Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shahrukh Khan


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3759 Post No. : 14729 Movie Count :

4025

Hullo to Atuldom

November 2nd is the birthday of a dear Atulite. A person who is very very important for Atuldom turns a year younger today. Without him there would be a lot of stress and strain on our dear Atulji when it comes to handling all the farmaishes and contributions that we Atulites keep sending and expect instant posting on the blog.

I have met him only once for a few hours and since then have often taken the liberty to pick up the phone and put all kinds of requests -from trying to speed up posts getting to the blog to asking help when my son and daughter visited Delhi. And he has never said a “NO”. Thank you so much Sudhirji. You are a true Dillwala Dilliwala. Wish you a very very Happy Birthday. Hope you have lots of time to be the co-poster of the blog. Hope you are able to find rare and hitherto unheard songs for all our collective listening pleasure. Hope you are able to find songs that rekindle memory of the radio listening days. Hope all your series find appropriate songs and you never run out of Mohd. Rafi songs. 🙂

Incidentally November 2nd also happens to be birthday of another Dilliwaala, viz SRK. SRK- Badshah also goes by the names Rahul, King Khan and occasionally Om Kapoor – I mean Shahrukh Khan. So, he has been around since 1988 entertaining his fans first on television in the serials Circus, Fauji and Dil Dariya and then burst on to the Bollywood firmament with the Hema Malini directed “Dil Aashna Hai” and Raj Kanwar directed “Deewana” which got him the best debutant award in 1993.

And since then he hasn’t looked back winning hearts and awards in his journey of 30 years in the entertainment industry. He has worn the hats of producer, IPL team co-owner, actor with ease and also tried his hand at singing. He has tried portraying villainous, romantic and comic characters with success as also played the lead in movies where he is a hockey coach (Chak De! India) or a person with Asperger Syndrome (My Name Is Khan). He is a complete entertainment package and here is wishing him all the best in life.

It is very difficult to choose a song that will showcase SRK’s energy and SK’s love for music. So, I have selected an SRK song which is one I enjoy and hope Sudhirji also likes. It is from a 21-year-old movie directed by Aziz Mirza- Yes Boss. It had Juhi Chawla and Aditya Pancholi as co-stars for SRK with Ashok Saraf, Johnny Lever, Gulshan Grover and Kashmira Shah in supporting roles. The song is an improvisation of a qawwali (my feeling). It is at a party hosted by Aditya Pancholi who runs an Ad agency and has his roving eye on all the models employed there. Juhi is also a model who is on his radar but SRK has taken it upon himself to shield her and has Johnny Lever and Ashok Saraf assisting him in his mission “shield a drunk Juhi from the BOSS”.

The song was written by Javed Akhtar, Jatin- Lalit were the music directors and Abhijeet Bhattacharya (was his birthday on October 30th, wishing him too although a little late)

Once again a very Happy Birthday to our Sudhirji.


Song-Jaata hai tu kahaan (Yes Boss)(1997) Singer-Abhijeet Bhattacharya, Lyrics-Jawed Akhtar, MD-Jatin Lalit
Chorus

Lyrics

Chak chak
Chaka chakchak
Chak chak
Chaka chakchak

jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan
sun pyaare
sun pyaare
ruk ja re
ruk ja re
duniya ke bade tedhe medhe raaste
khatre hi khatre hain tere vaaste
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

duniya mein aajkal
aisi bhi loot hai
kehne ko pyaar hai
samjho toh jhoothh hai
dekh tu lutne laga
tera haath hai kis ke haathon mein
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

shaa la lalaa
sha la lalalalaa
turururu lalaa
shaa la lalaa
sha la lalalalaa
turururu lalaa

pyar ka karte hain jo shor
dhyaan hai tera jin ki oar
aa main bataaoon kaun hain woh
raat mein daaku din mein chor
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

haath main jodoon tore
padoon main balma tore painyaan
chhod ke tu mohe na ja
karoon main binti more sainyaan
ho sun le mori araj sajanwa
poochhe tohse mora manwa
o jaane waale ye to bata,
jaane waale ye to bata
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

jaane tu jo baat kahoon main ishaaron mein
haan ishaaron mein
bikte hain imaan yahaan baazaaron mein
baazaaron mein
anjaane
tu na jaane
koyi jaal phaila teri raahon mein hai
koyi baat hai jo meri baaton mein hai
tu ye jaan le baaton baaton mein
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

faisla tujhko aaj karna hai
doob jaana hai ya ubharna hai
uss taraf jhoothh hai dikhaawa hai
iss taraf pyaar ka bulaawa hai
uss taraf laalachi nigaahein hain
iss taraf mere dil ki raahein hain
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan
sun pyaare
sun pyaare
ruk ja re
hey ruk ja re
duniya ke bade tedhe medhe raaste
khatre hi khatre hain tere vaaste

jaata hai tu kahaan
are re re re jaata hai tu kahaan
re baaba jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

Advertisements

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3681 Post No. : 14576

Greetings to all friends and readers, as India celebrates another anniversary of its freedom from foreign domination.

