Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Keshto Mukherjee


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4832 Post No. : 16612

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 151 # Qawwalis – 14 #
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Qawwalis were common in Hindi films when I was growing up(1968-1983). As I grww watching them in the movies in my childhood, some qawwalis left lasting impression on my impressionable mind.

Qawwalis like ‘raaz ki baat kehdoon to’, ‘jhoom baraabar jhoom sharaabi’, ‘shirdiwaale sai baba’, ‘raat abhi baaki hai baat abhi baaki hai’, ‘mehangaayi maar gayi’, were the most heard qawwalis when I was growing.

‘Chadhhta sooraj dheere dheere dhalta hai dhal jaayega’ was a favourite of all ‘orchestras’ and one person from a Orchestra from Jalgaon used to sing it so well that always left the audience ‘spell-bound’. I remember this qawwali ever since.

All these qawwalisgrew up on me as I grew up in my life.

I have a special fascination for this genre of music. It always takes me to an entirely different ‘musical world’.

In the movies of ‘seventies’ qawwalis were a major attraction in the movies. Qawwalis like ‘ham to jhuk kar salaam karte hain’, ‘ham lootne aayen hain’, etc. were liked very much by the audience. There may be many more which I could have missed to mention here.

Jaani Babu Qawwal, Shakila Bano Bhopali and Aziz Nazan were the names I particularly remember whenever there was a discussion on qawwalis.
And as I had mentioned in my posts earlier that another name which I vaguely remembered was Shankar-Shambhu. At that age I could not understand the greatness of these peoples, and it is only after coming into the contact of this blog, that I got to read, learn, and know about these stalwarts in Qawwalis.

There was a phase when disco made an entry into HFM in mid-eighties to let us say till mid-nineties when Qawwalis took a little backseat (I think), otherwise they were always likened and had always been an integral part of HFM. In the recent years we have seen many Qawwalis in Hindi Films. The new digital age, technological advances in music instruments have enriched the presentation of Qawwalis. Movie makers have been experimenting by including ‘qawwali song’ or ‘fusion qawwali songs’ in their movies.

In Hindi movies qawwalis are woven with the story topic of the movie. So, we have ‘’romantic qawwalis’, ‘men vs women’, ‘husn aur ishq’, ‘celebrating a festival’, ‘devotional qawwalis’, ‘chor-police’, ‘marriage celebration’, ‘mujrim-munsif’, ‘scoring peanuts over each other’ (Atulogy), ‘nok-jhonk’, ‘teasing each other’, ‘musical competition’, and other types of qawwalis in our movies.

Or it may be a competition of poetry between two groups (read men and women mostly) where ‘qawwalis’ would perfectly fit into the plot of a movie.

In many movies they have been used to keep the suspense intact where actors, actresses would disguise themselves and enter the villain’s den to rescue their partners/friends caught by the villain. Or sometimes the villain will kidnap close relatives of the hero or heroine in the movie and ask for a ‘hefty’ ransom. And the hero/heroine would plan a song or disguise as a ‘musical-troupe’ to enter the ‘villain’s den’ to rescue a ‘child’, ‘relatives’ or a ‘famous scientist’ or a ‘police commissioner’ who would have been kidnaped by the villain or his associates.

To mis-lead the villain the hero/heroine or their friends and well-wishers would sing a qawwali and simultaneously free the innocent ones caught by the villain. Sometimes this would happen just before the climax of the movie.

In our movies we also have qawwalis where we see ‘lawful elements(police, CID) and the unlawful elements(goondas, or burglar, thieves)’ have a ‘qawwali muqaabla’ in “disguise”.

I am not a competent person to write or discuss about the technicalities of Qawwalis. But since I like them very much, I had undertaken this series and have presented some qawwalis from the ‘decade of seventies or 1971-to-1980’.

If we look on the statistics of the qawwalis already posted on the blog till today’s song, we get the following details (which could be of interest to music connoisseurs).

