Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Bharat Vyas


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 17
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nahm began to contribute lyrics in the blog from 8 feb 2011, about a month after Atif M (the first lyrics contributor in the blog). That made nahm the second regular lyrics contributor for the blog. The first song contributed by her that appeared in the blog was Do dil toote do dil haare (Heer Raanjha)(1970). This was followed by Aap yoon faaslon se guzarte rahe (Shankar Hussain)(1976). The third contribution was Ab to hai yumse har khushi apni (Abhimaan)(1973).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 2
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People familiar with the blog may have noticed that the blog was living upto its name these days and just a few songs were being discussed in a day for the last several weeks.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Voice of Mukesh #64
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Searching for and locating the last few songs in a list always becomes a challenge, and the pace slows down considerably. In the process of completing the posting of all known songs of Mukesh till 1950, getting the last few remaining songs is turning out to be quite an effort. Today, I am uploading and posting this fabulous fun qawwaali from the 1950 film ‘Bijli’, which is sung by Mukesh and Shamshad Begum.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp – 9)
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Today’s bhajan is from a film called Patit Pawan-1955.

The word Patit Paawan is generally used for Shri Ram. This is based on a story that, Ahilya, who was the wife of Rishi Gautam,was very beautiful and was cheated by Indra Dev. Smitten by her beauty, he comes disguised as Rishi Gautam, her husband and has a good time with her. When the real Rishi Gautam comes to know about it, he is so furious that he curses Ahilya and turns her into a stone and she would have to remain in that state till Sri Ram’s feet touched her when she would regain her human form. After a few years, Lord Shri Ram comes that way and touches the stone and thereby frees Ahilya from the curse and she regains her human form. Thus, a Patit (the fallen one) is made Paawan (is purified), hence the name Patit Paawan for Shri Ram.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-8)
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Indians simply love Festivals. If you see carefully, almost throughout the year, some or the other Festival or an important day is being celebrated somewhere in India. For example, take a look here…
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s (Pushp-7)
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One advantage of seeing religious films was that it increased your knowledge of mythology and the Puranas. Though there was a common principle highlighted( Satyamev Jayate or the victory of Good over Bad ), every story’s treatment and content used to be different. With our Holy books overflowing with stories involving all types of Gods, Godesses and Bhakts, film producers must have never fallen short of stories. Famous and well known studios like Bombay Talkies, Sagar, Mohan, Prakash, Prabhat, Wadia or Filmistan stuck to popular and traditional stories like Satyavan Savitri, Bhakta Dhruv, Shri Ram or Shrikrishna. other production companies tried comparatively less known, unknown or even Hybrid stories (Mythological base but treated in filmy style) to make films.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

So another reminder for another request from AK ji. This song is from a relatively lesser known film by the name ‘Amar Jyoti’ from 1965. I say relatively, in comparison to the better known film by the same name from 1936.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Piya Milan Ki Aas” (1961) was directed by S N Tripathi for Vijay Films. J S Cashyap was the producer. The movie had Ameeta, Manoj Kumar, Sunder, Pratima Devi, Jeevan, Nalini Chonker, Daisy Irani, Indira Bansal, Polson, S. N. Tripathi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roop Sundari” (1964) was directed by Chandrakant for Chitradoot Productions. The movie had Anita Guha, Mahipal, B. M. Vyas, Sunder, Ratnamala, Bela Bose, Rajraani, V. Gopal, Laxmi Chhaya etc in it.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Raag Maalikaa in Hindi Films – 4
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Amar Samaadhi was due to some unknown reasons, an unreleased film of sixties, but this marvellous music composition is evergreen and does not need any labels for its supreme quality of music. It was produced under the banner of Atre Pictures and directed by Shahu Modak. Shyama and Shahu Modak were the leading team, but little is known about the other star cast. Vasant Desai composed music to the lyrics of Bharat Vyas. It seems that at least three songs were recorded, a Lata solo (Poonam ki chanderi raaton mein) a Lata Rafi duet (Aaj ke prabhaat ki paheli kiran) and this RaagaMaala.
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