A lot can be and has been said and debated about this theme, in the press, in the media, in personal conversations. . . there is never a perfect closure to these discussions. Yes, the honor of the nation is an emotion that should and almost always does, transcend all other emotions. I say almost, because, at least in my evaluation of an individual’s relationships with the surroundings and the society, the matters of culture and humanism would at times weigh in more than national pride. In my mind, the definitions of national boundaries are quite artificial. They are more often than not, drawn by vested and many a times malicious intentions. Humanism, on the other hand, has no boundaries, period, none whatsoever across the planet. And culture – well it is defined more by environmental forces and the flow of historical compulsions. Culture grows. It develops and spreads driven by natural boundaries, and human acceptance of that which correctly conforms to the natural affinities and tendencies.

History, they say, is always written by the victorious. And they also say, that the Gods favor the righteous. One would thus expect the flow of human experience should be more correct and righteous. But it is not. The history of the human experiences is fraught more with misery and evil, than anything else. In the circumspect analysis, one would then conclude contrary to “. . . the Gods favor the righteous”, that might is right. Because more often than not, the victorious generally are the stronger contender, and also, more often than not, they are ruthless in their beliefs. And if not, the victory brings them to that point where they become so. Power corrupts – invariably.

Of all the good and bad topics in the history of what we call the struggle for independence of India, for me, the most punishing act inflicted on our nation, and more importantly, our culture, was the partition of our land. And lest we forget, our nation was partitioned more than once, and quite surreptitiously, before the much celebrated and bloody events of 1947.

First, in 1896, the Durand Line was drawn that created Afghanistan. For millennia before that, even before the Muslim and Mughal clans invaded India, the kings of this subcontinent had ruled over the land of Afghans and beyond, and had the regions of Samakkand and Bukhara in their regime. That was the first cut.

Then, in 1914, a conference was held in Simla. The McMahon line was announced and the Tibetan regions were delinked from India, formally by creating an international boundary. The next cut came in 1937 – the boundaries on the east were redrawn and Burma was carved out as a state, separate from India. And then, of course the cruelest cut of all, came in 1947 with the adoption of the Radcliffe line and the creation of a separate nation of Pakistan in two parts, the West and the East. Over a period of just about 50 years, a grand continent nation with its grand culture, that stretched from the Pamirs in Central Asia, to as far as Siam (now Thailand) and Cambodia in the Far East, was reduced to half its original spread.

Going across a vast region of land, having a variety of geographies – plains, mountains and deserts, having people speak more than a thousand dialects, having people with a plethora of contrarian food habits – still this vast expanse of land was united by a single seminal culture that arose from the earth of this sub-continent.

Couple of days back, when I was doing some research on ‘Urvashi’ and Ramdhari Singh Dinkar, for the post by Bharat Bhai, my eyes caught another related reference – a historical treatise of major proportions, authored by the same Dinkar. The title – ‘संस्कृति के चार अध्याय’ (‘Sanskriti Ke Chaar Adhyaye’ – a history of our culture in four chapters). In this path break historical thesis, Dinkar has charted the course of evolution of the culture of this subcontinent. The first segment talks about the Vedic origins of our culture. The second segment examines the rise of Buddhism and Jainism – the conflict and then the subsequent coming together in a single society. The third segment documents the advent of Islam, the reign of the Islamic dynasties – once again, the conflict and then the subsequent genesis of the Ganga-Jamni culture of peaceful co-existence. The fourth segment studies the invasion by the European kingdoms and the associated arrival of Christanity to the shores of this nation. Yet once again, discusses the conflict and the eventual prevalence of the merged society.

Over the ages, the culture of this land has exhibited a remarkable resilience to external influences, even potentially destructive influences. In the four phases of the history researched and documented by Dinkar, each phase establishes the thought supremacy of the tolerant and humanist culture of this land, that imbibed all that came to it, accepted them as different and yet the same, allowed a peaceful coexistence outside of the political machinations, and made the foreigners love it, and blend into it. That, in my opinion, is the superlative strength of this culture. And just because of this strength, I believe this culture will never be, it cannot be – destroyed. No wonder, our forefathers called it the ‘सनातन संस्कृति’ – a culture that is timeless, without a beginning and without an end.

I have a dream. Generally it is said – dreams are dreams. And nothing more. But still – I have a dream. And the dream comes from my desire to be able to go back to the land of my familial ancestors, to the places where my parents and grandparents were born and where they lived and thrived. The partition of 1947 was a disaster of proportions much greater than the Holocaust that was wreaked upon Europe by Hitler and his Germany. The number of people who suffered at the hands of the Third Reich is of the order of 5 million. The 1947 partition consumed anywhere between 10 to 20 million people on both sides of the border. And yet, the world historians do not discuss this monumental human tragedy as what it really is.

That is the power of subjugation and slavery that our self serving political leadership has always accepted and acquiesced to. There are many examples in world history, where nations have been partitioned and separated, and then they have come together once again, because the people wanted it to be so. The US has seen its own flavor of this partition during the Civil War (1861 – 1865), but they fought to bring it back together. Germany was partitioned in 1945 and the people finally toppled the Berlin Wall in 1989. Vietnam was divided and it fought the greatest superpower for decades, so it could be one once again. And now the efforts for Korea are beginning to be heard.

I have a dream, which I am quite sure will always remain a dream.

