up at sites that promise the world but deliver nothing.

Thankfully, we in this blog get our details from Mr Arunkumar Deshmukh, our own beloved inhouse encyclopaedia. So when I needed to find the details about “Sindoor” (1947), all I had to do was to search for the old posts on this movie.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Today’s song is a real treat to the Connoisseurs. It is a group song from the film MIRZA SAHIBAN-1947, sung by Malika-E-Tarannum Noorjahan, Zohrabai Ambalawali, Shamshad Begum and chorus. The music was provided by three brothers together- Pt.Amarnath and Husnlal-Bhagatram.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Aah, five years. Five wonderful, glorious years. Five years of rediscovery, five years of getting to know, all so much that we didn’t know – the films, the songs, the people, the times, the circumstances. Five amazing years of finding long lost gems, songs we had heard decades ago on the radio – ah, the exhilaration of meeting someone, whom you never thought you would ever be able to meet again. Five fabulous years of meeting new sounds that one has never heard before. And wonder, where was I all these years, and where have all these wonderful songs been hiding.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #23
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Wow, probably the best specimen of a ‘roothna – manaana’ song, if ever there was one. And done with such merriment and such a ticklish and playful performance by both the parties involved. I am glad the video of this song is available. Even after 66 years, the effect of this song and its visual has such a rollicking effect. I am sure you are going to love this song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #22
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Today I am posting the 5th song by Mukesh from the film ‘Tohfaa’ (1947). As we make progress on the trip to listening to the voice of Mukesh in some well known, and some not so well known and downright rare songs, we are now coming close to the end of the 1947 list of songs by Mukesh. After this post, only two more of his songs from 1947 are to be posted.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is generally believed that scriptwriters (I use this word to include story, screenplay and dialogue writers) in Hindi films gained recognition and their status enhanced thanks to Salim-Javed duo who reigned over Hindi film industry with their fast paced screen plays and dialogues during 70s and early 80s. In fact, those days during our family discussions, if someone gives a hard hitting response, we used to say “here comes Salim-Javed” which would help in bringing normalcy to the ongoing heated disussions. The duo became so popular that they used to decide who would be the lead actor in the films for which they wrote scripts. It is also believed that in addition to their fixed component of fees, they would also get a share of profits from the films for which they wrote. I have seen their names being printed in bold letters in film posters and newspapers advertisements signifying that along with lead actors, music director etc, the name of Salim-Javed also played a role in attracting cinegoers to the movie halls.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Many Colors of Love #4 — Romance in Golden Years
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And so wrote the scribe. . .

“Ae Meri Zohra Jabeen”.

These first four words make an instant identification to this fabulous song that needs absolutely no introductions. The song made immortal, not just by Sahir-Ravi-Manna Da, but more so by the performance of Balraj Sahni (as Lala Kedarnath) on screen, with a coy Achla Sachdev (as Laxmi Kedarnath) getting all bashful and pink in face, realizing what a display of romanticism has been unleashed by ‘Lalaji’. A song that eventually became the signature performance for Balraj Sahni. And over the decades, the song has steadily grown on the collective minds of the people and assumed a cult status as the banner song for golden age romance. Yes, I hear this song played often at silver and golden anniversaries of marriages.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #21
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The year 1947 was very good for Mukesh, till then the best so far in his seven years career. In this year, he recorded a total of 21 songs in 10 films. We have so far covered 17 of his songs from this year, including all the songs from the film ‘Do Dil’ in which he sang as many as six songs.
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