Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1961


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Music director Ajit Merchant is better known for his contributions to the Gujarati cinema and to the theatre world in Bombay. He did venture into the Hindi film world also, albeit his contribution is limited to less than 10 movies. Saperaa (1961) is one of the movies that Ajit Merchant composed music for. I have already discussed a wonderful Manna Dey solo from this movie, some days back. Here is another beautiful gem of a song from the same movie. This is a duet, that is rendered so lovingly by Manna Dey and Suman Kalyanpur. The lyrics are by Indeewar. The lead roles in this movie are played by Jyoti and Ranjan. Other actors in the film are Tiwari, Jeevnkala, Sunder, Uma Dutt, Neena, Rajan Kapoor etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ajit Merchant, a leading music director for Gujarati films and for the theatre world in Bombay, passed away about 4 months ago (18th March, 2011). He was 80 plus. Although better known for his work in the Gujarati cinema, he did compose music for Hindi movies, albeit a small number. By some accounts, his offerings in the Hindi film world number less than 10. An accomplished music director, Ajit Merchant gave a first important break to a struggling Jagjit Singh in the late 60s. Raj Kapoor was also a fan of Ajit Merchant. It is said that after hearing the song “mari ankh no afini tara roop no bandhani . . .” (from the Gujarati film “Divadndi” he requested Shankar Jaikishan also to listen to it. The result of this reference was the song “Mera joota hai japaani” from film Shri 420, based on the tune of the Gujarati song.
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“Pyaar ki Pyaas” (1961) is a moving story of an orphan girl who is adopted from an orphanage by a childless couple who bring her up with love an affection. But once the couple manage to have a child of their own, this girl gets neglected and she ends up in the same orphanage. In the end, the couple realise that their neglect towards the girl was unfair and they search for her. In the end,all is well that ends well.
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It is a song that I have heard many a times right from my younger days, and I in fact had noted down the lyrics of this song in a diary that I used to maintain in 1970s. This diary had lyrics of songs noted down by me from radio as well as scorecards of test matches (noted down through radio commentary) that India played those days. 🙂
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This evergreen song from “Jab Pyaar Kisi Se Hota Hai”(1961) wears multiple hats. The song is a multiple version song in the sense that this song is sung independently by two singer, viz Rafi in one version and Lata in another version. The song can be called the title song as well as theme song. The male version of the song is rail song as well.
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The experiences of listening to songs sung by different singers are different. When one listens to a song sung by Mukesh, one expects a song that one would begin to hum as soon as one listens to it. One also expects the fabled Midas touch of Mukesh in full flow which ensured that most songs sung by Mukesh became popular.
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