The song I present today is from a film that needs not introductions. Three songs of this musical bonanza are already showcased on our blog. I picked this film and this song for this post, because this film, as recently as 14 years ago, made a very courageous attempt to call out a spade, a spade. It is this and other similar literary and cultural expressions that give a breath of life to the dream I have. And the thing that I simply love about this film and this song, is the unabashed expression that confirms that the two neighbors are the same land and the same culture.

aisa des hai mera
ho oo
jaisa des hai tera

Ah yes, this song confirms my dream. But I also know that my dream will always remain a dream. . .

The film is ‘Veer Zaara’ from 2004. It has been a popular hit in its time, and I am sure I do not need to cover more details – friends and readers are likely already familiar. The song is written by Javed Akhtar. The music has been adapted from the unused tunes created by the late Madan Mohan, which are now in the collection of his son, Sanjeev Kohli. The singing voices are those of Udit Narayan, Lata Mangeshkar, Pritha Majumdar, and the famous Punjabi folk singer and actor Gurdas Maan, who makes a brief cameo appearance in this song itself.

Today morning, I read an article written by Anupam Sinha, that was carried in the Indian Express newspaper. Readers will be familiar with this name – he is the director of ‘Mulk’, the Rishi Kapoor starrer that is released just recently – on the 3rd of this month itself. In the film and the in the article, Anupam Sinha is raising many uncomfortable questions about the direction of the destiny of this nation and this land. Questions that today are becoming more and more difficult to articulate in the evolving ethos of the culture of this sub continent. That says quite a bit, doesn’t it. Yes, it is becoming more and more difficult to raise such questions.

That is the source of my fears – that my dream is always going to remain a dream. . .

Song – Aisa Des Hai Mera (Veer Zaara) (2004) Singer – Gurdas Mann, Udit NarayanLata Mangeshkar, Pritha Majumdar, Lyrics – Javed Akhtar, MD – Madan Mohan
Female Chorus
Male Chorus

Lyrics

oo ooo oo oo
ooo oo oo oo oo
oo ooo ooo ooooo

amber hethaan
dharti vasdi
aithe har rut hasdi
ho oo oo oo

kinna sohna
des hai mera
des hai mera
des hai mera. . .
kinna sohna
des hai mera
des hai mera
des hai mera. . .

dharti subehri ambar neela. . . ho oo
dharti subehri ambar neela
har mausam rangeela
aisa des hai mera
ho oo aisa des hai mera
aisa des hai mera
haan aisa des hai mera
boley papiha koel gaaye..ey..ey..ey
boley papiha koel gaaye
saawan ghir ke aaye
aisa des hai mera
ho aisa des hai mera
aisa des hai mera
haan aisa des hai mera

mundere mere
kaaga boley wey
chithi mere maahi di
chithi wich mera naam wey
chithi mere maahi di

gehun ke kheton mein
kanghi jo karen hawaayen
rang birangi kitni
chunariya ud ud jaayen
panghat par panihaaran
jab gagri bharne aaye
madhur madhur taanon mein
kahin bansi koi bajaaye
lo sun lo
kadam kadam pe hai mil jaani..ee..ee
kadam kadam pe hai mil jaani
koi prem kahaani
aisa des hai mera
ho aisa des hai mera
aisa des hai mera
haan aisa des hai mera

ooo oo oo oo oo oo
oo oo oo oo oo oo
oo ooo ooo oooo oooooo
ho meri jugni de taaghe pakke
jugni os de munh to fabbe
jinun satt ishq di lagge
o saain mere..aa o jugni
(hooo oooo  ooooye)
veer mere..aa o jugni kehndi ai
o naam saain da lendi ai

hoyyye hoyyye
hoyyye hoyyye
hoyyye hoyyye
hoyyye hoyyye
oy dil kadd litta ee jind meri..aa

baap ke kandhe chadh ke
jahaan bachche dekhen mele
melon mein nat ke tamaashe
kulfi ke chaat ke thele
kahin milti meethi goli
kahin churan ki hai pudia
bhole bhole bachche hain
jaise gudde aur gudiya
aur inko
roz sunaayen daadi naani..ee..ee
ho oo
roz sunaayen daadi naani
ik pariyon ki kahaani
aisa des hai mera
ho aisa des hai mera
aisa des hai mera
haan aisa des hai mera

sadke sadke jaandi e mutiyaare ni
kanda chuba tere pair baanki e naare ni
oy
ni adee e

kanda chuba tere pair baanki e naare ni
kaun kadde tera kaandra mutiyaare ni
kaun sahe teri peed baanki e naare ni
oy
ni adee e

kaun sahe teri peed baanki e naare ni

ho oo
ho ho
ho ho ho ho ho
mere des mein mehmaanon ko
bhagwaan kaha jaata hai
wo yahin ka ho jaata ha
jo kahin se bhi aata hai

aaa haa aaa aaa aaa aaa
aaa aaa aaa aaa
tere des ko maine dekha
tere des ko maine jaana
aaa aaa aaa aaa
tere des ko maine dekha
tere des ko maine jaana
jaane kyon ye lagta hai
mujhko jaana pehchaana
yahaan bhi wahi shaam hai
wahi savera..aa..aa ho oo
wahi shaam hai wahi savera
aisa hi des hai mera
jaisa des hai tera
waisa des hai mera
haan
jaisa des hai tera

aisa des hai mera
ho oo
jaisa des hai tera

aisa des hai mera
haan
jaisa des hai tera

aisa des hai mera
ho oo
jaisa des hai mera

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ओ ओss ओ ओ
ओss ओ ओ ओ
ओ sओ ओ ओss ओssss

