Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mulkraj Bhakri


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4803 Post No. : 16570

‘Chunariya’ (1948) was produced under the banner of Kuldeep Pictures of Lahore-based Kuldeep Sehgal which was his first film in Mumbai after partition. The film was directed by Ravindra Dave. The story, dialogues, screen-play and lyrics were written by Mulk Raj Bhakri. The production controller was his brother, Lekh Raj Bhakri. The star cast included Manorama and Wasti in the lead role with Randhir, Pran, Sophia, Cuckoo, Narbada Shankar, Mehdi Raza, Chand Burque, Baij Sharma etc in subsidiary roles.

It is interesting to note as to how the box office success of ‘Chunariya’ (1948) helped the career revival of some of the displaced persons from the Lahore film industry. Most of them had shifted to Mumbai after partition in 1947 almost penniless. Although the film was produced by Kuldeep Sehgal, according to character actor Janaki Das, it was Mulk Raj Bhakri along with his brother, Lekh Raj Bhakri who organized the actors and the crew, mostly among the displaced from Lahore film industry. Later, both Bhakri brothers floated their own film production companies and became producers/director.

The film’s director, Ravindra Dave was also a displaced person from Lahore film industry who came to Mumbai along with his brother Ramnarayan Dave and their maternal uncle, Dalsukh Pancholi. ‘Chunariya’ (1948) was his first directorial film in Mumbai. Ravindra Dave also floated his own film production company and became the producer-director of Hindi and Gujarati films. The acting career of Manorama and Pran, both from Lahore, took off in Mumbai from the success of ‘Chunariya’ (1948).

Music Director, Hansraj Bahl who started his career as the music director in Mumbai with ‘Pujaari’ (1946), was on the downhill after the continuous failures of about half-a-dozen films. He bounced back with good compositions of the songs for ‘Chunariya’ (1948) some of which became popular. Although, Geeta Dutt was the main female playback singer for the film, it was Lata Mangeshkar’ song, dil-e-naashaad ko jeene ki hasrat ho gayi tumse which became very popular. Similary, Mohammed Rafi’s song, sab kuchh lutaaya hamne aakar teri gali mein also became very popular.

‘Chunariya’ (1948) has the distinction of becoming a film in which Asha Bhosle sang her first song in Hindi film, ‘saawan aaya re saawan aaya jaage more bhaag’ along with Geeta Dutt and Zohrabai Ambalewaali in this film. However, according to Raju Bharatan who wrote Asha Bhosle’s musical biography, Asha Bhosle sang her first Hindi film song, ‘gareebon ke data gareebon ke waali’ in ‘Andhon Ki Duniya (1947) along with Zohrabai Ambalewaali. Unfortunately, as of now, both the songs are not available on any of the video sharing platforms. There may be some story as to why many on-line articles on Asha Bhosle consider the song in ‘Chunariya’ (1948) being her first Hindi film song rather than her song from ‘Andhon Ki Duniya’ (1947).

‘Chunariya’ (1948) had 10 songs – all written by Mulk Raj Bhakri of which 8 songs have already been covered on the Blog. The remaining two songs were not available on video sharing platforms for quite some time. Very recently, I am able to get mp3 clip of one of the two ‘missing’ songs which I have uploaded on a video sharing platform.

I am presenting the 9th song, ‘daaman se bandh gayi choli re, meri sakhi paraayi ho li re’ which is rendered by Geeta Dutt and chorus. From the wordings of the lyrics, it is apparent that it is a ‘Bidaai Song’ sung by bride’s friends.

Audio Clip:

Song-Daaman se bandh gayi choli re (Chunariya)(1948) Singer-Geeta Dutt, Lyrics-Mulkraj Bhakri, MD-Hansraj Bahl
Chorus

Lyrics

daaman se bandh gayi choli re
choli re daaman se
ho daaman se bandh gayi choli re
daaman se bandh gayi choli re..ae
choli re daaman se
ho daaman se bandh gayi choli re

em>mori sakhi paraayi ho li re..ae
ho li re daaman se
ho daaman se bandh gayi choli re

baabul kaa ghar chhod sakhi
kar pi kaa ghar aabaad
hoooooooo
piya prem mein kho na jaana
hamein bhi rakhna yaad
man har lenaa
saanwariya kaa
aa aa aa aa aaa
bol ke meethhi boli re..ae
boli re daaman se
ho daaman se bandh gayi choli re
daaman se bandh gayi choli re..ae
choli re daaman se
ho daaman se bandh gayi choli re

pi charanan mein baith sakhi
tum swarg ka sukh nit paana
ho ooo oo
unki charan dhool ka nis din
maathhe tilak lagaana
haan haan
har raat teri bane deewaali
ee ee ee ee eee
har din ho tera holi re
holi re daaman se
ho daaman se bandh gayi choli re
daaman se bandh gayi choli re..ae
choli re daaman se
ho daaman se bandh gayi choli re


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4778 Post No. : 16530

We are in the midst of Saawan, the 5th month of the Hindu calendar. Besides, being a holy month for Hindus, it is also a month for romanticism. After experiencing the scorching summer for a couple of months, rains bring a great relief to the people. By the time, the month of saawan starts, the rains have already transformed not only the dry agricultural fields into green but also the surroundings areas. Also, in the saawan month, the intensity of the rains gets reduced allowing the inter-play of showers and soft sunrays. All these changes in the climate make the atmosphere congenial for romanticism. Longing, rejoicing and separation become the part of the romantic month of saawan for those in love. Poets, writers and artists have been inspired by the romaticism of saawan in their works.

In ‘Meghdoot’, written by Kalidas about 1600 years ago, there is no direct reference to ‘saawan’ in the poems. But the reference to the clouds gives an indication of the rainy season when the exiled Yaksha on a mountain sees a cloud perched on the peak. He requests the cloud to deliver his message to his beloved in the Himalayan city of Alaka. Probably, this was the inspiration for some ‘saawan’ songs in Hindi films, the popular one being saawan ke baadalon unse ye jaa kaho from ‘Rattan’ (1944).

In the 14th century, Amir Khusrau wrote a ‘saawan’ poem, ‘amma mere baba ko bhejo ri ke saawan aaya’. The poem was written in a form of the conversation between the mother and her newly married daughter staying in her sasural (in-law’s place). The full song is as under:

amma mere baba ko bhejo ri ke saawan ayaa
beti tera baba to boodha ri ke saawan ayaa

amma mere bhai ko bhejo ri ke saawan ayaa
beti tera bhai to baala ri ke saawan ayaa

amma mere mamu ko bhejo ri ke saawan ayaa
beti tera mamu to baanka ri ke saawan ayaa

Probably, Amir Khusrau wrote this piognant poem in the background of a convention among the some of the Hindu families that the newly married daughters stay with their parents during the month of saawan, among other reasons, to celebrate the festivals like Naag Panchami, Teej, Raksha Bandhan, Shri Krishna Janmashtmi etc. for the first time after the marriage. In olden days, it was either father, brother or the maternal uncle who would bring the newly married girl to her parent’s house. Khusrau’s poem is the reflection of a newly married girl who is longing to visit her parent’s house in the month of saawan but unable to visit as her father is too old and her brother is too young to undertake the journey to fetch her.

