Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shahrukh Khan


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5705 Post No. : 18223 Movie Count :

4892

‘Chaahat’ (1996) was produced by Robin Bhatt and Viral Lakhia under the banner of Bhatt Productions and was directed by Mahesh Bhatt. The cast included Shah Rukh Khan, Pooja Bhatt, Ramya Krishnan, Naseeruddin Shah, Anupam Kher, Avtar Gill, Mushtaq Khan, Tiku Talsania, Pankaj Berry, Anant Jog, Razak Khan, Shrivallabh Vyas, Rajni Bala, Amrit Patel, Alia Bhatt (as a child artist) etc.

The story of the film is mainly built around three extreme characters in terms of love and obsession. Naseeruddin Shah’s love for his sister Ramya can take him to any extent to make her happy. Ramya’s obsessive love for Shah Rukh Khan can trigger her to attempt suicide if she fails to get Shah Rukh Khan for herself. Pooja’s love for Shah Rukh Khan can make her the biggest sacrifice of her life. The confrontations between these extreme characters make the film a romantic thriller in which Shah Rukh Khan is sandwiched between these characters.

Interestingly, for Shah Rukh Khan, it was his first film under the direction of Mahesh Bhatt. The second film under his direction was ‘Duplicate’ (1998). Unfortunately, both these films flopped at the box office. Thereafter, so far, they had no occasion to work together.
The story of the film is as under:

Shambhunath Rathore (Anupam Kher), a widower and his son Roop (Shah Rukh Khan) are Rajasthani folk singers who earn for a living by singing for the visiting tourists at a 5-star hotel in Jaipur. Shambhunath is suffering from a persistent cough which is diagnosed as throat cancer. Roop decides that he must take his father to Mumbai for better medical treatment.

In Mumbai, Roop gets his father, Shambhunath admitted in a hospital for which he requires a lot of money for hospitalisation and sustaining himself in a big city. Luckily, through his village friend who works in a 5-star hotel, Roop gets to meet Ajay Narang (Naseeruddin Shah), a hotelier during which Roop sings for a birthday party in the hotel. Ajay’s sister, Reshma (Ramya Krishna) becomes infatuated with Roop with his singing. Roop gets a job in the hotel as a singer. Over a period of time, Reshma gets obsessed with Roop to the extent that she becomes possessive of him.

Meanwhile, both Shambu and Roop meet Pooja (Pooja Bhatt), a young nurse in the hospital. Shambhunath feels that she could be a good match for his son. Roop has also the same feeling for Pooja. They fall in love. But Reshma has become so obsessed with Roop that she wants him exclusively for herself. She uses her loving brother, Ajay’s money and muscle power. Roop leaves the singing job at Ajay’s hotel and joins a hotel owned by Ajay’s rival, Patel (Shrivallabh Vyas) as a singer. For the sake of Reshma, Ajay gets Patel beaten and forces him to sack Roop from his hotel. Roop is forced to sacrifice his love for Pooja and join Reshma for the sake of father’s operations for which he needs Ajay’s money.

Shambhunath’s operation is successful. Both father and son along with Pooja plan to leave Mumbai for Rajasthan. However, their plan is put on hold as Reshma tries to commit suicide. Eventually, Roop and Pooja get married. This frustrates Reshma to such an extent that she makes Roop and Pooja’s life miserable through Ajay. There are fights between Ajay and Roop during which Shambhunath is accidentally killed by Ajay. This follows the fierce fights between Ajay and Roop. Reshma gets hold of Pooja and orders Roop to stop the fight failing which she would push Pooja out of the terrace. Roop stops fight with Ajay. Taking advantage of this, Ajay fires at Roop and Pooja to kill them but the bullets hit Reshma who dies.

The film ends with Roop and Pooja walking out of the hotel. Looking up at the sky, Roop addresses his deceased father that his wish has been fulfilled and his son is united with Pooja.

The good work in the film gets faltered in the last about 30 minutes during which there are violent fights between Ajay (Naseeruddin Shah) and Roop (Shah Rukh Khan) at his hotel roof top. The scenes during their fights defy logic and sometime appear ridiculous. Reshma (Ramya) is shown in the film as being obsessively in love with Roop. But when Ajay constantly hit him to the extent that he is grievously hurt, Reshma just watches them fight without any reaction. There are hundreds of Ajay’s guests on the roof top of the hotel but none of them even tries to stop the fight. It appears like all the guests are watching a ‘free style boxing’ fights between Ajay and Roop. Lastly, despite grievously hurt, Roop has the strength of a wrestler to beat Ajay to such an extent that he is unable to fight. A bit of realism was missing during the fight scenes.

‘Chaahat’ (1996) has 7 songs written by Nida Fazli (4), Neeraj (1), Dev Kohli (1) and Maya Govind (1) which were set to music by Anu Malik. I am presenting the first song from the film, ‘dil ki tanhaaee ko aawaaz banaa lete hain’ to appear on the Blog. The song is rendered by Kumar Sanu on the words of Nida Fazli. The song is preceded by a she’r rendered by a male voice which, I feel, is that of Anu Malik. A she’r is again rendered by a male voice in one of the interludes which again I feel is that of Anu Malik.

The background to the song is that Ajay (Naseeruddin Shah), the hotelier has hosted a birthday party of his sister, Reshma (Ramya) when she hears a singing voice from the roadside. She calls him in the party to sing. She is impressed by his singing and from this point, Reshma becomes obsessed with Roop (Shah Rukh Khan). She recommends him to Ajay to be employed in his hotel as a singer. The highlight of the song sequence is the excellent performance of Ramya as a voluptuous lady as Shah Rukh Khan sings and Naseeruddin Shah as a host watches him.

Video Clip:

Audio Clip:

Song-Dil ki tanhaayee ko aawaaz bana lete hain (Chaahat)(1996) Singer-Kumar Sanu. Lyrics-Nida Fazli, MD-Anu Malik
Unknown male voice
Anu Malik

Lyrics (Based on the audio clip):

aaaaaaaaaaaa aa
aaaaaaaaaaaa aa
aaaaaaaaaaaa aa
aaa aaa aaa aaa aaa

taaron mein chamak phoolon mein rangat naa rahegi
arre kuchh bhi naa rahega agar mohabbat naa rahegi

ho o
dil ki tanhaaee ko…..o o
dil ki tanhaaee ko aawaaz banaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
dil ki tanhaaee ko aawaaz banaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
haan gaa lete hain
hmm hmm hmm hmm
hmm hmm hmm
haan gaa lete hain
hmm hmm hmm hmm
hmm hmm
aaaaaaaaaaaa aa
aaaaaaaaaaaa aa
aa aaa

aapke shaher mein ham le ke wafaa aayen hain
mufilisee mein bhi ameeree ki adaa laaye hain
mufilisee mein bhi ameeree ki adaa laaye hain
ho o o
jo bhi bhaata hai…..o o
jo bhi bhaata hai
usse apnaa banaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
haan gaa lete hain
hmm hmm hmm hmm
hmm hmm hmm
haan gaa lete hain
hmm hmm hmm hmm
hmm hmm hmm

aaaaaaaaaaaa aa
aaaaaaaaaaaa aa
aa aaa

hey hey ae ae
la la la la laa
hmm hmm
aa aa aa aaa

haaye
hamen youn dekhnaa
aisaa naa ho badnaam ho jaaye
ye mumkin hai isi kaa kal
mohabbat naam ho jaaye

husn waalon mein ye mashhoor hai aadat apni
har kisi se kahaan milti hai tabeeyat apni
har kisi se kahaan milti hai tabeeyat apni
ho…. o
pyaar miltaa hai ae ae o
pyaar miltaa hai jahaan
sar ko jhukaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
haan gaa lete hain
hmm hmm hmm hmm
hmm hmm hmm
haan gaa lete hain
hmm hmm hmm hmm
hmm hmm hmm
dil ki tanhaayee ko aawaaz banaa lete hain
dard jab hadd se guzartaa hai to gaa lete hain
aaaaaaaaaaa aa
aaaaaaaaaaaa aa
aaaaaaaaaaaa
aaaaaaaaaaaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5530 Post No. : 17985

Hullo Atuldom

Wishing a very very happy birthday to a singer who has a career of almost 70 or 80 years. I am not sure about the last recorded song by this artist who has been in the public eye from the time she sang her first song, with her older sister, when she was barely 10. But, during the pandemic, in 2020, she came together with many noted artists like S. P. Balasubrahmanyam, Udit Narayan, Kailash Kher, Usha Uthup, Shaan, Alka Yagnik, Sonu Nigam and other 200 artists of India, made a song named ‘Jayatu Jayatu Bharatam’ to make the country unite to beat the pandemic.

Here we are wishing Asha Bhosle on turning 90.

She comes from a musical family, as her father Shri Deenanath Mangeshkar was an actor-singer of the Marathi musical stage. Her paternal grandmother, Deenanath’s mother, was also a reputed musician. There are many musicians in the family with Lata Mangeshkar being the leader (of her generation). Asha Bhosle’s son, daughter and grandchildren are also associated with the music world in various capacities.

We all know the struggles the Mangeshkar children went through, after the death of their father in 1942. The sisters Lata & Asha, began acting and singing in films to support the family. Asha Bhosle returned to face the camera in 2013, at the age of 79, to play the title role of “Aai”- a 65 year-old mother suffering from Alzheimer’s.

It is also known to all the fans of Indian film and non-film music about the range & variety of songs that the sisters have given their voice too. The sisters are also recipients of many awards- both national & international awards. What I found interesting is that Asha Bhosle has been awarded the Lata Mangeshkar award instituted by the Madhya Pradesh & Maharashtra governments in 1989 & 1999 respectively. Plus she is the recipient of the Dadasaheb Phalke & Padma Vibhushan awards conferred by the Government of India. Asha Tai (as she is fondly addressed) is also the National Award winning singer for songs ‘dil cheez kya hai’ from “Umrao Jaan” in 1981 & ‘mera kuchh saaman’ from “Ijaazat” in 1986.

For celebrating the landmark birthday of our dear singing Diva, I think we should have a song from one of her recent films, just to get an idea about how she sounded for the younger actresses. When I say younger actresses, I mean actresses who were popular in the 1990s & the new millennium. This is not an easy task considering that she has a huge body of work from which we need to choose. Statistically speaking, we are just reaching the halfway mark of her 7874 songs. The blog still has a long way to go before declaring that we have all the songs sung (in films) by Asha Bhonsle on the blog.