Year wise Qawwalis Lyricist wise qawwalis on the blog Composer wise qawwalis on the blog
Year No of Songs Lyricist No of Songs Composer No of Songs
1945 1 Sahir Ludhianvi 26 Roshan 12
1946 1 Shakeel Badayuni 12 Kalyanji-Anandji 9
1948 1 Rajinder Krishan 11 Madan Mohan 8
1949 3 Anand Bakshi 10 Ravi 8
1950 5 Majrooh Sultanpuri 10 Laxmikant-Pyarelal 8
1950 1 Shewan Rizvi 8 Iqbal Qureshi 7
1951 3 Qamar Jalalabadi 6 N. Datta 7
1953 3 Raja Mehdi Ali Khan 5 R.D. Burman 7
1954 5 Asad Bhopali 4 S. Mohinder 6
1955 7 Farooque Qaiser 4 C. Ramchandra 5
1956 7 Kaifi Azmi 4 Jaidev 5
1957 4 Verma Malik 4 Chitragupt 5
1958 6 Not attributed(+Unattributed) 4 Naushad 5
1959 5 Hasrat Jaipuri 3 Ghulam Mohammad 4
1960 10 Ravindra Jain 3 Iqbal 4
1961 11 Anjum Jaipuri 2 Hemant Kumar 3
1962 7 Aziz Ghazi 2 Husnlal Bhagatram 3
1963 15 Gauhar Kanpuri 2 S.D. Burman 3
1964 9 Khumar Barabankvi 2 Shyam Sundar 3
1965 7 Nakshab 2 Jaani Babu Qawwal 3
1966 5 Saba Afghani 2 Ravindra Jain 3
1967 4 Zafar Gorakhpuri 2 Anil Biswas 2
1968 2 A.H. Rizvi 1 Aziz Nazaan 2
1969 1 A. Karim 1 Baabul/Babul 2
1970 3 A. Shamsheer 1 Dattaram 2
1971 3 Aarzoo Lucknowi 1 Hansraj Bahl 2
1972 1 Akhtar Lucknowi 1 Jimmy 2
1973 6 Akhtar Romani 1 Khayyam 2
1974 2 Allama Iqbal 1 Shankar Jaikishan 2
1975 2 Anjaan/Jeet 1 Sonik Omi 2
1976 9 Anjum Rehmani 1 Usha Khanna 2
1977 3 Anwar Farrukhabadi 1 Bulo C. Rani 2
1978 1 Aziz Kashmiri 1 Nashad 1
1979 6 Bharat Vyas 1 A.R. Qureshi 1
1980 3 Dil Lakhnavi 1 A.R. Rehman 1
1981 2 Gulshan Bawra 1 Aziz Ahmed Khan Warsi 1
1982 3 Indeewar 1 B.N. Bali 1
1983 1 Jaan Nisar Akhtar 1 B.T. Singh 1
1990 1 K.L. Pardesi 1 Babloo Dheeraj 1
1991 1 Kaiser Ratnagirvi 1 Bappi Lahiri 1
1999 1 Kidar Sharma 1 Bipin Mehboob 1
2009 1 Mohan (Bihar) 1 C. Arjun 1
2013 1 Mohsin Nawab 1 Chaand Pardesi 1
Momin 1 Damodar Sharma 1
Naqsh Lyallpuri 1 Hafeez Khan 1
Nazaan Sholapuri 1 Harbans 1
Niaz Usmani 1 Jay Kumar 1
Niranjan Iyengar 1 Khemchand Prakash 1
Nusrat Fateh Al1i Khan 1 Lala Sattar 1
Nyay Sharma 1 Nirmal Kumar (S.D. Batish) 1
P.L. Santoshi 1 Nisar Bazmi 1
Parvez Shamshi 1 Nusrat Fateh Ali Khan 1
Prasoon Joshi 1 Peter Nawab 1
Prem Dhawan 1 Rashid Atre 1
Ramesh Pant 1 Ravindran 1
Roopbani 1 Robin Bannerji 1
S.H. Bihari 1 S. Kishan 1
Saba Rampuri 1 S.N. Tripathi 1
Sardar Aah Sitapuri 1 Sajjad Hussain 1
Shailendra 1 Shankar Ehsaan Loy 1
Shakeela Bano Bhopali 1 Shankar Shambhu 1
Shor Niyazi 1 Snehal Bhatkar 1
Surjeet Sethi 1 Sudipta Bhattacharya 1
Tanvir Naqvi 1 Vasant Ramchandra 1
Vishwamitra Adil 1 Vinod 1
Anjum 1
Ramesh Chandra Pandey 1

(The above details are so far compiled for the 173 qawwalis already posted on the blog. There might be some songs which might be missing in absence of the tag ‘Qawwalis’ on their post.
We will revisit the details in the future as and when possible, so till then … 😊)

In this series we have so far listened to the following qawwalis.

SN Qawwaali
1) Bada lutf thha jab kunwaare thhe ham tum
2) Hashr mein unka jab saamna ho gaya
3) Ham lootne aaye hain ham loot ke jaayenge
4) Is mulaaqaat ka bas mazaa leejiye
5) Yaar dagaa de gaya dulhan ko le gaya
6) Na tum hato na ham haten
7) Us jaan e do aalam ka jalwaa
8) Kaun hai mujrim kaun hai munsif
9) Mehfil mein aaye ho aao muqaabil jaan jaayenge
10) Dil ki lagi bujhaa de Ajmer waale Khwaaja
11) Tumhaara pehlaa number Nabi ke tum ho dilbar
12) Nizamuddin Aulia banaa do bigde kaam hamaare
13) Tere chaahnewaale aaye hain

For now, we are concluding this series with the today’s qawwali from the ‘1980’ movie ‘Be-reham’.