अम्बर हेठां
धरती वसदी
ऐथे हर रूत हसदी
हो ओ ओ
किन्ना सोह्णा
देस है मेरा
देस है मेरा
देस है मेरा॰ ॰ ॰
देस है मेरा
देस है मेरा
देस है मेरा॰ ॰ ॰

धरती सुनहरी अम्बर नीला॰ ॰ ॰
हो ओ
धरती सुनहरी अम्बर नीला
हर मौसम रंगीला
ऐसा देस है मेरा
हो ओ ऐसा देस है मेरा
ऐसा देस है मेरा
हाँ ऐसा देस है मेरा
बोले पपीहा कोयल गाए॰॰ए॰॰ए॰॰ए
बोले पपीहा कोयल गाए
सावन घिर के आये
ऐसा देस है मेरा
हो ऐसा देस है मेरा
ऐसा देस है मेरा
हाँ ऐसा देस है मेरा

मुंडेरे मेरे
कागा बोले वे
चिट्ठी मेरे माही दी
चिट्ठी विच मेरा नाम वे
चिट्ठी मेरे माही दी

गेहूं के खेतों में
कंघी जो करें हवाएँ
रंग बिरंगी कितनी
चुनरिया उड़ उड़ जाएं
पनघट पर पनिहारिन
जब गगरी भरने आए
मधुर मधुर तानों में
कहीं बंसी कोई बजाए
लो सुन लो
कदम कदम पर है मिल जानी
कदम कदम पर है मिल जानी
कोई प्रेम कहानी
ऐसा देस है मेरा
हो ऐसा देस है मेरा
ऐसा देस है मेरा
हाँ ऐसा देस है मेरा

ओss ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ
ओ ओss ओss ओsss ओsssss
हो मेरी जुगनी दे तागे पक्के
जुगनी ओस दे मुंह तो फब्बे
जिनूं सट्ट इश्क़ दी लग्गे
ओ साईं मेरे॰॰आ ओ जुगनी
(हो॰॰ओ॰॰ ओए)
ओ साईं मेरे॰॰आ ओ जुगनी कहंदी ऐ
ओ नाम साईं दा लैंदी ऐ

होय्ये॰॰ होय्ये॰॰
होय्ये॰॰ होय्ये॰॰
होय्ये॰॰ होय्ये॰॰
होय्ये॰॰ होय्ये॰॰
ओ दिल कड्ड लित्ता ई जिंद मेरी॰॰आ

बाप के कंधे चढ़ के
जहां बच्चे देखें मेले
मेले में नट के तमाशे
कुल्फी के चाट के ठेले
कहीं मिलती मीठी गोली
कहीं चूरन की है पुड़िया
भोले भोले बच्चे हैं
जैसे गुड्डे और गुड़िया
और इनको
रोज़ सुनाएँ दादी नानी॰॰ई॰॰ई
हो ओ
रोज़ सुनाएँ दादी नानी
इक परियों की कहानी
ऐसा देस है मेरा
हो ऐसा देस है मेरा
ऐसा देस है मेरा
हाँ ऐसा देस है मेरा

सड़के सड़के जानदी ए मुटियारे नी
कंडा चुब्बा तेरे पैर बाँकी ए नारे नी
ओय नी अड़ीए

कंडा चुब्बा तेरे पैर बाँकी ए नारे नी
कौन कड्डे तेरा कांडड़ा मुटियारे नी

कौन सहे तेरी पीड़ बाँकी ए नारे नी
ओय नी अड़ीए
कौन सहे तेरी पीड़ बाँकी ए नारे नी

हो ओ
हो हो
हो हो हो हो हो

मेरे देस में मेहमानों को
भगवान कहा जाता है
वो यहीं का हो जाता है
जो कहीं से भी आता है

आs हाs आs आs आs आs
आs आs आs आs
तेरे देस को मैंने देखा
तेरे देस को मैंने जाना
आs आs आs आs
तेरे देस को मैंने देखा
तेरे देस को मैंने जाना
आs आs आs आs
जाने क्यों ये लगता है
मुझको जाना पहचाना
यहाँ भी वही शाम है
वही सवेरा॰॰आ॰॰आ हो ओ
वही शाम है वही सवेरा
ऐसा ही देस है मेरा
जैसा ये देस है तेरा
वैसा देस है मेरा
हाँ
जैसा देस है तेरा

ऐसा देस है मेरा
हो ओ
जैसा देस है तेरा

ऐसा देस है मेरा
हाँ
जैसा देस है तेरा

ऐसा देस है मेरा
हो ओ
जैसा देस है मेरा


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3679 Post No. : 14572

He was born John Prakash Rao Janumala. He spent his childhood years in Mumbai’s Dharaavi and studied only upto class VII. Then he had to do odd jobs to overcome financial problems in the family. He was a good mimic. He started to perform in stage shows such as Tabassum Hit Parade and Kalyanji-Anandji Nite etc. He was noticed by Sunil Dutt at one of the stage shows and he got a chance in “Dard Ka Rishta” in 1981. His next big movie was Gul Anand’s – Pankaj Parashar directed movie “Jalwa”. Since then he has done around 350-400 movies.