One of the younger ladies for whom Asha Bhosle has given playback is Karisma Kapoor of the Kapoor clan. Today’s song has Karisma dancing to Shiamak Davar’s choreography in Yash Chopra’s “Dil To Paagal Hai”. The song is written by Anand Bakshi and Uttam Singh was the composer. Towards the end of the song Shahrukh Khan makes his entry on to the stage, singing in Udit Narayan’s voice. This is the song that kicks-off the film. This is one song that has a choreography that is not easy to copy, also it is different from usual Hindi song sets (would like to know who the set designer was, Sharmista Roy was the art director). Another trivia about this song is Shahid Kapoor who was training under Shiamak Davar at that time was a background dancer in this song.

Wishing the favourite singer of millions- Asha Tai- a very Happy birthday.


Song-Le gayee le gayee dil le gayee le gayee(Dil To Paagal Hai)(1997) Singer-Asha Bhonsle, Udit Narayan,Lyrics- Anand Bakshi, MD-Uttam Singh
Chorus
Udit Narayan +chorus

Lyrics

tururuttururu
tururuttururu
tururuttururu u

mujhko huyee na khabar
choree choree chhup chhup kar
mujhko huyee na khabar
choree choree chhup chhup kar
kab pyaar kee pehlee nazar
haaye
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee

mujhko huyee na khabar
choree choree chhup chhup kar
kab pyaar kee pehlee nazar
haaye
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee

pyaar kee pehlee pehlee
iss aankhmichaulee mein
haaye
pyaar kee pehlee pehlee
iss aankhmichaulee mein
bin soche ja baithee main
nainon kee dolee mein
ab lagta hai mujhko darr
choree choree chhup chhup kar
kab pyaar kee pehlee nazar
haay
le gayee le gayee
il le gayee le gayee
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee

aaaa
bikhree bikhree zulfen
yeh behkee behkee chaal
bikhree bikhree zulfen
yeh behkee behkee chaal
haal yeh mera dekhenge
poochhenge log sawaal
abhee jaaun main kaise ghar
choree choree chhup chhup kar
kab pyaar kee pehlee nazar
haaye
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee

mujhko huyee na khabar
choree choree chhup chhup kar
kab pyaar kee pehlee nazar
haaye
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee
le gayee le gayee
dil le gayee le gayee

mujhko huyee na khabar
choree choree chhup chhup kar
hey
arre
mujhko huyee na khabar
choree choree chhup chhup kar
kab pyaar kee pehlee nazar
haaye

le gayee le gayee
dil le gayee le gayee
are le gayee le gayee
dil le gayee le gayee
hey le gayee le gayee
dil le gayee le gayee
hey hey le gayee le gayee
dil le gayee le gayee
hey le gayee le gayee
dil le gayee le gayee ee


This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5371 Post No. : 17615 Movie Count :

4735

While browsing the songs posted for various years on the Atul’s Song A Day website, I realised that the current year 2023 is still to make it’s debut on the blog and decided to make a post from the movie which is being reported as the biggest hit of the year so far – Pathaan.

Pathaan is a 2023 Indian Hindi-language action thriller film directed by Siddharth Anand and written by Shridhar Raghavan and Abbas Tyrewala, from a story by Anand.

This is the fourth movie in the YRF (Yash Raj Films’) Spy Universe. YRF Spy Universe is an Indian shared universe centered on a series of spy action-thriller films, which feature various fictional RAW agents. It is produced and distributed by Yash Raj Films. The franchise is commercially successful by having grossed ₹2,422 crore on a combined budget of ₹635 crore, thus becoming the second highest-grossing Indian franchise. The shared universe, initially started out as a single movie series, later was established by crossing over common plot elements, settings, cast, and characters.

The first film Ek Tha Tiger (2012) and its sequel Tiger Zinda Hai (2017) centre on a fictional R&AW agent played by Salman Khan. War (2019) tells the story of a RAW agent played by Hrithik Roshan who goes rogue. Before making War, producer Aditya Chopra and director Siddharth Anand came up with the idea of merging these films and creating a shared universe by crossing over the characters who all belong to the RAW. However, War was still made as a standalone film without directly connecting to the first two Tiger films—supporting the idea of creating a proper foundation for the War characters before a proper crossover. The fifth movie of the series, Tiger 3 starring Salman Khan and Katrina Kaif is scheduled to release on 10 November 2023, coinciding with Diwali.

Pathaan (2023) starring Shah Rukh Khan as the titular character and a RAW agent, directed by Anand, is the first film to have characters appearing from both the Tiger franchise and War. It is the fourth film in the SPY Universe and the first YRF film to have a crossover.

Pathaan which released on 25th January 2023, on the eve of the Indian Republic Day is reportedly breaking all sorts of box office records. Some reports claim that it has already crossed 1040 crores of revenue worldwide. The day the movie released, I happened to be on Bengaluru’s M.G. Road for some window shopping. I saw that the Fame Symphony cinema had a huge crowd in front of it thanks to the release of this film. This was quite an anticipated movie for the audience since Shah Rukh Khan was appearing in a film after 4 years (Zero had last released on 21st December 2018). There was a huge publicity campaign for the movie’s release which had got even more accentuated due to a controversy over Deepika Padukone’s orange bikini featured in the video and lyrics of the film’s hit song ‘Besharam Rang’. Before, I share my views on the movie let me share the movie’s plot below:-

In 2019, the Indian Government revokes Article 370, which grants special status for Jammu and Kashmir. The news impacts a cancer-ridden Pakistani army general, Qadir, who decides to exact vengeance against India. He signs a contract with Jim, who leads “Outfit X”, a private terrorist organization. Meanwhile, Pathaan, a former RAW agent, and his senior officer Nandini Grewal open a unit dubbed the “Joint Operations and Covert Research” (JOCR) unit, to recruit former RAW agents who were forced to retire due to past trauma or injury, but want to serve the country.

With RAW joint secretary, Colonel Sunil Luthra’s acceptance, Pathaan and his team head to Dubai to stop Outfit X’s plans of attacking the President of India at a scientific conference. However, they realize that their actual plan was to kidnap two scientists, Dr. Farooqui and Dr. Sahani instead and the information they received about the imminent attack on the President was a ruse to mislead them. Jim attacks the scientists’ convoy and Pathaan tries to stop him. A fight ensues, where Jim manages to escape with Dr. Sahani. At the debrief back at the agency, Luthra reveals that Jim was a former RAW agent and Kabir Dhaliwal’s partner, who was awarded with the Vir Puraskar for his bravery after the agency could not find his body when Somalian terrorists killed his wife and unborn child in a negotiation gone-wrong. He had apparently faked his death in order to seek vengeance against the agency and country for not saving his family.
Meanwhile, Pathaan learns about the codeword dubbed “Raktbeej” and also that the dead people in Dubai were ex-agents and their money was transferred from the account of Rubina “Rubai” Mohsin, a Pakistani doctor in Spain. He travels to Spain and is captured by Jim’s men, where he also learns that Rubai is an ex-ISI agent. When Jim leaves his hideout, Rubai attacks Jim’s men and escapes with Pathaan. Rubai reveals that Raktbeej is in Moscow, where they travel to steal it before Jim does. However, Rubai betrays Pathaan and has him captured by the police. It is revealed that Jim used Rubai to make Pathaan steal the Raktbeej for himself. Pathaan is captured and taken to prison by train, but is saved by Avinash “Tiger” Singh Rathore.

Three years later, Pathaan travels to Africa and captures Jim’s henchman Raafe. He meets Nandini and reveals about Jim purchasing two saber missiles, while Nandini reveals Rubai’s location in Paris. Pathaan meets Rubai, who reveals that the Raktbeej is a mutated smallpox virus, which was forcibly developed by a captive Dr. Sahani under Jim’s orders. She also expresses guilt about betraying Pathaan without knowing that her country would plan such an heinous attack. They travel to Jim’s lab in Siberia and manage to recover one orb containing the virus with great difficulty, while Jim escapes with the other orb. Luthra and Nandini reach Jim’s lab to take the orb back to the Indian Institute of Contagious Diseases (IICD), in India in order to develop a vaccine. Luthra also has Rubai arrested for having questionable loyalties.

At the IICD in India, Dr. Farooqui demonstrates the orb to Nandini. Jim calls them and reveals that the orb has already spread the virus in the facility. The infected scientists, along with Nandini die in the facility by shooting themselves, to curb the spread of the virus. Later, the facility is destroyed in a controlled blast. Jim provides an ultimatum to evacuate Indian soldiers out of Kashmir within 24 hours. Pathaan interrogates Raafe about the location of the missile, and learns that the missile is situated in Afghanistan. After rescuing Rubai, they lure Jim’s associates into a trap, and attack Jim’s base. Qadir is killed by Rubai before activating the missile containing the virus. Pathaan chases after Jim with a jetpack and they both crash land into a cabin.

Meanwhile, Rubai deactivates the missile, but finds that Raktbeej is not in the missile, but instead in a passenger-bound airplane, which is about to land in Delhi. She informs Pathaan, who finds that Jim has the detonator. Luthra calls the air traffic control to prevent the plane from landing in Delhi. In the cabin, Pathaan and Jim fight brutally, resulting in the cabin begin sliding off a cliff. Despite getting stabbed by Jim, Pathaan steals the detonator, deactivates Raktbeej and throws Jim out of the cabin as the foundation is about to break. While Jim holds onto a plank, Pathaan takes away his Vir Puraskar, deeming him unworthy of it. He stomps and breaks the plank Jim was holding onto, resulting in him falling to his apparent death. Afterwards, Pathaan is reinstated into RAW and made as the head of JOCR, while Nandini is posthumously awarded with the Vir Puraskar for her bravery.
In a mid-credits scene, Pathaan and Tiger are seen pondering about retiring and suggesting young agents who can replace them, but eventually decide to keep fighting the threats themselves.

So that was the movie’s ‘plot’. From the reviews of colleagues I gathered that the movie is a total masala film and moviegoers are going to see Shah Rukh’s latest outing on the big screen after a long time. I got mixed reviews about the movie from colleagues and due to my busy schedule at the time could not manage to walk it in the cinemas. Finally, I was able to manage to watch it on 22nd March on Amazon Prime when it released there as it happened to be a holiday.

