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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kamal Mitra


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Blog Day :

4079 Post No. : 15218

“Bansari Bala”(1957) was produced by Moghabhai Desai and directed by Nanubhai Vakil for Desai Productions, Bombay. This movie had Chitra, Daljeet, Maruti, Niranjan Sharma, Krishna Kumari, Ram Singh, Tiwari, Mishra, Kamal, Meenu Mumtaz, Wazir Muhammad Khan, Susheel Kumar, Nadir Mota, Razia, Rafiq, Munshi Munakka, Jugnu, Shashimala, Savitri, Jagdish Kamal, Heera Sawant, Sheela Waaz, Suresh Nigam, Master Rajesh, Al Nasir etc in it.

The movie had nine songs in it. Two of these songs have been covered in the past.

Here is the third song from “Bansari Bala”(1957) to appear in the blog. This song is sung by Sudha Malhotra and chorus. Saraswati Kumar Deepak is the lyricist. Music is composed by Kamal Mitra.

It is a very long song, more than 8 minutes long.

The video of the song shows that it is a dance song. I am unable to identify the actors seen in the picturisation. I request our knowledgeable readers to help identify the main dancer (lip syncing in Sudha Malhotra’s voice) as well as others.


Song-Ritu aaye ritu jaaye sakhi ri(Bansari Baala)(1957) Singer-Sudha Malhotra, Lyrics-Saraswati Kumar Deepak, MD-Kamal Mitra
Chorus

ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet
ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet

ghar aangan mein goonj raha hai
ghar aangan mein goonj raha hai
manbhaavan sangeet re ae
jaaye na man ka meet
ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet

aa aa
aa aa
aa aa
aa aa
aa aa

aa aa
aa aa
aa aa
aa aa

barse gagan se aag re
main kaise karoon shringaar re
main kaise karoon shringaar
barse gagan se aag re
main kaise karoon shringaar re
mai kaise karoon shringaar
kali kali ki sej sajaayi
kali kali ki sej sajaayi
phool bane angaar re ae
kaise karoon shringaar
barse gagan se aag re
main kaise karoon shringaar re
main kaise karoon shingaar
barse gagan se
aag re
barse aag barse aag

aayi re aayi re
main khol ghata ke
ghoonghat pat ko
khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
main khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
aayi re
dhol mridang bajaate badal
aa aa aa
aa aa aa
aa aa aa
dhol mridang bajaate baadal
bijli ki shahnaai re
neele gagan ki gali gali mein
neele gagan ki gali gali mein
maine dhoom machaai re
aayi re
aayi re ae
main khol ghata ke ghoonghat pat ko
khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
aayi re

aa aa aa
aa aa aa
aa aa aa
aa aa aa

sakhi ri kaise chham chham
chham paayal bajaaun
sakhi ri kaise chham chham
chham paayal bajaaun
ang ang kaanpe sakhi mora
ang ang kaanpe sakhi mora
kaise main bindiya lagaaun
sakhi ri kaise chham chham
chham paayal bajaaun
sheetal pawan sataaye sajni ee
aa aa
aa aa
aa aa
aa aa
sheetal pawan sataaye
kaise paas piya ke aaun sakhi ri
kaise chham chham
chham paayal bajaaun
sakhi ri kaise chham chham
chham paayal bajaaun

aa aa aa
aa aa aa
aa aa aa
aa aa aa

koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
chanchal chitvan it ut dole
gun gun gun
gun gun gun bhanwra bole
chanchal chitvan it ut dole
chanchal chitvan it ut dole
gun gun gun
gun gun gun bhanwra bole
kali kali sharmaaye haaye
koi kahiyo
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4007 Post No. : 15111

tum samay ki ret par chhodte chalo nishaan
dekhti tumhen zameen
dekhta hai aasmaan

These uplifiting lines are from the pen of Saraswati Kumar Deepak. The poetry composed sometimes in the early 1950s, was presented as a song in the 1953 film ‘Naya Raasta’. Saraswati Kumar Deepak is a song writer who has been confined to mythological and religious fare for most of his career. Active in the Hindi cinema since 1943, his songs can be heard in films all the way to the end of 1970s.

Remembering Saraswati Kumar Deepak today (8th July) on the anniversary of his passing away. And incidentally, yesterday (7th July) was his birth anniversary also.