Ok we adore him as Johnny Lever.

He is one from the current crop of comedians who were (I am sure) inspired by the likes of Mehmood and Johnny Walker. Can anyone forget his teaming up with Ashok Saraf in Rakesh Roshan’s ‘Karan Arjun’ or for that matter many Rakesh Roshan directed and produced movies be it ‘Kishen Kanhaiya’, ‘Koyla’, ‘Kaho Na Pyaar Hai’, ‘Koi Mil Gaya’. He was also part of any David Dhawan movies where his character was as important as the hero’s. He is a performer whose eyes all speak. And he is a decent dancer considering he has teamed up with Govinda, Shahrukh Khan, Aamir Khan etc. for many song and dance sequences. I just realized that he is 60 already and today (14th August) he will be 61. God!!!

Today’s song is from the 1997 Rakesh Roshan directed Shahrukh Khan Movie “Koyla”. The song is something like “Mere Saamne Waali Khidki Mein. . .” from ‘Padosan’ (1968) in the sense that on screen SRK is lip synching to Johny Lever’s singing. This is because SRK plays a mute character in the movie.

The song is in the voice of Udit Narayan, music direction is Rajesh Roshan and written by Indeevar. The song happens at the wedding reception of Raja, the tyrant zamindar role played by Amrish Puri, who has conned Madhuri into marrying him after showing the pic of the mute Shahrukh Khan (who is unaware of the con). Towards the end of the song SRK discovers the bride (who is supposed to be at the reception) sitting and crying in the bedroom with Deepshika filling in for her next to Amrish Puri.

 

Song – Ghunghate Mein Chanda Hai (Koyla) (1997) Singer – Udit Narayan, Lyrics – Indiwar, MD – Rajesh Roshan
Chorus

Lyrics

ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
arey hosh na kho de kahin
josh mein dekhne wala

hmm hmmhmmhmmhmmhmm

aaj sundarta dulhan bani hai
koyi kismat ka kitna dhani hai
aaj sundarta dulhan bani hai
koyi kismat ka kitna dhani hai
munh diklaayi ki khaatir
dil kya jaan bhi hai haazir
munh diklaayi ki khaatir
dil kya jaan bhi hai haazir
baadalon ko mor dekhe,
chaand ko chakor dekhe
tujhko naseebon waala
hosh na kho de kahin
josh mein dekhne waala
hey hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
arre hosh na kho de kahin
josh mein dekhne waala

oooo
oooo

paas tu door tak hain nazaare
mil rahe hain dilon ko sahaare
paas tu door tak hain nazaare
mil rahe hain dilon ko sahaare
leke bahaaren tu aayee
door huyi hai tanhaayi
leke bahaaren tu aayee
door huyi hai tanhaayi
ghar ko sanwaar dega,
dil ko karaar dega
roop ye tera niraala
hosh na kho de kahin
josh mein dekhne waala
hey hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
hosh na kho de kahin
josh mein dekhne waala

aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
अरे होश ना खो दे कहीं
जोश में देखने वाला

हम्म हम्म हम्म हम्म हम्म हम्म हम्म

आज सुंदरता दुल्हन बनी है
कोई किस्मत का कितना धनी है
आज सुंदरता दुल्हन बनी है
कोई किस्मत का कितना धनी है
मुंह दिखाई की खातिर
दिल क्या जान भी है हाज़िर
मुंह दिखाई की खातिर
दिल क्या जान भी है हाज़िर
बादलों को मोर देखे
चंदा को चकोर देखे
तुझको नसीबों वाला
होश ना खो दे कहीं
जोश में देखने वाला
हे होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
होश ना खो दे कहीं
जोश में देखने वाला

ओ ओ ओ ओ
ओ ओ ओ ओ

पास तू दूर तक हैं नज़ारे
मिल रहे हैं दिलों को सहारे
पास तू दूर तक हैं नज़ारे
मिल रहे हैं दिलों को सहारे
लेके बहारें तू आई
दूर हुई है तनहाई
लेके बहारें तू आई
दूर हुई है तनहाई
घर को संवार देगा
दिल को क़रार देगा
रूप ये तेरा निराला
होश ना खो दे कहीं
जोश में देखने वाला
हे होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
अरे होश ना खो दे कहीं
जोश में देखने वाला

आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3647 Post No. : 14478

ASAD 10th Anniversary Celebrations – 2
———————————————————————

On the occasion of completing 10 years of the blog on July 19, 2018, I heartily congratulate Atul ji and his musical bandwagon for attaining a very important milestone.

The blog started with the intent of posting at least one song a day. At the time of joining the blog in July 2011, I felt as to how Atul ji could make a commitment of posting one song a day. With family responsibilities, a transferable job with chances of getting posted at not-so-internet-friendly places, the target of one song a day was not so easy as it looks. To my pleasant surprise, the target of posting one song a day (actually more) on the blog has been, more or less, adhered to with a punctuality of more than 98 per cent. My assessment is that there may be, on average, not more than 10 days in a year when songs were not posted on the blog. But the team of regular (and irregular) contributors to the blog have more than compensated by an average posting of nearly 4 songs per day during the last 10 years.

I got to know from the special posts written by Atul ji on the occasions of the celebrations of blog’s anniversaries and milestones that during the initial period of the blog, the response was not as per his expectation. At that time, as I understand from his write-ups, Raja ji’s encouraging words inspired him not to lose heart and to do his karma. Later on, as I have witnessed, the visitors to the Blog increased manifold. Presently, the number of visitors to the Blog have crossed well over 10.5 million (more than one crore). Coupled with the total number of films and songs covered, this blog is the primus inter blog (first among the blogs) covering Hindi films and non-film songs.

I consider myself very fortunate to be associated with the musical journey of the blog for the last 7 years. Based on my experience, I would say that one of the greatest contributions of the blog has been the creation of interest in Hindi film songs of pre-golden era period. When I joined the blog in July 2011, I found it interesting, amongst others, Arun ji’s well-documented informative posts about the Hindi films and their artists, especially of the pre-golden era period. I do not think that information on many of the films and artists covered in such articles is available in any other blogs on Hindi films.

On the occasion of a decade of this musical Blog, I have chosen one of my favourite songs from Hindi films of post-2000 period. This song has been my inspirational song during my Himalayan treks. The song is from the film ‘Swades’ (2004). I am reproducing the full mukhda of the song to bring out the relevance of these inspirational lines in the context of the musical journey of the blog:

yunhi chala chal raahi
yunhi chala chal raahi
kitni haseen hai ye duniya
bhool saare jhamele
dekh phoolon ke mele
badi rangeen hai ye duniya

Apparently this song is also a ‘journey song’. The hero, Shahrukh Khan is on a journey in a self-driven caravan (camping vehicle) to locate his Nanny in one of the remote villages in India. On the way, he is joined by a faqeer (Makarand Deshpande) to help him find the correct direction to his destination (he has been intentionally misguided in the earlier part of the film 🙂 ). What starts as a song being heard from the radio on vehicle’s dash board, it becomes a voice over to Shahrukh Khan (playback by Udit Narayan) and Makarand Deshpande (playback by Kailash Kher). Hariharan’s voice is used at the start of the song for lines heard from the dash board, and a line in-between the song and towards the end. The song is written by Javed Akhtar which is set to music by AR Rahman. In an interview to ‘The Hindu’ which appeared in its December 25, 2010 issue, AR Rahman had revealed that the tune of this song was originally composed for one of the songs of ‘Lagaan’ (2001) but it was not used.

As stated earlier, some parts of the lyrics of the song are relevant to the journey of our musical caravan ‘driven’ by Atul ji in which many like-minded persons are fellow-travellers. Just like the faqeer in the film shows the direction of the destination to Shahrukh Khan in the picturisation of the song, Sudhir ji has been performing more or less, the same role in our musical caravan apart from providing other value additions. Other fellow travellers in our musical caravan have been contributing in their own ways to facilitate the blog with its intent.

Any journey through any form of conveyance has a final destination. But our musical caravan is a journey sans destination, although during the journey, there are intermediate destinations (milestones). So, for our musical caravan, journey becomes more important than the destination.

I have personally interacted with Atul ji only once and may be a couple of times through e-mails. But with my 7 years of association with blog, I feel that I know him through blog more than my interactions with him. Two lines of Allama Iqbal from his nazm, ‘Saaqi Nama’ perhaps sum up my impression about Atul ji in the context of his musical journey through the Blog:

bahut usne dekhe hain past o buland
safar usko manzil se badh kar pasand

He has seen many low and high (of this blog’s journey)
But for him, the (musical) journey is far preferable than any destination

I wish Atul ji many more happy and enchanting years of the musical journey of this blog.

(Video)

(Audio)

Song – Yun Hi Chala Chal Raahi (Swades) (2004) Singer – Udit Narayan, Kailash KherHariharan Lyrics – Javed Akhtar, MD – AR Rehman

Lyrics

pa ma sa ni ni dha pa ma
pa ma sa ni ni dha pa ma
ou ou ou ou ou
ou ou ou
ou ou ou ou ou
ou ou ou
ou ou ou ou ou ou
ou ou ou
ou ou ou ou ou
ou ou ou

yun hi chala chal raahi
yun hi chala chal raahi
kitni haseen hai ye duniya
bhool saare jhamele
dekh phoolon ke mele
badi rangeen hai duniya
rum tum taana na
ru tu tum tum taana na
rum tum taana na
ru tu tum tum taana na
rum tum taana na
ru tu tum tum taana na
bhaiya

hmm hmm aa aa aa
aa aa aa aa aaa
aa aa aa aa aaa
aa aa aa aa aa aaa
aa aa aa aa aa aaa

ye raasta hai kah raha ab mujhse
milne ko hai koi kahin ab tujhse
ye raasta hai kah raha ab mujhse
milne ko hai koi kahin ab tujhse
ho ho ho ho ho…ho ho ho …o
ho ho ho ho ho…ho..o
dil ko hai kyun ye betaabi
kis se mulaqaat honi hai
jiska kab se armaan tha
shaayad wahi baat honi hai
yun hi chala chal raahi
yun hi chala chal raahi
jeewan gaadi hai samay pahiya
aansoon ki nadiyaan bhi hain
khushiyon ki bagiyaan bhi hain
raasta sab tera takey bhaiya
yun hi chala chal raahi
yun hi chala chal raahi
kitni haseen hai ye duniya
bhool saare jhamele
dekh phoolon ke mele
badi rangeen hai duniya

ae na na na ae na na na
ae ae ae ae ae….e
dekho jidhar bhi in raahon mein
rang pighalte hain nighaaon mein
thhandi hawa hai thhandi chhaaon hai
door wo jaane kiska gaaon hai
baadal ye kaisa chhaaya
dil ye kahaan le aaya
sapna ye kya dikhlaaya hai mujhko..o..o
har sapna sach lage
jo prem agan jale
jo raah tu chale
apne mann ki..ee
har pal ki seep se
moti hi tu chune
jo tu sada sune
apne mann ki..ee
yun hi chala chal raahi
yun hi chala chal raahi
kitni haseen hai ye duniya
bhool saare jhamele
dekh phoolon ke mele
badi rangeen hai duniya

mann apne ko kuchch aise halka paaye
jaise kandho pe rakha bojh hat jaaye
jaise bhola saa bachpan phir se aaye..ae
jaise barson mein koi ganga nahaaye
jai..se..ey barso..o..on mein
koi ganga nahaaye..ae..ae..ae
dhul saa gaya hai ye mann
khul saa gaya har bandhan
jeewan ab lagta hai paawan mujhko..o..o
jeewan mein preet hai
honthon pe geet hai
bas yehi jeet hai
sun le raahi..ee
tu jis disha bhi jaa
tu pyaar hi luta
tu deep hi jala
sun le raahi..ee
yun hi chala chal raahi
yun hi chala chal raahi
kaun ye mujhko pukaare
nadiya pahaad jheel aur
jharne jangal aur waadi
in mein hain kiske ishaare
yun hi chala chal raahi
(aa aa aa)
yun hi chala chal raahi
(aa aa aa aa aaa)
kitni haseen hai ye duniya
(aa aa aa aa aaa)
bhool saare jhamele
(aa aa aa aa aaa)
dekh phoolon ke mele
(aa aa aa aa aa aaaa)
badi rangeen hai duniya

ye raasta hai kah raha ab mujhse
milne ko hai koi kahin ab tujhse
rum tum taana na
ru ru tum tum taana na
rum tum taana na
ru tu tum tum taana na
rum tum taana na
ru tu tum tum taana na..
bhaiya
pa ni sa ga ga ma ma
ma ma re re re ni sa
sa ni sa sa
sa ni sa sa
sa ni sa ga ga ga sa ma
ma ma sa pa pa
sa ni sa sa
sa ni sa sa
yun hi chala…aa chal aa aa aa
sa ni sa sa
sa ni sa sa
kitni haseen hai ye duniya aa aa aa
ou ou ou ou ou
ou ou ou
ou ou ouou ou
ou ou ou
pa ma sa ni ni dha pa ma

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

प म सा नी नी ध प म
प म सा नी नी ध प म
उ उ उ उ उ
उ उ उ
उ उ उ उ उ
उ उ उ
उ उ उ उ उ उ
उ उ उ
उ उ उ उ उ
उ उ उ

यूं ही चला चल राही
यूं ही चला चल राही
कितनी हसीन है ये दुनिया
भूल सारे झमेले
देख फूलों के मेले
बड़ी रंगीन है ये दुनिया
रुम तुम ताना न
रु तु तुम तुम ताना न
रुम तुम ताना न
रु तु तुम तुम ताना न
रुम तुम ताना न
रु तु तुम तुम ताना न
भैया

हम्म मम्म आ आ आ
आ आ आ आ आss
आ आ आ आ आss
आ आ आ आ आ आss
आ आ आ आ आ आss

ये रास्ता है कह रहा अब मुझसे
मिलने को है कोई कहीं अब तुझसे
ये रास्ता है कह रहा अब मुझसे
मिलने को है कोई कहीं अब तुझसे
हो हो हो हो हो ॰॰॰ हो हो हो ॰॰॰ ओ
हो हो हो हो हो ॰॰॰ हो ॰॰॰ ओ
दिल को है क्यों ये बेताबी
किस से मुलाक़ात होनी है
जिसका कब से अरमां था
शायद वही बात होनी है
यूं ही चला चल राही
यूं ही चला चल राही
जीवन गाड़ी है समय पहिया
आंसूँ की नदियां भी हैं
खुशियों की बगियाँ भी हैं
रास्ता सब तेरा तके है भैया
यूं ही चला चल राही
यूं ही चला चल राही
कितनी हसीन है ये दुनिया
भूल सारे झमेले
देख फूलों के मेले
बड़ी रंगीन है ये दुनिया

