Archive for the ‘Songs of 1950s (1951 to 1960)’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6397 | Post No. : | 19844 |
Today’s song is from an obscure social film Gharbaar-1953.
The film was produced by Ratilal Vora and it was directed by Marathi Cinema’s well known personality Dinkar D. Patil. The music was by Vasant Prabhu. The cast of the film was Sulochana Chaterjee, Shakuntala Devi (mother of actress Ameeta- Tumsa Nahin Dekha fame), Surendra, Shammi, Baby Naaz, Manhar Desai, Kuldeep Kaur, Gope and others.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6396 | Post No. : | 19842 |
#the Decade of Fifties – 1951 – 1960 #
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(Lyricist Kavi Pradeep-53)
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We resume our journey of Kavi Pradeep songs after a gap of more than a month. I had planned to post Kavi Pradeep songs regularly because we have yet to cover many of the songs that he wrote for Hindi films.
Today’s song is from the movie ‘Basant Panchami-1956’. This movie has ten songs written by Kavi Pradeep. Chitragupt was the music director. Asha Bhonsle and Kavi Pradeep were the playback singers. The movie had two duets and eight solo songs by Asha Bhonsle. So far, five songs from this movie have already been posted on this blog. Today we are going to listen to the sixth song from this movie.
‘Basant Panchami-1956’ was directed by Jayant Desai for ‘Hemlata Pictures’. Jayant Desai was also the producer of this movie and it was passed by Censor Board on 24.07.1956. ‘Basant Panchami-1956’ was a devotional or ‘bhakti pradhaan’ movie. The cast of this movie included Nirupa Roy, Anant Kumar, Jeevan, S.N. Tripathi, Radhakishan, Yashodhara Katju, Niranjan Sharma, Kumkum, Babu Raje, Charubala, Anand Joshi, Sukumar, Dubey, Uma Dutt, Naazi, Shri Bhagwan and others.
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Main to aa ke lut gayee
Posted on: January 21, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6396 | Post No. : | 19841 |
Today’s song is from an imaginary (Kalpanik) film – Hatimtai ki Beti-1955.
The film was produced and directed by Nanubhai Vakil for his own banner Vakil productions, Bombay. Music was by A.R.Qureshi, assisted ably by the yesteryear’s composer, Damodar Sharma. Sharma was one of the well known Music Directors of the early era films. Among the old era MDs, Damodar Sharma was different, in the sense that his songs were always unlike those of his contemporaries. When you hear his songs, you will notice that difference. From 1934 to 1948, he gave music to just 41 films. All his films were C grade films made by Paramount, Liberty, Ramnik Productions, Mohan Pictures and others. After 1948, he stopped getting films, so he worked as assistant to MD A.R.Qureshi till 1964.
The cast of the film included Chitra, Mahipal, Daljit, Krishnakumari, Kamal, Kammo, Heera Sawant, Helen, Ruhi, Tun Tun, Naaz,Maruti, Sunder, Kesari, W.M.Khan and others. The guest artistes were Heeralal, Ram Singh, Al Nasir etc. Lyricists were Shevan Rizvi and Kaifi Azmi.
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Kaisee laagee karejwaa kataar
Posted on: January 20, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6395 | Post No. : | 19837 |
Today’s song is from a social film Ferry aka Kashti-1954.
Produced and directed by Hemen Gupta for his own banner Film trust of India, Bombay, the film had music by hemant kumar. In this film, his assistant was Ravi (Ravi Shankar Sharma), who soon made his Debut as an independent Music Director with the film ” Vachan “-1955. However, for many films even after ‘Vachan’, he continued to be an assistant to Hemant Kumar. Wherever possible, he also used Hemant Kumar as a Playback singer in the films wherein he was the Music Director.
The cast of the film was Geeta Bali, Dev Anand, Ram Singh, Gulab, Chand Burke, Premlata, Janaki Das, Master Babu, Baby Bula and many others. Geeta Bali’s name appeared before Dev’s, because this was her 48th film compared to 35th film of Dev Anand, thus she was senior.