As against this, for the girl whose marriage has been fixed, the month of saawan is the longing for her fiancé. There is an eagerness to meet him. The mood of joie de vivre is well expressed in Shailendra’s lyrics in aaye re din saawan ke in the film ‘Gaban’ (1966).

The rejoicing mood in Meerabai’s bhajan, barse boondiyaan saawan ki which Lata Mangeshkar sang, became very popular though it was a non-film song. I will not be surprised if other poets of Bhakti movements at that period also wrote on the month of saawan.

In the Urdu drama, ‘Inder Sabha’ (1850s) which was written in verses by Amanat Lucknawi, there is a ghazal praying for the early arrival of ‘saawan’. He had used the metaphor of saawan in various romantic instances, like the swirling of beloved’s ‘zulfen’ and ‘dupatta’ to that of the clouds of saawan. A somewhat similar metaphor was used by Raja Mehdi Ali Khan in the mukhda of the song, zulfon ki ghata lekar saawan ki pari aayi in ‘Reshmi Roomaal’ (1961).

This was an unique ghazal in the sense that it had two matla (the first she’r) and had used ‘radif ‘(repeat words) – ‘saawan ki’ in all the 11 she’rs of the ghazal. One can say that it was a ‘saawan dominated’ ghazal. The first two she’rs of the ghazal are as under:

dil ko marghoob hai thandi hawa jo saawan ki
maangta hoon main sada haq se duwa saawan ki

yaad aata hai wo sabza wo ghata saawan ki
shaql dikhlaaye kahin jald khuda saawan ki

And lastly, Amanat Lacknawi writes:

ae ‘Amanat’ yah nikaali hai zameen tu ne nayi
pahle thhi kiski ghazal tere siwa saawan ki

Not all the poets used in their poems, the context of ‘saawan’ in the conventional sense of romance, separation and rejoice. Neeraj used the month of saawan in one of his ghazals to depict the ironies of life. He said:

ab ke saawan mein ye sharaarat mere saath huyi
mera ghar chhod kar kul shahar mein barsaat huyi
zindagi bhar to huyi guftugoo ghairon se magar
aaj tak hamse na hamaari mulaakaat huyi

Hindi film music has also been influenced by ‘saawan’ songs since the sound films appeared in 1931. Unfortunately, in the initial period of sound films, the songs were rarely released on gramophone records. Due to non-availability of the films’s print, most of songs from the films of early 1930s have been lost. The earliest ‘saawan’ song’ from the Hindi films for which I could get the mukhda of the song is from ‘Maharani’ (1934) in which the song ‘saawan ghan barse chaatak kyun tarse’ was listed. However, the song is not available. As far as I know, the earliest ‘saawan’ song from Hindi films that is available for listening (also for watching) is naahin aaye ghanshyam from the film ‘Devdas’ (1935). There has been a steady flow of ‘saawan’ songs in Hindi films since the inception of sound films.

Some of the ‘saawan’ songs in Hindi films which are of my liking (not an exhaustive list) are as under:

saawan aaye na aaye – Sadhana (1939)

saawan ke nazaare hain – Khazaanchi (1941)

kayi din se saawan barasta hai rimjhim rimjhim – Samaaj (1954)

thandi thandi saawan ki phuhaar – Jagate Raho (1956)

do boonden saawan ki – Phir Subah Hogi (1958)

garjat barsat saawan aayo re – Barsaat Ki Raat (1960)

deewaana huwa baadal saawan ki ghata chhaayi – Kashmir Ki Kali (1964)

saawan ke din aaye sajanwa aan milo – Bhumika (1977)

saawan ki aayi bahaar re – Junoon (1978)

lagi aaj saawan ki phir wo jhadi hai – Chaandni (1989)

Notwithstanding my above list, if someone was to ask me to instantly give one example of ‘saawan’ song from the Hindi films, the first song that will invariabnly come to my mind is rimjhim gire saawan sulag sulag jaaye man from ‘Manzil’ (1979) The reason is that I had watched the film and the song was picturised on Amitabh Bachchan and Maushumi Chatterjee in the midst of real rains. This song gives a real feel of the atmosphere of the month of saawan.

Our Blog has covered as many as 99 ‘saawan’ songs. The count could be more as tagging of few ‘saawan’ songs may have been missed. I am presenting today, a lovely ‘saawan’ song, ‘barkha ki rut hai baanke balamwa saawan ka aaya mahina’ from the film ‘Papeeha Re’ (1948). HFGK is silent on the singers of the song. However, I am fairly sure that the two voices sound like that of Munawwar Sultana and Zeenat Begum.

From the lyrics of the song, it appears that Zeenat Begam is singing for an actress doing a male character in this song sequence.

Audio Clip:

Song-Barkha ki rut hai baanke balamwa saawan ka aaya maheena (Papeeha Re)(1948) Singers-Munawwar Sultana, Zeenat Begam, Lyrics-Mulkraj Bhakri, MD-Dhaniram
Both

Lyrics

barkha ki rut hai baanke balamwa
saawan ka aaya maheena

o na jaa pardes
o na jaa pardes
na jaa
na jaa haan
mera mushqil tum bin jeena
saawan ka aaya maheena

tum to chale pardesiya
yahaan laagega kaise jiya
o piya
kaahe ka jadoo kiya
jo thhaa jaana chhod ke hamko
jo thhaa jaana chhod ke hamko..o o o
kaahe ka jaadoo kiya
o raaja
phir kaahe ka jaadoo kiya
barkha ki rut hai baanke balamwa
saawan ka aaya maheena

naukri karne ko jaana zaroori
gori jaana zaroori
aayi badi majboori
dil mein tu apne aake basaa le mori
aake basaa le
phir kaahe ki doori sajaniya
phir kaahe ki doori

barkha ki rut hai baanke balamwa
saawan ka aaya maheena

maar tu goli naukari ko
o raaja naukari ko
morey raaja
rah jaa tu mere paas
dekh sooratiya bhookh mitegi mori
bhookh mitegi
nainon ki jaayegi pyaas
o morey raaja
nainon ki jaayegi pyaas
barkha ki rut hai baanke balamwa
saawan ka aaya maheena

na ro tu na ro
na ro tu na ro
o meri raani na ro
o meri raani
kaahe bhayi tu udaas
ab to karoonga teri main chaakri
ho teri main chaakri
tera banoonga daas
o meri raani
tera banoonga daas

barkha ki rut hai baanke balamwa
saawan ka aaya maheena


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4640 Post No. : 16300

The musical bandwagon may be moving slower now a days, but it is moving on nevertheless. Everyday sees at least one post in the blog. The last DOT day for the blog was on 25 december 2019 (4177th day for the blog). Since then, the blog has added at least one song every day for the last 563 days.

