Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Pt Amarnath


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

26th September – a day to remember, Dev Saab, the evergreen hero.  Also, a day to remember the voice of romanticism that added the essence of emotional expressions to many of his performances.  The deep bass voice of Hemant Kumar.

Remembering Hemant Da on the anniversary of his passing away today.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ek Teri Nishaani” (1949) was directed by B K Sagar for Kwatra Arts Productions. The movie had Meena, Trilok Kapoor, Azmal, Zahoor Shah, Johar, Maruti, Urvashi, Tara Sinha, Shyama, Usha Rani, cuckoo, Om Prakash etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations –41 (Post number 9995)
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Now we know that a chocolate cake happened. In Cochin. Peevesie’s Mom baked the cake to celebrate the 6th anniversary of the setting up of this blog by Atul ji. And she and her husband shared it amongst themselves. Ah well, I am sure it must have tasted good. It is high time now that digital technology should step up and allow for sending chocolate cakes over email. 🙂 And of course, Atul ji is so busy wrapping up the 10K celebration posts and also doing a lot of travel simultaneously, that I am sure he has not yet seen my message of ‘where is the party?’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Little is known about this old and obscure movie called “Panchhi” (1944). From the little information available about this movie online, it appears that the movie was directed by Barkat Mehra and that it had Ajmal, Manorama, Hari Shivdasani, Salma, Gulam Qadir, Radha etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In 1952, this voice came to the fore with the rousing proclamation of “Vande Maatram, Vande Maatram”. This song, which comes from the seminal creation of Bankim Chandra Chatterji – ‘Anand Matth’, was first published in 1882. After the passing of the first war of independence in 1857, the undercurrents of anger and resistance were simmering across the country. But the voices of cohesive and decisive action were still to come a couple of decades later. With the publication of ‘Anand Mathh’, the nation and its people got a slogan that said everything in just two simple words. After this song came on the lips of the common man, over the years many musical interpretations have been pronounced. Most of them are based in classical music, and the most popular versions are gradual and lingering, in the mode of a prayer to the motherland.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nishaani” (1942) was a Shorey Pictures production. It was produced and directed by Roop K Shorey.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

If one tries to find details about “Nishaani” (1942) in one of the typical know all sites that claim to have all the information about all the movies, then one will mostly draw a blank, with most of the space occupied by advetisements.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nishani”(1942) was produced and directed by Roop K Shorey. The movie had Majnu (real name Harold Lewis-a favourite of Shorey.he paired with I S Johar later as a comedian), Ragini, M.D.Kanwar, Rooplekha, Rani, Mala etc. in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, I feel like shri Vitthalpant Kulkarni-father of Sant Gyaneshwar (Dnyaneshwar)-who had come back to Grihasthashram from his Sanyas. He came back to this material world, on the instructions of his Guru, as he was destined to give birth to the Saint.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We all know that Mukesh was regarded as Raj Kapoor’s voice. The film audience accepted it, though in my view, Raj Kapoor’s voice matched more with that of Manna Dey. I came across a somewhat similar situation albeit on a smaller scale in the 40s with reference to a lead actor of that time viz Ragini and the playback singer Zeenat Begum. It is said that Zeenat Begum’s voice matched so much with that of Ragini that many filmgoers of that time felt that it was Ragini who was singing for herself on the screen. Obviously, during that period, Zeenat Begum became the main playback singer for Ragini and with this tag, she became the playback singer for many lead actors of that time. For those to whom these two names do not ring any bells, here are their brief profiles (with inputs from various sources on the internet).
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