Now, why was it a holiday may be a surprise to some people in some parts of India but it is a very normal annual occurrence for us here in Bengaluru. Let me take the opportunity to talk a bit about the ‘holiday’ here, on occasion of ‘Ugadi’. This day is very important as per our Sanatana Dharma. This is the day our Vikram Samwat calendar starts. King Vikramaditya is recorded to have started this calendar in 57 B.C to commemorate his victory over the Sakas. His kingdom had many important Geographers like Varamihir and it was based on their calculations that the calendar was made. The calendar or ‘panchaang’ had been calculated as per precise time calculations in those days. As per their calculations, the moon travels through the twelve Raashis (constellations) in 354 days. Thus, the moon travels each constellation in 29days, on the basis of which the calendar year was divided into twelve months. It was for the first time in the world that a year was divided into twelve months. In the calculation, the year is counted on basis of the sun’s movement while the months are calculated as per the movement of the moon. This same principle was also adopted by the Greeks, Arabs and the British later. It is also interesting to note that in comparison to the western calendars, here the names of the months of the calendars is quite scientific. While the western calendars are named according to the names of kings, queens or Gods/Goddesses, our Hindu Navsanvatsar technique names the months according to the Nakshatras the moon is in at the time of the Poornima (full moon). For example, if it is in Chitra, it is called Chaitra, in Vishakha it is Vaishakh, In Shravan it is Shraavan and when in Phalguni it is Phalgun. Thus our calendar’s months are not only scientific but they also consider the natural changes in the solar system. Due to the speed of the Sun and moon, every year, a difference of ten days occurs due to which they also catered for an ‘Adhimaas’. The original British (Gregorian) calendar had only ten months and due to which every year the time of Christmas used tochange. Due to such discrepancies, European countries had taken inspiration from the provision of 12 months in our calendar.

This new year day falls in the Chaitra month and there is a lot of significance of it. Some people may be surprised and ask that why does the ‘new year’ start fifteen days into the Chaitra month. The western calendars normally start on the new year after all, isn’t it? Like the calendar, there is a rational explanation for this too in our Sanatan philosophy. The belief is that during the Krishna Paksh due to the decline in the moon for 15 days the sky starts to become dark. Our Sanatan Dharma is based on moving from darkness to light (the principal that the Brihadaranyaka Upanishad mentions as Tamaso Ma Jyotirgamaya -which incidentally was my school’s motto too- which means From darkness, lead me to light). Due to this reason, in Chaitra after 15 days in Shukla Paksh due to increase in size of the moon, the brightness of light also increases and on the Pratipada tithi we celebrate the Hindu New Year.

This day marks the beginning of the Chaitra Navratras which are considered very auspicious. Chaitra Navratri is the first of four navratris of the year and being the first is very important. During these navratris in Punjab and other areas where the Shakti philosophy is followed, the nine forms of the Goddess Shakti, Durga, Shailputri, Brahmcharini, Chandraghanta, Kushmanda, Skand Mata, Katyayini, Kaal Raatri, Maha Gauri and Siddhi Daatri are prayed to by the Devotees (Bhakts). According to traditional kathas, Devi Durga had descended from the heavens to visit her paternal home (Maayka) and spend time with her devotees on this day. People undertake fasts on each day praying to the specific form of the goddess for the day and finally it ends the Chaitra Navmi (Also celebrated Ram Navmi or Vasant Navratri). Kanjak or Kanya Poojan, also called as Kumari Pujan, is a significant ritual related to the Hindu festival of Navratri done on the Ashtami in which little girls, preferably nine girls (called as Kanya – Kanjak in Punjabi) are worshiped in the nine form of goddess Durga. Many people think there are only two navratris in the year, one this Chaitra Navratri and the other before Dussehra but there are actually four navratris as per our ancient practices with the other two being ‘gupt’ or secret Navratris. The second Navratri and the first gupt Navratri is the Aashaadh Navratri celebrated during the Krishna Paksh of the Aashaadh month (which occurs around June-July) during which the Goddess is made happy by tantra sadhna. The third Navratri is the Sharadiya Navratri which is celebrated during the Shukla Paksh of the Sharad month (which occurs around September-October) till the Navmi which is considered the beginning of the winter season and the nine forms of Goddess Durga are prayed to during the nine days. The fourth and final Navratri of the year is the Magh Navratri (second Gupt Navratri) which is celebrated during the Shukla Paksh of the Paush Maas (December-January) during which prayers for secret Siddhis are done.

Here in Karnataka and Andhra-Telangana we celebrate the new year by the name Yugadi or Ugadi is derived from the Sanskrit words yuga (age) and ādi (beginning): “the beginning of a new age”. Yugadi or Ugadi falls on “Chaitra Shudhdha Paadyami” or the first day of the bright half of the Indian month of Chaitra. The Telugu, Kannada, Kodava and the Tulu diaspora in Andhra Pradesh, Telangana, Karnataka and Tamil Nadu celebrate the festival with great fanfare; gatherings of the extended family and a sumptuous feast are ‘de rigueur’. The day begins early with ritual showers, rubbing the body with perfumed oil, followed by prayers.
Ugadi Pacchadi is a symbolic dish prepared by Hindu people on this festival.

Preparations for the festival begin a week ahead. Houses are given a thorough clean. People buy new clothes, including dhoti, and buy new items for the festival, decorate the entrance of their houses with fresh mango leaves. Mango leaves and coconuts are considered auspicious in the Hindu tradition, and they are used on Ugadi. People also clean the front of their house with water and cow dung paste, then draw colorful floral designs. People offer prayers in temples. The celebration of Ugadi is marked by religious zeal and social merriment. According to Vasudha Narayanan, a professor of Religion at the University of Florida:

The pacchadi festive dish symbolically reminds the people that the following year – as all of life – will consist of not just sweet experiences, but a combination of sweet, sour, salty, and bitter episodes. Just as the different substances are bound together, one is reminded that no event or episode is wholly good or bad. Even in the midst of bitter experiences, there are sweet moments. One is also reminded that the experience of taste is transitory and ephemeral; so too, is life, and one has to learn to put pain and pleasure in proper temporal perspective.

Special dishes are prepared for the occasion. In Karnataka, foods such as Holige or Obattu, and mango pickles are made. In addition, a speciality of yugadi in Karnataka is to create “bEvu-bella” a mixture of neem and jaggery. This symbolizes life’s own experiences with a little bit of bitternes and a hint of sweetness. In Andhra Pradesh, foods such as pulihora, bobbatlu (Bhakshalu/ polelu/ oligale), New Year Burelu and Pachadi, and preparations made with raw mango go well with the occasion. Of these, pachadi (or Ugadi pacchadi) is the most notable, and consists of a chutney-like dish which combines ingredients to give all six flavours of food (ṣaḍruculu) : sweet (tīpi), sour (pulupu), salty (uppu), spicy (kāraṁ), bitter (cēdu) and astringent (vagaru). This festive Hindu food is made from tamarind paste (sour), neem flowers (bitter), brown sugar or sweet jaggery (sweet), table salt (salt), green chilli (spicy) and raw mango (astringent). It is a symbolic reminder of complex phases of life one should reasonably expect in the new year.

Maharashtran Hindus refer to the festival, observed on the same day, as Gudi Padwa. The Sindhis celebrate the same day as Cheti Chand, which is the beginning of their calendar year as well as the Jayanti of Bhagwan Jhoole Lal. Manipuris also celebrate their New Year as Sajibu Nongma Panba on the same day.

The Hindus of Bali in Indonesia also celebrate their new year on the same day as Nyepi. Ugadi is one of the five Hindu national public holidays in Mauritius.
As per our scriptures, there are other significances of this day too. It is said that it was on the day of the Chaitra Pratipada that Brahma ji had created the universe. Thus, Satyuga had started on this day and it was the first day of the Kaal Chakra. Bhagwan Ram had killed Bali on this same day and it thus marked an important milestone towards his endeavour to bring back Sita ji from Lanka. It was also the day on which Yudhishthir had become the King. (Thus it is an important day both in the Ramayana and the Mahabharata). Finally, the Arya Samaj had also been established on this day.

After all these asides, I come back to how I had a holiday on 22nd March on occasion of Ugadi which also happened to be the day Pathaan was released on OTT platform Amazon Prime. After a solid lunch with some excellent puranpoli (sweet and savoury variants), I along with a close family decided to finally catch the movie. I have already talked about the plot above. The story line as such is fairly limited and I feel in terms of story depth and screen play there was a lot that could have been done (wish someone like Neelesh Mishra from Ek Tha Tiger could have been there to firm it up). The film keeps you seated but it is not a very pleasant experience. An ISI agent who helps India, A Raw Agent against India, Really?? Lots of elements remind you of the Mission Impossible series as well as Matrix and probably other Hollywood movies too. Shah Rukh and Deepika Padukone make their presence felt as does Salman Khan in this guest appearance as Tiger. However, for me, it is John Abraham as the villain Jim and Dimple Kapadia who plays Nandini Jaiswal as head of JOCR (not Joker but Joint Operations and Covert Research. We, the audience are the jokers!) who stand out in the acting department for me. They both played their roles very well and give an emotional depth to the movie. Without these two, I probably wouldn’t have sat through the whole movie. The animation standard could have been better (never mind the inspirations from the Hollywood movies I already mentioned) and leaves one missing the finesse one is used to in Hollywood blockbusters. Pathaan’s real name is not revealed (unlike Tiger’s whom we know as Avinash Singh Rathore though we do get the back story as to how he got the name due to an act of ‘bravery’ in an Afghan village) as is the quality storyline which one would have expected. Over all, I would say that if you have nothing else to do and like these actors, Go ahead and watch it. To say that it would be worth multiple watches is too much of a stretch. It is a one time watch masala film. SRK isn’t just a word! It’s an emotion for millions of fans across the world and will be loved by his die hard fans. For the rest, It doesn’t have that redeeming quality which defines timeless movies. Never mind the huge box office (if true).

I would now like to leave you with the lyrics of the title song, Jhoome Jo Pathaan. It is a nice dance number which is being loved by the kids (just the other day saw cricketer Irfan Pathan’s cute son dance to it with his father on Twitter) and is set in posh locales with good choreography. Worth seeing definitely as evident from the 402 Million views the song has already got on Youtube.