Today is 4640th day for the blog. On this day we achieve yet another landmark figure, viz post number 16300. In other words, we complete the 163rd century for the blog today. It works out to an average of 28.5 days for one century. So by the time our moon completes one rotation of the earth, the blog completes one century of songs. 🙂

Here I have likened the progress of the blog to moon. But in the past, I have likened the blog to a bandwagon. And on other occasions, I have likened it to a train as well. 🙂

Come to think of it, trains fascinate us nearly as much as Hindi movie songs fascinate us. Trains in fact fascinate Hindi movie makers also. And so we find trains playing important roles in many Hindi movies. Many songs in these movies take place on trains.

When I checked up, I realised that the blog has just over one hundred train songs already. We have 102 rail related songs in the blog so far.

If one thinks that all these rail related songs have been covered by me ( a Railwayman myself), you cannot be more wrong. Most regular contributors of the blog have contributed to this impressive catalog of rail songs in the blog. Just take a look at the chart here to see the contributions of rail related posts and lyrics by our regulars :-

Contributor Number of Articles Lyrics Remarks
Atif M 2 Post no. 6157 and 6286
Ava Suri 2 Post no. 8536 and 14992
Arunkumar Deshmukh 6 Post no. 7670, 8255,9709,10742,10960 and 14578
Avinash Scrapwala 3 1 + 2 (Devnagri) Post no. 16069,16134 and 16135 Both Lyrics for posts 13964 and devnagri lyrics for 14903
Bharat Upadhyay 1 Post no. 11305
K Satish Shenoy 1 Post no. 14486
Khyati Bhatt 2 Post no. 5248 and 7450
Mahesh Mamadapur 1 Post no. 11226
nahm 2 Post no. 7676 and 9898
Nitin Shah 5 Lyrics for Post no. 5753,5791,8732,9606 and 10817
Pamir Harvey 1 Post no. 8160
Peevesie 1 Post no. 5756
Peevesie’s mom 4 Post no. 7564,8867,11717 and 16141
Prakashchandra 10 Lyrics for Post no. 5039,6447,6579,6705,6782,6871,8626,8865,10051 and 12828
Raja 2 Post no. 3161 and 13374
Sadanand Kamath 1 Post no. 7053
Satyajit Rajurkar 1 Post no. 9325
Sudhir Kapur 10 1 Post no. 3900, 3988,7368,8537,9561,9973,10729,11111,13929 and 15551. Lyrics for post number 3486

What an impressive collection of Rail related songs by our regulars.

Some of these songs have doubled up as blog century posts as well. Here is the list of Rail songs that have been used as blog century posts :-

Blog post number Song Movie (Year) Date of posting
2000 Dhak dhak karti chali jeewan ki rail re Dilruba(1950) 27 september 2009
2700 Jeewan hai ik sapnaa madhur suhaanaa sapnaa Honeymoon (1973) 30 july 2010
3500 Main hoon jhum jhum jhum jhum jhumroo Jhumru (1961) 4 February 2011
3900 Ye hai jeewan ki rail Mehlon Ke Khwaab 17 may 2011
15800 Hamaare dil ke station pe bhi baabu kabhi aanaa Fifty Fifty(1950) 12 August 2020

I have decided to use another Rail song as this blog century song. I had a good number of Rail songs to chose from. Avinash Scrapwala, one of the bigger Railway fans among the regulars, had sent me several rail related lyrics and he keeps reminding me about them periodically. I have chosen one of those lyrics for this post.

This song is from “Naach”(1949). “Naach” (1949) was directed by Ravindra Dave for Kuldip Pictures. The movie had Shyam, Suraiya, Kuldip, Raj Mehra, Gulab, Yashodhara Katju, Sofia, Shyama, Wasti, Om Prakash etc in it.

The movie had 11 songs in it. Eight songs have been covered in the past.

This rail song from “Naach”(1949) is sung by Geeta Dutt, Lata Mangeshkar and an unknown male voice.

I take this opportunity to thank one and all for their continued support and encouragement which has kept this musical labour of love to keep rolling on and on without any stoppages. Here is hoping that we will countinue to keep arriving at many more milestones during our musical journey.


Song-Chhak chhak chali hamaari rail (Naach)(1949) Singers-Geeta Dutt, Lata Unknown male voice, Lyrics-Mulkraj Bhakri, Md-Husnlal Bhagatram

Lyrics(Provided by Avinash Scrapwala)

Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail
Ye hai aag paani ka mel
Dekho angrezon ka khel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

Liye jaa rahi hai ye kisiko
Bichhda sajan milaane ae ae
Liye jaa rahi hai ye kisiko
Bichhda sajan milaane

Koyi chhod apne sangi ko
Chalaa hai door thhikaane ae ae
Koyi chhod apne sangi ko
Chalaa hai door thhikaane
Kismet se hi hote hain ji
Bichhdon ke phir mel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail
Ye hai aag paani ka mel
Dekho angrezon ka khel
Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

Malaai hai malaai
Malaai hai malaai
gore haathon ne banaayi
gore haathon ne banaayi
Kunwaara bhi khaaye to
Mil jaaye lugaai
Mil jaaye lugaai
Poochhlo ise
Isne parson hi khaayi
Parson hi khaayi
Malaai hai malaai
Malaai hai malaai

Baalam morey ka shehar hai Dehli
Baalam morey ka shehar hai Dehli
Chhoti bajariyaa mein oonchi haveli
Chhoti bajariyaa mein oonchi haveli
Maikaa hai mora beech Bareilly
Maikaa hai mora beech Bareilly
Wahin ki ticket kataayi re
Wahin ki ticket kataayi re

Guard baabu
O Guard baabu
Guard baabu
O Guard baabu
Gaadi jaldi jaldi khench

Chhak chhak chali hamaari Rail
Chhak chhak chali hamaari Rail

————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————–

छक छक चली हमारी रेल
छक छक चली हमारी रेल
ये है आग पानी का मेल
देखो अंग्रेजों का खेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल
लिए जा रही है ये किसीको
बिछड़ा सजन मिलाने ए ए

लिए जा रही है ये किसीको
बिछड़ा सजन मिलाने
कोई छोड़ अपने संगी को
चला है दूर ठिकाने ए ए

कोई छोड़ अपने संगी को
चला है दूर ठिकाने
किस्मत से ही होते हैं जी
बिछड़ों के फिर मेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल
ये है आग पानी का मेल
देखो अंग्रेजों का खेल
छक छक चली हमारी रेल
छक छक चली हमारी रेल

