Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Muqaddar


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4708 Post No. : 16413

In the initial years of sound films, some of the story, screen-play, dialogue and song writers came with literary background who had been well-known in the literary circle due to their published works. Gaurishankar Lal ‘Akhtar’, ‘Narayan Prasad ‘Betab’, Munshi Premchand, Amritlal Nagar, Dr. Safdar Aah Sitapuri, Krishan Chander, Dewan Sharar, Pandit Mukhram Sharma, Pandit Anand Kumar were some of such writers who started their association with Hindi films in the 1930s and 40s. Vrajendra Gaur, writer, poet and journalist was one among them.

Vrajendra Gaur had a long inning of 35 years in Hindi film industry as a screen-play/dialogue writer and the lyricist, aggregating around 70 films. A good number of photos I have browsed through on the google images, gives me an impression that Vrajnedra Gaur had friendly relationship with almost all the stalwarts of Hindi film industry during 1950-1980. In Bollywood, to have a successful career, one requires building up friendly relationship with those who matters in the film industry apart from the talent. It appears that this combination was a success formula for Vrajendra Gaur in his filmy career.

Etawah-born and Lucknow-settled Vrajendra Gaur (01/04/1924 – 07/08/1980) had already published his novels like ‘Sindoor Ki Laaj’, ‘Aadhi Raat Ka Sooraj’ ‘Jaagte Raho’ and ‘Manzil’. His other novels, ‘Kalkatte Ka Qatl-E-Aam’ and ‘Parole Par’ were banned by the British government for creating anti-British sentiment. He joined Hindi film industry in 1945 not on his own volition but on an invitation from Motilal after he heard his radio play, ‘Dhai Lakh’ on All India Radio. Motilal was so impressed with his presentation on AIR that he entrusted Vrajendra Gaur to write screen-play and dialogue for Motilal-Shanta Apte film, ‘Saawan’ (1945).

After writing lyrics for the films like ‘Ratnavali’ (1945), ‘Panihaari’ (1946), ‘Mangalsutra’ (1947), ‘Gunjan’ (1948), Vrajendra Gaur was disillusioned by the way the Hindi film industry works. He went back to Lucknow and worked in different capacity including editing some Hindi periodicals.

It was in 1950 when Bombay Talkies invited him to write dialogues for their film ‘Sangram’ (1950) with Ashok Kumar and Nalini Jaywant in the lead role. The box office success of this film not only helped Bombay Talkies financially, it also gave a lease of life for the filmy career of Vrajendra Gaur who also wrote songs for the film. ‘Parineeta’ (1953) was his next major box office success film as a dialogue writer in which Ashok Kumar was the producer-actor.

Vrajendra Gaur‘ first and the only film which he directed was ‘Kasturi’ (1954) for which he also wrote dialogues and songs. In an article published in silhouette magazine, it was mentioned that during the making of ‘Kasturi’ (1954), Vrajendra Gaur was to direct ‘Bahu’ (1955). However, his contractual obligations as a director for ‘Kasturi’ (1954) under which he could not take up direction in any other film until ‘Kasturi’ 1954) was released, came in his way. So, Shakti Samanta got the opportunity to direct his debut film ‘Bahu’ (1955) as director. Vrajendra Gaur did get to write the dialogues for the film. This opened up Vrajendra Gaur’s long association with Shakti Samanta in many films as dialogue writers such as ‘Howrah Bridge (1958), Insaan Jaag Utha’ (1959) ‘Singapore’ (1960), ‘Jalli Note’ (1960), ‘China Town (1962), ‘Saawan Ki Ghata’ (1966), ‘Kati Patang’ (1970), Jaane Anjaane’ (1971), ‘Anuraag’ (1972), ‘Charitreheen’(1974), ‘The Great Gambler’ (1979) etc.

