Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Salil Chaudhary


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1972, and Salil Da has completed two decades in the film industry. Making his debut with the 1953 Bimal Roy production, ‘Do Bigha Zameen’, he continues to be a fairly busy music director in the early 70s. Somewhat unassuming, somewhat low key, his creations continue to catch one’s ear as well as one’s fancy. During the 50s and 60s, he has made his mark with such films that have become memorable on account of his music – ‘Biraj Bahu’ (1954), ‘Jaagte Raho’ (1956), ‘Musaafir’ (1957), ‘Ek Gaon Ki Kahaani’ (1957), ‘Madhumati’ (1958), ‘Parakh’ (1960), ‘Chhaayaa’ (1961), ‘Kabuliwaala’ (1961), ‘Half Ticket’ (1962), ‘Poonam Ki Raat’ (1965) etc. The seventies have emerged and Salil Da already has films like ‘Anand’ (1971) and ‘Mere Apne’ (1971) under his belt. In 1972, his melodies from ‘Annadaata’ are making waves on the radio. In 1972, Salil Da will also compose for two more films that did not get retained on the memory cards of the listening public. One is ‘Sabse Bada Sukh’ that has two wonderful songs. And the second is an even more obscure film, ‘Anokha Daan’, which carried as many as five superb melodies.
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“Tangawaali”(1955) was a Kuldeep Pictures presentation. It was directed by Lekhraj Bhakri. The movie had Anita Guha, Balraj Sahni, Nirupa Roy, Shammi Kapoor, Jayant etc. Not much information is available about this movie on internet.
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“Minoo” (1977) was a Hena Films Production. It wa directed by Parshuram and Pushraj. The movie had Baby Moonmoon, Dinesh Thakur, Radha Saluja, Nanditha Thakur, Padma Khanna, Jagdeep, Anwar Hussain, Dulari,Sudhir, Manmauji, Ranjeet Sood etc in it. The story of this movie revolves around a small girl child who was hoping that her mother is going to bring a small brother to play with her. Unfortunately, her mother never returns from hospital to her side. Her father remarries and the girl find it very hard to digest the situation and flees from home. A movie with this kind of story line and that too made on a small budget with no stars did not have a market those days. In fact, a movie like this does not have a market even today and so few people watched this movie.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The saga of Hindi films will never be complete without the discussion of the “formula” that used to be, and continues to be, followed by the production banners. More often than not, once a film became a hit, and brought profits for the producers, generally there used to be a spate of new productions trying to imitate the theme, the storyline, and the main attractive ingredients of that successful film, in an effort to duplicate that success. Over a period of time, such duplications would get refined into a list of specific ingredients that should be part of a film production strategy. Besides the components of the storyline, and type of characters and the list of events that should form part of the film, a main item of consideration was the type of music and songs that a film should contain.
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It happens quite often in this blog that when a song is discussed, readers exclaim- “what ! How come this song was not discussed as yet !”. My explanation is that there have been tens of thousands of great songs in Hindi movies, and we have discussed just a small portion of that huge collection of songs, so omission of many great songs should come as no surprise. Hopefully the number of omitted songs will gradually come down as we add more and more of such songs.
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