This is another movie of which the dedication is to ‘All policemen known and unknown who lived for discipline and died for discipline’. That would also be sufficient for all to guess what the movie is all about.

“Be-reham-1980” was directed by R. Jhalani for ‘K.D.S. Films’.

It was produced by K.D. Shorey who also wrote the story of this movie.

Its star cast included Sanjeev Kumar, Mala Sinha, Shatrughan Sinha, Reena Roy, I.S. Johar, Kadar Khan, Urmila Bhatt, Keshto Mukherjee, Manmohan, Shetty, Raj Mehra, Rinku Jaiswal, Komila Virk, Viju Khote, Ashok Nag, Gurubachan, C.S. Dubey, Sheel Kumar, Amarjeet, R.S. Chopra, Madhup Sharma, Sudarshan Sethi, Sehgal, Uma Khosla, Vimal Chopra, and Helen in special appearance.

Moushumi Chatterjee, Kamal, Sujata and Dev Kumar make a friendly appearance in this movie.

This movie was passed by Censor Board on 01.08.1980.

Lyrics of the songs of this movie were written by Verma Malik and Jigar Muradabadi.
Music for this movie was composed by Laxmikant-Pyarelal.
Here is the list of songs this movie had.

SNo Song Title Singer/s Lyricist
01 Ik lafz e mohabbat ka adnaa sa fasaana hai Asha Bhonsle, Anup Jalota Jigar Moradabadi
02 Ye saal ki aakhri raat hai Shailendra Singh, Anuradha Paudwal, Chandrani Mukherjee Verma Malik
03 Haseenon ki duniya khudgarz hai Lata Mangeshkar Verma Malik
04 Milne ko aate ho, phir bhi mulqaat nahin karte ho Asha Bhonsle Verma Malik
05 Taqdeer ke kalam se koyi bach naa paayega Mohd Rafi Verma Malik/td>
06 Ham aaj ye kissaa khatm karen Asha Bhonsle, Mahendra Kapoor Verma Malik

Today’s qawwali happens when the movie is already having some interesting ‘twists and turn’ in its story. I am not going to detail it more to keep intact the interest of those who would like to or have to watch this interesting movie.

I remember when the movie was released one of my classmates had watched it soon after its release and he was full praise for Sanjeev Kumar and others’ performances in this movie.

Sanjeev Kumar was common favourite of all us friends. And in our circle of juniors and seniors we often discussed about his roles, and everybody would have likened his performance in each of his movies then.
We now move to the today’s song.

It is picturised on Moushumi Chatterjee and the actor whom I am unable to identify.

We can see Keshto Mukherjee, Shatrughan Sinha and Reena Roy with many others present in the picturisation of this song.
Today’s song is sung by Asha Bhonsle and Mahendra Kapoor and chorus. Lyrics are by Verma Malik and music is composed by

Let us now enjoy today’s qawwali watching Moushumi Chatterjee’s charming performance and Keshto Mukherjee’s special antics. 😊


Song-Ham aaj ye kissa khatm karen (Beraham)(1980) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Male chorus
Female chorus

Lyrics

ho o o o o o o o
o o o o

ho o o o o o o o
o o o o

aa aa aa aa
aa aa aa aa
ho o o o o o o o
ho o o o o

dha pa dha ga ga ga ga ga ga
ga dha pa re re re re re
ga re ga ni ni ni ni ni ni
ni re saa

husn ek ulti raah hai
husn ek jhoothhi chaah hai
husn to ek gunaah hai ae
husn karta aa tabaah hai

is husn ke nakhre
naaz o nazaaqat
husn ke nakhre
naaz o nazaaqat

is husn ke nakhre
o nakhre
husn ke nakhre
naaz o nazaaqat
roz roz ab kaun sahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen
yaa husn rahe
yaa ishq rahe
ham aaj ye kissa khatm karen/em>

khud dhokha dagaa fareb karen
khud dhokha dagaa fareb karen
khud dhokha dagaa fareb karen
ilzaam ye husn pe deta rahe
ham aaj ye kissa khatm karen
ham

aaj ye kissa khatm karen

ik din dekha
ho o ik din dekha
dard ka maaraa
ik aashiq mastaanaa
jungle jungle maaraa maaraa
phirtaa thha deewaanaa
phirtaa thha deewaanaa
mujhko dekh ke kehne lagaa
ho o
mujhko dekh ke kehne lagaa
arey sun le meraa fasaanaa aa
har ashiq ke ghar ghar mein
paighaam mera pahunchaanaa
ke husn ko itnaa looto maaro
o o o
ke husn ko itnaa looto maaro
saari umr hi rotaa rahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen

hamaari bhi suno
hamaari bhi suno
Laila ki jab qabr pe chal kar
Ik haseenaa aa aayee
Ro ke lipat ke kehne lagi

Aa he
Ro ke lipat ke kehne lagi

Aa he
Ro ke lipat ke kehne lagi
Aye lailaa teri duhaayee
Kaise badlaa loon inse

Aa he
Kaise badlaa loon inse

Har aashiq hai harjaayee ee
To qabr se lailaa ki rooh ne
Yahi aawaaaaz lagaayi
Nikal pado ab taan ke seenaa
Donon mein se ek rahe
ham aaj ye kissa khatm karen ae
ham

aaj ye kissa khatm karen ae
yaa husn rahe
yaa ishq rahe
ham aaj ye kissa khatm karen
ham

aaj ye kissa khatm karen

inkaa har daur dekha
inkaa har taur dekha
aa he
inkaa har daur dekha
inkaa har taur dekha

ho salmaa
ya sulekha
hai sab dhokha hi dhokha
inkaa har daur dekha
inkaa har taur dekha

yahaan se aur wahaan se
poochh lo tum jahaan se
Wafaa ke de ke jhaanse
Palat dete hain paase

tarannum inke jhoothhe
tabassum inke jhoothhe
takallum inke jhoothhe
maraasim inke jhoothhe
aahe
chhalaawa hai chhalaawa
bhulaawa hai bhulaawa
inki ulfat ka daawaa
dikhaawaa hai dikhaawaa

tum ban thhan ke na niklo o
to ye dil naa phisley
ik baar marammat hogi
to phir dil naa machle
ishq husn ka dushman hai ae ae
ishq husn ka dushman hai
koyi iske bharose naa rahe
ham aaj ye kissa khatm karen
ham

aaj ye kissa khatm karen
rahe
ya husn rahe ya ishq
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4162 Post No. : 15333 Movie Count :

4224

Hullo Atuldom

Sometimes a sudden tune or memory or word sends the mind looking for a song or visual connection. So, a few days back it was a tune in my head that sent me looking for today’s song. I remembered, rather vaguely, that the song had Ashok Kumar dancing away merrily. I remember having seen it eons ago on Doordarshan – the one source of most of my nostalgia.

I hunted down the song. I found the name of the movie it was from. Searched for it on YouTube. Enjoyed my first encounter with that movie thoroughly. It has been listed on IMDB.com under “action, crime, drama” genre. It should also have been categorised as “comedy”.

The movie had a huge cast- a set of dancing actresses headed by Shashikala, Aruna Irani, Prema Narayan, Helen, Jayshree T., Meena T. and Shubha Khote & Manorama. The male line up was headed by Ashok Kumar, Ranjeet, Sujit Kumar, Keshto Mukherjee, Asrani, Jagdeep, Viju Khote, Krishan Dhawan, Chandrashekhar, Coca Cola, Pinchoo Kapoor, Birbal, Yusuf Khan (Zabisco from Amar Akbar Anthony), Babban, Pakoda Kader etc. There were a few more known faces which were billed as guest appearance- Amjad Khan, special appearance- Danny and friendly appearance -Mehmood.

There were many movies back then where we had known faces putting in appearances in these categories as a gesture to the maker of the movie. And I think I know why Mehmood did this movie as the maker S. Ramanathan had been a co-director on “Bombay to Goa”.

This movie begins on a night where Ranjeet (one of the serious persons throughout the movie) is hatching a plot to steal diamonds from the vault of Pinchoo Kapoor’s residence in the company of Sujit Kumar (he plays a dead body for half the movie)- that is where the crime angle is. As the plan is being executed Pinchoo Kapoor is shot dead (crime angle again). But he Dials 100 with the help of his pet Pomeranian -that is one intelligent pet which has a good part to play in helping recognize the lost daughters of the family. That is when the ‘drama angle’ comes into play when the pet recognizes one daughter because of her locket, takes her to the bungalow where the loyal servant of the house enquires about the girl whose photo is in the locket. Further family-drama comes into play when it turns out that the girl in possession of the above mentioned locket is also the younger daughter of the family and in the absolute climax of the movie the sisters unite and with the aide of the hero and practically the entire cast catches Ranjeet and hands him over to the cops headed by Krishan Dhawan and Chandrashekhar.

