Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1955


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Amar Kahaani”(1949) was directed by Baij Sharma for Kamal Kunj Chitra Productions. The movie had Jairaj, Suraiya, Mehta, Ranjana etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Oot Pataang”(1955) was directed by Chandulal Shah for G M Productions. The movie had Agha, Usha Kiran, Anwar, Maruti, Jankidas, Madhuri etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The one thought that comes to mind always, when this name is mentioned,

“. . . ke dil abhi bharaa nahin”.

Remembering Jaidev on the anniversary of his passing away (6th January).
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Divas of hindi film music (17)
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Resuming the series, after a short break. I had intended to take a brief break of a few days only. But one thing led to another and I was unable to come back to this series soon enough as I had originally intended to.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The 7th song in the series “Gems from obscure films’ is from the film-Baghdad ka Chor-1955-a story lifted from Arabian Nights. It is sung by Mukesh under the baton of composer B.N.Bali.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Divas of Hindi film music (15)
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Continuing with Lata Mangeshkar songs, I found another song from an all time classic music score. This time it is the lone song remaining to be posted from the musical block buster ‘Shree 420′ (1955).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Continuing with some rare gems penned by Kaif Irfani, I present a song ‘hansa sakey rulaa sakey wo pyaar hamse keejiye’ sung by Lata Mangeshkar from the film SARDAAR (1955). The song was composed by Jagmohan Sursagar. The film was produced and directed by Gyan Mukherjee The star cast of the film included had Ashok Kumar and Bina Rai in the lead roles with Nigar Sultana, Jagdish Sethi, Iftekhar, Tiwari etc in the supporting role.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Last week, I was surfing the internet to gather information on the Urdu poet and lyricist Kaif Irfani. While I did not get much information on him, I was rewarded with a couple of rare songs written by him. One of the rare songs which I heard for the first time is ‘pyaar ki ye talkhiyaan jo na sah sakoon’ from an obscure film called SARDAAR (1955).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shiv Bhakt” (1955) was an A V M production movie. It was directed by H L M Sinha. The movie had Shahu Modak, Ragini, Misra, Padmini, Pandhari Bhai, Anant Kumar, Gope etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The image of Chitragupt is that of a music director – a creator of a treasure trove of heavenly melodies that are so numerous that a good representative sampler will take a long time to compile. In a career that lasted almost five decades in the industry, he composed music for almost 150 films in Hindi and Bhojpuri. Most of the time he had to be content with B/C grade stunt films and religious films, with a few sorties into the A grade categories. But whatever may have been the grade, the music by him has always been fabulous, no matter what the category of the film, and whatever was its fate.
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