Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1939


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3491 Post No. : 14023 Movie Count :

3873

There was a time when the films made in Hindi could be classified easily as A grade, B grade and C grade films. A grade films were those made by big and famous banners with top class actors and leading music directors. B grade films were those made with second rung of actors, director and music directors. C grade films were those films which were made by not so famous banners, almost unknown actors directors and composers. Usually C grade films used to be action/stunt films, made on shoestring budgets, having a fixed story line resembling Tarzan, Hercules or Hollywood action films of Robin Hood, with the background of a jungle, tribe people, king-queen-wicked wazir and similar stories.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3488 Post No. : 14011 Movie Count :

3868

In the early 1970s in Mumbai, it was quite common to see Pathan moneylenders standing outside the gates of the factories, mills, railway workshops and even some of the Government offices. Pathan moneylenders used to lend money at high interest rates, mostly to workers and subordinate staff who were in perpetual need of money. I had frequently watched them standing outside the main gate of my office, normally in pair, during the first week of every month. Their operations were always discreet without inviting any attention from the passers-by except that their distinct dress and caps would identify them to be the Pathans.

I had got the first hand information on the modus operandi of the Pathan moneylenders from one of my subordinate staff who was perpetually indebted to them. On the salary day, they would be present at the gate at the start of the office, at lunch time and the office closing time. If a borrower is not able to pay the monthly interest/principal amount, he would try to avoid the Pathans by not going out of the office during lunch time, would leave the office well before the closing time or leave late. But the network of the Pathans was so large that they would eventually catch the defaulters and get at least the interest amount by their discreet strong arm methods.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Saga Of Sleepless Nights – 2
– – – – – – – – – – – – – – –

koi chupke se aa ke
sapne sulaa ke
mujhko jagaa ke boley
ke main aa raha hoon. . .

Our dear departed President had once made a statement that has now become a quotable quote, appearing in many PR campaigns and posters. He had said, “Dream is not that which you see while sleeping, it is something that does not let you sleep”.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Ladies Only’ (1939) was produced under the banner of Sagar Movietone and it was directed by Sarvottam Badami. The star cast included Surendra, Bibbo, Sabita Devi, Prabha, Harish, Budho Advani, Sunalini Devi, Kaushalya etc. The film was released on 16th February 1939 and Moraraji Desai, the Revenue Minister of the then Bombay State was the chief guest.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In my last two articles, I had discussed about the films of Mehboob Khan (as a producer as well as director) in combination with music director Anil Biswas. In the process of collecting information about the works of Mehboob Khan-Anil Biswas combination, I came across another unique association of Mehboob Khan with cinematographer, Faredoon A Irani. The uniqueness of this association is that all the films which were directed by Mehboob Khan (23 films during 1935-62) had Faredoon Irani as cinematographer.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is a well-known fact that when sound films came into being in 1931, majority of the films which were produced, especially in the 1930s, belonged to the genres of action, adventure, costume drama, mythology, fantasy, folk legend etc. There were few takers for films containing social, family drama and romantic themes. In a way, this was the legacy from silent films. Those who produced and directed silent films may have thought it prudent to try more or less the same genres in sound films to begin with.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ever since talkies came in to being in 1931, there have been some classical and semi-classical female singers who got attracted to Hindi film industry as actor-singers and playback singers in the 1930s and the 1940s. Begum Akhtar, Mukhtar Begum, Indubala, Roshanara Begum, Mallika Pukhraj, Saraswati Rane etc were some of the names that come to my mind. However, their filmy careers was short and soon they returned to the concert singing as their main vocation.

One of the lesser known names in this category of singers was Sundarabai of Poona.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

 

I was in the midst of writing a short write-up on a song from the film ‘Jawaani Ki Reet’ (1939) produced under the banner of New Theatres. The film was not available to view in DVD/VCD format. Luckily, I could get a short review of the film in February 1940 issue of  ‘Filmindia’ magazine which gave me some indication as to the theme of the story. The story reminded me of the film ‘Kangan’ (1939) produced under the banner of Bombay Talkies, as I had watched the 40-minute snippet of the film on YT a few days back.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

NADI KINAARE (1939) was produced under the banner of Ranjit Movietone and it was directed by Manibhai Vyas. The star cast included M Kumar, Sitara Devi, Sunita Devi, Charlie, Ghory, Indubala, Bhagwandas, Ram Marathe etc. According to an article in ‘Filmindia’ – December 1939 issue, the film was inspired from 3 Hollywood films – ‘King and The Chorus Girl’ (1937), ‘Bluebeard’s Eight Wife’ (1938) and ‘The Rage of Paris’ (1938). All these three films belong of the genre of romantic comedy.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sitaara”(1939) was directed by Ezra Mir for Everest Pictures Corporation, Bombay. The movie had Ratanbai, Khursheed Bano, Nazeer, Mubarak, Jamshedji, Aashiq Hussain, K N Singh, Sunalini, Voilet Cooper, Mirza Musharraf, Nazeer Bedi, Bibi Bai, Haidersha, Aashuji, Trivedi etc in it.
Read more on this topic…


Total visits so far

  • 17,967,079 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,918 other subscribers
Support the blog

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 July 2008

Active for more than 6000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory