Posts Tagged ‘Kamal Mitra’
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Hullo Atuldom
20th June, a Very Important Date in the calendar of ASAD. It was on this date, a few decades ago, a person dear to this blog was born. Correction, I would like to change person dear to this blog was born with person whose brainchild this blog is. Person whose love for music led to the genesis of this blog. Person who is kind enough to take us along on this musical journey. Thank you so much Atul ji for this blog. Wish you A Very Happy Birthday. Hope the great times continue and we Atulites are able to keep pace with you
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Ritu aaye ritu jaaye sakhi ri
Posted on: September 18, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4079 | Post No. : | 15218 |
“Bansari Bala”(1957) was produced by Moghabhai Desai and directed by Nanubhai Vakil for Desai Productions, Bombay. This movie had Chitra, Daljeet, Maruti, Niranjan Sharma, Krishna Kumari, Ram Singh, Tiwari, Mishra, Kamal, Meenu Mumtaz, Wazir Muhammad Khan, Susheel Kumar, Nadir Mota, Razia, Rafiq, Munshi Munakka, Jugnu, Shashimala, Savitri, Jagdish Kamal, Heera Sawant, Sheela Waaz, Suresh Nigam, Master Rajesh, Al Nasir etc in it.
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- In: "Aankh" song | Baag/Bagiya song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics by Nitin Shah | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1957 | Sudha Malhotra solos | Sudha Malhotra songs | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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tum samay ki ret par chhodte chalo nishaan
dekhti tumhen zameen
dekhta hai aasmaan
These uplifiting lines are from the pen of Saraswati Kumar Deepak. The poetry composed sometimes in the early 1950s, was presented as a song in the 1953 film ‘Naya Raasta’. Saraswati Kumar Deepak is a song writer who has been confined to mythological and religious fare for most of his career. Active in the Hindi cinema since 1943, his songs can be heard in films all the way to the end of 1970s.
Remembering Saraswati Kumar Deepak today (8th July) on the anniversary of his passing away. And incidentally, yesterday (7th July) was his birth anniversary also.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
One song from this film “Yahudi ki Beti” was posted in the blog by Sudhir Sir. This link to this particular song under discussion now has been with me for a long time. There is a lot of confusion in youtube and even earthmusic.net about the name of the music director of this film. Even the name of singer is also a confusion. This particular link that I have found is for Mohammed Rafi solo version. The clip itself is giving the name of music director as Hemant Kumar. Earthmusic mentions this song as sung by Lata Mangeshkar and also by Asha-Hemant Kumar.”The songs are confused and mixed up with “”Yehudi ki ladki”(1957). To add to the confusion, there was a film with similar name i.e. “Yahudi ki Ladki” in 1933 too.
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Sudha Malhotra, mostly known as a singer and an occasional music director was born on 30th october 1936, which means that today is her birthday. She was active in playback singing from 1954 to 1982 and during this period he has sung some well knows as well as some by now forgotten song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the days before the 1930s, the theatre was the more powerful media for entertainment and creativity, more so than the silent movies. The Parsi theatre found its roots in India, during the 1850s, and grew in popularity and influence over the subsequent decades, The early decades of 1900s saw the growth of the Parsi theatre (or Parsi Thiyetar, as it was known in those times) in Bombay. Many stalwarts that we see in the vintage classic movies of 30s and 40s, got their feet wet on the stage productions of Parsi theatre.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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