मलाई है मलाई
मलाई है मलाई
गोरे हाथों ने बनायी
गोरे हाथों ने बनायी
कुंवारा भी खाए तो
मिल जाए लुगाई
मिल जाए लुगाई
पूछलो इसे
इसने परसों ही खायी
परसों ही खायी
मलाई है मलाई
मलाई है मलाई

बालम मोरे का शहर है देहली
बालम मोरे का शहर है देहली
छोटी बजरिया में ऊंची हवेली
छोटी बजरिया में ऊंची हवेली
मैका है मोरा बीच बरेली
मैका है मोरा बीच बरेली
वहीँ की टिकट कटाई रे
वहीँ की टिकट कटाई रे

गार्ड बाबू
ओ गार्ड बाबू
गार्ड बाबू
ओ गार्ड बाबू
गाडी जल्दी जल्दी खेंच

छक छक चली हमारी रेल
छक छक चली हमारी रेल


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4573 Post No. : 16176

“Papiha Re”(1948)was produced by Kuldeep Sahgal and directed by Dawood Chand for Kuldeep Pictures, Bombay. The movie had Amarnath, Akhtari, Pran, Asha Posley, Mumtaz Begum, G N Butt etc in it.

The movie had 12 songs in it. One song has been covered in the past.

Here is the econd song from “Papiha Re”(1948) to appear in the blog. This song is sung by Zeenat Begam and Dhaniram. Lyrics are by Mulkraj Bhakri. Music is composed by Dhaniram ho as making his debut as a music director ith this movie.

Only the audio of the song is available. I request our knoledgeable readers to thro light on the picturisation of this song.


Song-Tu chanda main chaandni (Papiha Re)(1948) Singers-Zeenat Begam, Dhaniram, Lyrics-Mulkraj Bhakri, MS-Dhaniram
Both

Lyrics

Tu chanda main chaandni ee
tu chanda main chaandni
ho tera mera
mera tera
janm janm ka saath
haath pakadkar chhod na dena
rahe haath mein haath
hamaara rahe haath mein haath
tu chanda main chaandni ee

main baaghon ki morni
main baaghon ki morni
aur tu ghata ghanghor
main sajan teri baawri
aur tu mera chitchor
main pyaasi ik boond hoon saajan
main pyaasi ik boond hoon saajan
tu meri barsaat
haath pakadkar chhod na dena
rahe haath mein haath
hamaara rahe haath mein haath
tu chanda main chaandni ee

ho o o
aan basi tu dil mein mere
ho o o
aan basi tu dil mein mere
jaise phool mein baagh
in nainon ko o
en nainon ko
hardam laagi tere daras ki pyaas
tere bina mohe kuchh na bhaaye
tere bina mohe kuchh na bhaaye
bhool gaya har baat

haath pakadkar chhod na dena
rahe haath mein haath
hamaara rahe haath mein haath
tu chanda main chaandni ee

>milke na bichhden do dil saajan
aisa ho jaaye pyar
bhool ke bhi patjhad na aaye
hardam rahe bahaar
hum tum donon jab mil baithen
hum tum dono jab mil baithhen
rahe sada phir saath
haath pakadkar chhod na dena
rahe haath mein haath


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4453 Post No. : 159

In one recent article of Sudhir jee on his “This week that year” series, he wondered why my spree of posting one “Anmol Ghadi”(1946) song everyday had a break of one day and subsequently the final song got covered after break of one day. I do not have any recollections of those days, but I am certain about the fact that the concept of YIPPying all the songs of a movie had not entered my mind by that time. My attempt was to cover all songs that I could come across. I may have missed stumbling against the one remaining Anmol Ghadi song on that day whereas I could locate it the next day. That is the only plausible explanation that I can think of.

I find that my first interaction with Pradeep Raghunathan took place on 22 march 2011. We have had some very intersting online chats together, some lasting for one hour and more.

I find some interesting details from the online chat logs. For instance, During our discussion on 15 april 2011, I mentioned that the blog had songs from 1500 movies, and that I expect the blog to one day reach 10000 songs. 🙂 Today we have songs from over 4000 movies and we are inching towards 16000 songs mark. 🙂

During our chat on 16 december 2011, he suggested providing serial number with each song. I told him that I do it internally in my excel sheet, access table etc. Today his suggestion is being followed in the blog starting from january 2017.

During these discussions, he discussed tagging of songs on IPOD. With time he started concentrating on those movies where all songs were covered. He relied upon online sources to guess if all songs were covered. I was keeping track of songs in movies by relying on online sources. I did not have HFGK with me at that time.

I can see from our early morning interactions at 1 AM on 22 november 2012 between two sleepless souls that the blog had 141 movies YIPPEED (though the term was not coined at that time) by 22 november 2012 whereas Pradep Raghunathan had tagged all songs for 132 of them. So the gap was only 9 movies for his at that time !

From july 2014 onwards, I have access to HFGK, thanks to the generosity of our blog stalwarts M/s Arunkumar Deshmukh and Sudhir Jee, and from then onwards YIPPYIng movies in the blog has become a planned activity rather than an incidental or chance activity.

Pradeep Raghunathan was doing tagging of songs of YIPPEED movies on his own. He was subsequenly joined by Khyati Bhatt, Aparna H M and Avinash Scrapwala in this tagging of songs mission.

It gives me some comfort that today on 26 september 2020 the blog has 1221 movies YIPPEED whereas the YIPPEE team of Pradeep Raghunathan and colleagues (Khyati Bhatt, Aparna H M and Avinash Scrapwala) are at just over 1000 movies mark. I need to get my act together and start YIPPYing some more movies seeing that team YIPPEE is threatening to catch up with the YIPPEED movies in the blog.

This year 2020 has seen 41 movies getting YIPPEED. THe record was set up in 2013 whe as many as 202 movies got YIPPEED.

Now a days we keep track of movies in the blog and we know which movies are nearing YIPPEEhood. The challenge often lies in locating the balance song or songs which are often rare songs.

“Baansuriya” (1949) was directed by Ram Narayan Dave for Nigaristaan Films, Bombay. The movie had Ram Singh, Geeta Bali, Om Prakash, Randhir, Kuldip, Sofia, Gulab, Uma Dutt, Shanti Madhok, Ramesh Thakur, Raj Pal, Sham Lal, Madan Kapoor, Raja Salim, Ram Avtaar etc in it.