It would also appear that Vrajendra Gaur had a close rapport with Dev Anand if one goes by the number of films, he wrote story/screenplay/dialogues in which Dev Anand was the lead actor. ), ‘Baarish’ (1957), ‘Jalli Notes’ (1960), ‘Manzil’ (1960), ‘Sarhad’ (1960), ‘ Baat Ek Raat Ki’ (1962 ‘Teen Devian’ (1965), ‘Pyaar Mohabbat’ (1966), ‘Duniya’ (1968), ‘Mahal’ (1970), ‘Warrant’ (1975) were some of the films he was associated with Dev Anand. From a photograph I saw on the net of the Udaipur location shooting, it appears that Vrajendra Gaur was initially associated with ‘Guide’ (1965). Chetan Anand, who was to direct the film, had to leave the assignment when he got approval for his film ‘Haqeeqat’ (1964). Probably, when Vijay Anand took over as a director, he started with a clean slate by writing afresh, the screen-play and dialogues for ‘Guide’ (1965).

Other successful films for which Vrajendra Gaur wrote dialogues were ‘Saraswatichandra’ (1968), ‘Sharmeelee’ (1971), Geet Gaata Chal’ (1975), ‘Dulhan Wahi Jo Piya Man Bhaaye’ (1977), ‘Akhiyon Ke Jharokhon Se’ (1978) etc.

[Note: Some of the information about early life of Vrajendra Gaur mentioned in the article are gathered from the Facebook page, ‘Vrajendra Gaur’.]

Vrajendra Gaur’s stature as a dialogue writer has been so impressive that his contribution as a lyricist seems to have remained in the sideline. He had to write songs during the early phase of his career as at that time his assignments as a dialogue writer were few. After going through some of the songs among 60 odd songs he wrote for a dozen films, mainly during 1945-55, I feel that his literary bend of mind is reflected in some of the songs. A few examples:

Song Movie (Year)
nain baan se karke ghaayal ‘Ratnavali’ (1945)
kiska saath nibhaaun ‘Gunjan’ (1948)
wo unka muskuraanaa sharmaanaa chaley jaana ‘Sangram’ (1950)
kabhi inko chaahen kabhi unko ‘Zalzala’ (1952)
wo meri taraf yoon chale aa rahe hain ‘Kaafila’ (1952)
main to haar gayi mann ‘Kasturi’ (1954)

Incidentally, lyricist Yogesh is the first cousin of Vrajendra Gaur.

To highlight Vrajendra Gaur also as a lyricist, I am presenting the only song he wrote for the film ‘Muqaddar’ (1950) out of 9 songs. The song is ‘tum mere paas raho mujhse kuchh baat kaho’ which is rendered by Shamshad Begum. During the making of the film, Khemchand Prakash, the music director for the film died. The songs were completed by his music assistant, Bhola Shreshta. The song is, therefore, accredited to Khemchand Prakash/Bhola Shreshta as the music directors.

A highlight of this song is that each antara of the song has been set in slightly different tune and pitch.

Audio Clip:

Song-Tum mere paas raho mujhse kuchh baat kaho (Muqaddar)(1950) Singer-Shamshad Begam, Lyrics-Vrajendra Gaur, MD-Khemchand Prakash

Lyrics

meri duniya mein bahaaren hain
chaman aabaad hai
roothh jaaoge jo tum
to zindagi barbaad hai

tum mere paas raho
mujhse kuchh baat kaho
tum mere paas raho
mujhse kuchh baat kaho
ho ho ho…o
o o o o

maine tumko jo kabhi pyaar kiya dil se kiya
maine tumko jo kabhi pyaar kiya dil se kiya
tumne badle mein mujhe dard diya dil na diya
meri ulfat mein sitam dhha ke mujhe loot liya
loot liya aa
tum mere paas raho
mujhse kuchh baat kaho
ho ho ho…o
o o o o

bewafa bhool na jaana meri aahon ko kabhi
bewafa bhool na jaana meri aahon ko kabhi
mere liye tum jo nahin haay to phir to kuchh bhi nahi
mere liye tum jo nahin haay to phir to kuchh bhi nahi
mere sapnon ko sawera dikha ke loot liya
loot liya aa
tum mere paas raho
mujhse kuchh baat kaho
ho ho ho…o
o o o o

tumne samjha hi nahin meri mohabbat ko kabhi
tumne samjha hi nahin meri mohabbat ko kabhi
agar jo hukm ho to jaan bhi de doon abhi
agar jo hukm ho to jaan bhi de doon abhi
mujhe ulfat ka tamaasha bana ke loot liya
loot liya aa
tum mere paas raho
mujhse kuchh baat kaho
ho ho ho…o
o o o o o
ho ho ho…o
o o o o o
o o o


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3819 Post No. : 14818 Movie Count :

4052

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 76# Memories of the Seventies – Composer Rajesh Roshan #
————————————————————————————————–———————-

Welcome all and wishing all a very Happy New Year 2019!!!

May this New Year bring us all peace, prosperity, good health, and growth of our country in all areas which are concerned with the ‘common man’ and which helps to improve the ‘quality of life’ and ‘quality of living’ for the people of this country.

Within few months general elections for the parliament will also be held and people will get a chance to vote for their ‘fate’ and ‘fate’ of the country.

Let ‘positivity’ prevails and let the ‘truth’ triumphs over ‘misleading negativity’ and ‘social evils’ that are still a ‘threat’ for the ‘unity’ and ‘overall development’ of this country.

***

On the beginning of every year I always think that I should share a song which has celebration, a message in it and it should be motivational and/or inspirational too. And the better if it is a group song or having ‘chorus singing’ in it, to give it a sense of ‘collective spirit’ and ‘team spirit’ 🙂

I think the song I am presenting today serves this purpose I am looking for and it also motivates for ‘hard work’ (mehnat) to fulfil the dreams of individual and for the betterment of the society overall.

And the other reason for this article once again is ‘nostalgia’ and ‘songs that brings back memories’ …

It was not suddenly that the song came to my mind. It so happened that one day while I was travelling from my Camp place to work place and just give a look at the Sun which was shining brightly in the morning.

(Normally when I do that, giving a look at the Sun or staring it a while, the first thing coming to my mind is Kapil Dev 🙂 )

But that day when I try to stare at the Sun more, I break into singing these lines … ‘sooraj se aankhen milaa’ … yes there is song which I had heard in my childhood, but another moment I confused it with ‘oonchi oonchi baaton se kisi ka pet bharta nahin’, but corrected myself that that the two were different songs.

Somewhere the tune of both of these songs appear to be connected because both songs are composed by the same music director Rajesh Roshan.
However, I had forgotten the name of the movie of this song ‘sooraj se aankhen milaa’.

So, I checked about the song and also checked on the blog if it was already covered.
Luckily it was not and thus this opportunity for me to present it here on the blog.

This song is from the 1978 movie ‘Muqqaddar’!!!

Earlier I had planned to send this article during the festival of Diwali, however I could not send it then …

***
When I was still finishing this article, I got to listen the last episode of ‘2018’ of our Primer Minister’s ‘Man Ki Baat’ and also became aware of the recent happenings of the All India DGP/IGP Conference and the awards for ‘National Unity’. Then the PM also highlighted about the many achievements in Sports by India and I when he narrated about a twenty-year-old cyclist and the feat she achieved I real felt very proud about it and was stunned to know that she cycled almost 300 kms every day to complete world tour in 159 days (and to become the ‘first Asian’ to do so) …

At the same time, I was very sad to read a news about a ‘fact check’ for PM’s waiving a train – whether he was ‘waiving an empty train’, which was on its first journey from the newly inaugurated of ‘Bogibeel Bridge’.

This news proves how low we have fallen down in our ‘socio-political’ ‘ethics and morality’. And I am not taking side of any parties involved in this. Even this thought of raising doubt at such an event at this level is very disappointing and it is a sad comment on our day to day affairs where other serious issues are being mocked by peoples having their ‘own selfish motives’.

Let us wish that ‘false propaganda’ and ‘false allegations’ not take over the real concerning issues of our country and let people use the social media with maturity.

Well ‘neki aur badi ki ladaayi jabse duniya bani hai tabse se chali aa rahi hain, agar buraayi na ho to koi achchaayi ko na poochhe, oonchaai ko samajhne ke liye hamehsa nichhayi ko samajhna chaahiye’

And between this ‘neki and badi’ is our Police force who safeguards us and safeguards our Nation in turn from the various ‘crimes’ in our society … I salute to them all and hope they keep up the good work rising above ‘caste, creed, religion, and beliefs’, in the interest of ‘National Unity’ forever …

Our today’s movie – ‘Muqaddar-1978’ is ‘DEDICATED TO, THE TWENTY-FOUR-HOUR SOLDIERS! THE UNSUNG HEROES! THE POLICE!!

