Posts Tagged ‘NFS’
When I was a school kid then I found most, if not all subjects as boring. Even out of all these boring subjects, history took the cake. It was extremely difficult to remember the names of the kings, their eras, and what they did during their reign. And in case these kings happened to be born before the era of Christ then remembering their dates of birth and death was even more confusing. 🙂 Emperor Ashok, for instance was born in 304 BC and died in 232 BC. What kind of kings they were who died before they were born, was the doubt in the minds of many students of tender years.
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Meri veena ro rahi hai
Posted on: April 30, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Somewhere in the late 2011 AK ji, of Songsofyore.com, had written on this Blog about the importance of NFS. After reading his views, I too wrote a rather lengthy comment supporting the inclusion of NFS on this Blog. Our contention was that, prior to the Hindi Film Music becoming popular all over India,it was those ghazals, Geets and Bhajans, privately sung and recorded by various artists which had ruled the tastes of music lovers. In fact many famous singers had recorded NFS in the beginning phase of their singing careers. Some names are Talat Mehmood, Saigal, Pankaj Mullick, Jagmohan and JUTHIKA ROY !
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Aankh se aankh milaata hai koi
Posted on: April 20, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is a human nature that most top professionals would think that they are perfect in their professions, be it in the fields of sports or fine arts. Then why do we need coaches, guides, trainers etc ? A few years back, it looked odd to me to know that top seeded professional lawn tennis players have personal coaches. Some of the coaches may not have even played in any of the grand slam tournaments. Even in cricket, some of the teams’ coaches have not been top cricketers in their own national team. Now I know of two maxims in professional sportsman-coach relationship. First, all top players need not be perfect and coaches of these top players need not be top sportsmen in their fields. Second, the best coaches have the wherewithal to extract from the top professionals something more than the perfect which makes a vast difference in closely fought competition. This led me to think why not have a system of coaches (in Indian musical parlance, ‘guru’) for professional singers as well?
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Dama dam mast kalandar
Posted on: April 17, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. Details and translation of this song are by Sudhir
Pre-Partition, India had many many legendary singers-Male and Females. After Partition, some singers migrated to the new country-Pakistan. Singing legend Noorjehan also went to Pakistan. Now India had Lata and Pakistan had Noorjehan.
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Na kar itna pyaar panchhi
Posted on: April 17, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There are some old film and non-filmy songs of 30s and 40s which I was aware of during my childhood not because of the radio or later the internet but by words of mouth. I heard those songs from my parents, relatives and even some friends of our family. During my childhood, I was not very fond of those songs. Later, as a teenager, I had heard some of those songs on Radio Ceylon which gave me a sort of reminder that I had heard those songs earlier. I got 78 RPM records of a few of those songs mostly by accident during early 70s. Since then, I have developed a liking for those type of songs. Later, with the advent of internet, it was a ‘memory recall’ for me when I listened to most of these songs again.
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Jiyenge magar muskura na sakenge
Posted on: April 12, 2013
We in this blog initially discussed just movie songs. Once I discussed a K L Saigal song and it turned out that it was a non film song (NFS). Several regulars of the blog then lobbied for the inclusion of NFS in the blog. And that is how NFS began to be discussed in the blog.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Traditionally, ghazals are supposed to be rendered in a soft voice and in a slow tempo to make the listeners understand the deep meaning behind each words. Ghazals rendered in an appropriate mood can awaken emotional feelings even in a stone-hearted person. Perhaps it was in these context that ghazals were sung in thumri style in the early 20th century, creating a melancholic mood and offering the opportunity for singers to emphasise on some specific words in the ghazals which were important in understanding the meaning in the ghazals. Singers like Begum Akhtar, Kamala Jharia, Master Madan, K C Dey, K L Saigal etc sang ghazals mostly in thumri style.
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Shaam ke deepak jaley
Posted on: April 10, 2013
This article is wtitten by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is such a frustrating exercise to get information on a poet-lyricist whom I admire for his light romantic and neo-devotional lyrics of Hindi non-filmy songs. Yes, many connoisseurs of Hindi NFSs may have correctly guessed him as Madhukar Rajasthani. I got familiar with his name only because of Vividh Bharati. It is surprising that not much information about him is available on the internet or in any other published materials. There was a time when at least one of the songs written by him used to be played in an early morning programme of devotional songs or in the afternoon programme of sugam sangeet (light semi-classical songs).
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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