Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mehtab


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6051 Post No. : 18829

Today’s song is from the film Vishwas-1943, made by the divided Wadia Movietone, Bombay.

Wadia Movietone was a noted Indian film production company and studio based in Mumbai, established in 1933 by Wadia brothers J. B. H. Wadia and Homi Wadia. It was most known for stunt, fantasy and mythological films, including Hunterwali (1935).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shama”(1946), not to be confused with “Shama”(1961) was directed by Adi F Kika, Rustam Khambata and K A Mazid for Minerva Movietone, Bombay. The movie had Mehtab, Wasti, Abu Bakar, Anwari, Prakash, Amir Banu, Sadat ali, Chanda Bai, Zafri Begam etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shama” is a movie title that leads to a serious bout of “same name confusion” among movie and music lovers. Not just casual followers of HFM but even “experts” make grave errors in mistaking one “Shama”with another, and worse, mistaking one music director with another-who also had similar names.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Shama-46. It is a duet sung by Shamshad Begum and Hameeda.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaanoon” (1943) was produced and directed by A R Kardar. The movie had Shahu Modak, Mehtab, A Shah, Gajanan Jagirdar, Badri Prasad, Ulhas, Nirmala etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Little was known about “Sanjog” (1943), a movie released seven decades ago, but that was only till we in this blog began to discuss the songs from this movie. Here is what Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia has to say about this movie:
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Little was known about “Sanjog” (1943), a movie released seven decades ago, but that was only till we in this blog began to discuss the songs from this movie. Here is what Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia has to say about this movie:
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaanoon”(1943) was produced by A R Kardar. The movie had Shahu Modak, Mehtab, A Shah, Gajanan Jagirdar, Badri Prasad, Ulhas, Nirmala etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Today we remember Feroze Nizami on the anniversary of his passing away. His familiar image in the minds of many people it that of a music director and composer. There are fabulous creations that stand testimony to his talents as a master of music. What is lesser known is the fact that Feroze Nizami Sb was a multi faceted and a multi talented personality. He was an exceptional singer himself, in the mold of classical singing. He was also a writer, and an acknowledged expert and teacher of music. His book, ‘Asraar e Mauseeqi’, a definitive work on classical music written in Urdu, remained a standard textbook on the subject in Punjab University (Lahore) for many decades. He was a regular contributor to newspapers and magazines, writing research papers and articles on music. In addition, he was very learned in the field of Sufi literature. Another book by him, ‘Sar-chasma e Hayaat’, is a famous and oft referred work on this subject. He was well learned in the fields of Homoeopathy, Philosophy, and yes, Hindu religion.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my childhood days, I had heard more about Suraiya than any other contemporary female actors like Mudhubala, Nargis etc. As I know now, both Madhubala and Nargis were more successful in terms of their box office hit films than that of Suraiya in the 50s. But it was Suraiya who was the most discussed star at that time. I guess that her charismatic personality invited keen interest from cinegoers and her fans in the same way as was the case with Rajesh Khanna in the 70s. The building in which she used to stay at Marine Drive was an important ‘tourist spot’ in those days for the visitors in the city. People would to wait for her ‘darshan’ which eluded most of them . After many years, this type of adulation was witnessed outside Rajesh Khanna’s bungalow in the 70s and Amitabh Bachchan’s bungalow even now.
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