The movie had eight songs in it. Seven songs have been covered in the past. Here are the details of the songs covered so far :-

Blog song number Song Date of posting
8745 Na shama ka qusoor na parwaane ka qusoor 22 September 2013
13190 Chaahe chori chori aao chaahe chhu chhup aao 25 April 2017
13298 Ye duniya kehti hai koi fariyaad na karey 1 June 2017
13538 Jo kar ke gaye barbaad hamen aati hai unki yaad hamen 20 August 2017
15764 Teri yaad sataaye ghadi ghadi 31 July 2020
15834 Dil tod ke jaane waale o 26 August 2020
15839 Tere saamne hum aansoo bahaayenge 27 August 2020

It can be seen that the movie was lying undiscussed in the blog since 2017. The year 2020 saw as many as three songs getting discussed in a matter of one month. Now only one song is left to be covered. That song is very much available.

Here is this eighth and final song from “Baansuriya” (1949) to appear in the blog. This song is sung by Geeta Dutt. Mulkraj Bhakri is the lyricist. Music is composed by Husnlal Bhagatram.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

With this song, all the songs of “Baansuriya” (1949) get covered and the movie joins the list of movies that have been YIPPEED in the blog.


Song-Aa ja aa ja ke jiya mora taras gaya (Baansuriya)(1949) Singer-Geeta Dutt, Lyrics- Mulkraj Bhakri, MD-Husnlal Bhagatram

Lyrics

aa ja aa ja
ho aa ja aa jaa
ke jiya mora taras gaya
aa ja aa jaa
ho aa ja aa jaa
ke jiya mora taras gaya
tera saath kabhi na chhodoon
marte dam tak munh na modoon
aa ja aa jaa
ke jiya mora taras gaya

kaate kate na mose lambi lambi raat ho
kaate kate na mose lambi lambi raat ho
sun ja kabhi tu aake ik mori baat ho
sun ja kabhi tu aake ik mori baat ho
ik mori baat ho
ik mori baat ho
kyun humse kinaara kar gaye
hum to jeet hi hi mar gaye
aa ja aa jaa
ke jiya mora taras gaya
aa ja aa jaa
ho aa ja aa jaa
ke jiya mora taras gaya

maine to tere liye sab jag chhoda
maine to tere liye sab jag chhoda
kaahe bedardi toone dil mera toda
kaahe bedardi toone dil mera toda
dil mera toda
dil mera toda
ye baat bata ja aake
roothhe kyu ho nain mila ke
aa ja aa ja
ke jiya mora taras gaya
aa ja aa jaa
ho aa ja aa jaa
ke jiya mora taras gaya


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4451 Post No. : 15912

ik arz meri maan lo daftar ko jaana hai
mangal ka din hai aaj koi itwaar nahin hai

These two lines in the song “kyun garm sard hote ho takraar nahin hai” from ‘Chokori’ (1949) sung by Mohammed Rafi has made me to present this song which was not available on-line until SAREGAMA uploaded the audio clip of this rare song on one of the video sharing platforms in early 2019.

‘Chakori’ (1949) was the first film of Ravindra Dave as a producer which he produced under the banner of Ramesh Pictures. The film was directed by his younger brother, Ram Narayan Dave. The star cast included Nalini Jaywant, Bharat Bhushan, Manorama, Om Prakash, Randhir, Narbada Shankar, Uma Dutt, Cuckoo etc. The story, screen-play, dialogues and songs were written by Mulkraj Bhakri.

Ravindra Dave was the son of Karachi-based Seth Ratilal Dave who had a flourishing business of film distribution for North Indian territories under the name, Empire Talkie Distributors. This was the first film distribution company which undertook to distribute India’s first talkie ‘Alam Ara’ (1931) in Northern India. He joined his father’s film distribution company and helped his father in procuring distributions rights of films produced in Mumbai.

Dalsukh Pancholi was the uncle of Ravindra Dave who was already in film production and the owner of Pancholi Studio in Lahore. Ravindra Dave became the Production Manager in Pancholi Films. He got his first assignment as a director in Pancholi’s ‘Poonji’ (1943) along with Vishnu Pancholi. With his talent firmly established in film making, Pancholi gave him the assignment of writing the script for ‘Dhamki’ (1943) and directing it.

When Ravindra Dave was directing Pancholi’s next film, ‘Patjhad’ (1948), the partition happened and the communal riots that broke out in Lahore made him and Pancholis to come to Bombay with the completed reels of the film which was later released in 1948 after completion of the film in Mumbai. For both Pancholis and Ravindra Dave, it was like starting their filmy career afresh. Ravindra Dave directed about 30 Hindi films during 1943-69. Later, he shifted to Gujarati films producing and directing around 20 films until 1985.

Mulkhraj Bhakri, the story, screen-play, dialogue and song writer of ‘Chakori’ (1949) was born in Gujranwala in Punjab (now in Pakistan). His father, Moolchand Bhakri was the store-keeper in Indian Army Service Corps (IASC) at Pathankot. He went to school in Lyallpur (now Faisalabad in Pakistan). After completion of his Matriculation examination in 1931, he was keen to join the film industry.

Mulkraj Bhakri started his career as Cinema Manager. It took him a long time to get his first break in the film ‘Arsi’ (1947) as story and dialogue writer. After the success of the film, Mukraj Bhakri got two films – ‘Barsaat Ki Ek Raat’ (1948) and ‘Papiha Re’ (1948) for which he wrote story, dialogues, screen play and lyrics. Both these films were being produced in Lahore studios. Unfortunately, both the films became the victims of partition and were temporarily abandoned. These films were later released in some parts of India.

Mukraj Bhakri came to Bombay (Mumbai) after the partition along with his brothers, Lekhraj Bhakri, Deshraj Bhakri and Rajkumar Bhakri who were all associated with Hindi films. Mulkraj Bhakri became the rallying point for displaced film artists and technicians from Lahore. Bhakri who was the ‘de facto’ producer of the film ‘Chunariya’ (1948) gave Ravindra Dave his first assignment in post-partition India to direct the film. Next, Ravindra Dave got Prakash Pictures’ ‘Saawan Baadhon’ (1949) to direct. He also directed his uncle Pancholi’s first film in post-independent India – ‘Meena Baazar’ (1950).

Note: The profiles of Ravindra Dave and Mulkraj Bhakri up to 1949 are based on articles written by character actor, Janki Dass in film magazine ‘Sound’ – May 1949 and July 1949 issues, respectively.

So far, 7 songs (out of 11 songs) of ‘Chakori’ (1949) have been covered in the Blog. The song under presentation is the 8th song from the film to appear on the Blog. Song is written by Mulkraj Bhakri which is set to music by Hansraj Bahl.

In Hindi film songs, I had not come across the Urdu word ‘dehleez’ (threshold; may be चौखट in Hindi) until Gulzar saab used it in mudke na dekho dilbaro in ‘Raazi’ (2018). I was pleasantly surprised to note that Mulkraj Bhkari had used the word ‘dahleez’ in the song under presentation as early as 1949. Interestingly, Gulzar saab has also used the Hindi equivalent word ‘Chaukhat’ in the song, chhod aaye ham wo galiyaan in the film ‘Maachis’ (1996).

