Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1950


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In a book ‘Vedanta Treatise’ I have with me, four types of yogas have been prescribed for attainment of salvation. They are Bhakti (devotion), Gyaana (knowledge), Karma (activity) and Hata (compulsion). It is generally believed that devotion is the mother of all other yogas. Without devotion, all other yogas would be incomplete for attaining the objective. In this context, I recall an introduction by late C Rajagopalichari on a LP of M S Subbulaxmi’s immortal ‘Bhaj Govindam-Vishnu Shashtranamavali and I quote a part of it from the CD I have with me:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently, I listened to a song ‘is dil se teri yaad bhulaayi nahi jaati’ on YT sung by Mohammed Rafi. The song sounded familiar to me. My first impression was that this song was from an old film. But the uploader of the audio clip mentioned that it was a NFS composed by Hansraj Bahl. I never knew that Mohammed Rafi had sung any NFS under the baton of Hansraj Bahl. One of the regulars on YT whom I consider to be fairly reliable has mentioned that this song was written by Rajinder Krishan as he had heard his name being mentioned by the announcer on Radio Ceylon while playing this song. Since the composition as well as rendition of this song gave me an impression of a filmy song, I searched for other audio clips of the same song and got my hand on an audio clip where the uploader had claimed that the song was from the film ‘Kaneez’ (1949). The film had two music director – Ghulam Haider and Hansraj Bahl and the song was accredited by the uploader to Ghulam Haider-Hansraj Bahl.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is a tradition or convention in most of the schools that just before the start of the classes in the morning, students collectively sing a prayer. During my early school days – probably in 1952 or 1953, I remember, we used to sing a prayer ‘pitu maatu sahaayak swami sakhaa tum hi ek naath hamaare ho’. In the absence of public address system, the prayer used to be sung by 4-5 students from our class who had aptitude in singing and others in the class would sing with them in tandem.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my ‘crazy’ days of collecting 78 RPM gramophone records of rare gems of old Hindi films songs, I realised that there were many old Hindi films of early 50s whose gramophone records in 78 RPM format were not available at all. Some of the songs of such films were “sajaan ki ot leke” (Zevaraat, 1949), “yaad aane waale kyon yaad aa rahe hain” (Anmol Ratan, 1950), “preetam meri duniyaa mein do din to rahe hote” (Adaa, 1951), “baandh preeti phool dor” (Malti Madhav, 1951), “main saagar ki mast lahar” (Dhuaan, 1953), “bhool jaa sapne suhaane bhool jaa” (Rajdhani, 1956) etc. I had spent long hours in some of the prominent record shops in Mumbai for buying gramophone records of these and other rare songs but did not succeed at all. Those days, EPs/LPs records had made their presence in the records shops and these were displayed on the front side of the shops while 78 RPM records were relegated to the far end of the shops. In some shops, 78 RPM records were stored in ante-rooms full of dust.
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