He was born on 7th July 1918, at Navsthala Hasanpur in district Bulanshehar in Uttar Pradesh. His original name was Ram Gopal Sharma. Not much information is available about his early years. His education was in Hindi and Sanskrit. He did his BA from Meerut College. As a young man, he had begun writing poetry and prose.

In early forties he came to Bombay, and in 1942 he joined the production house of Fazli Brothers. His first assignment was as the writer of advertisements and promotional material in Hindi, for the films produced by Fazli Brothers. His first song appeared in the film ‘Zabaan’ of 1943 – “Dheere Se Kadam Badhaata Chal, Bigdi Taqdeer Banaata Chal”, which was composed by C Ramchandra and sung by Ishwarlal and Kaushalya. His next song – “Soti Hun Ab Chanda Mujhe Jagaa Dena”, appeared 1944, in the film ‘Badi Baat’. The song was rendered by Amirbai under the direction of Feroze Nizami. This song became very popular in its time, and the name of its writer started getting known somewhat in the industry.

In 1945, his songs appeared in ‘Piya Milan’ and ’Swarn Bhoomi’. However, 1946 became a defining year for him. Four films were released that carried songs written by him – ‘Bhakt Prahlad’, ‘Dev Kanya’, ‘Maansarovar’ and ‘Uttra Abhimanyu’. As the names of these films suggest, yes, they had an effect to have Saraswati Kumar typecast as a writer for religious and mythological films. This categorization he was never able to shake off for the rest of his career.

That is not to say that he did not write other type of songs for other genres of films. The songs “Kahin Ka Deepak Kahin Ki Baati” (‘Aag’, 1948), “Raat Gayi Phir Din Aata Hai” (‘Boot Polish’, 1953, and “Nigaahon Se Dil Mein Chale Aayiega” (‘Hameer Hath’, 1964) are a sampler that represents that wide portfolio of genres he could handle. He has written close to 350 songs for about 100 Hindi films. Besides that, he translated and dubbed the songs and the dialogues for about 25 regional language films.

Saraswati Kumar was not just a song writer. He was also a screenplay writer, a dubbing specialist and a renowned author of literature for children. Books like ‘Haathi Ghoda Paalki’ and ‘Jai Janani, Jai Bharati’ became quite popular and famous. He used to write a lot for All India Radio – plays, songs, sponsored programs etc. for two years, he anchored the program ‘Apni Kahaani, Apni Zubaani’ – sponsored by Bank of Baroda. And above all, as a journalist, he continuously contributed stories and articles for newspapers and magazines.

He passed away in 1986, just after completing his 68 year.

The film ‘Bansari Bala’ is produced by Moghabhai Deasi under the banner of Desai Productions, Bombay, and is directed by Nanubhai Vakil. The cast of actors listed for this film is Chitra, Daljeet, Maruti, Niranjan Sharma, Krishna Kumari, Ram Singh, Tiwari, Mishra, Kamal, Meenu Mumtaz, Wazir Muhammad Khan, Susheel Kumar, Nadir Mota, Razia, Rafiq, Munshi Munakka, Jugnu, Shashimala, Savitri, Jagdish Kamal, Heera Sawant, Sheela Waaz, Suresh Nigam, Master Rajesh, and Al Nasir.

Geet Kosh lists 9 songs for this film. Six songs are written by Pandit Faani and the remaining three are by Saraswati Kumar Deepak. Music direction is by Kamal Mitra. All the three songs which are written by Saraswati Kumar Deepak have been sung by Sudha Malhotra. One of these three is already showcased here on our blog – “Main To Chanda Ki Nagri Se Aayi Re”.

 Today’s lilting song is in the sweet singing voice is of Sudha Malhotra. Words are from the pen of Saraswati Kumar Deepak, and the signature melody is by Chitragupt. On screen, the song is performed by Chitra, who tells about her heart after someone came to her dreams and cast a captivating spell on her. The song is filmed in a garden. And we can see the subject of her aspirations (Daljeet) also present there, although she is not aware as she continues with the song.

The lyrics of this song have been sent in by Nitin Shah.

Listen and enjoy.