Enjoy the ‘wooing and pleading with the beloved’ song.

Audio Clip:

Song-Kyun garm sard hote ho takraar nahin hai(Chakori)(1949) Singer-Rafi, Lyrics-Mulkraj Bhakri, MD-Hansraj Bahl

Lyrics

kyun garm sard hote ho
takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
kyun garm sard hote ho
takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai

baitha hoon main dehleez pe ghutnon ko thhaam ke
aji ghutnon ko thhaam ke
baitha hoon main dehleez pe ghutnon ko thhaam ke
aji ghutnon ko thhaam ke
main khali jaaun
achcha ye sarkaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai

ye sochta hoon roz tujhe sair karaaun
tujhe main sair karaaun
ye sochta hoon roz tujhe sair karaaun
tujhe main sair karaaun
magar kya karoon
bekaar hoon saahib
mere paas car nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai

ik arz meri maan lo
daftar ko jaana hai
aji daftar ko jaana hai
ik arz meri maan lo
daftar ko jaana hai
ho maine daftar jaana hai
mangal ka din hai
aaj koi itwaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai

teri judaai mein mujhe kyun aayen siskiyaan
haay
aayen siskiyaan
teri judaai mein mujhe kyun aayen siskiyaan
mujhe kyun aayen siskiyaan
achha bhala to hoon
koi bhukhaar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai
kyun garm sard hote ho takraar nahin hai
dil lena hai to le lo
dil lena hai to le lo
inkaar nahin hai


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4423 Post No. : 15839

When blog ten year challenge series was started in the blog the last year then the seris hoped to take up songs of those movies that were covered in the blog ten years ago and which were not YIPPEED despite the passage of one decade. That way, this series was also an aid in informing us about movies which offer us opportunities not only for Blog ten year challenge, but also subsequently about their potential YIPPiehood.

The project YIPPEE itself seems to have gone on a backburner, as is the project of seeing artists through to their centuries in the blog. The other project of discussing songs on th occasion of anniversaries of artists is somehow being maintained, thanks to the contributions of a few enthusiastic contributors.

Their enthusiasm often rubs off on me as well, and I too try and make some efforts, which have seen some progress in these projects. Three YIPPEED movie in August 2020 and one artist reaching century mark may not amount to much, but it still shows some progress.

To help me to quickly identify which movies and which artists to cover, I have build up some aids.

To help me identify movies nearing YIPPEEdom, Whenever a movie had two songs left to be covered, I mark movies them down in a earmarked excel sheetWhenever a movie had two songs left to be covered. I also have a list of songs of artists, and I know at a glance which artists are nearing their centuries.

When a song of “Baansuriya”(1949) was discussed yesterday (26 august 2020, it gave me the information that six out of eight songs from the movie had got covered. So, “Baansuriya”(1949) joined the shortlist of YIPPiable moviesyesterday.

When I checked up the availability of the remaining two songs, I found that they were available. So this movie can be YIPPEED easily.

Here is the seventh and penultimate song from “Baansuriya”(1949) to appear in the blog. This song is sung by Geeta Dutt (then Roy). Mulkraj Bhakri is the lyricist. music is composed by Husnlal Bhagatram.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Tere saamne hum aansoo bahaayenge (Baansuriya)(1949) Singer-Geeta Dutt, Lyrics-Mulkraj Bhakri, MD-Husnlal Bhagatram

Lyrics

tere saamne hum aansu bahaayenge
dil ka na dard sunaayenge
sunayenge
tere saamne hum aansu bahaayenge
dil ka na dard sunaayenge
sunayenge
tere saamne hum aansu bahaayenge

laakh hans ke chalo
laakh bach ke chalo
chhup chhup ke raho
tum milo na milo
gali teri ke phere lagaayenge
lagayenge
tere saamne hum aansu bahaayenge
dil ka na dard sunaayenge
sunaayenge
tere saamne hum aansu bahaayenge

tum badal jaao lekin na badlenge hum
maar daalega teri judaai ka gham
tere dar pe ye jaan ganwaayenge
gawayenge
tere saamne hum aansu bahaayenge
dil ka na dard sunaayenge
sunaayenge
tere saamne hum aansu bahaayenge
dil ka na dard sunaayenge
sunaayenge
tere saamne hum aansu bahaayenge


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4422 Post No. : 15834

“Bansuriya”(1949) or “Bansariya”(1949) was a social movie which was directed by Ram Narayan Dave for Nigaristaan Films Production, Bombay . The movie had Geeta Bali, Ram Singh, Om Prakash, Randhir, Kuldip, Sofia, Gulab, Uma Dutt, Shanti Madhok, Ramesh Thakur, Raj Pal, Sham Lal, Madan Kapur, Raja Salim, Ram Avtar etc in it.

The movie had eight songs in it. Five songs have been covered in the past.

Here is the sixth song from “Bansariya”(1949) to appear in the blog. The song is sung by Lata. Mulkraj Bhakti is the lyricist. Music is composed by Husnlal Bhagatram.

Only the audio of the song is available. My guess is that this melancholic song was picturised on Geeta Bali. I request our knowledgeable readers to throw light on the picturisation of the song.

It seems that “dil tootna” was quite a flavour of 1949. This is the sixth song of 1949 in the blog containing the phrase “dil tod..” or “dil toot…”. 🙂


Song-Dil tod ke jaane waale o munh mod ke jaane waale o (Bansariya) (1949) Singer-Lata, Lyrics-Mulkraj Bhakri, MD- Husnlal Bhagatram

Lyrics

hasrat e barbaad meri ee
dil ke armaan choor hain aen aen
bebasi apni pe main aansu bahaaun raat din

dil tod ke jaane waale o
munh mod ke jaane waale o
tu jahaan rahe aabaad rahe
aabaad rahe
teri yaad mein ik dil rota hai
itna par tujhko yaad rahe
tu jahaan rahe aabaad rahe
aabaad rahe
dil tod ke jaane waale o
munh mod ke jaane waale o

taqdeer ke kaatib ne jis din n n
mujh bekas ki taqdeer likhi ee ee ee
sab ranj-o-aalam duniya ke diye ae
meri kismat mein ye lakeer likhe

ye badqismat barbaad rahe
ye badqismat barbaad rahe
tu jahaan rahe aabaad rahe
aabaad rahe
dil tod ke jaane waale o
munh mod ke jaane waale o
tu jahaan rahe aabaad rahe
aabaad rahe
dil tod ke jaane waale o
munh mod ke jaane waale o

meri mit gayi saari hasratein
mere armaanon ka khoon hua aa aa
toone pyaar ke badle dard diya
dil se niklegi yahi dua
gham dene waala shaad rahe
gham dene waala shaad rahe
tu jahaan rahe aabaad rahe
aabaad rahe
dil tod ke jaane waale o
munh mod ke jaane waale o
tu jahaan rahe aabaad rahe
aabaad rahe
dil tod ke jaane waale o
munh mod ke jaane waale o