The hummable lyrics are by Kumaar who is a popular lyricist from Punjab known for his danceable songs and the music is by the Vishal-Shekhar duo. In some post in the future, I will discuss a bit about their careers. The composer duo are joined by Arijit Singh (flavour of the season or is it decade?) and Sukriti Kakkar in the singing department. I am sure this song will be playing in discos and all over for a while.

Here is the link to the video:-

Song Credits:
Music: Vishal and Sheykhar
Lyrics: Kumaar Singers: Arijit Singh, Sukriti Kakar, Vishal and Sheykhar
Director of Choreography: Bosco-Caesar
Recording At: YRF Studios (Abhishek Khandelwal, Chinmay Mestry, Dileep Nair)
Mixed By: Abhishek Khandelwal (YRF Studios), Dileep Nair (Assistant Mixing Engineer – YRF Studios)
Mastered By: Gethin John (Hafod Mastering, Wales UK)
Additional Music Credits:
Song Editor: Adele Pereira
Song Arranged By: Meghdeep Bose
Guitar: Meghdeep Bose

Video

Audio

Song-Jhoome jo pathan meri jaan (Pathan)(2023) Singers-Arijit Singh, Sukriti Kakar, Vishal, Sheykhar, Lyrics-Kumaar, MD-Vishal-Sheykhar

Lyrics

Tumne Mohabbat Karni Hai
Humne Mohabbat Ki Hai
Iss Dil Ke Alawa Kisi Se Bhi
Na Humne Ijaazat Li Hai

Hunar Hai Yeh Bhi Ishq Ka
Kisi Kisi Ko Aata Hai
Jaan Luta Ke Dushman Ki
Humne Hifaazat Ki Hai

Baat Karte Hain Hazaron
Hazaaron
Hai Tajurba Humein Yaaron
Haan Yaaron
Baat Karte Hain Hazaron
Hai Tajurba Humein Yaaron
Aisi Hai Ada
Bandh Loon Hawa
Mujhpe Woh Khuda
Dil Se Dua Barsaye
Jhoome Jo Pathaan Meri Jaan
Mehfil Hi Lut Jaaye
Dede Jo Zubaan Meri Jaan
Uspe Mar Mit Jaaye
Jhoome Jo Pathan Meri Jaan
Mehfil Hi Lut Jaaye
Dede Jo Zubaan Meri Jaan
Uspe Mar Mit Jaaye

Muqabla Kaise
Hum Karte Hain Yaar
Abki Baar Tareeka Hum Batayenge
Tareeka Hum Batayenge
Kaise Dushman Pe
Hum Marte Hain Yaar
Abki Baar Tareeka Hum Batayenge
Tarika Hum Batayenge
Yaar Karde Jo Ishaara
Ishaara
Dil Main De Doon Dobara
Dobara
Yaar Karde Jo Ishaara
Dil Main De Doon Dobara
Pyar Ka Nasha
Aisa Hai Chadha
Hoke Yoon Fida
Dushman Gale Lag Jaaye

Jhoome Jo Pathaan Meri Jaan
Mehfil Hi Lut Jaaye
Dede Jo Zubaan Meri Jaan
Uspe Mar Mit Jaaye

Jhoome Jo Pathan Meri Jaan
Mehfil Hi Lut Jaaye
Dede Jo Zubaan Meri Jaan
Uspe Mar Mit Jaaye

———————
Devnagri script Lyrics (Provided by Gajendra Khanna)
———————
तुमने मोहब्बत करनी है
हमने मोहब्बत की है
इस दिल के अलावा किसी से भी
न हमने इजाज़त ली है

हुनर है ये भी इश्क का
किसी किसी को आता है
जान लुटा के दुश्मन की
हमने हिफाज़त की है

बात करते हैं हज़ारों
हज़ारों
है तजुर्बा हमें यारों
हाँ यारों
बात करते हैं हज़ारों
है तजुर्बा हमें यारों
ऐसी है अदा
बाँध लूँ हवा
मुझपे वो खुदा
दिल से दुआ बरसाए
झूमे जो पठान मेरी जान
महफिल ही लुट जाए
दे दे जो ज़ुबान मेरी जान
उसपे मर मिट जाए

झूमे जो पठान मेरी जान
महफिल ही लुट जाए
दे दे जो ज़ुबान मेरी जान
उसपे मर मिट जाए

मुक़ाबला कैसे
हम करते हैं यार
अब की बार तरीका हम बताएँगे
तरीका हम बताएंगे
कैसे दुश्मन पे
हम मरते हैं यार
अब की बार तरीका हम बताएँगे
तरीका हम बताएँगे
यार कर दे जो इशारा
इशारा
दिल मैं दे दूँ दोबारा
दोबारा
यार कर दे जो इशारा
दिल मैं दे दूँ दोबारा
प्यार का नशा
ऐसा है चढ़ा
हो के यूँ फिदा
दुश्मन गले लग जाए

झूमे जो पठान मेरी जान
महफिल ही लुट जाए
दे दे जो ज़ुबान मेरी जान
उस पे मर मिट जाए

झूमे जो पठान मेरी जान
महफिल ही लुट जाए
दे दे जो ज़ुबान मेरी जान
उसपे मर मिट जाए


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5220 Post No. : 17212

Hullo Atuldom

This is a multi-birthday post.

First and foremost we shall be wishing our Sudhirji- The Dillwala Dilliwala; Atulji’s trusted lieutenant on his birthday. He has been a huge help to Atulji and that has ensured that the blog has had no dot days since 25th December 2019. Let us all wish this Atulite with lots of fun and music.

“Main Hoon Na” (2004) was a Farah Khan directed film which was produced by Gauri Khan’s ‘Red Chillies Entertainment’ & Ratan Jain’s ‘Venus Records and Tapes’. Shahrukh Khan, Sushmita Sen, Zayed Khan, Amrita Rao, Bindu, Boman Irani, Satish Shah, Kirron Kher and Suniel Shetty were the main cast with Naseeruddin Shah and Kabir Bedi in special and guest appearances respectively. The songs were penned by Javed Akhtar and composed by Anu Malik. Shreya Ghoshal, Sonu Nigam, Abhijeet, KK, Vasundhara Das, Alka Yagnik, Sunidhi Chauhan and the Sabri brothers- Hashim & Aftab are the playback singers used in the movie.

With this song SRK (Shahrukh Khan) is shown trying to mingle among the young college crowd. He is shown as the odd man out or a student who is trying to restart his studies which he had to give up owing to family responsibilities etc. The younger crowd initially don’t want to associate with him but eventually they become a clique and then the story proceeds towards a climax where the students are held hostage, SRK with the help of his army forces helps rescue the young brigade, bring/ eliminate Suniel Shetty & group etc. before the happy ending. That means the movie was an all-out masala film.

The song is in the voices of Shreya Ghoshal and Sonu Nigam. There is a sad version too in Abhijeet’s voice.

2nd November also happens to be SRK and Anu Malik’s birthday. Here is wishing them all the best for the future and hoping that they continue go entertain us.

This words of this song may have been what Sudhirji told Atulji when he started sharing the responsibility of keeping the blog from having DOT days. 🙂

Duet version (Sonu Nigam and Shreya Ghoshal)

Solo version video (Partial)(Abhijeet)

Solo version Audio (full)(Abhijeet)

Song-Kiska hai ye tumko intezaar main hoon naa (Main Hoon Na)(2004) Singers-Sonu Nigam, Shreya Ghoshal/ Abhijeet, Lyrics-Javed Akhtar, MD-Anu Malik

Lyrics

Duet version (Sonu Nigam, Shreya Ghoshal)
————————–

hmm
kiska hai ye tumko intzaar
main hoon na aa aa
dekh lo idhar to ek baar
main hoon na aa aa
kiska hai ye tumko intzaar
main hoon na aa aa
dekh lo idhar to ek baar
main hoonn na aa aa
khaamosh kyun ho jo bhi kehna hai kaho
dil chaahe jitna pyaar utna maang lo
ho o
tumko milega utna pyaar
main hoon na aa aa
kiska hai ye tumko intzaar
main hoon na aa aa
dekh lo idhar to ek baar
main hoon na aa aa

kabhi jo tum socho
ke tum ye dekho
arre kitna mujhko tumse pyaar hai ae ae ae
to chup mat rehna
ye mujhse kehna
are koi kya aisa bhi yaar hai
dil hi nahin de
jaan bhi de jo tumhen
dil hi nahin de
jaan bhi de jo tumhen
ho o
to main kahoonga sarkaar
main hoon na aa

kiska hai ye tumko intzaar
main hoon na
dekh lo idhar to ek baar
main hoon na
khamosh kyun ho jo bhi kehna hai kaho
dil chaahe jitna pyaar utna maang lo o
ho o
tumko milega utna pyaar
main hoon na
kiska hai ye tumko intzaar
main hoon na
dekh lo idhar to ek baar
main hoon na

kehne ki ho dil mein koi baat
mujhse kaho
koi pal ho din ho yaa ho raat
mujhse kaho
koi mushkil koi pareshaani aaye
tumhen lage kuchh theek nahin haalaat
mujhse kaho
koi ho tamanna yaa ho koi aarzoo
koi ho tamanna yaa ho koi aarzoo
ho o
rehna kabhi na beqaraar
main hoon na
kiska hai ye tumko intzaar
main hoon na
dekh lo idhar to ek baar
main hoon na
khaamosh kyun ho jo bhi kehna hai kaho
dil chaahe jitna pyaar utna maang lo
ho o
tumko milega utna pyaar
main hoon na aa aa
kiska hai ye tumko intzaar
main hoon na aa aa
dekh lo idhar to ek baar
main hoon na aa

——————————–
Solo sad version (Abhijeet)
——————————–
khoya hai paake jisne pyaar main hoon na
bechain main hoon bekaraar main hoon na
koi toh ho aisa jisko apna keh sakoon
koi toh ho aisa jiske dil mein reh sakoon
ho o
koi toh kehta ek bar main hoon na aa aa
khoya hai paake jisne pyar mai hoon na
bechain mai hoon bekarar main hoon na

jo bandhan toote
jo apne roothhe
paas aa jaaye phir se dooriyaan
yeh kyun hota hai
ke dil rota hai
bebas ho jaati hai yeh zabaan
apne toh saare iss kinaare reh gaye
apne toh saare iss kinaare reh gaye
ho o
tanha chala jo uss paar
main hoon na aa aa
khoya hai paa ke jisne pyaar
main hoon na
bechain main hoon bekarar
main hoon na

jahaan bhi main jaaun
jahaan bhi main dekhoon
saare chehre begaane se hain
kabhi koi tha jo mera hi tha
yeh kisse abb afsaane se hain aen
kal zindagi ne khel khele thhe naye
kuchh log jeete jeet ke sab le gaye
ho o
hisse mein aaya jiske har
main hoon na aa aa
khoya hai paake jisne pyaar main hoon na
bechain main hoon bekarar main hoon na


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4923 Post No. : 16756 Movie Count :

4559

Hullo Atuldom

This post is courtesy my youngest sister. We were on this telephonic chat and she was asking me about my new hobby/addiction and how it is coming by. In the conversation she mentioned about the how she appreciated Dilip Kumar in the song”Nain Lad Jaihe To Manwaa Maa Kasak Hoibe Kari” – his dancing to be more exact. She spoke about how the dance was almost continuous like a single shot song. And my reply to her was that the song from “Jewel Thief”Hothon  Mein Aisi Baat Main Dabaa Ke Chali Aayi” is an ideal example of a song in a single-shot and how Vyjayanthimala has danced and cameras were strategically placed to catch every movement and moment. To this my sister replied that being a trained classical dancer it would not have been so difficult for Vyjayanthimala but see Dilip Kumar dance in ‘Ganga Jamna’.

