Posts Tagged ‘D N Madhok’
Wo din yaad karo
Posted on: July 4, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
We all know that Mukesh was regarded as Raj Kapoor’s voice. The film audience accepted it, though in my view, Raj Kapoor’s voice matched more with that of Manna Dey. I came across a somewhat similar situation albeit on a smaller scale in the 40s with reference to a lead actor of that time viz Ragini and the playback singer Zeenat Begum. It is said that Zeenat Begum’s voice matched so much with that of Ragini that many filmgoers of that time felt that it was Ragini who was singing for herself on the screen. Obviously, during that period, Zeenat Begum became the main playback singer for Ragini and with this tag, she became the playback singer for many lead actors of that time. For those to whom these two names do not ring any bells, here are their brief profiles (with inputs from various sources on the internet).
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Taare wohi hain chaand wohi hai
Posted on: June 17, 2012
“Anmol Ratan” (1950) is by now an obscure movie. This movie was a Dewan Production movie. It was directed by M Sadiq. The movie had Karan Dewan, Meena, Gope, Gulab, Nirmala, Madan Puri etc in it.
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Zara back ke chalo ri mori guinyaan
Posted on: May 28, 2012
“Garma Garam” (1957) was a G M Pictures presentation. It was directed by P L Santoshi. The movie had Bhagwan, Agha, Nadira, Anwar, Gope, Maruti, Krishna Kumari, Mumtaz, Om Prakash etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Khursheed Bano ( 14/04/1914 – 18/04/2001), the singer of immortal songs such as “panchhi baawara chaand se preet lagaaye” , “ghataa ghanghor ghor” , “jiske milne ki tamanna thhi wo pyaara mil gayaa” was born as Irshad Begum near Lahore on April 14, 1914. She became an actor at a time when the era of silent movie was about to end. In the advent of talkie films when actors had to sing their own songs, she had to learn singing in furtherance of her acting career. In one of her interviews, she said that it was because of the painstaking efforts by music directors of that time that some of the actors like her could improve their singing skills.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my native place in Mangalore district (and perhaps other places in India specially in villages), it was a tradition in almost every house that all family members would assemble in the Pooja Room soon after the dusk for singing some devotional songs. In a joint family system, this tradition also worked as a means of creating bonding among large family members. After shifting to Mumbai in early 50s, with a nuclear family and a city culture, this tradition slowly got discontinued. But my mother would sing at least a couple of devotional songs every day after dusk while doing her kitchen chores. One of the devotional songs which I had often heard in my childhood was in the Konkani language, my mother tongue. I was very much impressed by the lyrics and the tune of the song.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Rewinding back to 1950. The earlier year, 1949, had proved to be a golden year for music and songs in Hindi films. Many a memorable films and many many memorable songs got released in this year, and many relatively new artists got launched on hugely prolific careers. Some writers accord the period from 1949 to 1952 as the best period of music in Hindi film industry. But one voice was relatively unheard. A very new singer by the name Asha Bhosle, was just fledgling, and a career that was still to take a shape. Sixty one years hence, she would be celebrated as the most recorded singer in history. But back, in 1949 and 1950, you could count her songs on your fingers. All of sixteen years old at that time, and already saddled with turbulent personal affairs, no wonder that she did not have many songs to her credit in this golden period of Hindi film music.
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Paapi papeeha re pi pi na bol
Posted on: March 21, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During my younger days, I got acquainted with some of the popular music directors of the pre-partition days mainly through listening to some of their bench-mark songs on Radio Ceylon. Khwaja Khurshid Anwar is one of those names.
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Jab kisi ke rukhh pe zulfen
Posted on: February 24, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog
Remembering Talat Mehmood on his 88th birth anniversary today, the 24th of February.
The moon generally does not venture out during the daytime. For if it does, then no one can see it, and no one would pay any attention – for daytime is the time of the sun. No matter however enchanting the moon may seem by itself, daytime is not the time for it.
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“Rattan” (1944) was a movie whose songs were based on folk music instead of classical music as was the norm those days. That helped ordinary folks to identify with and connect with the music of this music. The result was unprecedented. The producer of this movie earned more money through the music rights than through the screening of the movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
If I send the lyrics of the song “wo ham se chup hain, ham unse chup hain”, for discussion, Atul may, probably send me a return e-mail saying that this song has already been discussed and here is the link – https://atulsongaday.me/2010/01/28/wo-hamse-chup-hain-ham-unse-chup-hain/ unless he reads the entire lyrics. This was exactly what had happened to me whenever I read the first line of the mukhda appearing as a caption of an audio clip on YT. Unfortunately, I did not proceed further than a cursory glance assuming that this was the song from “Sargam” (1950).
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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