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4396 Post No. : 15764

Remembering Mohammed Rafi Sahab on his 40th death anniversary :

meri awaaz ka tee…ee…eer
jaayega dil kob hichee…ee..e.er
meri awaaz ka teer
jaayega dil ko bhi cheer
khoye nafrat laaye ulfat
ye hasar hai meherbaan
sun le tu dil ki sadaa
pyaar se pyaar sajaa
sun le tu dil ki sadaa

(Hasrat Jaipuri)

How true these lines are from this song from ‘Tere ghar ke saamne’(1963).

tum mujhe yoon bhulaa naa paaoge
haan tum mujhe yoon bhulaa naa paaoge
jab kabhi bhi sunoge geet mere
sang sang tum bhi gungunaaoge
haan tum mujhe yoon bhulaa naa paaoge
ho tum mujhey oon …

(HasratJaipuri)

This song from the film “Pagla Kahin kaa” has gone down in history as the closest to the real impact and the engravings of Rafi Sahab, for the fans of hindi film songs. No question of forgetting a legend, which lives on through his voice. And how he does this! Till there is sound and voices in this mortal world and there is the ability in human race to hear and appreciate the sounds of the universe, his vibrancy and legacy, his echo and alaap, shall survive, in sha Allah.

It is 40 years already since the soul left this world. We are lucky that we have lived in this era, blessed to be able to listen to Mohammed Rafi Sahab’s songs.

That fateful day 40 years ago, was a Thursday. I remember that because it was the day of ‘Chhaayageet’, it was a weekly treat of watching film songs on TV. The program that day included songs of film ‘Aradhana’. If I remember correctly than ‘Gungunaa rahe hain bhanwre khil rahi hai kali kali” was one of the songs played that day. It was in the 10:00 pm English news that the sad news was announced. The next day was a Friday, may be second or third Friday of the holy month of Ramazan. As per the custom, the funeral was held after Friday prayers.

Another fact about this death and funeral is not often referred to anywhere, is that Ramadhan is considered to be most auspicious, for those who die during the month. It is said that the doors of heaven are kept open throughout the month for those pious people whom the Almighty chooses to call back to his fold. It is considered to be the best possible end (burial after the Jumah prayers included) second only to the death and burial in Makkah and Madinah. When I say this people may ask, what is good about a death? Death is the only certainty, inevitable fact that all creation comes to an end. The end has to come one day, earlier for some and later for others. Here is a prayer which is uttered as soon as the news of demise is heard:

Inna lillahiwainnailayhi raji’uun
Meaning : Surely to Allah we belong and to him we shall return.

Let’s go back to the funeral of Rafi Sahab. It is said to be the largest funeral procession Mumbai has ever witnessed. I read in the newspapers and magazines later on that the people heard the news on radio in far off places and left for Mumbai. Without thinking of anything, whether buses/trains are available or not, whether they will reach in time for a last glimpse of the smiling face of their beloved Rafi Sahab. The television news coverage that Friday evening is unforgettable for me. There was a sea of people all around the road in front of the Masjid at Bandra, where the ‘namaaz-e-janaaza’ was held. Plus it was raining heavily, but the people were not deterred. They all wanted to accompany their favourite singer to his final resting place. There were film stars and superstars, technicians and musicians who had witnessed the Rafi magic in the recording studios, people indebted to him for some reason or the other, people who had known him personally and met him a few times and then there were the lakhs of people who knew him only through his voice heard on radio or in the cinema theatre in playback to big and small film actors.

Surely for these people on that fateful Friday, it was the Rafi voice “awaaz ka teer”, which brought them to the ‘janaaza’ as it went ‘jaayegaa dil ko bhi cheer”. The expression ‘Dil ko cheer’ is such an apt description of the phenomena’s effect on the discerning. It means to be such a pain so as to split the heart, literally.

This blog has the ‘Sharf’ of having begun with a Rafi song on 19th July 2008. I made use of the word ‘sharf’ here as it means more than the ‘mere honour’, it means good fortune and the ‘zarf’ too. More so, in the context of all the good intentions with which this blog began and continues to maintain, purity of intentions, I mean. Reminds me of a ditty I wrote in the comments of this post which is the 1000 Rafi songs milestone for the blog :

A memory, momentous,
A drop, which shapes.
The legacy that lingers,
It is the purity which prevails.

The blog also has the honour of celebrating the its very first event of Rafi sahab’s 28th death anniversary on 31/07/2008, with this song. The blog was a thirteen day old baby on this day and celebrating its first remembrance day for Rafi sahab.

This was the thirteenth song to be posted on the blog and third Rafi song after the first song of “Anokhi Raat” and Love in Tokyo. After such auspicious beginning there was no looking back. More than 3000 Rafi songs are posted in the blog, but still thousands are yet to be posted. All the songs referred above are of the 60’s decade, which belonged to Rafi sahib as a matchless playback singer, as the preferred on screen voice of all the stars and male actors of the era. And a first choice for the full genre of playback singing, for all the composers.

In the deeper recesses of the conscious thinking mind, I find it astonishing and unbelievable that a playback singer with a name “Mohammed Rafi” should have found such adulation, recognition, love and affection, not to mention the fan following in the post-independence/ partitioned India. He was the voice of the singing stars visible on screen. His own face was never visible. May be some photographs could appear in magazines. But as far as I can remember his voice was always synonymous with his smiling face, with the high forehead. It could be because we grew up to love his songs through radio. He himself must have found it surreal and felt as if he is in a dream, will wake up in no time to find the dream has ended. He ruled the musically inclined hearts of the nation with his benign self. He unwittingly ruffled a few powerful feathers. Despite all this, he achieved his own superstardom long before the term “superstar” was coined for Rajesh Khanna. It all materialized as destined or divine decree not due to any PR machinery or the favoritism, nepotism etc. Rafi sahab is akin to equestrian Gold Medallist in the Olympics, no less, for 2 decades. I exaggerate, will compromise and make it 15-16 years or like 4 Olympics in a row.

Yes there was space for a versatile playback singer in the 50’s, which really was not vacated by anyone. But then the likes of Shankar-Jaikishan, O. P. Nayyar, Ravi, Madan Mohan, Roshan and S. D. Burman, found the one to suit all the moods of music they were looking to create. It was Naushad who explored and exposed Rafi Sahab as the all-encompassing singer in musical block busters “Aan’, ‘Deedar” ‘Baiju-Bawra” etc. The second and third generation of maestros couldn’t help, but lap up the goodies on offer. The stupendous abilities of such a divine voice quality must have felt like a dream come true, Naushad sahib included. It gave wings (say freedom) to all those composers to create and compose at will anything and everything, which they did and enriched the hindi film music. Rafi sahab was only too glad to be able to deliver. And the beneficiaries are us, hindi film music fans, whoever may have the copyrights.

