Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1949


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of of the present generation of music lovers may not remember Shiv Dayal Batish ( S D Batish), the classical musician, vocalist, playback singer and music director. During his filmy career in 40s and 50s, he composed music for 19 films (including 2 films with his pseudo name of Nirmal Kumar) and sang about 100 songs. His music compositions for Hindi films are generally labelled as Lahore style of Hindi film music which was used by Lahore based music directors like Pandit Amarnath, Pandit Govindram, Master Ghulam Haider, Shyam Sundar, Khurshid Anwar etc. S D Batish was the cousin of other Batish brothers – Pandit Amarnath, Husnlal and Bhagatram. It is said that originally, the family surname was ‘Vats’ ( or Wats) which became ‘Vatish’ and then to ‘Batish’.
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“Ek Thhi Ladki” (1949) was a Shorey Films production movie. It was produced and directed by Roop K Shorey. The movie had Motilal, Meena Shorey, Majnu, Kuldip, Batra, Shamlal, Gogia Pasha, Pasha, I. S. Johar, Shakuntala, Agha Miraz etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hindi film industry has given rise to several controversies, some of them are settled, some are forever a question mark and some controversies come up again and again with the slightest of provocation. The worst thing in a controversy is that even if statements of clarification are given by the concerned people involved with it, it is viewed with suspicion of a personal bias.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a song from film ‘Shair’ (1949). I am not sure if that is the correct name for this film. If the name is ‘Shaayar’ or ‘Shaayir’ than it will mean ‘the poet’. If it is ‘Shair’ than it is ‘a couplet’. Eight songs from this film have appeared in this blog. I was able to find only one Rafi song in this film which is luckily not posted.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

C RAMCHANDRA is generally considered a rebel amongst the composers of his times. He is the one, who, in the fifth decade of the 20th century itself brought full fledged western music variety in Hindi songs. At the same time he composed soft and extremely melodious songs based on various Ragaas also. He took Lata Mangeshkar to the pinnacle where she remained, later, on her own merit, for a long period. Very few composers have exhibited such variety in their music. It was a fact that many of his films were sold merely on the strength of his music.
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