Now the Dilip Kumar dance I have been seeing from time immemorial and it is one of the songs on my personal favorites list. But after speaking to my sister, I saw the song again just before I started this post. Even if it is not a single shot-song, the choreography makes it seem so. There is a flow in the movements and actions from one frame to the other and the end result is one amazing continuous dance-song.

What the morning conversation did was it reminded me of another song that is nearly like the Dilip Kumar song viz. the choreography makes it feel that the artists have danced seamlessly, without any cuts between shots. This is the handiwork of Farah Khan. It is from the 2004 released ‘Main Hoon Na’ that is produced by Gauri Khan (Red Chillies Entertainment) and Ratan Jain (Venus Records and Tapes) and directed by Farah khan. It has a small star cast consisting of Naseeruddin Shah (special appearance), Kabir Bedi (special appearance), Suniel Shetty (in a negative role), Satish Shah, Kiron Kher, Boman Irani (forgetful principal), and Sushmita Sen, Amrita Rao, Sharukh Khan and Zayed Khan. Plus there are Rakhi Sawant, Tabu and Sajid Khan (Farah’s brother) in blink and miss roles.

The songs are written by Javed Akhtar and Anu Malik is the music director. It was nominated for a few awards in that year and won the Filmfare Award for best music. Shreya Ghoshal, Sonu Nigam, Abhijeet, KK, Vasundhara Das, Alka Yagnik, Sunidhi Chauhan and the Sabri Brothers – Hashim and Aftab, are the voices that have sung in this film. Even Anu Malik sang a song in the film. Today’s song is in the voices of KK and Vasundhara Das.

We shall have this song today to wish Farah Khan on turning a year older. She had made her debut in films as dance director in 1992 with ‘Jo Jeeta Wahi Sikandar’ with the brilliantly picturised “Pehla Nasha Pehla Khumar” which had Aamir Khan prancing on the slopes of the Nilgiris in Ooty. She has since choreographed dance routines for about a 100 songs in 80 movies. She turned director with ‘Main Hoon Na’ and producer with ‘Joker’ (in 2012) which was directed by her husband Shirish Kunder. She has been in front of the camera in films right from 1995 as a person among the crowd etc. and she had a formal full length role in ‘Shirin Farhad Ki Toh Nikal Padi’ (2012) where she was romantic lead pair with Boman Irani and her aunt Daisy Irani played her to-be mother-in-law. Of course she has made it a practice to get her whole crew in front of the camera, along with the end-titles, in all the films that she has directed.

A very Happy Birthday to this multi-talented personality who comes from a family of artists who have been in Bollywood since the late ’50s – her maternal aunts are Honey and Daisy Irani, her father Kamran Khan was a stuntman-turned-filmmaker, Javed Akhtar is her maternal aunt’s ex-husband, so that makes Farhan Akhtar and Zoya Akhtar (filmmakers) her cousins.


Song- Chale jaise hawaayen sanan sanan(Main Hoon Na)(2004) Singers-Vasundhara Das, KK,Lyrics-Javed Akhtar, MD-Anu Malik
Male chorus
Female chorus
Vasundhara Rao + K K

Lyrics

lalalalalala
lalalalalala
lalalalaa
lalalalalala
lalalalalala
lalalalaa

whats up?

o o o o
o o o o
o o o o
o o o o
o o o o
o o o o

chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan
jaayen titliyaan jaise chaman chaman
yoonhi ghoomoon main bhi magan magan
he he he he
hehe wo o o o
he he o ho
aa haa aa aa aa
main deewaani dil ki raani gham se anjaani
kab darti hoon wo karti hoon jo hai thhaani
chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan

chhuk chhuk chhuk chhuk dum
chhuk chhuk chhuk chhuk dum
chhuk dum chhuk dum dum
chhuk dum dum

whats up?

say what?

koi roke koi aaye
jitna bhi mujh ko samjhaaye
main naa sunungi kabhi
apni hi dhun mein rahti hoon
main pagli hoon mai ziddi hoon
kahte hain ye to sabhi
koi nahin jaana
ke armaan kyaa hai mera aa aa

chale jaise hawaayen sanan sanan
ude jaise parinde gagan gagan
jaayen titliyaan jaise chaman chaman
yoonhi ghoomoon main bhi magan magan
he he
he he
he he
o o o
he he
o ho
aa ha
aa aa aa aa

main deewaani dil ki raani gham se anjaani
kab darti hoon vo karti hoon jo hai thhaani
chale jaise hawaayen sanan sanan
uden jaise parinde gagan gagan

[Dialogues]

nananana
nananan
nananana
nananan
nananan

aayen haseenaayen to aayen
mujh ko dikhaane apni adaayen
main bhi kuchh kam nahin
yeah
aankhon mein aankhen jo daaloon
dil main churaa loon hosh chura loon
koi ho kitna haseen
mera
ho gayaa wo
jo ik baar mujh se mila aa aa aa

chale jaise hawaayen sanan sanan
uden jaise parinde gagan gagan
jaayen bhanwre jaise chaman chaman
yoonhi ghoomoon main bhi magan magan

he he
he he
he he
o o o o
he he
o ho
aa haa
aa aa aaa

main deewaana main anjaana gham se begaana
hoon aawaara lekin pyaara
sab ne maana
chale jaise hawaayen sanan sanan

uden jaise paride gagan gagan
jaayen bhanwre jaise chaman chaman/font>
yoonhi ghoomoon main bhi magan magan
chale jaise hawaayen sanan sanan
ude jaise parinde

gagan gagan


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4920 Post No. : 16750

55th birthday of A. R. Rehman
———————————————————–

A. R. Rehman – The musician of 21st century – 1
———————————————————–

Out beyond ideas of wrong doing and right doing, there is a field. I will meet you there. – Rumi

Some years ago, I received a Whatsapp forward featuring a sketch with Rumi’s character, in a 21st century setting. This requires careful description, so you all please be patient with me.

There he was, 13th century persian poet and philosopher, Jalaludding Rumi, turban and all, sitting on one end of a small primitive boat. A boat that fits in a New York apartment’s living room. Guess who is doing the honors of ‘Chappu chalauing’ at the other end of the boat? It was Chandler, of ‘Friends’ fame. Imagine a boat on the floor of a city living room, at one end Chandler is roving the boat and Rumi is sitting on the other end. The caption with it, also in 21st century English, read “When you are looking for a Roomie and misspell it!”

Ha Ha Ha Ha. If no one is laughing, I have only myself to blame for thinking of Rumi. “ham wahan hain jahan se ham ko bhi kuchh hamaari khabar nahi aati”

I have been exposed to some episodes of ‘Friends’, so identifying Chandler was the easy bit in the caricature. I could connect, the word “Roomie” to Rumi after some deliberation, but never having seen Rumi, or his picture or sketch, I was wondering who is the peasant in the boat. And what is a boat doing in the living room? It transpired that Rumi had arrived in his boat in response to the ad posted by Chandler for a roomie, as he misspelt it as Rumi. Since in Rumi’s time the preferred mode of transport was a boat, Persia is sure to have been full of rivers. Or canals, like Venice.

But I quite liked the idea of a boat in the living room. I did contemplate, on a real-life boat, the size of a two-three seater sofa, which was available for sale in a handicraft shop in Alleppy, Kerela. I could not figure out a way of transporting it to Mumbai, so had to drop the idea. I have a few embellished display size boats, but it is not the same. Now, after writing all this, I am thinking I should make another attempt at it.

At least a boat is doable, but imagine if someone is fond of trains, how will they get them in the living room. Trains are good for travelling, they take you from Point A to Point B, that is their usefulness. I have seen a train on the dining table with tracks and all, for movement of serving dishes, somewhere in a museum, probably. Now that is nice idea, if the kitchen is next of the dining section, a train can be made and for variety, a tunnel or two can added in the landscape. My imagination is running away with me.

I have finally arrived at the destination point, i. e. a train song. An iconic song for our generation of movie goers. A sufiana song written by Gulzar and composed by A. R. Rehman for Dil Se(1998). Singers are Sukhwinder Singh and Sapna Awasthi. There is a lot of trivia available here about this song. There is this page too, which states that this song and video was at 9th position in the poll for top 10 all time songs, for which people from 55 countries voted. This poll was conducted by BBC world service.

The original composition of a solo by Sukhwinder Singh titled “Thaiyya thaiya” is also part of the movie’s song track, though it was not used in the film. The song begin with the lines “Eid aayi mera yaar nayi aaya”, but it is actually based on Bulle Shah’s “Tere ishq nachaya kar thhaiya thhaiya”. The version is mostly in Punjabi, with the same tune. So, I thought maybe that should be treated as a separate song.

These films songs are among the best of A. R. Rehman, Gulzar and Lata Mangeshkar. And they will be the best of Udit Narayan & Mahalaxmi Iyer(Aye Ajnabi), Sonu Nigam & Kavita Krishnamurthy(tu hi tu satragi re), Sukhwinder Singh and Sapna Awasthi(Chhaiyya chhaiyya).