I would say even the super musician, R D. Burman created some of his best with Rafi sahab. I am not prejudiced in thinking of “Pyar ka Mausam”, “Abhilasha”, ‘Teesri Manzil” and ‘Caravan” as among the best of RDB. Who can make a list of best of RDB in creativity and melody and can ignore songs like “ goriya kahan tera des re” “wadiyan mera daaman” “Chekhush nazaare”“tum bin jaun kahan” “rut hai Milan ki”(this is distinctly different creation), and all six classics of “Teesri manzil”, not to forget ‘kya hua tera wada” and the qawwalis. I know some people do manage to exclude these in their enthusiasm, but sorry I can’t.

Rafi sahab achieved all this or rather was granted as a blessing by the Almighty, without having the ambitions of this status. He was right in pointing towards the sky and saying “sab upar wale kee den hai” whenever he was praised and appreciated. There are very few such souls who have the grace of accepting all “Rab di meher” and being so humble with it, without artifice.

Another quality which is often attributed to Rafi sahab is ‘innocence’. So here is an innocent sounding song, with the purity of heart in the one and only divine voice of Rafi Sahab. This will be among the last Rafi songs of 40’s decade remaining to be posted. The film is “Baansuriya” (1949). Composers are Husnlal-Bhagatram and Mulk Raj Bhakri is the lyricist. The words of the song “teri yaad sataaye ghadi ghadi“ are quite apt, if one wants to say that we are missing Rafi sahab’s voice. But I would go with “dil bhar bhar aaye ghadi ghadi”, which is every day because of the range of emotion that Rafi Sahabs different renditions invoke in me.

Having written so much in this long post, I am still feeling as if I have not expressed all that I wish to. I will quote Mirza Ghalib here :

Ya rab wo na samjhe hain na samjhenge meri baat
De aur dil unko jo na de mujhko zubaan aur


Song-Teri yaad sataaye ghadi ghadi (Baansuriyaa)(1949) Singer-Rafi, Lyrics-Mulkraj Bhakri, MD-Husnlal Bhagatram

Lyrics

teri yaad sataaye ghadi ghadi
haay ghadi ghadi
teri yaad sataaye ghadi ghadi
haay ghadi ghadi
dil bhar bhar aaye ghadi ghadi
haay ghadi ghadi
teri yaad sataaye ghadi ghadi
haay ghadi ghadi

mujhko kyun dil se bhulaa diyaa
ye kya kiya haay kya kiyaaaaa
teri yaad sataaye ghadi ghadi
haay ghadi ghadi

jab se saajan tum door huye ae
jab se saajan tum door huye ae
dil ke armaan sab choor huye ae
dil ke armaan sab choor huye ae
jab tum hi nahin ho saathh sajan
jeene ki nahin koyi aas sajan
teri yaad sataaye ghadi ghadi
haay ghadi ghadi
teri yaad sataaye ghadi ghadi
haay ghadi ghadi
dil bhar bhar aaye ghadi ghadi
haay ghadi ghadi
teri yaad sataaye ghadi ghadi
haay ghadi ghadi

kuchh apna pataa diyaa na mujhe ae ae
kuchh apna pataa diyaa na mujhe ae ae
kabhi bhool ke yaad kiyaa na mujhe ae ae
kabhi bhool ke yaad kiyaa na mujhe ae ae
kaise dil ko samjhaaun main
kab tak yoon ashk bahaaun main
teri yaad sataaye ghadi ghadi
haay ghadi ghadi
teri yaad sataaye ghadi ghadi
haay ghadi ghadi
dil bhar bhar aaye ghadi ghadi
haay ghadi ghadi ee
teri yaad sataaye ghadi ghadi
haay ghadi ghadi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3684 Post No. : 14587

“Shagun” (1951), also mentioned as “Shagan” in some sites, was produced by G D Talwar and directed by S Arora for Punjab Art Productions, Bombay. This obscure movie had Sulochana Chatterji, Kamal Kapoor, Bhudo Advani, Ranjit Kumari, Wasti, Ramlal, Gulnar, Neerja, Mayakumari, Sohan, Maqbool etc in it. etc in it.

There were nine songs in this movie which were composed by Husnlal Bhagatram and SDardul Kwatra. While some songs are attibuted to Husnlal Bhagatram in HFGK, there are three songs where music directors are not known.

Three songs have been covered in the blog in the past.

Here is the fourth song from “Shagun” (1951) to appear in the blog. This song is sung by Surinder Kaur and Gul Raza. Mulkraj Bhakri is the lyricist. Music is composed by Husnlal Bhagatram.

This song is a nice hummable “expression of love” genre of song. Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Ik chhote se balam ne baanke se balam ne (Shagun)(1951) Singer-Surinder Kaur, Raja Gul, Lyrics-Mulkraj Bhakri, MD-Husnlal Bhagatram

Lyrics

ik chhote se balam ne baanke se balam ne
looti hai duniya hamaari
looti hai duniya hamaari
ik chhote se balam ne baanke se balam ne
looti hai duniya hamaari
looti hai duniya hamaari

chain bhi loota aaraam bhi loota dikha ke suratiya pyaari
chain bhi loota aaraam bhi luta dikha ke suratiya pyaari
ik chhote se balam ne baanke se balam ne
looti hai duniya hamaari
looti hai duniya hamaari

baabul mora doctor bulaaye
maiya bulaaye hakeem
baabul mora doctor bulaaye
maiya bulaaye hakeem
kaun kahe in anjaanon se
meri asal beemaari
kaun kahe in anjaanon se
meri asal beemaari
ik chhote se balam ne baanke se balam ne
looti hai duniya hamaari
looti hai duniya hamaari

mera bhi dil nit dole sajaniya
khwaab se nikla jaaye
mera bhi dil nit dole sajaniya
khwaab se nikla jaaye
jaisi haalat hai tumhaari o gori
waisi haalat hai humaari
jaisi haalat hai tumhaari o gori
waisi haalat hai humaari

ik chhote se balam ne baanke se balam ne
looti hai duniya hamaari
looti hai duniya hamaari

koi hamaare sainyaan ko laaye
aa jaaye dil ko karaar
koi hamaare saiyaan ko laaye
aa jaaye dil ko karaar
vo hi hai mere dard ka daaru
main hoon birha ki maari
vo hi hai mere dard ka daaru
main hoon birha ki maari
ik chhote se balam ne baanke se balam ne
looti hai duniya hamaari
looti hai duniya hamaari


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16587

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

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