ए ना ना ना ए ना ना ना
ए ए ए ए॰॰॰ए
देखो जिधर भी इन राहों में
रंग पिघलते हैं निगाहों में
ठंडी हवा है ठंडी छाँव है
दूर वो किसका गाँव है
बादल ये कैसा छाया
दिल ये कहाँ ले आया
सपना ये क्या दिखलाया है मुझको॰॰ओ॰॰ओ
हर सपना सच लगे
जो प्रेम अगन जले
जो राह तु चले
अपने मन की॰॰ई
हर पल की सीप से
मोती ही तु चुने
जो सदा तु सुने
अपने मन की॰॰ई
यूं ही चला चल राही
यूं ही चला चल राही
कितनी हसीन है ये दुनिया
भूल सारे झमेले
देख फूलों के मेले
बड़ी रंगीन है ये दुनिया

मन अपने को कुछ ऐसा हल्का पाये
जैसे कंधों पे रखा बोझ हट जाये
जैसे भोला सा बचपन फिर से आए॰॰ए
जैसे बरसों में कोई गंगा नहाये
जै॰॰से बरसो॰॰सों में
कोई गंगा नहाए॰॰ए॰॰ए॰॰ए
धुल सा गया है ये मन
खुल सा गया हर बंधन
जीवन अब लगता है पावन मुझको॰॰ओ
जीवन में प्रीत है
होठों पे गीत है
बस ये ही जीत है
सुन ले राही॰॰ई
तु जिस दिशा भी जा
तु प्यार ही लुटा
तु दीप ही जला
सुन ले राही॰॰ई
यूं ही चला चल राही
यूं ही चला चल राही
कौन ये मुझको पुकारे
नदिया पहाड़ झील और
झरने जंगल और वादी
इन में हैं किसके इशारे
यूं ही चला चल राही
(आ आ आ)
यूं ही चला चल राही
(आ आ आ आ आ)
कितनी हसीन है ये दुनिया
(आ आ आ आ आ)
भूल सारे झमेले
(आ आ आ आ आ)
देख फूलों के मेले
(आ आ आ आ आ)
बड़ी रंगीन है ये दुनिया

ये रास्ता है कह रहा अब मुझसे
मिलने को है कोई कहीं अब तुझसे
रुम तुम ताना ना
रु तु तुम तुम ताना ना
रुम तुम ताना ना
रु तु तुम तुम ताना ना
रुम तुम ताना ना
रु तु तुम तुम ताना ना
भैया

पा नी सा गा गा मा मा
मा मा रे रे रे नी सा
सा नी सा सा
सा नी सा सा
सा नी सा गा गा गा सा मा
मा मा सा पा पा
सा नी सा सा
सा नी सा सा
यूं ही चला॰॰आ चल आ आ आ
सा नी सा सा
सा नी सा सा
कितनी हसीन हैं ये दुनिया आ आ आ
उ उ उ उ उ
उ उ उ
उ उ उ उ उ
उ उ उ
पा मा सा नी नी धा पा मा


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to Atuldom

2nd November is the birthdate of Anu Malik, son of famous yesteryear music director Sardar Malik. Sardar Malik who is one among the forgotten stars of yesteryears and is not counted among the top five, but his works are still remembered. How can one forget “main gareebon ka dil hoon watan ki zuban” or “saranga teri yaad mein” or the Talat Mehmood classic “ae gham-e-dil kya karoon”; every one of them dipped in pure emotion and melody.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

26th October is a special day in my life. It is the birthdate of two people who are very important to me personally. One was my first playmate, friend etc… my sister- a person who I cannot live with and without. I cannot live with her as she is in Mumbai but then both my sisters are in Mumbai and both are important for me forever; and it is the birthday of one of them.
Read more on this topic…


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

On this blog, Atul has a page for birthdays of various Hindi film artistes. He has meticulously kept track of these dates and makes it a point, as much as possible, to post a song honouring the artiste on the concerned date. That is like a doctor treating his patients.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

A very belated Happy Diwali to all those who I missed to wish. Hope it was sweet and well lit for all. We are into the new Samvat and here is the first birthday.

We all know this birthday boy as a winner of 14 filmfare awards. He has a significant fan following in Asia and among the Indian Diasporas across the globe. He is one who dared to pick villainous roles early on in his career –something like say Vinod Khanna or Shatrughan Sinha of the previous generation. He is the pet of the film maker who is considered the king of romantic films in the current era. His paternal grandfather was a Pathan and the family moved to India post 1948. He grew up in Delhi and was educated from schools and colleges there but his road to fame and fortune began when he joined the Theatre Action Group and was mentored by Barry John. Oh yes I am speaking of Badshah alias Raj (naam toh suna hoga?) alias Rahul alias Shahrukh Kkkkhan –like the way he said KKKKiran in one of his early movies.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo everyone in Atuldom

Just as we can’t let 9th June go by without a special song even June 20th should not be left alone without a special song. Why? Because it is our Karta- Dharta’s birthday!!!
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One thing that is common among all of us who follow this blog or films is that we are all fans of one or other star be it an actor or music director or lyricist or film maker or singer. Right? Now what happens if we have the advantage of being in the film making business itself? We get an opportunity to showcase our love for our favourites. As today’s birthday girl Farah Khan had.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14741

Number of movies covered in the blog

Movies with all their songs covered =1150
Total Number of movies covered =4028

Total visits so far

  • 10,978,813 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,631 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: