Posts Tagged ‘Jawed Akhtar’
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This is ‘ Desert ‘ song no. 9. I have not really planned these posts serial or order, just writing and sending posts for whichever song is found and inspiring some writing.
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When I was a pre teen and even teenager, I did not like old songs at all. In fact, I and my peers found old songs as sources of inadvertent amusement when we were tired of disliking them. We wondered all the time why old singers could not sing like the present day singers.
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“Saath Saath” (1982) was produced by “The Film Company”. It was produced by Dilip Dhawan. Raman Kumar was the writer and director of this movie. The movie had Farooque Sheikh, Dipti Naval, Rakesh Bedi, Satish Shah, Neena Gupta, Sudha Chopra, Avtaar Gill, A K Hangal, Helena Luke, Ifthekar, Javed Khan, Kiran Vairale, Yunus Parwaiz, Geeta Siddharth,
Anjan Srivastav etc in it.
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Pyaar huaa chupke se
Posted on: April 25, 2012
Most songs of this blog are from an era between 1931 to 1980s. Songs later than 1980s are often described by me as songs of post golden era when the songs were not what they used to be in the earlier decades.
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Ye kahaan aa gaye ham
Posted on: March 25, 2012
This article is written by Pradeep Raghunathan, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
This is my first attempt at reviewing a song, so please bear with me :). I have been glued to the blog off late and am trying hard to catch up with all the posts on the blog. I have, but hardly reached 1/3rd of the way in my journey so far. I am so looking forward to the journey of discovering these gems, thanks to our fellow members.
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Lo aa gayee lohree vey
Posted on: January 13, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Today is the festival of Lohri in north India, and here is a song from the film Veer Zaara for this celebration.
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The culture of India, irrespective of religions and regional diversity has one very strong common thread. In all parts of this culture-rich land, the basic celebrations abound with a deep seated respect for the seasons and the natural elements of sky, wind, fire, water and the earth. In the spring season, there are festivals connected with Basant, the celebration of spring. In the monsoon season, there are Teej festivals that celebrating the rainy season. There are festivals that celebrate the sowing of crops, and there are festivals that celebrate harvesting. The Navratri celebrations, that occur twice in the year, herald the onset of summer and the winter seasons. Every event relating to seasons and to the celestial movements in the skies – we have a reason to celebrate, and we have a festival to celebrate it with. No wonder that the culture of this land is simply a continuous celebration of life, each day, every day.
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Tumko dekha to ye khayaal aayaa
Posted on: October 12, 2011
In most Hindi movies, the actors lead reel lives that has little resemblence to real life of normal people. And it was widely believed (and the myths are further perpetuated by people) that movie watchers used movies to live their fantasies and so they wanted to relive their fantasies in the movies instead of being reminded of their day to day life. And that explained the larger than life characters in Hindi movies.
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Ye safar bahut hai kathin magar
Posted on: September 6, 2009
“1942, A love story” (1993) was a movie where the music saved the day for the movie. The songs of this movie were reminishent of 1960s where music tended to be a major attraction of movies.
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I can watch Bollywood songs any time, but ask me to watch a Bollywood movie containing the same songs and I develop cold feet. I find that the songs are often the only redeeming part of many movies.
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In 1970s and 1980s, small budget movies began to be produced which told the stories of boys and girls next door rather than the usual make believe stories that had little resemblance to reality.
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