Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5947 Post No. : 18584

Today’s song is from the film Guru Ghantal-1956.

There was a film in 1937 also with the same title. The story of both the films were on similar lines. But do you know what the meaning of the word Guru Ghantal is ? I did not know, but I found out from a Hindi-English dictionary, published in 1889. This was compiled by ” The Rev. T.Craven, M.A.”, in Lucknow. Many years ago, I had a habit of roaming on the streets of big cities like Bombay, Delhi, Calcutta or even smaller cities like Poona, Lucknow or Hyderabad, in search of second hand old and rare books. I found this dictionary of Hindi-English-Hindi and Urdu-English-Urdu words for sale in Lucknow. It was quite a thick book and occupied considerable space in my suitcase. The book is extremely useful and I have to use it very carefully because, being so old-135 years- its pages have become brittle and delicate. It is one of my prized possessions !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5946 Post No. : 18583 Movie Count :

4996

While going through the filmography of the music director, Vanraj Bhatia recently, I found that he had done the music composition mostly for the off-beat or ‘middle of the road’ films, including those of Shyam Benegal’s films. Among his Bollywood masala films which are few, ‘Surkhiyaan’ (1985) was one of them which came as surprise to me because a couple of songs from the film which I had heard long back, sounded to me like that of R D Burman. The title of the film gave the hint that the story may have something to do with print media. With Naseeruddin Shah as a lead actor, I thought that the script of the film would be good for him to agree to work in the film. I watched the film a couple of days back on this assumption.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5946 Post No. : 18582 Movie Count :

4995

#the Decade of Eighties – 1981 – 1990 #
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The song in this post is a song from a recent movie by the standards of this blog. It is from the year ‘1981’ and the title of the movie it is ‘Sant Gyaaneshwar’. I doubt how many of us remember that there was a movie with this title in the year 1981. As for me, I have never heard or read about this movie of 1981. On the other hand it is the movie ‘Sant Gyaaneshwar’ of 1964 that I am aware of from my childhood days. I remember this movie title because of its memorable songs. My guess is that this movie 1981 with the same title ended up becoming a forgotten movie immediately after its release. This movie was passed by Censor Board on 03.03.1981.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5946 Post No. : 18581

Today’s song is from the film Diwali ki Raat-1956.

This was a film in which singer Talat Mahmood acted as a hero opposite heroine Roopmala. Talat Mahmood (24-2-1924 to 9-5-1998) acted in 12 films from 1945 to 1958 and he also did a cameo role, singing a song-“Shukriya Ae Pyar Tera Shukriya“, of three and half minutes in film Aaram-1951. In his early career starting in Calcutta, he fell in love with a Bangla actress Latika Mullick. They got married on 20-2-1951. She was converted to Islam and was renamed Nasreen, who bore two children to Talat. As per a book by Manek Premchand, ‘Talat Mahmood – The Velvet Touch’, he sang 777 songs which included Hindi film songs, NFS and unreleased films etc. As per another source he sang 451 Hindi film songs from 259 Hindi films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5945 Post No. : 18580

Today’s song is from an obscure film Deep Jalta Rahe-1959.

I said ‘obscure film’ because no one remembers this film today. Actually this film was made by a well known banner like Filmistan, it was directed by a skilled director like Datta Dharmadhikari, music was by Roshan and the cast too had good actors. Still, the film remained a flop at the Box office. The reason was its story. The mid 50’s onwards the period was when the people looked at the films as entertainment with lilting music. This film had neither of these. Perhaps the makers forgot that films with a tragic end, separation of lovers and a weak story by current standards was not accepted by the audience.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5944 Post No. : 18579

Today’s song is a Bhajan from the social film Daamad-1951.

The film was made by the Beema productions, Bombay and was directed by Brij Rani. The Producer was N.T.Mudneni and the music was provided by three MDs, namely Shyamu (3 Songs), Indravadan Bhatt (4 songs), and Ram Panjwani (1 song). The singers were Ram Panjwani, Ishu, Shrimati Vishnilal, Sulochana Kadam and Khan Mastana. The cast included Master Bhagwan, krishnakumari, Yashodhara Katju, Protima Devi, Cuckoo, Shyamu, Ishu Jagirdar and many others. one can notice, from the names, that there was Sindhi dominance in all departments.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5943 Post No. : 18578

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # (Sahir Ludhianvi’s 44th Remembrance Day)
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‘Chehre Pe Chehraa-1980’ was directed by Raj Tilak, for ‘Tilak Movies, Bombay’. Raj Tilak was also the producer of this movie. It had Sanjeev Kumar, Rekha, Vinod Mehra, Sulakshana Pandit, Amol Palekar, Rajani Sharma, Shree Ram Lagoo, Iftekhar, Shammi, Suresh Chatwal, Kumar Aditya, Prem Sagar and others. Shatrughan Sinha and Amjad Khan made special appearances in this movie. Screenplay of this movie was written by Raj Marbrose and dialogues were written by Kadar Khan. Editing of this movie was done by Madhu Sinhaa. This movie is said to be based on Robert Louis Stevenson’s novel ‘Dr. Jeykll & Mr. Hyde’ and it was passed by Censor Board on 21.05.1980 with restricted viewing certificate (i.e. with ‘A’ category certificate).
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5943 Post No. : 18577

Continuing our series on some rarely heard songs of Asha Bhosle, we come to this beauty from Gehri Chaal 1973. About eight years ago, Peevsie’s Mom Ji, a regular contributor to the blog had introduced this movie with a very popular song “Jaipur ki choli mangwa de re sainyya.”

Now, I get a chance to introduce a solo by Asha Bhosle – Maara, Wade Ne Tere – which is penned by Rajinder Krishan and composed by Laxmikant Pyarelal.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5943 Post No. : 18576

In this article, I have taken up for discussion, one of the unreleased films, ‘Sameera’ (1982) which was initially titled ‘Wohi Baat’ when it went to floor for shooting in 1977. The film was jointly produced by Cinematographer, K K Mahajan and the Film Editor, Pran Mehra and was directed by debutant, Vinay Shukla. The main actors in the films were Shabana Azmi, Parikshit Sahni, Mithun Chakraborty and Amol Palekar.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5943 Post No. : 18575

Today’s song is the last song from the film ” Maha Pooja”-1954 to be covered here and thus making the film YIPPEED !

In the last 8 songs of this film, a lot of related matters, including its story, has been discussed. The film is about the well known story of The Satyanarayan Katha, its importance and how performing this Pooja can benefit the person doing it. This Pooja is perhaps one of the several common religious and cultural events performed in most parts of India. It is believed that it benefits not only the performer but also those who are present at the Pooja time and consume the Prasad. That is an invitation to attend a Satyanarayan Pooja is generally honoured by everyone.
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