Of course, we have to sit through the movie, from the murder to reach the climax (only place where there is dishoom- dishoom in the movie), through a not-so-boring movie. Danny was a revelation as far as his comic timing was concerned. I will not spell here what transpires through the movie and spoil the fun for anyone who may wish to see this movie.

Today’s song features the tenants of Manorama’s apartment as they gather to wish the newly-engaged hero -heroine (every Bollywood movie worth its name needs a jodi) Vinod Mehra and Bindiya Goswami. Everyone is singing and having the time of their life except Bindiya Goswami. The song is sung by Manna Dey (for all the males present), Asha Bhonsle (for the females) and Bappi Lahiri for Vinod Mehra. Anjaan wrote the song and Bappida was the music director for this S. Ramanathan directed “Dial 100” which released on 2nd April 1982.

Here is the song where Ashok Kumar leads along with Aruna Irani and the rest of those present join. I have always loved songs where Ashok Kumar visibly enjoys himself. Let us also enjoy this song.

Thinking of Dada Moni today on his anniversary.

Audio

Video


Song-Maara gaya maara gaya koi bechaara maara gaya (Dial 1000(1982) Singers-Asha Bhonsle, Manna Dey, Bappi Lahiri, Unknown voice, Lyrics-Anjaan, MD-Bappi Lahiri
Male chorus
Female chorus
All chorus
Manna Dey + Asha Bhonsle

Lyrics

Haaan
Haaaa
Haaan
Haaaa

maaraa gaya
maaraa gaya
koi bechaara maaraa gaya
maaraa gaya
maaraa gaya
koi bechaara maaraa gaya

(arey kaun maaraa gaya)
oye hoye hoye hoye hoye

koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya haan
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
ladka jawaan ladki jawaan
dono mile toh ghazab ho gaya

koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya

laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa
laa lala laa lalala laa
laa lalalaa laa

kahaan dono mile kaise mile
haa haa haa
ho kahaan aankh ladi kaise ladi
haa haa haa
kahaan teer chale kaise chale
haa haa haa
ho kahaan baat badhi kaise badhi
haa haa haa
chhupi chhupi
tauba re tauba
chori chori
haye re haye

kahaan bandhi
gaya re gaya
prem dori

aankhon aankhon mein jud gaya taanka
pada kaise kahaan dil pe daaka
aankhon aankhon mein jud gaya taanka
pada kaise kahaan dil pe daaka
bolo ji bolo ye bhed kholo
kaise ye sab ho gaya aaa aaa

ooi
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arrey ladka jawaan ladki jawaan
donon mile to gazab ho gaya

ho koi kunwara maaraa gaya
ye maazra kaise kab ho gaya

aaaa aaaaaaa
aaaaa aaaaaa

kahaan pyaar ki yeh baat chhupe
haa haa haa
kahin jaake kahin raaz khule
haa haa haa
ho jahaan pyar mein do yaar milen
haa haa haa
wahin dekh ke yeh log jalen
haa haa haa
yahaan wahaan
oooi maa
baat chali
baba re baba
shor macha
gayi re gayi
gali gali
chhora chhori pe hoke lattoo
hua sabki nazar mein nikhattu
ho chhora chhori pe hoke lattoo
hua sabki nazar mein nikhattu
do dil mile toh hangama aisa yun besabab ho gaya aa
ooi
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arey ladka jawaan ladki jaawan
dono mile to gazab ho gaya

hey koi kunwaara maaraa gaya
ye mazara kaise kab ho gaya

laa lalalaa laalalalaa
laa lalalaa laalalalaa

hooo ohhoo
hohoho hohoho
kahin koi jale jalta rahe

haa haa haa
koi kuch bhi kahe kahta rahe
haa haa haa
yahaan tera mera saath rahe
haa haa haa
yahi pyar yahi baat rahe
haa haa haa
toone mujhe
kya
maana sajan
haay re haay
maine tujhe
oye hoye
maana dulhan
gayi re gayi
kahin saabit na ho preet jhoothi
aayi dene gawaahi angoothi
kahi saabit na ho preet jhoothi
aayi dene gawaahi angoothi
ungali pakad ke
bahe pakad li
kissa gazab ho gaya aaa

hurr
koi kunwaara maaraa gaya
ye maazra kaise kab ho gaya
arey ladka jawaan ladki jawaan
dono mile to gazab ho gaya

hurr
koi kunwara maaraa gaya
ye mazara kaise kab ho gaya

maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)
maaraa gaya maaraa gaya (oooooooooooo)
koi kunwara maaraa gaya (oooooooooooo)


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This post is the 200th contribution of Avinash ji. Congratulations.

