Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Actor-Singer


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Blog Day :

6458 Post No. : 20052

“Dhanwaan”(1946) was directed by V M Vyas for Sunrise Pictures, Bombay. The movie had Jairaj, Paro Devi, Anjana, Dulari, Bhagwandas, Amir Bano, Natwar Lal etc in it.
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Blog Day :

6456 Post No. : 20045

“Panihaari”(1946) was directed by Gunjal for Asiatic Pictures, Bombay. This obscure movie had Shanta Apte, Surendra, Yakoob, Gulab, Leela Mishra, Anita Sharma, Ameer Banu, Zubeda, Kanhaiyalal, Bikram kapoor, Munshi Khanjar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6454 Post No. : 20039

“Ujaala” (1942) was produced by M Ehsan (though M A Mughani was credited as producer) and directed by K M Multani for Taj Mahal Pictures, Bombay. The movie had Prithviraj Kapoor, Naseem Bano, Mubarak, Ratan Bai, Mirza Musharaf, Baby Vinod Kumari, Jilani etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6453 Post No. : 20036

Today’s song is from a social film – Khan Bahadur-1937.

The year 1937 was a year of Revolution for the newly started Talkie Film. Initially the films were mainly based on Folk tales, Parsi dramas and Mythological stories. 1937 was a year in which the Film industry was trying to drop its old skin and don a New Avtar. From this year, a variety of subjects were used to make films. If we briefly look at some path breaking, landmark films using Novel themes, we will understand how the film industry was attempting to change itself.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6452 Post No. : 20030

Today’s song is from a social film Azad-1940.

The film was made by Bombay Talkies. Bombay Talkies was one of the premiere production companies of India in those times. Its films became very popular and the music was lapped up by the audience. There were other equally famous production houses like Prabhat Films,Ranjit studios and New Theatres of Calcutta, all churning out blockbusters. While Ranjit showed how to make money, Bombay Talkies added prestige to films.

Language in Hindi films was a great issue in those times and it is here that Bombay Talkies won hands down ! Prabhat films had its Hindi totally influenced by Marathi ( and hence was popular in western India), and New Theatres films had their Hindi straight lifted from books of Hindi Prachar Sabha- too pure ! It was only Bombay Talkies films which used the colloquial language of India- easily understood by the masses and acceptable to all classes equally. While Prabhat called it “Preet” , and New Theatres said ” Prem”, Bombay Talkies used the words like ” Pyar” and “Muhabbat” – a mix of Urdu and Hindi ( called Hindustani). Prabhat dialogues were too formal, while New Theatres’ were highly literary and Bombay Talkies used day to day language understood easily over the length and breadth of India.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6451 Post No. : 20025

“Andhera”(1943) was a “social” movie that was directed by Aspi Irani for Ranjit Movietone, Bombay. This movie had Sitara Devi, Arun Kumar Ahuja, K C Dey, Kesari, Bhagwan Das, Baby Madhuri, Laxman, Malti, Rajkumari etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6451 Post No. : 20024

Today’s song is from an utterly obscure, unknown film of the first decade of the talkie era – Kaun kisi ka-1939.

I have been writing posts on old films starting from the 1930s to the end of the 1960s, but I had not heard about this film till a few years back.

During the early era, very few films from the 1930’s are well known or atleast known, but most films remained unknown. Only the films made by well known film studios like Prabhat, Ranjit, Sagar, New Theatres, Minerva, Bombay Talkies etc are known to people.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6450 Post No. : 20019

Today’s song is from the social film Mera Haque-1939.

Made by Huns Pictures of Master Vinayak, the film was directed by Parshwanath Altekar. Music was by D.P.Korgaonkar aka Datta Korgaonkar – better known to Hindi film lovers as K.Datta. Lyricist was Pt. Anand Kumar. The cast of the film consisted of Baburao Pendharkar, Meenakshi Shirodkar, Vimla Sardesai, Usha Mantri, Dada aka D.S.Salvi, V. S. Jog, Damuanna Malvankar and others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6449 Post No. : 20015

Today’s song is from the film Service Limited-1939.

It was a Sagar Movietone presentation, directed by C.M.Luhar. Music was by Anupam ghatak – a famous and popular Bengali composer. The cast of the film consisted of Surendra, Maya Banerjee, Bibbo, Yakub, Harish, Kalyani, Zia Sarhadi, Bhudo Advani, Kanhaiyalal and his brother Sankatha Prasad and other Sagar regular artists.

Film Service limited-1939 was a Social cum Crime cum Mystery cum Comedy film. After the initial enthusiasm of making Mythologicals and Parsi Theatre type costume dramas, film makers of the late 30s started trying to present films based on imported themes or comedy films. While films were made on works of authors like Agatha Christie etc, there were directors who tried their hands on offbeat entertaining themes.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6444 Post No. : 19996

Today’s song is from a film which is almost 90 year old – Jaagirdar-1937. It was made by Sagar Movietone, Bombay.

The talkie films started in 1931 and there was a great activity in the film industry. Major filmmakers from the Silent era were cautious about the future of the Talkie Films, but some people with a vision jumped into making Talkie films. At the same time some more adventurous people entered filmmaking and new studios and companies came up.

The first decade, i.e. from 1931 to 1940 was full of experiments. At a time many Genres were tried. Many experiments were undertaken. The industry was still under the influence of a silent era mentality, so those who could not cope up with the new approach soon eclipsed-like Madon Theatres. Intelligent directors understood that the Talkie films have to be made with a different approach- like V.Shantaram and Sohrab Modi, for example. They not only became famous but also lasted for longer periods.
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