The song becomes iconic due to its picturization of a group of dancers, with Shah Rukh Khan and Malaika Arora, dancing atop a running train. It is shot in location of Ooty. This is also the best of Farah Khan’s choreography. This is among the first few outdoorsy songs I shortlisted for posting in the blog.

Gulzar sahab is talking of ‘Jannat’ and ‘Firdaus’, which means Paradise. ‘Gulposh is invisible, kaayenaat is universe, Taaveez is talisman, ‘aayat’ is sentence/verse(scholars say ‘aayat’ in the quranic context are niether sentence nor verse, it is an entirely different unit of deliverance) of Al-Quran which are in Arabic. What Gulzar sahab may mean in this line ‘mera naghma wahi mera kalma wahi’, is that ishq as a philosophy is my song, my first and last word.

wo yaar hai jo khushboo ki tarah
jis ki zubaan urdu ki tarah

The first thought the word ‘Urdu’ invokes in the minds of Urdudaan as well as non-urdudaan, is its sweetness (Shireen) and cultured-ness(muhazzib). These two things ‘shireeni’ and ‘tehzeeb’ go hand in hand and are two sides of the same coin. This literally means, the object of ishq is anything that has flagrant aura and talks speaks and sings with a sweetness. Fragrance is a thing which is also pure, clean and invisible. Sincerity and unpretentiousness, plus a sweet way of conduct and speech is:

Meri shaam raat
Meri kaayenaat

Shaam is a time of relaxation and liesure and raat is for resting. ‘Kaayenaat’ is my ‘universe of abundance’. So there goes, if the object of my ishq is, the highest ideals of sincerity and good conduct, then it will be my contentment and happiness for which sky in the limit. Is this the salvation and moksh in this life?

Saare ishq ki chhaaon chale chhainyya chhainya
Paaon jannat chale chale chal chhainyya chhainyya

And

Jin ke sar ho ishq ki chhaaon
Paaon ke neeche jannat hogi

They both mean the same, that those who live under the shade of such an ishq, heaven/paradise is theirs.

Remembering Jalaluddin Rumi and his philosophy is eventually justified by Gulzar sahab’s this master piece. Maybe the quote is the wrong one, the correct one is this:

“There is no salvation for the soul but to fall in love. Only lovers can escape out of these two worlds.” – Rumi

I have been thinking for sometime now that there so many iconic songs composed by ARR, that a garland or a necklace of these gems can be made. So I have chosen myself to do this series. The first episode is this song, starting on the birthday of ARR. I have done a few posts of his songs in the blog earlier for songs of ‘lagan’ ‘zubieda’ ‘sapney’ etc. This is by far an ambitious series for me to undertake, as it is very difficult to fit theses gems in a particular form to complete a cohesive design of the necklace. I will play by the ear, and God willing try to complete this series in 2022.

Video:

Audio:

Song-Chal Chhainyya chhainyya chhainyya chhainyya (Dil Se) (1998) Singers-Sukhwinder Singh, Sapna Awasthi, Lyrics-Gulzar, MD-A R Rahman
Both

Lyrics

Jin ke sar ho oo
ishq ki chhaaon
Paaon ke neeche jannat hogi ee ee
jin ke sar ho ishq ki chhaaon

chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
hhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya

saare ishq ki chhaaon chale
chhainyya chhainyya
saare ishq ki chhaaon chale
chhainyya
paaon jannat chale
chal chhainyya chhainyya
paaon jannat chale
chal chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya

wo yaar hai jo khushboo ki tarah
jis ki zubaan urdu ki tarah
meri shaam raat
meri kayenaat
wo yaar mera
sainyya sainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya

chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya aa

gulposh kabhi
itraayen kahin
mehke to nazar aa jaaye kahin een
gulposh kabhi
itraayen kahin
mehke to nazar aa jaaye kahin
taaweez banaa ke pehnu usse
aayat ki tarah mil jaaye kahin
taaweez banaa ke pehnu usse
aayat ki tarah mil jaaye kahin
gulposh kabhi
itraaye kahin
mehke to nazar aa jaaye kahin
taaweez banaa ke pehnu usse
aayat ki tarah mil jaaye kahin

wo yaar hai jo imaan ki tarah
mera naghma wahi mera kalma wohi
mera naghma naghma
mera kalma kalma
mera naghma naghma
mera kalma kalma
mera naghma naghma
mera kalma kalma
mera naghma naghma
mera kalma kalma

yaar misaal-e-aas chale
paaon ke tale firdaus chale
kabhi daal daal
kabhi paat paat
main hawaa pe dhoondoon
uss ke nishaan
saare ishq ki chhaaon chale
chhainyya chhainyya
saare ishq ki chhaaon chale
chhainyya
paaon jannat chale
chal chhainyya chhainyya
paaon jannat chale
chal chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya

main uss ke roop ka shaidaayi
wo dhoop chhaaon se harjaayi
wo shokh hai rang badaltaa hai
main rang roop ka saudaayi
main rang roop ka saudaayi

Jin ke sar ho oo
ishq ki chhaaon
Paaon ke neeche jannat hogi ee ee
jin ke sar ho ishq ki chhaaon
Jin ke sar ho oo
ishq ki chhaaon
Paaon ke neeche jannat hogi ee ee
jin ke sar ho ishq ki chhaaon
shaam raat
meri kayenaat
wo yaar mera
sainyya sainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya aa

saare ishq ki chhaaon chale
chhainyya chhainyya
saare ishq ki chhaaon chale
chhainyya
paaon jannat chale
chal chhainyya chhainyya
paaon jannat chale
chal chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya

wo yaar hai jo khushboo ki tarah
wo jis ki zubaan urdu ki tarah
meri shaam raat
meri kayenaat
wo yaar mera
sainyya sainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya

chal chhainyya chhainyya
chhainyya chhainyya
chal chhainyya chhainyya
chhainyya chhainyya


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4855 Post No. : 16645 Movie Count :

4535

Hullo Atuldom

Recently, last five years to be exact, November 2nd has been added to the dates for which I feel compelled to write a post. These were the posts from the last Five years

Dates Song
2 November 2016 Dil aashna hai jigar aashna hai
2 November 2017 Taak dhin dhin taak dhin dhin dhin
2 November 2018 Jaata hai tu kahaan
2 November 2019 Aashiq hoon main qaatil bhi hoon
2 November 2020 Katthai aankhon waali ek ladki

November 2nd became an important date in the calendar for Atuldom when we discovered that a very dear Atulite has his birthday on this date. He used to be a very active member of Atuldom. But has been missing from action since the last four months- his last post on the blog was on July 19, 2021. He has contributed 1407 posts to the blog (the highest by a guest poster on ASAD), enriched 137 posts by contributing lyrics for them, plus he has added Devnagari lyrics to 1414 posts. Most importantly all his posts have lyrics in both Devnagari and the Roman script. He is a treasure house of information and has connections to collectors of music and vinyl records of music from all eras and is competent in locating rare gems when requested by followers of the blog.

Of course his journey on the blog began like all other followers (correct me if I am wrong Sudhirji) landing on Atulsongaday in search of some song, liking the premise of the blog and staying glued to it forever. He went a step further when he became Atulji’s aide and shared the task of posting songs on the blog, which actually helped on days when Atulji was busy with earthly responsibilities.

Here is wishing our very own Dilldaar Dilliwala “Many More Happy returns of the day”.

For this post I propose that we have a song from the 26th October 2001 released, Santosh Sivan directed and Gauri Khan/ Juhi Chawla produced ‘Asoka’. It had a starcast headed by Kareena Kapoor, Shah Rukh Khan, Danny, Ajith Kumar (the southern star), Gerson Da Cunha (Adman, Stage & media personality), Umesh Mehra (the producer/ director of films like ‘Guru’, ‘Ashanthi’, ‘Mujrim’ etc.) along with Subhashini Ali, Hrishita Bhatt, Rahul Dev etc. The music was composed by Anu Malik; Gulzar and Anand Bakshi are credited as lyricists (must be the only time these two featured as lyricists in the same film). The vocals of Alka Yagnik, Abhijeet, Sunidhi Chauhan, Shaan, K.S. Chitra, Hema Sardesai can be heard in the songs.

Here is a melodious song from the movie which is filmed on another Dilliwala -SRK who also has his birthday today with Anu Malik the music composer also celebrating his birthday. This post which celebrates three birthdays is sung by a person whose birthday was on 30th October- Abhijeet. The female voice is of Alka Yagnik.

Wish you a very Happy Birthday Sudhirji with this song penned by Gulzar.

Audio (Longer)

Video

Song-Roshni se bhare bhare (Asoka)(2001) Singers-Abhijeet, Alka Yagnik, Lyrics-Gulzar, MD-Anu Malik
Chorus

Lyrics

roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe
chhoo ke bolen
na chhoona mujhe
aa aa aa
sapnon se ae bhare bhare
bhare bhare ae naina tere

aa aa aa aa
aa aa aa aa

dhoondha hai dhoondha hai tujhe
aakaash upar taley
shaayad kisi badri mein
lipti hui tu miley
o o o
dhoondha hai dhoondha hai tujhe
aakaash upar taley
shaayad kisi nadiya pe
chalta hua tu miley

roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe

chhoo ke bolen
na chhoona mujhe

aa aa aa aa
aa aa aa aa

maine samay rok ke
tera pata poochha hai
neeli nadi se keh ke
saagar taley dhoondha hai
o o o
lehron pe chalte huve
paani ke phan chhoote hain
jaise tere ye haath hon
mera ye tan chhoote hain

roshni se ae bhare bhare
bhare bhare ae naina tere
chhoo ke bolen
na chhoona mujhe


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4847 Post No. : 16635

Yearwise discussion of Lata Mangeshkar songs in HFM: Part LVII: Year 2004
———————————————————————————————————

In this episode, the 57th episode, we were supposed to discuss Lata Mangeshkar songs that she sang in Hindi movies released in 2003, seeing that previous episode covered songs that she sang in 2002.