Blog Day :

3996 Post No. : 15091 Movie Count :

4141

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 84 #
—————————————-

(Cricket related memories & statistics #1)

During the 15k celebrations on our blog, our beloved Rajaji in his post – ‘Dil To Maane Naa, while congratulating all and wishing that this ‘musical journey’ just goes on and on … mentioned about the next target ‘15921’…!!! Now everyone was thinking of this ‘15921’? But it took Rajaji himself to give some hint and then it was disclosed to everyone. The figure was related to ‘Cricket Statistics’.

At that time, I had decided an article but as I progressed with the selection of the song and finally getting delayed with the article, I decided to do two articles first about the statistics part of my journey on the blog and the second one about my cricket related memories. So, here is the first article being posted today…

The reason for Rajaji’s mentioning of 15921 was Sachin’s runs scored in test cricket and after 15k we should look forward to this new target. This post of mine is too related to statistics but not of cricket though given by the Cricket World Cup around, statistics do also trigger some beautiful memories. However here I am looking for my own statistics on the blog and taking a look on how it has been for me so far on the blog.

My first lyrics contribution ‘Pyaar Ka Badlaa Mujhe Dekho Kaisa Milaa’ was posted on the blog on 13.09.2012 which was 1518th day for the blog and this was the 6633rd post on the blog. I tried my first article for the blog in Feb’2013 and it was posted on 26.02.2013.  This was 1684th day for the blog and this post was the 7565th post. (The song covered in this post was ‘Sang Mere Nikley Thhe Saajan’ from ‘Phir Wahi Raat (1980).

After that it took me 752 days to reach my twenty-fifth post on 20.03.2015 – ‘Na Koi Paisa Na Ilm Banaao Bambai Mein Film and that was 2436th day for the blog. It was the 10962nd post on the blog.

I feel very happy on my ‘quarter century’ and it reminded me of my favourite commentator Sushil Doshi’s words – “aur isi ke saath ye (Dilip Vengsarkar ki) quarter century poori”. . . (I don’t know why but I mostly remember ‘quarter century’ with Sushil Doshi’s commentary is for Dilip Vengsarkar. May be because whenever Vengsarkar was coming to bat he would easily score his first twenty-five runs very quickly 🙂 .

After that I was slowly getting into regular writing of articles for the blog. So, I reached my fiftieth post on 05.09.2015 with – ‘Krishna Krishna Bolo Krishna which was 2604th day and 11385th post for the blog. I entered the nineties on 31.07.2016 and it was 12280th post on the blog and the blog had become 2935 days older then.

Nineties mein aane ke baad, while I was eager to get to my first hundred, on the other side I was constantly remembering Chetan Chauhan one of my most favourite cricketer who never reach a hundred in test cricket, though me and many of friends were always praying for him, and always sincerely wished that he should get a hundred on his name. Well, it took me eighty-two days to reach from ninety to hundred. This was on 21.10.2016, and the song covered was ‘Bade Dinon Mein Khushi Ka Din Aaya’ (very appropriately though) and it was 3017th day for the blog, 12475th post of the blog.

Cricket mein century banaane ke baad jitni khushi ek batsman ko hoti hogi utni hi khushi mujhe bhi huyi 🙂 . By the time I completed my hundred posts on the blog, in the other category that is ‘lyrics contribution’ I had already scored over three hundred. And, since I always think myself an all-rounder (or a good all-rounder at least (not necessarily in cricket)) I was reminded of the many great achievers who scored a ‘hundred’ in both batting and bowling or bowling and batting in test cricket (or one day internationals too).

So, I was very happy on my ‘double’ achievement and it reminded me the doubles by the top famous all-rounders in test cricket. For me it was always of Kapil Dev.

In this process I had also completed a hundred in ‘Devnagri Script’ category and so I was the first to have scored a ‘hundred’ in the three (main) categoris on the blog. After that Sudhir ji reached a hundred in the ‘lyrics contribution’ category and that was a ‘Senior’s entry’ to this ‘triple’s club’ 🙂 .

My one hundred and fiftieth post came on the 3545th day of the blog with this song – ‘Jin Khoja Tin Paayiyaan’ – on 02.04.2018, the post number being 14228th.