 


Song – Mere Nainon Mein, O Mere Sapnon Mein Chupke Se Aa (Bansari Bala) (1957) Singers – Sudha Malhotra, Lyrics – Saraswati Kumari Deepak, MD – Kamal Mitra

Lyrics (Provided by Nitin Shah)

aaaa aaaa
aaaa aaaaa

mere nainon mein
o mere sapnon mein chupke se aaaaaa
aaj kis ne ye jaadu kiya
meri duniya mein
o dil ki bagiya mein chhup chhup ke aa aaaa
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon mein chupke se aaaa
aaj kis ne ye jaadu kiya…..

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

teer jaane ye kaise laga
mera doley re doley jiya
teer jane ye kaise laga
mera doley re doley jiya
boley man ka papiha piya
boley man ka papiha piya
dard kaisa mujhe de diya aa aa
aaj kis ne ye jaadu kiya
mere nainon me in
o mere sapnon mein chupke se aa aaa
aaj kis ne ye jaadu kiya….

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

apne mann ki main kaise kahoon
sakhi chup bhi main kaise rahoon
apne mann ki main kaise kahoon
sakhi chup bhi main kaise rahoon
dil ki maujon pe kaise bahoon
dil ki maujon pe kaise bahoon
sakhi dhadke hai mora jiya aa aa
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon me chupke se aa
aaj kis ne ye jaadu kiya

aaaaa aaaaa aaaa
aaaaa aaaaa aaaa

raah mujh ko dikha di nayi
main to hirni si ghayal hui
raah mujh ko dikha di nayi
main to hirni si ghayal hui
aaj kis ki main paagal hui
aaj kis ki main paagal hui ee ee
diya kis ne ye damka diya
aaj kis ne ye jaadu kiya
mere nainon mein
o mere sapnon mein  chup ke se aa
aaj kis ne ye jaadu kiya. . .

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आss आsss
आss आssss

मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया
मेरी दुनिया में
ओ दिल की बगिया में छुप छुप के आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

तीर जाने ये कैसे लगा
मेरा डोले रे डोले जिया
तीर जाने ये कैसे लगा
मेरा डोले रे डोले जिया
बोले मन का पपीहा पिया
बोले मन का पपीहा पिया
दर्द कैसा मुझे दे दिया॰॰आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

अपने मन की मैं कैसे कहूँ
सखी चुप भी मैं कैसे रहूँ
अपने मन की मैं कैसे कहूँ
सखी चुप भी मैं कैसे रहूँ
दिल की मौजों पे कैसे बहूँ
दिल की मौजों पे कैसे बहूँ
सखी धड़के है मोरा जिया॰॰आ॰॰आ
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

आssss आssss आsss
आssss आssss आsss

राह मुझको दिखा दी नई
मैं तो हिरणी सी घायल हुई
राह मुझको दिखा दी नई
मैं तो हिरणी सी घायल हुई
आज किसकी मैं पागल हुई
आज किसकी मैं पागल हुई॰॰ई॰॰ई
दिया किसने ये दमका दिया
आज किसने ये जादू किया
मेरे नैनों में
ओ मेरे सपनों में चुपके से आ॰॰आ
आज किसने ये जादू किया

 


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One song from this film “Yahudi ki Beti” was posted in the blog by Sudhir Sir. This link to this particular song under discussion now has been with me for a long time. There is a lot of confusion in youtube and even earthmusic.net about the name of the music director of this film. Even the name of singer is also a confusion. This particular link that I have found is for Mohammed Rafi solo version. The clip itself is giving the name of music director as Hemant Kumar. Earthmusic mentions this song as sung by Lata Mangeshkar and also by Asha-Hemant Kumar.”The songs are confused and mixed up with “”Yehudi ki ladki”(1957). To add to the confusion, there was a film with similar name i.e. “Yahudi ki Ladki” in 1933 too.
Read more on this topic…


Sudha Malhotra, mostly known as a singer and an occasional music director was born on 30th october 1936, which means that today is her birthday. She was active in playback singing from 1954 to 1982 and during this period he has sung some well knows as well as some by now forgotten song.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the days before the 1930s, the theatre was the more powerful media for entertainment and creativity, more so than the silent movies. The Parsi theatre found its roots in India, during the 1850s, and grew in popularity and influence over the subsequent decades, The early decades of 1900s saw the growth of the Parsi theatre (or Parsi Thiyetar, as it was known in those times) in Bombay. Many stalwarts that we see in the vintage classic movies of 30s and 40s, got their feet wet on the stage productions of Parsi theatre.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1180
Total Number of movies covered =4209

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