It turns out that Lata Mangeshkar did not sing any songs in movies released during 2003. So 2003 was the first year after 1945, when Lata Mangeshkar did not sing any songs in Hindi movies. So we needed to move on to the next year viz 2004. Even in that year, we were drawing a blank, till we reached the alphabet V. “Veer Zaara”(2004) turned out to be the only movie of 2004 where Lata Mangeshkar sang songs. She sang as many as 9 songs in this movie. 90 Hindi movies containing 632 songs were released uring 2004. So Lata Mangeshkar got to sing in 1.1 % of these movies and she sang 1.4 % of songs in these movies. So her era almost drew to a close after ruling the roost for more than six decades.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 2004 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Veer Zaara Madan Mohan 3 9 2 4 0 3 Javed Akhtar
Total 1 movie 1 MD 3 9 2 4 0 3 1 lyricist

Lata Mangeshkar worked with 1 music director and 1 lyricist in this one movie released in 2004. Madan Mohan had passed away in 1975, but his unused tunes, which his son had in his possession, were used for this movie, crediting Madan Mohan as the music director.

Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2002. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (204), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3742 songs out of 5234 songs that Lata Mangeshkar had sung in Hindi movies till end of 2004. Anand Bakshi with 731 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3252 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2004 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 17 movies 51 57 42 8 4 3
1949 40 movies 141 160 105 35 13 7
1950 36 movies 116 143 93 32 14 4
1951 49 movies 190 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 172 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 190 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 100 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 62 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 60 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 4 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 10 38 20 16 1 1
1990 9 movies 4 12 3 9 0 0
1991 16 movies 6 57 35 20 1 1
1992 12 movies 3 25 12 13 0 0
1993 14 movies 3 49 22 23 2 2
1994 12 movies 5 39 9 28 0 2
1995 4 movies 2 8 3 4 0 1
1996 5 movies 2 14 7 7 0 0
1997 5 movies 1 21 2 14 4 1
1998 3 movies 4 11 3 7 0 1
1999 7 movies 3 14 6 7 0 1
2000 2 movies 3 5 1 2 0 2
2001 6 movies 2 12 6 5 0 1
2002 2 movies 1 8 3 5 0 0
2003 NIL movies 0 0 0 0 0 0
2004 1 movie 3 9 2 4 0 3
Total upto 2004 1875 movies 3757 5234 3383 1512 213 126

As observed earlier, “Veer Zaara”(2004) was the only movie released in 2004 that had the voice of Lata Mangeshkar. “Veer Zaara”(2004) was produced and directed by Yash Chopra for Yashraj Films, Bombay. The movie had Shahrukh Khan, Rani Mukerji, Preity Zinta, Kirron Kher, Divya Dutta, Boman Irani and Anupam Kher in main roles. The movie had special appearances by Amitabh Bachchan, Hema malini and Manoj Bajpai. The movie also had Zohra Segal, S.M.Zaheer, Tom Alter, Akhilendra Mishra, Arun Bali, Gurdas Mann, Rushad Rana, Flt.Lt.Vinod Negi, Balwant Bansal, Rajesh Jolly, Anup Kanwal Singh, Kanwar Jagdish, Dev.K.Kantawala, Vicky Ahuja, Ranjeev Verma, Chandni, Jas Keerat, Sanjay Singh Bhadli, Kulbir Baderson, Shivaya Singh, Huzeifa Gadiwalla, Vishal Sharma, Amir Zadey, Sayyed Firdaus, Manish Arora, Banwarilal Jhol, Darshan Aulakh, Jitendra Bhardwaj, Pankaj Rain, Gurinder Singh Ginda etc in it.

The movie had eleven songs in it. Lata Mangeshkar’s voice was there in 9 of these songs.

Four songs, inclusing three containing Lata Mangeshkar’s voice, have been covered in the blog.

Here is the fourth song from “Veer Zaara”(2004) to appear in the blog. This song is sung by Lata Mangeshkar and Sonu Nigam. Javed Akhtar is the lyricist. Madan Mohan is the composer.

The song is picturised on Preity Zinta and Shahrukh Khan.

Lyrics of the song and other details were sent to me by Prakashchandra.

audio

video

Song-Do pal rukaa khwaabon ka kaarwaan (Veer Zaara)(2004) Singers-Lata, Sonu Nigam, Lyrics-Javed Akhtar, MD-Madan Mohan

Lyrics(Provided by Prakashchandra)

aaa aaa aaa aaaa
aaa aaa aaa aaa

do pal rukaa khwaabon ka kaarwaan
aur phir chal diye
tum kahaan aan hum kahaan

do pal ki thhi ye dilon ki daastaan
aur phir chal diye
tum kahaan aan hum kahaan aan
aur phir chal diye
tum kahaan aan hum kahaan aan aan

tum thhe ke thhi koyi ujli kiran
tum thhe yaa koyi kali muskaayi thhi…eee

tum thhe yaa sapnon kaa thhaa saawan
tum thhe ke khushiyon ki ghataa chhaayee thhee
tum thhe ke thaa koyi phool khilaa
tum thhe ae yaa milaa thha
mujhe nayaa jahaaan aan aan
do pal rukaa khwaabon ka kaarwaan
aur phir r r chal diye
tum kahaan aan hum kahaan aan

do pal ki thhi ye dilon ki daastaan
aur phir chal diye aey ae ae
tum kahaan aan hum kahaan aan
aur phir chal diye ae
tum kahaan aan hum kahaan aan aan aan

aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa

tum thhe yaa khushboo hawaaon mein thhee
tum thhe yaa rang saari dishaaon mein thhe aey ae ae

tum thhe yaa raushni raahon mein thhi
tum thhe ya geet goonjey fizaaon mein thhe ae ae
tum thhe miley yaa mili thhi manzilein
tum thhe ae ke thhaa jaadoo
bharaa koyi samaa aan aaa aan aa
do pal rukhaa khwaabon ka kaarwaan
aur phir chal diye ae
tum kahaan aan hum kahaan aan

do pal ki thhi ye dilon ki daastaan
aur phir chal diye
tum kahaan aan hum kahaan aan
aur phir chal diye
tum kahaan aan hum kahaan aan

aur phir chal diye
tum kahaan aan hum kahaan aan aan aan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4826 Post No. : 16605 Movie Count :

4523

Yearwise discussion of Lata Mangeshkar songs in HFM: Part LIV: Year 2000
———————————————————————————————————

In this episode, the 54rd episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 2000.

In 2000, 80 Hindi movies containing 391 songs were released. Lata Mangeshkar got to sing in 2 of these movies and she sang 5 songs in these movies. So Lata Mangeshkar’s voice was heard in 2.5 % of the movies released in 2000. Her voice was heard in 1 % of the songs appearing in the movies of 2000.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 2000 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Mohabbatein Jatin Lalit 0 4 0 2 0 2 Anand Bakshi
2 Pukaar A R Rahman 1 1 1 0 0 0 Majrooh Sultanpuri
Total 2 movies 2 MDs 1 5 1 2 0 2 2 lyricists

Lata Mangeshkar worked with 2 music directors and 2 lyricists in these 2 movies released in 2000. Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2000. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3733 songs out of 5205 songs that Lata Mangeshkar had sung in Hindi movies till end of 2000. Anand Bakshi with 728 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3249 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2000 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 17 movies 51 57 42 8 4 3
1949 40 movies 141 160 105 35 13 7
1950 36 movies 116 143 93 32 14 4
1951 49 movies 190 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 172 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 99 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 3 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 10 38 20 16 1 1
1990 9 movies 4 12 3 9 0 0
1991 16 movies 6 57 35 20 1 1
1992 12 movies 3 25 12 13 0 0
1993 14 movies 3 49 22 23 2 2
1994 12 movies 5 39 9 28 0 2
1995 4 movies 2 8 3 4 0 1
1996 5 movies 2 14 7 7 0 0
1997 5 movies 1 21 2 14 4 1
1998 3 movies 4 11 3 7 0 1
1999 7 movies 3 14 6 7 0 1
2000 2 movies 1 5 1 2 0 2
Total upto 2000 1866 movies 3744 5205 3372 1498 213 122

It can be seen from the table of 2000 that Lata Mangeshkar sang 5 songs in 2 movies released in 2000.

One song sung by Lata Mangeshkar in movies of 2000 has been covered in the blog. That song was from one of the two movies of 2000 where she got to sing songs. With that song, all the Lata songs of that one movie (viz one song) has been covered. That leaves us with one movie of 2000 that offers us Lata Mangeshkar sons for discusussion.

This movie is “Mohabbatein”(2000). This movie was produced by Yash Chopra and directed by Aditya Chopra for Yashraj Films, Mumbai. The movie had Amitabh Bachchan, Shahrukh Khan, Aishwarya Rai, Uday Chopra, Shamita Shetty,Jimmy Shergill, Priti Jhangiani, Jugal Hansraj, Kim Sharma, Archana Puran Singh, Anupam Kher, Raman Lamba, Ram Mohan, Helen, Saurabh Shukla, Amrish Puri, Shefali Shah, Prazan Dastur, Rushad Rana, Mehul Nisar, Geri Andrade,Navneet nishan, Priya Gill ,Manjit Kular,Harpal Singh Pali, Sitaram,Meghna Patel, Palash Dutta etc in it.

The movie had seven songs in it. Four songs from the movie had the voice of Lata Mangeshkar in them.

Here is a song from “Mohabbatein”(2000). This song is sung by Lata Mangeshkar and Udit Narayan. Anand Bakshi is the lyricist. Music is composed by Jatin Lalit.

The song is picturised on Aishwarya Rai and Shahrukh Khan. The song has a second part too that gets played towards the end of the song, where others, including Amitabh Bachchan is also visible.

So this song can be considered as a two part song.

Lyrics of this song and other details were sent to me by Prakashchandra.

With this song, “Mohabbatein”(2000) makes its debut in the blog.

