Posts Tagged ‘Bharat Vyas’
Madbhari hain pyaar ki palken
Posted on: August 5, 2012
“Fashion” (1957) was a Kuldip Pictures production. This movie was directed by Lekhraj Bhakri. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.
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“Rani Roopmati” (1959) was a Ravikala Chitra Production. It was produced and directed by S N Tripathi. The movie had Bharat Bhushan, Nirupa Roy, Nalini Chonker, Ullhas, B. M. Vyas, Babu Raje, Bharat Bhushan, Amarnath etc in it.
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Thaane kaajalyon banaalyoon
Posted on: July 22, 2012
“Veer Durgadas” (1960) was a historical movie based on the life of Veer Durgadas Rathode , a respected historical figure of Rajasthan. The movie was a Lak Bharati Chitra production. It was directed by Ramchandra Thakur. The movie had Nirupa Roy, Manhar Desai, Jairaj, P.Kailash, RajKumar, S.N.Tripathi, Babu Raje, Prem Sagar, Poonam, Champak lala, Narbada Shankar, Ajit, B.M.Vyas, Bagla,Kumari Chand, Suryakant Shukla, Sukumar,Mahendra, Sri Bhagwan, Ramlal Pehlwaan, Nazir Kashmiri, Hamid, Raajwade, Vinay Mukaale, Bhimjee Bhai, Damodar etc in it.
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Mere laadlon tum phoolo phalo
Posted on: July 7, 2012
“Sant Gyaneshwar” (1964) was one of the B grade movies that rode on the back of their A grade music to attract movie lovers to the movie hall and succeed at the box office. This movie was a Ranglok pictures presentation. It was produced by Ramraj Nahta and directed by Manikbhai Vyas. The movie had Sudhir Kumar, Surekha, Babloo, Jeevan, Sulochana Latkar, Shahu Modak, Asit Sen, Madhumati, Dev Kumar, Ulhas, Narmada Shankar, Meena etc in it.
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Ab to aisa lagta hai
Posted on: July 5, 2012
“Roopsundari” (1964) as the name suggests was a mythological movie produced on a B grade budget.
Like most B grade movies of those days, the music was A grade.
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Pyaar ki pyaas
Posted on: July 5, 2012
“Pyaar Ki Pyaas” (1961) was a Anupam Chitra Production. It was produced by Pt Mukhram Sharma and Mahesh Kaul. Pt Mukhram Sharma wrote the story and Mahesh Kaul directed the movie. The movie had Manmohan Krishna, Nishi Kohli, Shrikant, Honey Irani, David Abraham, Manorama, Yashodhara Katju, Lal Bahadur, Gopi Krishna, Kamal Mehra, Indira Bansal, Dulari, Kathana, Hayat, Taneja etc.
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Door desh se koi sapera aaya
Posted on: July 5, 2012
“Kavi Kalidas” (1959) was a Sindhu Films Production. It was produced and directed by S N Tripathi. The movie had Bharat Bhushan, Anita Guha, Nirupa Roy, Sapru, Sabita Chatterjee, Niranjan Sharma, Babu Raje, etc in it.
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Tum mere main teri
Posted on: July 5, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my school days, our Hindi teachers quite often used to mention about the troika of Hindi poets, Prasad-Pant-Nirala ( Jaishankar Prasad, Sumitranadan Pant and Suryakant Tripathi ‘Nirala’). They were the pioneers of ‘chhaayawadi’ (romanticism) movement in Hindi poetry. At a time when norms for writing Hindi poetry were different, these poets created a niche for themselves and set a new standard for Hindi poetry. About four decades later, a similar troika of poets was continuing the tradition of writing poetry in similar style but for Hindi films. The poetry was written in simple words for the benefit of masses. In doing so, they extended their coverage beyond ‘chhaayawad’ to include social issues, philosophy of life etc. These poets also created a niche for themselves at a time when the Hindi film songs were mostly written in Hindustani ( mix of Hindi and Urdu words). Pandit Bharat Vyas was one among the troika of poets who wrote lyrics for Hindi film songs, the other two being Pandit Narendra Sharma and Kavi Pradeep.
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Kalpana ke ghan baraste
Posted on: June 9, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
June 9, 2012 is the birth centenary of the music director Vasant Desai whom I regard as a man who worked in Hindi film industry on his own terms without being a part of the rate race among his contemporary music directors. Being a devotee of the traditional music, he did not succumb to the lure of money in composing music for mass appeal.
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