And the dialogues mentioned above are not mine … Abdul Bhai (Yunus Parvez) is saying this to Inspector Vijay Saxena (Sanjeev Kumar) in our today’s movie …

Abdul Bhai runs a ‘road side dhaba’ and Inspector Vijay is his daily customer, and when Abdul Bhai suggests Vijay that he should get married so that he doesn’t have to worry about his food …

‘meri shaadi to us din ho gayi thhi jis din main police mein bharti huaa thha’
‘Chori dakaiti murder ye sab ek wafaadaar biwi ki tarah hamesha mere saath lage rehte hai…
‘Aisaa lagta hai Abdul Bhai is duniya se achchhe aadmi uthh gaye hain’

(Sanjeev Kumar at his best and the dialogues of this movie also, I think, very nice, I thought it was Kader Khan, but no, they are by Dr. Balkrishna Mauj)

Meanwhile as Inspector is taking his dinner a ‘bhikhari budhhiya’ comes and ask for ‘kuchh khilaa do’, Vijay asks Abdul Bhai’s assistant to give her food and he will pay for it …
‘main gareeb ki madad karne ke khilaaf nahin hoon Vijay Bhai, lekin kisika haath paaon salaamat ho to use bheekh dena use kaamchor banaana hai’ … (Abdul Bhai’s sincere thoughts …)

‘Abdul Bhai aadmi ka sabse badaa dushman uska pet hai, agar wo bhara rahe to thhik hai, agar khali ho jaaye to dimaag se jhagdaa karta, aur phir kuchh karta hai jise ham pasand nahin karte’ (Inspector Vijay’s statement on reality (fact check? 😊 )

As the Bhikhari Buddhiya is crossing the road a car hits her and run away … Inspector Vijay follows the car, and as usual taking ‘Kaanoon’ in his hands ‘beats the ‘badmaash(s)’ … but then he has to face his senior – played by Jairaj – and his ‘quintessential’ questions (which are valid even today?)

‘jis buddhiya ki khaatir tumne ye sab kuchh kiya hai wo ab bhi maje se bheekh maang rahi hai, aur jinhe jail mein hona chaahiye thha wo asptaal mein pade hain’
‘Police force ko tumne apne haathon ki taaqat aajmaane ka jariyaa samjha hai’(Jairaj)

Sir un logon ne mujhe rishwat dene ki koshish ki hai, samajhte thhe Police ko kharida ja saktaa hai, is tauheen se mera khoon khaul utthaa’

Tumne unhe wahin sazaa dene ki koshish …, Ye dekho aaj ke akhbaar, ‘police maarpit ke liye hai ya rokne ke liye’, Governer, Mayor na jaane kitne phone aa chuke hain,
‘wo sab chaahte hai ke tumhaare khilaaf action liyaa jaaye’

Lekin Sir mujhe unse koi jaati dushmani nahin thhi

Jaati dushmani mujhe bhi tumse nahin hai …

Main tumhe dhaaravi ke ilaake mein transfer karta hoon, Jahaan kuchh sakht kisam ke mujrim active hai … tumhe apni taaqat aazmaane ka poora poora mauqa milega’ Ya to tumhaari sakhti se sudhar jaayenge, ya to wo log tumhe apne aap par kaabu rakhna sikha denge

So, our Inspector is now in Dharavi, and he already has a sincere and dedicated assistant there – Patil (Bharat Kapoor) … who eventually sacrifices his life since he has been asked that ‘is mujrim pe goli mat chalana’ … but mujrim fires on him …

In Dharavi we have Parishit Sahni as a ‘labour leader’ working in a ‘kapada mill’ of Amjad Khan who is also interested in ‘smuggling’ and to become the ‘wealthiest smuggler’ …
Amjad Khan has a sister – played by Rekha – who is interested in social work and has a soft corner towards labors in the ‘basti’ and Ramu Dada is there in the form of Shashi Kapoor who is a ‘spoiled’ younger brother of Parishit Sahni.
Vidya Sinha plays wife of Parishit Sahni, Shashi’s Bhabhi and Rekha’s friend. Paintal is Shashi’s lieutenant and accompanies him whenever he is driving truck and enjoying ‘mujaras’ after the day’s hard work …

Sanjeev Kumar after reaching Dharavi destroys many ‘daaru and matke ka addaas’ and declares to the goons …
“Aaj se jurm ki wo tehniyaa kat gayin hain, jinpe baithhke tum manmaani kiya karte thhe”

Ramu Dada is still not co-operating Inspector Vijay until he realises the real game of the Smugglers …
Vijay is hopeful of rehabilitating Ramu Dada and reform him to the ‘regular stream’ of ‘good people’ …

But how does it happen finally is after the today’s song and I would like the readers interest intact to watch this movie so not going in further details of this movie here … 🙂

Since the beginning of the movie many are waiting for ‘Dushehra’ festival, like Amjad Khan declares bonus to workers as he wants them to work on ‘Dushehre ki Chhutti’ and he can in hide of it arrange ‘smugglers meet’ so that no one doubts …

***
A beggar (Chandu) – deaf and dumb – always asking for money from Amar Babu (Parikshit Sahni), on his advice has given up begging and from the money given by Amar Babu is now making pictures of ‘Ganesh, Sai Baba’, and ‘Shri Ram’ made by Rangoli on the road side …

***

Peoples are celebrating ‘Dushehra’ now and that is where the today’s song happens …

‘The evil -Raavana’s effigy is set with its ten faces of ‘evils’ and Parikshit Sahni, Rekha, Vidya Sinha with the labors in the basti starts celebrating with this song and Shashi Kapoor joins in between ( coming back from his tour to Goa) , and at the end of the celebrations as the Ravana’s effigy is set to fire by the arrows of Parikshit and Shashi Kapoor, enters our Inspector Vijay Saxena – Sanjeev Kumar – for checking of the ‘truck’ driven by Shashi from Goa with smuggled items 😊

***

‘Muqaddar-1978’ was directed by Ravi Tandon for ‘Sneh Films, Bombay’.
It was produced by Ravi Anand.
It had Shashi Kapoor, Sanjeev Kumar, Parikshit Sahni, Rekha, Vidya Sinha, Paintal and Amjad Khan.
Other star cast includes Mac Mohan, Yunus Parvez, Jankidas, Rajesh Behl, Bharat Kapoor, Nandita Thakur, Vikas Anand, Praveen Pal, Ranveer Raj, Chandu, Master Shaka, Master Rajeev, Baby Rani, Uma Dhawan, Sudhir, O.P. Goyal and Jayshree T.

Aruna Irani makes a guest appearance in this movie.

Editing of this movie was done by S.R. Kabre. Dialogues of this movie were written by Dr. Balkrishna Mauj.
Story and Screenplay was written by Mukul Anand.

This movie had four songs (as per HFGK Vol V 1971-1980) written by Anjaan and composed by Rajesh Roshan. Asha Bhonsle, Kishore Kumar, Mohd Rafi, Usha Mangeshkar had given their voices to the songs in this movie.

This movie was passed by Censor Board on 31.05.1978.

(This also serves my purpose of introducing the movies having ‘same title’ and one movie with the same title ‘Muqaddar-1950’ is already on the blog.

Let us enjoy today’ song now and welcome this ‘new year’ on this ‘nostalgic note from the Seventies’ 🙂

Video

Audio

Song-Sooraj se aankhen milaa (Muqaddar)(1978) Singers-Kishore Kumar, Asha Bhonsle, Usha Mangeshkar, Rafi, Lyrics-Anjaan, MD-Rajesh Roshan
Chorus
Asha Bhonsle + Usha Mangeshkar

Lyrics

okey re faakeerey
okey re jaanoon re
okey re faakeerey aa
Bhai bhai
okey re faakeerey
okey re jaanu re
okey re faakeerey aa
Bhai …

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Arey ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Arey ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
He ha aa
ho ho o o

Aa aa aa
Ho ho o
Aa aa aa
Ho ho o
Aa aa aa
Ho ho o
Aa aa aa

Pyaar ki lau jagaa de re
Har andheraa jalaa de

Dooriyaan ye dilon ki ee
Dil milaa ke mitaa de ae
Hey rang udey kahin deep jaley
Aayi holi deewaali saath

Arey aaj to aake naa jaaye re saathi
Rangon bhari aisi raat
Hey rang udey kahin deep jaley
Aayi holi deewaali saath
Arey aaj to aake naa jaaye re saathi
Rangon bhari aisi raat

Kaanton mein kaliyaan khilaa aa
Phoolon se gulshan sajaa
Kaanton mein kaliyaan khilaa aa
Phoolon se gulshan sajaa aa

Arey do din ki hasti mein
Dil jhoome masti mein
Aur sapnon ki basti mein
Tu mehnat ki jalti mashaalen jalaa aa
Sadiyon se soyaa muqaddar jagaa aa

Hoye ae ae ae ae
Hoye hoye hoye ae

Raat din hon ye mele re
Dil na tarse akele
Dil tera jisko chaahe ae
Badhke baahon mein le le

Ae saanson se bandh le
Saanson ki dori
Haathon mein le ke haath

Jaati hai jaan to jaaye khushi se
Chhoote kabhi naa ye saath

Ae saanson se bandh le
Saanson ki dori
Haathon mein le ke haath
Jaati hai jaan to jaaye khushi se
Chhoote kabhi naa ye saath

Baahon ke saaye mein aa
Sharmaa ke aankhen milaa

Ae baahon ke saaye mein aa
Sharmaa ke aankhen milaa
Phir paayal chhankegi
Phir choodi khankegi
Aur phir bindiyaa chamkegi
Tu mehnat ki jalti mashaalen jalaa aa
Sadiyon se soyaa muqaddar jagaa aa

Ho o ho ho o o

Barse tan ka paseena re
Ban ke saawan maheenaa

Katraa ban jaaye moti ee
Zarraa zarraa nageena
Hey aaj jahaan teri raahon mein saathi
Udey ghamon ke ye dhool

Phool khilenge wahin kal
Jhoom ke mast bahaaron ke phool

Aaj jahaan teri raahon mein saathi
Udey ghamon ke ye dhool
Phool khilenge wahin kal
Jhoomke mast bahaaron ke phool

Hey ae
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa
Sooraj se aankhen milaa
Taaron ko o dharti pe laa aa

Ye dharti teri hai
Ye sapne tere hain
Aur sab apne tere hain
Tu mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
He ae ae aa
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
Bachke bachke bachke …
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa
Immaandaari se aha aa aa
Mehnat ki jalti mashaalen jalaa
Sadiyon se soyaa muqaddar jagaa

—————————————————-
Devnagri script Lyrics (Provided by Avinash Scrapwala)
—————————————————–
ओके रे फकीरे
ओके रे जानू रे
ओके रे फकीरे आ
ओके रे जानू रे
भाई भाई
ओके रे फकीरे
ओके रे जानू रे
ओके रे फकीरे आ
ओके रे जानू रे
भाई …
ओके रे फकीरे

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ

अरे ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला

अरे ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
हे हा आ हो हो ओ ओ

आ आ आ
हो हो ओ
आ आ आ
हो हो ओ
आ आ आ
हो हो ओ
आ आ आ

प्यार की लौ जगा दे रे ए
हर अन्धेरा जला दे

दूरियां ये दिलों की ई
दिल मिला के मिटा दे ए
हे रंग उड़े कहीं दीप जले
आई होली दीवाली साथ

अरे आज तो आके ना जाए रे साथी
रंगों भरी ऐसी रात
हे रंग उड़े कहीं दीप जले
आई होली दीवाली साथ
अरे आज तो आके ना जाए रे साथी
रंगों भरी ऐसी रात

काँटों में कलियाँ खिला
फूलों से गुलशन सजा
काँटों में कलियाँ खिला आ
फूलों से गुलशन सजा आ