Reaching 175 did reminded me of Kapil Dev’s 175 against Zimbabwe, how can anyone forget that? I remember we had gone to the nearby city for some work and when I was heading to my home in the colony few of my friends told me about the score of Indian batting which was very shocking for me. As I reached home Kapil Dev was already on the crease, so what I do was to take the transistor with me in the ground- so that I can concentrate alone (and may be the transmission was not clear inside home, I don’t remember it fully now) near my home where we use to play cricket to listen the commentary there because the match was already very tense. But as Kapil Dev started hitting the ball to each corner of the ground the excitement was on the top and the rest, we all know is a history now.

My first lyrics contribution was the 6633rd post on the blog. And today as I share this post on this 3996th day for the blog, this is the 15091st post on the blog.

Before I joined the blog, the blog had 340 songs penned by Sahir Ludhianvi already covered on the blog and the today’s song is Sahir Saab’s 623rd song on the blog. In between I had also completed a century of my contribution for Sahir Ludhianvi songs on 27.03.2015, with the song “Teri Karam Kahaani Teri Aatma Bhi Jaane“,  on the 2443rd day for the blog, and so far I think have been successful in contributing around 130 songs of Sahir Saab. May be the final tally will cross 150 if everything goes well. The journey is on!!! 🙂

In between I had an opportunity to share a long song six-part song – “Sambhaalo Ae Watan Waalon Watan Apna Sambhaalo“, and I think I can take it as the highest score in an innings in any type of contribution here (lyrics and lyrics in Devnagri script) except the write up/post, and will always remind of the highest score in test cricket which is 400* not out by Brian Lara. 🙂

On the way I do secretly completed my fourth hundred in ‘lyrics contribution’ (like the third one), however nowadays in this ‘age of technology’ the secrets cannot be hold for too longer and when I was silently moving towards another ‘achievement’, which I thought would also pass on secretly, there were already ‘some signals’ asking me about it and I realized that ‘ab raaz chhupaana mushqil hai’. . . 😉

For today’s post too I have selected a song penned by Sahir Saab and composed to music by Ravindra Jain ji. This movie ‘Ham Tere Aashiq Hain’ (1979) was the first collaboration of Sahir Ludhianvi and Ravindra Jain the other being ‘Insaaf Ka Taraazu’ in 1980. All songs for ‘Insaaf Ka Taraazu’ have already been covered on the blog.

Today we get introduced to the film ‘Hum Tere Aashiq Hain’ from 1979.

‘Hum Tere Aashiq Hain’ was directed by Prem Sagar for his home production Prem Sagar Films, Bombay and under the banner of Sagar Art Enterprises. It was presented by Ramanand Sagar.

It had Jeetendra, Hema Malini, Amjad Khan, Dr. Shreeram Lagoo, Om Shivpuri, Sujit Kumar, Sheetal, Keshto Mukherjee, Arvind Trivedi, Ram Sethi, Mac Mohan, Shammi, Birbal, Jankidas, Paro, Aashoo, Shobhna Shah, Madhu Shah, Shanti, Aasha, Nirmal Kumar, Chander Mohan Khanna, Dhawan, and Ramlal. Tom Alter makes a guest appearance in this movie.

Screenplay and dialogues of this movie were written by Kamleshwar and Ramanand Sagar. Suhrid Kar, CL Kavish and Kulwant Jaani were writers for additional screenplay and dialogues. Script and scenario for this movie was written by KK Shukla. Editing of this movie was done by Lachmandass. This movie was passed by Censor Board on 22.11.1979.

This movie had six songs all written by Sahir Ludhianvi and composed to music by Ravindra Jain. Asha Bhonsle, Kishore Kumar and Mahendra Kapoor gave their voices to the songs in this movie.

For the preparation of this post I had requested Atul ji for the records and I can say here that the one going through this details maintained by Atul ji can only realize the efforts put by him and by Sudhir ji too in recording of the statistics on the blog and its retrieval whenever they want to have it for some special occasion (may be some auto ‘alerts’). I salute both of them!!!

Finally remembering all the statisticians in Indian Cricket and paying our tributes to their great works let us enjoy the today’s songs. They may be the first one to know of all the approaching milestones and records like our Atul ji or Sudhir ji (by the way I remember Sudhir Vaidya as a famous statistician in Indian Cricket history) and they all may be first one to know all the raaz’s which the general public may not be aware unless disclosed or made public 🙂 , and may be in other fields of our society we have some secrets/mystery which were never disclosed/solved. . .

And since I have not watched this movie I cannot say and disclose the ‘hidden’ raaz’s of this movie, except this song 😉

However, it seems to be an interesting movie to watch. For now let us enjoy this beautiful song.