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Kehtee hoon har baar yahee
Posted on: January 19, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6394 | Post No. : | 19835 |
“Taajposhi”(1957) was produced by Tejnath Zaar and directed by Dwarka Khosla for Zaar Productions, Bombay. The movie had Shyama, Ranjan, Shammi, Manju, Maruti, Jeevan, Praveen Pal, Bhagwan Sinha, Kanchanmala, Satish Batra, Gopal Vashishtha etc in it. Kammo had a guest appearance in this movie.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6394 | Post No. : | 19834 |
Today ‘s song is a typical 1950’s Fun song from a Mythological film – Durga Pooja-1954.
The film was produced by Dhirubhai Desai and his son Sharad Desai for their family banner Sharad Productions, Bombay. The director of this film was Dhirubhai Desai. Music Director was a veteran of such films – S.N.Tripathi. He used 4 lyricists for the film’s 10 songs namely, Bharat Vyas (3 songs), G.S.Nepali (2), B.D.Mishra (3) and Saraswati Kumar ‘Deepak’ (2). The cast included Nirupa Roy, Trilok Kapoor, Shahu Modak, Kamal( wife of comedian actor Maruti), Yashodhara Katju, Ratnamala, S.N.Tripathi, Rajkumar Khatri, Indira Bansal, Yashwant Dave etc.
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Ye bata ae zindagee ke paasbaan
Posted on: January 18, 2026
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6393 | Post No. : | 19832 |
ہر ایک بات پہ کہتے ہو تم کہ تو کیا ہے
تمہیں کہو کہ یہ انداز گفتگو کیا ہے
نہ شعلہ میں یہ کرشمہ نہ برق میں یہ ادا
کوئی بتاؤ کہ وہ شوخ تند خو کیا ہے
یہ رشک ہے کہ وہ ہوتا ہے ہم سخن تم سے
وگرنہ خوف بد آموزی عدو کیا ہے
چپک رہا ہے بدن پر لہو سے پیراہن
ہمارے جیب کو اب حاجت رفو کیا ہے
جلا ہے جسم جہاں دل بھی جل گیا ہوگا
کریدتے ہو جو اب راکھ جستجو کیا ہے
رگوں میں دوڑتے پھرنے کے ہم نہیں قائل
جب آنکھ ہی سے نہ ٹپکا تو پھر لہو کیا ہے
وہ چیز جس کے لیے ہم کو ہو بہشت عزیز
سوائے بادۂ گلفام مشک بو کیا ہے
پیوں شراب اگر خم بھی دیکھ لوں دو چار
یہ شیشہ و قدح و کوزہ و سبو کیا ہے
رہی نہ طاقت گفتار اور اگر ہو بھی
تو کس امید پہ کہیے کہ آرزو کیا ہے
ہوا ہے شہہ کا مصاحب پھرے ہے اتراتا
وگرنہ شہر میں غالبؔ کی آبرو کیا ہے
हर एक बात पे कहते हो तुम कि तू क्या है
तुम्हीं कहो कि ये अंदाज़-ए-गुफ़्तुगू क्या है
न शो’ले में ये करिश्मा न बर्क़ में ये अदा
कोई बताओ कि वो शोख़-ए-तुंद-ख़ू क्या है
ये रश्क है कि वो होता है हम-सुख़न तुम से
वगर्ना ख़ौफ़-ए-बद-आमोज़ी-ए-अदू क्या है
चिपक रहा है बदन पर लहू से पैराहन
हमारे जैब को अब हाजत-ए-रफ़ू क्या है
जला है जिस्म जहाँ दिल भी जल गया होगा
कुरेदते हो जो अब राख जुस्तुजू क्या है
रगों में दौड़ते फिरने के हम नहीं क़ाइल
जब आँख ही से न टपका तो फिर लहू क्या है
वो चीज़ जिस के लिए हम को हो बहिश्त अज़ीज़
सिवाए बादा-ए-गुलफ़ाम-ए-मुश्क-बू क्या है
पियूँ शराब अगर ख़ुम भी देख लूँ दो-चार
ये शीशा ओ क़दह ओ कूज़ा ओ सुबू क्या है
रही न ताक़त-ए-गुफ़्तार और अगर हो भी
तो किस उमीद पे कहिए कि आरज़ू क्या है
हुआ है शह का मुसाहिब फिरे है इतराता
वगर्ना शहर में ‘ग़ालिब’ की आबरू क्या है
No need to say here that the above ghazal is the kalam of Mirza Ghalib. His takhallus is his signature in the last Shair. Like the painters sign at the bottom of the canvas. Newer trend here is the thumb impression, biometric is the new signature. Going back in time.