Audio link (Part I)

video link (Part I)

audio link(Part II)

video link(Part II)

Song-Hamko hamin se churaa lo (Mohabbatein)(2000) Singers-Lata Mangeshkar, Udit Narayan, Lyrics-Anand Bakshi, MD-Jatin Lalit
Female chorus
All chorus

Lyrics(Provided by Prakashchandra)
—————————
Part I
—————————-

aa aa aa aa aa
aa aa aa aa
aa aa aa aa

aa aa aa aa

hamko hum hi se churaa lo o (hmm hmm hmmm)
dil mein kaheen tum chhupaa lo o (hmmm mmm mmm)
hamko hum hi se churaa lo o (hmmm mmm mmm)
dil mein kaheen tum chhupaa lo o o
hum akeley (aaaa aaa aaa)
kho na jaayein (aaaa…..aaaaaa)
door tum se aey ae ho na jaaye (aaa aaa aaa)
paas aao galey se lagaa lo o
hamko hum hi se churaa lo o (hmmm mmm mmm)
dil mein kaheen tum chhupaa lo o
hum akeley
(aaa aaa aaaa)
kho na jaayen (aaa aaa aaa)
door tum se aey ae ho na jaayen (aaa aaa aaa)
paas aao galey se lagaa lo o
hamko hum hi se churaa lo o o o
dil mein kaheen tum chhupaa lo o o

aaa aaa aaa aa aaa
aa aa aa aa aa aa aa

aaa aaa aaaaaaa aaa
laaa laa laa laaa laaaa aaa

ye dil dhadkaa do o
zulfein bikhraa do o o o
sharmaa ke apnaaa aa aa aa
aanchal lehraa do o o

hum zulfein to bikhraa dein
din mein raat na ho jaaye
hum aanchal to lehraa dein
par barsaat na ho jaaye
hone do o o o o
barsaatein
karni hain aen aen aen
kuchch baatein

paas aao galey se lagaa lo
hamko hum hi se churaa lo o
dil mein kaheen tum chhupaa lo o

hum akeley (aaa aaaaa aaa)
kho na jaayen (aaa aaa aaaa aaaa)
door tum se aey ae ho na jaaye (aaaaa aaaa aaa..aaa )
paas aao galey se lagaa lo o o
hamko hum hi se churaa lo o o
dil mein kaheen tum chhupaa lo o o

aaa aaaa aaa aa aaa
aaa aaaa aaa aa aaa

aaa aaaa aaa aa aaa
aaa aaaa aaa aa aaa

aaa aaaa aaa aa aaa
aaa aaaaaa aaa aaa aaaa
laaa laa laa laaa laaaa aaa

tumpe marte hain aen aen
hum mar jaayengey aey
ye sab kehte hain aen aen
hum kar jaayenge ae ae

chutki bhar sindoor se tum
ab ye maang zaraa bhar do
kal kyaa ho kisne dekhaa
sab kuchch aaj abhee kar do o
ho na ho o o o
sab raazi eee
dil raazi ee ee
rab raazi ee eee ee

paas aao galey se lagaa lo o
hamko hum hi se churaa lo o (hmmm mmm mmm mmm)
dil mein kaheen tum chhupaa lo o
oo o o oo
hamko hum hi se churaa lo o (hmmm mmm mmm mm)
dil mein kaheen tum chhupaa lo o
hum akeley (aaaa aaa aaaa aaa)
kho na jaayein (aaa aaaa aaaa aaaa aa)
door tum se aey ae ho na jaayein (aaa aaa aaa aaa aaa aaa)
paas aao galey se lagaa lo o
paas aao galey se lagaa lo o

aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa

laaa laa laa laaa laaa laaa laaaa laaaa aaa
hmm mmm hmmm mmm mmm mmm hmm mmm

—————————————
Part II
—————————————

duniya mein kitni hain nafratein (aa aa aa aa)
phir bhi dilon mein hain chaahatein (aaa aa aaa)
duniya mein kitni hain nafratein (aaa aaa aaa)
phir bhi dilon mein hain chaahatein
mar bhi jaayein (aaa aaa aaa)
pyaar waaley (aaa aaa aaa)
mitt bhi jaayein aen (aa aaa aaa)
yaar waaley (aaa . aaa aaa)
zindaa rehti hain unn ki mohabbatein
zindaa rehti hain unn ki mohabbatein aen

aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa

aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa

mar bhi jaayein (aaa aaa aaa aaa)
pyaar waaley (aa aaa aaa aaaa)
mitt bhi jaayein aen (aaa aaa aa)
yaar waaley (aaa aaa aaaa aaaa)
zindaa rehti hain unn ki mohabbatein (aaa aaa aaa aaaa)
zindaa rehti hain unn ki mohabbatein(aaa aaa aaa aaaa)

aa aa aa aa aa
aa aa aa aa aa aa


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Blog Day :

4791 Post No. : 16549

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLIX: Year 1995
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1995.

In 1995, 72 Hindi movies containing 492 songs were released. Lata Mangeshkar got to sing in 4 of these movies and she sang 8 songs in these movies. So Lata Mangeshkar’s voice was heard in 6 % of the movies released in 1995. Her voice was heard in 2 % of the songs appearing in the movies of 1995.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1995 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Dilwaale Dulhaniya Le Jaayenge Jatin Lalit 1 4 1 3 0 0 Anand Bakshi
2 Guddu Naushad 0 1 1 0 0 0 Majrooh Sultanpuri
3 Karan Arjun Rajesh Roshan 1 3 2 1 0 0 Indeewar
4 Policewala Gunda Bappi Lahiri 0 2 0 1 0 1 Maya Govind
Total 4 movies 4 MDs 1 8 3 4 0 1 4 lyricists

Lata Mangeshkar worked with 4 music directors and 4 lyricists in these 4 movies released in 1995. Laxmikant Pyarelal were the most prolific music directors with Lata, with 661 songs in HFM with Lata Mangeshkar by the end of 1995. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3725 songs out of 5130 songs that Lata Mangeshkar had sung in Hindi movies till end of 1995. Anand Bakshi with 697 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (406), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3217 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1995 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 172 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 99 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 3 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 10 38 20 16 1 1
1990 9 movies 4 12 3 9 0 0
1991 16 movies 6 57 35 20 1 1
1992 12 movies 3 25 12 13 0 0
1993 14 movies 3 49 22 23 2 2
1994 12 movies 4 39 9 28 0 2
1995 4 movies 1 8 3 4 0 1
Total upto 1995 1840 movies 3727 5130 3346 1459 208 117

It can be seen from the table of 1995 that Lata Mangeshkar sang 8 songs in 4 movies released in 1995.

1 song sung by Lata Mangeshkar in movies of 1995 has been covered in the blog. That leaves us with 7 songs from 4 movies of 1995 that are yet to be covered.

Alphabetically “Dilwaale Dulhaniya Le Jaayenge”(1995) is the first movie of 1995 that offers us a Lata Mangeshkar song to be covered in the blog.

“Dilwaale Dulhaniya Le Jaayenge”(1995) was produced by Yash Chopra and directed by Aditya Chopra for Yashraj Films, Bombay. The movie had Amrish Puri, Farida Jalal, Anupam Kher, Kajol, Shahrukh Khan, Parmeet Sethi, Mandira Bedi, Karan Johar, Satish Shah, Achala Sachdev, Himani Shivipuri, Pooja Ruparel, Lalit Tiwari, Damayanti Puri, Hemlata Deepak, Arjun Sablok, Anaita Shroff, Pallavi Vyas, Tulika Tripathi, Rajesh Bhatija, Shanker Iyer, Mohit Kumar, Govind Khatri,Mansoor Merchant, etc in it.

The movie had seven songs in it. Four of these songs had the voice of Lata Mangeshkar in them. Two songs from the movie, including One Lata Mangeshkar song has been covered in the past.

Here is the second Lata Mangeshkar song from “Dilwaale Dulhaniya Le Jaayenge”(1995) to appear in the blog. The song is sung by Lata Mangeshkar. Anand Bakshi is the lyricist. Music is composed by Jatin Lalit.

The song is lip synced by Kajol. But before that, the song also shows Shahrukh Khan playing Rugly in England. Overall, the song showcases picturesque locations and sites of England. Farida Jalal and Karan Johar are also visible in the picturisation.

This youthful joie de vivre song is picturised on a 20 year old Kajol (Born 5 August 1974). Lata Mangeshkar at that time was thrice her age ! Lata Mangeshkar had in the past sung for Kajol’s mother (Tanuja). She reputedly even sang for Kajol’s grandmother Shobhana Samarth (or at least sang in a movie – Narsinh Avtaar -1949, where Shobhana Samarth was the leading lady). What longevity ! And she managed to sound youthful even at a age when she was already a senior citizen !

Lyrics of the song and other details have been sent by Prakashchandra.

audio link:

video link:

Song-Mere khwaabon mein jo aaye (Dilwaale Dulhaniya Le Jaayenge)(1995) Singer-Lata, Lyrics-Anand Bakshi, MD-Jatin Lalit

Lyrics(Provided by Prakashchandra)

mere khwaabon mein jo aa..aaaye
aa ke mujhey chhed jaaye
mere khwaabon mein jo aa..aaaye
aa ke mujhey chhed jaaye
uss se kaho kabhi saamney to aaye
mere khwaabon mein jo aa..aaaye
aa ke mujhey chhed jaaye
uss se kaho kabhi saamney to aaye
mere khwaabon mein jo aa..aaaye aey ae ae aey ae

(Female chorus alaap)

kaisaa hai kaun hai woh jaaney kahaan hai
ho o o
kaisaa hai kuan hai woh jaaney kahaan hai
jiske liye aey mere honton pe haan hai
apnaa hai yaa begaanaa hai woh
sach hai ya koyee afsaanaa hai woh o
dekhe ghoor ghooar ke
yoon hee door door se
uss se kaho meri neend na chhuraaye
mere khwaabon mein jo aa..aaaye
aa ke mujhey chhed jaa..aaye
uss se kaho kabhi saamney to aaye
mere khwaabon mein jo aa..aaaye aey ae aey ae

jaadoo saa jaisey koyee chalney lagaa hai aey ae
ho o o o
jaadoo saa jaisey koyee chalney lagaa hai
main kyaa karoon oon
dil machlney lagaa hai
teraa deewaanaa hoon kehtaa hai woh
chhupp chhupke phir kyon rehtaa hai woh o o o
kar baitthaa bhool woh o
le aayaaa phool woh
uss se kaho jaaye chaand leke aaye
mere khwaabon mein jo aa..aaaye ae
aa ke mujhey chhed jaa..aaaye
mere khwaabon mein jo aa..aaaye
aa ke mujhey chhed jaa..aaaye
uss se kaho kabhi saamney to aaye
laaa laaa
laaaa laaa laaaa laaaaa laaaaa
laaa laaa
laaaa laaa laaaa aaaa aaaaa aa aa aa aaa
aaa aaan aaa aaaa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2024) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

18336

Number of movies covered in the blog

Movies with all their songs covered =1424
Total Number of movies covered=4960

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