Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘O P Nayyar


The article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering IS Johar on the anniversary of his passing away on 10th March.

I S Johar, the redoubtable and simply irrepressible personality of the Hindi cinema world is well known for his versatility, his topicality, and his penchant for being in the news for a variety of reasons. Whether it be multiple marriages or open support for male sterilization, he was a strongly opinionated person, with emphatic views, and yet and aloof and a suave demeanor. He is also known to be a very well read person, and his ‘Question Box’ in the magazine Filmfare, was popular for many years.
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During 1950s and 1960s, there used to be quite a few movies with the word “ustaad” in them. This blog have had songs from movies viz “Do Ustaad” (1959), “Ustaadon Ke Ustaad” (1963), “Ustaad 420” (1963), “Ham Sab Ustaad Hain” (1965),”Sab Ka Ustaad” (1967) etc but the movie with the defining word in them, viz “Ustaad” was not among them.
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This song is one that I thought I had already discussed in the blog. The first time I became aware of O P Nayyar was in mid 1970s, when I read about him in a Hindi magazine (Dharmyug,perhaps, where it was mentioned that he made a successful career for himself without using Lata Mangewshkar’s voice even once). This got by curiosity roused. I found out that “Naya Daur” (1957) was a breakthrough movie for him as well as for many others associated with the movie. Ao I became aware of all the songs of this movie. One can see the lyrics of several songs from this movie noted down in a a diary where I used to note down the lyrics of songs that I liked those days. One can say that my diary showed which songs I liked in 1970s. And I liked the songs of “Naya Daur” (1957).
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Though movie songs have been the staple diet for Indian music lovers over the decades, there used to be a small and loyal market for non film songs (NFS), also known as private songs. Singers like Jagmohan Sursagar, Talat Mehmood, C H Atma, Juthika Ray etc were the biggest names on the private music circles.
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We have seen many “tanga” (chariot category for this blog) songs in Hindi Cinema with different situations. In some situations, the hero is chasing his loved one to convince her by praising her beauty. In few cases, heroine is riding a bike with her friends going for a picnic.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

I find that there are 18 songs listed under ‘Song excluded from movie’ category in this blog. Although the sample is not representative one to come to a definite conclusion, it is interesting to note that O P Nayyar leads in this category with 5 songs followed by Madan Mohan(4 songs), S D Burman (3 songs) and Naushad(2 songs). Sajjad Hussain, Husnalal Bhagatram, Bulo C Rani and Roshan have one song each in this category.
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“CID” (1956) as well as “CID 909” (1967) had music by the same music director, viz O P Nayyar. Unlike “CID” (1956), “CID 909” was a B grade movie though. It was a Bindu Kala Mandir Presentation, which was directed by Muhammad Hussai. The movie had up and coming B grade actors namely Feroz Khan and Mumtaz in lead roles, with Helen, Rajen Haksar, Brahm Bharadwaj, Ram Mohan, Rajen Kapoor, Tuntun, Bela Bose, B. Mehta also figuring in it.
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