Posts Tagged ‘1973’
This artice is written by Raja, a fellow enthusiast of Hindi movie and a regular contributor to this blog.
Today is the birthday of one of our living legends – Manna Dey ji.
It is his 94th birthday – and although 94 is a ripe age, we wish him many more birthdays to come.
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Jobna se chunariya khisak gayee re
Posted on: May 1, 2013
Today (1 may 2013) is the 94th birth anniversary of Manna Dey. Radio/ TV stations, sites etc must be celebrating this occasion with some of his songs. It is easy for most of them. All they have to do is discuss some of the well known Manna Dey songs from movies like “Zanjeer”, “Upkaar”, “Dil Hi To Hai”, “Anand”, “Mera Naam Joker” etc and that is all. The same well known songs can be used on other similar occasions as well.
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Na koi dil mein samaaya
Posted on: April 27, 2013
“Aa Gale La Jaa” (1973) was produced by A K Nadiadwala and directed by Manmohan Desai. The movie had Shashi Kapoor, Sharmila Tagore, Shatrughan Sinha, Sulochana, Om Prakash, Jagdeep, Shobha Khote, Asrani, Gajanan Jagirdar etc in it.
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“Kachche Dhaage” (1973) was produced and directed by Raj Khosla. The movie had Vinod Khanna, Kabir Bedi, Mousami Chatterjee, Sona, Zeb Rehman, Ritesh, Master Bhagwan, Nirupa Roy, Tun tun, Ratnamala, Trilok kapoor, K N Singh, Randhir, Murad, Jagdish Raj, Dev Kumar, Nawab, Habib, Ashwani Kumar, Gurbachan Singh, Purnima etc in it.
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Aankh se aankh milaata hai koi
Posted on: April 20, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is a human nature that most top professionals would think that they are perfect in their professions, be it in the fields of sports or fine arts. Then why do we need coaches, guides, trainers etc ? A few years back, it looked odd to me to know that top seeded professional lawn tennis players have personal coaches. Some of the coaches may not have even played in any of the grand slam tournaments. Even in cricket, some of the teams’ coaches have not been top cricketers in their own national team. Now I know of two maxims in professional sportsman-coach relationship. First, all top players need not be perfect and coaches of these top players need not be top sportsmen in their fields. Second, the best coaches have the wherewithal to extract from the top professionals something more than the perfect which makes a vast difference in closely fought competition. This led me to think why not have a system of coaches (in Indian musical parlance, ‘guru’) for professional singers as well?
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Chakkoo chhuriyaan tez karaa lo
Posted on: April 9, 2013
“Zanjeer” (1973) was produced and directed by Prakash Mehra. the movie had Amitabh Bachchan, Jaya Badhuri, Sanjana, Nandita Thakur, Goga Kapoor, Bindu, Ajit, Keshto Mukherjee, Pran, Iftekar,Randhir, Gulshan Bawra, Sanjana,Ram Mohan, B.B.Bhalla,Yunus Parvez, Om Prakash, Purnima, M.Rajan, Bhushan Tiwari, Gulloo, Sushil, Tiger,Kirti Sethi, D.K.Sapru, Amrit Pal, Master Rajesh, Krishan Dhawan, Maqbool, Javed Khan, Dhanraj, Yograj, Makarnai, Satyen Kapoo, Ashalata Wabgaonkar, Mac Mohan, Ram.P.Sethi, Indrani Mukherjee etc in it.
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Bharosa kar liya jis par
Posted on: March 29, 2013
“Prabhat” (1973) was a Mukul Enterprises movie. It was produced by Ram Dayal and directed by Sikandar Khanna. The movie had Zaheeda, Jaya Kaushalya, Shyama, Roopesh Kumar, Kamal Kapoor, Sunder, Birbal, Zohara Khatoon, Krishan Dhawan, Pranshankar, Arjun Aosare, V.Gopal, Aarthi, Pinchoo Kapoor, Rajan Haksar, Hangama, Kamal Deep, Sujata, Narbada Shankar, Dulari, Gulshan Bawra, Nandita Thakur, Baldev Khosa, Pachhi, Asha Chandra, Dinesh Hingoo, Omi, Habib, Nisha, Ameeta Sinha, Sonika, Malini, Charanjeet, Neerja etc in it.
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Mere mann pawan sang udd chal
Posted on: March 28, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ganesh Sharma, the prodigious composer and the creator of melodies of everlasting memories. Pick up any film done by him, any song created by him, and as you listen, and if you are not aware of the identity of the music director, you will surely wonder who would it be, the creator of such a lovely melody. Somehow, the combination of the tones, the octaves and the emphases make the tunes created by this hugely talented musician simply touch a very endearing nerve, and the heart simply wants to sing along with the flow of the song.
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Wo jhoothha hai vote na usko dena
Posted on: March 4, 2013
This article is wtitten by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This song happens to be the 7600th song on this blog – and I am happy and privileged to have been given the opportunity to present a song on the occasion. When Atul made me the offer earlier today, I gladly accepted. Congratulations, Atul, on this century milestone!
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Bolo kyaa hamko dogey
Posted on: February 24, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Remembering (belatedly) Vijay Anand on the anniversary of his passing away (23 Feb, 2004).
Really very few artists and film makers in the industry have been as versatile as Vijay Anand has been. Active in the industry since the early 1950s, Vijay is the youngest of the three Anand brothers. He did have an advantage of two elder siblings, Chetan Anand and Dev Anand, having made a place for themselves in the industry, when he also decided to take the plunge. And under the umbrella of his illustrious seniors, he had the opportunity to delve and develop a multi faceted career. In a career that spans more than five decades, Vijay Anand, or Goldie as he was known to his friends, made his mark as a screenplay and dialogue writer, as a director, as a producer, as an editor, and as an actor. His works are limited, given the span of his career, but the quality of his work speaks for itself. The films he has directed are outstanding, and he is acknowledged as the best director for picturization of songs, in the Indian film industry. In this aspect of film making, which is supremely significant given the musical nature of Indian cinema, he is without a peer.
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