अरे दो दिन की हस्ती में
दिल झूमे मस्ती में
और सपनों की बस्ती में
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा

होए ए ए ए ए
होए होए होए ए

रात दिन हो ये मेले रे
दिल न तरसे अकेले
दिल तेरा जिसको चाहे
बढ़के बाहों में ले ले

ए साँसों से बाँध ले
साँसों की डोरी
हाथों में ले के हाथ

जाती है जान तो जाए ख़ुशी से
छूटे कभी ना ये साथ

ए साँसों से बाँध ले
साँसों की डोरी
हाथों में ले के हाथ
जाती है जान तो जाए ख़ुशी से
छूटे कभी ना ये साथ

बाहों के साए में आ
शर्मा के आँखें मिला

ए बाहों के साए में आ
शर्मा के आँखें मिला
फिर पायल छनकेगी
फिर चूड़ी खनकेगी
और फिर बिंदिया चमकेगी
तू मेहनत की जलती मशालें जला आ
सदियों से सोया मुक़द्दर जगा आ

हो ओ हो हो ओ ओ

बरसे तन का पसीना रे
बन के सावन महीना आ

कतरा बन जाए मोती
ज़र्र्रा ज़र्रा नगीना
हे आज जहां तेरी राहों में साथी
उड़े ग़मों की ये धूल

फूल खिलेंगे वहीँ कल
झूमके मस्त बहारों के फूल

आज जहां तेरी राहों में साथी
उड़े ग़मों की ये धूल
फूल खिलेंगे वहीँ कल
झूमके मस्त बहारों के फूल

हे ए
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ
सूरज से आँखें मिला
तारों को ओ धरती पे ला आ

ये धरती तेरी है
ये सपने तेरे है
और सब अपने तेरे हैं
तू मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
हे ए ए ए
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
बचके बचके बचके …
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा
इमानदारी से अहा हा हा
मेहनत की जलती मशालें जला
सदियों से सोया मुक़द्दर जगा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Saga Of Sleepless Nights – 3
– – – – – – – – – – – – – – –

neend kabhi rehti thi aankhon mein
ab rehte hain saanwariya

Aah, so now we know, the sleep can no longer come to the eyes, for the eyes are already occupied with the images of the beloved. You cannot accommodate two swords in a single scabbard. Or for that matter, two lions in the same cave. So it has to be that sleep will have to wait outside, while the joys of visions of the beloved crowd all the room inside the eyes.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 22nd and the last song of the series ” VINTAGE KISHORE “. This song is also the last song of Kishore from the film- Muqaddar-50. The Music Director is Bhola Shreshtha.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 17th song in the “VINTAGE KISHORE ” series. It is a duet of Kishore and Asha Bhonsle and the Music Director of this song is James Singh aka Jimmy.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Most people who worked in the Film industry in any field- be it acting, direction, composing music, dancing, producing, in fact any department-joined the industry on their own. However, there was also a class of artistes who were forced by the circumstances to work in film industry- for example, the Mangeshkar sisters. Then there were artistes who were forced by their near ones to join film industry, like Meena Kumari or Madhubala,for example. And there were artistes who came on their own to build a career in film industry, like Dilip Kumar, Dev Anand etc. Few artists joined the industry because it was the family tradition,like Raj Kapoor, Shammi and Shashi Kapoor etc.. Then there were also some artistes who had never dreamt of it, but had to enter acting field,like Ashok Kumar,for example.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently, I came across a duet song ‘ek do teen chaar’ sung by Asha Bhonsle and Kishore Kumar from the film MUQADDAR(1950). I remember this film in which the lead actor Nalini Jaywant had sung three songs in her own voice, one of which has already been discussed in this blog.
Read more on this topic…


When you seek to look for obscue songs from yesteryears, you often come across unheard of gems. Many a times, these songs are sung/ created by the usual suspects, but sometimes they are created by people we normally would not suspect of being able to sing songs, leave alone singing songs that can be regarded as outstanding.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16400 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16426

Number of movies covered in the blog

Movies with all their songs covered =1270
Total Number of movies covered =4462

Total visits so far

  • 14,522,840 hits

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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