Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5903 Post No. : 18502

Today’s song is from the film Patit Pawan-1955.

Most of our readers are aware of “Same name confusion”. It is a phenomenon in which 2 or more artistes having similar names operated in Hindi films, during the same period, causing severe damage to the less known artiste when his films were credited-unjustly- to the filmography of the well known artiste of the similar name. In an industry where from 1931 to 2000 period itself more than 7000 artistes acted in the Hindi films, it was bound to occur and it did take place. I have done research on this matter and have clarified the different artistes, numbering to over 100, who were involved in such a confusion. These are included in my first 2 books also.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5901 Post No. : 18499

Non-Film Songs of Mukesh – 04
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A hat-trick of short songs and shorter posts.

For Mukesh’s Remembrance Day on 27 August 24, due to paucity of time, I had sent this short song from Sangam (1964).

Then, I happened to stumble upon another rare rendition by Mukesh from the film Duniya Na Maane (1959).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5901 Post No. : 18498

Today’s song is from the film Ghayal-1951.

The film was produced and directed by Ramchandra Thakur, under the banner of Shri Navratna Chitra, Bombay. he was a highly qualified person, having done his post graduation (M.A.), in English language. he was a prolific writer in English, Hindi and Gujarati, before he joined the film line. In the early years of Indian films, very few educated persons were found in this line. His initial training in direction in sagar movietone was under Chimanlal Luhar and Virendra Desai. His first independently directed film was Civil marriage having another Debutante Heroine Snehprabha Pradhan. He retired after directing his last film Nawab Sirajuddaula-1967, after 20 films as a director. He wrote the script for film Baiju Bawra-52, produced 5 films directed 2 Gujarati films and wrotestories and screenplays for several films. He also wrote 4 novels in English. he died on 31-10-1992.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5900 Post No. : 18497

Today’s song is from the film Paak Daman-1957.

This was a Muslim social film.

I have already written at length about Muslim Social films made in India since 1931 in my last post on a song from film Ismat-1944. But that was all for such films before Independence.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5899 Post No. : 18496

#the Decade of Fifties – 1951 – 1960 #
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Today’s song is from the movie ‘Shree Ganesh Vivaah-1955’. From the title of this movie readers can easily guess that the song in this presentation would be a ‘Lord Ganesha related song’. Yes! In this post I am presenting a ‘beautiful Ganesh vandan bhajan’ from this movie ‘Shree Ganesh Vivaah-1955’.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5898 Post No. : 18494

Today’s song is a qawwali from the film Bade Bhaiya-1951.

The film was made by Super Pictures. produced and directed by the Banner owner- Aspy Irani, who was the husband of actress Husn Banu, daughter of yesteryear actress Shareefa. Aspy Irani was Aspindiar Hormusji Irani, an expert famous for handling Action films and C grade movies. From 1936 to 1986 he directed 55 films. Some of his known films were Johnny Walker’s Naya Paisa, Qaidi No. 911, Shabnam, Baadal etc. One day he left his home for work on 23-11-1986 and simply disappeared into thin air ! Rigorous searching by the Bombay Police did not succeed and he was declared a “missing person” forever !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5897 Post No. : 18493

Today’s song is from the film Laxmi Narayan-1951.

In the Hindi Film Geet Kosh (HFGK), you find mention of the Genre of every film like Social, Mystery, Family, Historical etc etc. During the 50’s decade 2 types of films were common, which were categorised as भक्ति प्रधान (Religious) and पौराणिक (Mythological). Most people do not know what the difference is between these 2 categories. Films made on stories from the Holy Scriptures like Ramayan, Mahabharat, Puranas and Vedas are called पौराणिक (Mythological) e.g. Ram Rajya, Bharat Milan, Ghatotkach, Shri Ganesh Vivah etc. Films made on the events connected with or the life of Saints or Bhakts are categorised as भक्ति प्रधान (Religious) e.g. Bhakta Dhruv, Mahatma kabir, Sant Tukaram, Bhakta Pundalik etc etc. One has to remember that Bhakti Pradhan or Religious films are not from Mythology, but Pouranik or Mythological films are religious films as they are connected with the principles of Religion.Laxmi Narayan is considered as the most ideal couple wherein Beauty and Wealth are combined with the Supreme Power. In our day to day life, a couple with very good looks and matching to each other is called a “Laxmi- Narayan” joda.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5896 Post No. : 18490

Today’s song is from the film Mordhwaj-1952.

Having seen so many Mythological films since early childhood, I got interested in knowing more about our religion and started reading books of religious stories. As such the family atmosphere was also conducive to religious learning, so it actually accentuated my attraction more. Among Ramayan and Mahabharat, I liked Mahabharat more. Lord Krishna, I felt, was more relevant to today’s world, which understands 2 principles….” might is Right’ and ” Tit for tat”.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5895 Post No. : 18489

Today’s song is from the film Mahapooja aka Shri Satyanarayan Katha-1954.

Shri Satyanarayan is not an avatar of Vishnu. It is a form of Maha Vishnu. The pooja is described in Skanda Puran, in which Lord Vishnu tells Narad how this puja will help the Human beings in times of stress in Kaliyug. The custom of following this Vrat and doing Satyanarayan pooja gained momentum in the period of the ‘Bhakti Movement’, which began from the 7th century in South India – Tamilnadu – and peaked all over the rest of India during the 15 th to 17 th century.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5894 Post No. : 18488

Another quick and a short one. I mean both the post as well as the song.

Duniya Na Mane (1959) is already yipped on the blog. Readers will be well aware that the film was composed by Madan Mohan. I have covered all songs of Mukesh for the composer in this post.
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