Video

Audio

Song – Ab Raaz Chhupaana Mushkil Hai (Hum Tere Aashiq Hain) (1979) Singer – Asha Bhosle, Mahendra Kapoor, Lyrics – Sahir Ludhianvi, MD – Ravindra Jain
Asha Bhosle + Mahendra Kapoor

Lyrics

mushqil hai
mushqil hai
mushqil hai
mushqil hai
mushqil hai ae
ab raaz chhupaana mushqil hai
ab raaz chhupaana mushqil hai
khul jaaye na saari baat kahin
khul jaaye na saari baat kahin
betaab nigaahen le dooben
betaab nigaahen le dooben
tum ko bhi na mere saath kahin
tum ko bhi na mere saath kahin
ab raaz chhupaana
mushqil hai
mushqil hai

haalaat ke dhaare par hum ne
jazbaat ki kashti ee ee ee
daali hai ae ae ae
haalaat ke dhaare par hum ne
jazbaat ki kashti daali hai
munh mod na len
haalaat kahin
munh mod na len
haalaat kahin
dam tod na den jazbaat kahin
khul jaaye na saari baat kahin
ab raaz chhupaana mushqil hai
mushqil hai

jis tarah nibaahi hai ab tak
aage bhi nibhaa do aise hi
jis tarah nibaahi hai ab tak
jis tarah nibaahi hai ab tak
aage bhi nibhaa do aise hi
manzil ke kareeb aate aate
ho o o o
manzil ke kareeb aate aate
chhoote na dilon ka saath kahin
khul jaaye na saari baat kahin
ab raaz chhupaana mushqil hai
mushqil hai

is raah mein kya jaane kitne
aur aise maqaa..aam
aane hai abhi ee ee
is raah mein kya jaane kitne
aur aise maqaam aane hai abhi
jeeti huyi chaahat ki baazi
ho o
jeeti huyi chaahat ki baazi
ho jaaye naa yoonhi maat kahin
ab raaz chhupaana mushqil hai
khul jaaye naa saari baat kahin
betaab nigaahen le dooben
tumko bhi na mere saath kahin
ab raaz chhupaana mushqil hai
mushqil hai

———————————————————-
Hindi script lyrics (Provided by Avinash Scrapvaala)
———————————————————-

मुश्किल है
मुश्किल है
मुश्किल है
मुश्किल है
मुश्किल है ए
अब राज़ छुपाना मुश्किल है
अब राज़ छुपाना मुश्किल है
खुल जाए ना सारी बात कहीं
खुल जाए ना सारी बात कहीं
बेताब निगाहें ले डूबे
बेताब निगाहें ले डूबे
तुमको भी न मेरे साथ कहीं
तुमको भी न मेरे साथ कहीं
अब राज़ छुपाना
मुश्किल है
मुश्किल है

हालात के धारे पर हमने
जज़्बात की कश्ती ई ई ई
डाली है ए ए ए
हालात के धारे पर हमने
जज़्बात की कश्ती डाली है
मुंह मोड़ न लें
हालात कहीं
मुंह मोड़ न लें
हालात कहीं
दम तोड़ न दे जज़्बात कहीं
खुल जाए ना सारी बात कहीं
अब राज़ छुपाना मुश्किल है
मुश्किल है

जिस तरह निबाही है अब तक
आगे भी निभा दो ऐसे ही
जिस तरह निबाही है अब तक
जिस तरह निबाही है अब तक
आगे भी निभा दो ऐसे ही
मंजिल के करीब आते आते
हो ओ ओ ओ
मंजिल के करीब आते आते
छूटे न दिलों का साथ कहीं
खुल जाए ना सारी बात कहीं
अब राज़ छुपाना मुश्किल है
मुश्किल है

इस राह में क्या जाने कितने
और ऐसे मक़ाम आने है अभी ई ई
इस राह में क्या जाने कितने
और ऐसे मक़ाम आने है अभी ई ई
जीती हुई चाहत की बाज़ी
हो ओ
जीती हुई चाहत की बाज़ी
हो जाए ना यूंही मात कहीं
अब राज़ छुपाना मुश्किल है
खुल जाए ना सारी बात कहीं
बेताब निगाहें ले डूबे
तुमको भी न मेरे साथ कहीं
अब राज़ छुपाना मुश्किल है
मुश्किल है

 


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

aaj phir jeene ki tamanna hai
aaj phir marne ka irada hai

No better words to express the exuberance and the playfulness of a liberated spirit. A poet’s dream and life’s illustration in reality, all anxieties and caution thrown to the winds and the desires to live the life the way it should be. These words from the pen of Shailendra, and numerous other such gems, of all moods and flavors, embellish the Hindi film screen for 160+ films across two decades. A poet par excellence, Shailendra was a rebel spirit meshed in a romantic mould, whose understanding and expression of human emotions and situations is second to none.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

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