The trigger for the above ghazal is here in the last stanza of this song:
aakaash se taare toot padey
aankh se tapki jo meri daastaan
Read more on this topic…
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6391 | Post No. : | 19827 |
Hullo Atuldom
This post is thanks to the reminder that came from an Atulite (on Whatsapp), that today would have been the 100th birthday of Omkar Prasad Nayyar better known as O.P.Nayyar to the film- music- loving public.
O.P. Nayyar was born in Lahore, which is now in Pakistan, on 16th January 1926 as one among four sons. According to information on the internet, all his brothers are doctors. He was married to Saroj Nayyar who was a stage dancer when she met OPN who was at that time a singer at Lahore Radio Station. The Nayyars are parents to three daughters and a son. One of his granddaughters or grand niece, Niharica Raizada an actress, was born in Luxembourg, was seen in the Rohit Shetty directed ‘Sooryavanshi’ in 2021 & ‘Total Dhamaal’ (2018) a Inder Kumar directed film.
O P Nayyar was active in the film world from 1949 when he gave the background score for ‘Kaneez’. Dalsukh Pancholi’s ‘Aasman’ (1952) was his first as music director. ‘Zid’ (1994) directed by Esmayeel Shroff was the last film with OPN’s music.
In between 1952 & 1994 (almost 42 years) OPN’s music was heard in 73 Hindi movies (according to this post by Atulji.
That post also gives the number of O.P. Nayyar songs yet to be posted as 97. Since then (2018) we have added 37 more songs i.e. around 60 filmy songs are yet to be posted.
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Kar le dil ka sauda dil se
Posted on: January 15, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6390 | Post No. : | 19818 |
Today’s song is from a costume film Yahudi ki Ladki-1957. The film was produced and directed by S.D.Narang for New oriental Pictures, Bombay. Music was by Hemant Kumar, ably assisted by Ravi, who had already started giving music to films independently since film Vachan-1955. The Lyricist was S.H.Bihari. The film cast included Madhubala, Pradeep Kumar, Gajanan Jahagirdar, Heeralal, Sunder, S.D.Narang, Smriti Biswas, Krishnakant, Helen and many others.
When Talkie films started, films made in Bombay had two major influences. One influence was films made from Calcutta ( in my opinion,every Hindi film coming from Calcutta was like watching a Bangla film with Hindi dialogues,using Bookish Hindi language) and the second influence was that of the Parsee Theatre stories. Parsee Theatre was very active from 1850 to 1930s. With their costumes, sets,stories and dialogues they influenced theatres of all languages of India. Plays were in Gujarati,Hindi,Urdu and English, but its impact was widespread. The Parsee Theatre dramas spread from Bombay to Karachi, Lahore, Dacca, Lucknow, Aligadh, Meerut, Delhi, Calcutta, Jodhpur and Hyderabad. The active theatres lasted till the 40s, but then most big drama companies started film companies like Imperial, Minerva,Wadia and Madan from Calcutta. They borrowed stories from Parsee Shahnama, Arabian Nights, Mahabharat, Shakespeare etc. They employed paid drama writers.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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