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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Pt Lachchiram


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3801 Post No. : 14793

“Guru Ghantaal”(1956) was produced by R N Sharma and N K Kaushik and directed by S M Yusuf for V K pictures Bombay. The movie had Sheila Ramani, Motilal, Usha Kiran, Agha, Sundar, Mirza Musharraf, Paro, Sheikh, Kesri, Vijaybala, Ravikant, Jagdev etc in it.

The movie had nine songs in it. Four songs have been covered in the past.

Here is the fifth song from “Guru Ghantaal”(1956) to appear in the blog. The song is sung by Asha Bhonsle. Khawar Zamaan is the lyricist. Music is composed by Pt Lachchiram.

Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-O jaane waale salaamat jawaani teri (Guru Ghantaal)(1956) Singer-Asha Bhonsle, Lyrics-Khawar Zamaan, MD-Pt Lachchiram

Lyrics

o o o
o o
jaane waale ae
jaane wale ae ae
salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri

jaane waale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
jaane waale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
o jaane waale ae

tujhko apni kasam
ek nazar dekh ja
ek nazar dekh ja
ho o o
baat karna
ho baat karna na karna
magar dekh ja
kuchh to rah jaaye dil mein nishaani teri
o meharbaani teri
kuchh to rah jaaye dil mein nishaani teri
o meharbaani teri
o jaane waale ae
jane wale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
o jaane waale ae

mast aankhen teri
jaam hai mad bhari
jaam hai mad bhari o o
jhooth maane to le aaina dekh le
aaina dekh le
aaina keh raha hai kahaani teri
o meharbaani teri
aaina keh raha hai kahaani teri
o meharbaani teri
o jaane waale ae
jaane waale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
o jaane waale salaamat jawaani teri
ik nazar dekh ja meharbaani teri
o meharbaani teri
o jaane waale ae ae ae

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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3792 Post No. : 14777 Movie Count :

4038

Recently, I came across one of the interesting topics of discussion about the ‘ghost’ singers of Hindi film industry in an editorial in October 1945 issue of ‘Filmindia’ magazine. I reproduce below some relevant portion of the discussion for the purpose of the article:

Outside the film industry, very few people seem to know what the ‘ghost’ singers of the screen earn per month. Many people are under the impression that music is still a cheap commodity in the motion picture world and can be purchased with paltry payments. Whatever be the actual quality of the film music from purely classical point of view, the silly, insipid music which Indian film producers usually give, cost them anything from Rs,400/- to Rs.1000/- per song and very often merely for the singing voice apart from the cost of orchestration and recording.

Amir Karnataki, a popular ‘ghost’ singer charges Rs.1000/- per song which require an hour for the rehearsal and two hours for recording the song. India’s best musicians (singers) – man or women – never earned so much money even during 24 hours of non-stop singing. There are many ‘ghost’ singers in the film industry. Some of the prominent ones like Zohra Jaan (Ambalawaali), Shamshad, Zeenat, Naseem Akhtar and Rajkumari should be earning Rs.8000/- to Rs.10000/- per month in good season. Amir Karnataki’s monthly earning should be colossal the way we find selling her voice to all and sundry pairs of lips on the screen.

The editorial has further estimated that with the number of films produced in a year, assuming an average of 9 songs per films, the total cost of music during a year comes to about Rs.6,50,000 with an average payment of Rs.500/- per song. This amount is shared by a dozen female playback singers and about half a dozen male playback singers, most of whom, according to the editorial, are rotten singers.

The editorial smacks of the jealous attitude towards the popular playback singers of that time. I have, however, brought this out for a different reason. If the producers thought that these were the popular playback singer those days and deserved such kind of payments, then why did producers refrain from giving them publicity to add value to their films in terms of creating the audience’s interest ?. Names of playback singers did not appear in the credit titles of the films until sometime early 1950s. Based on a few cases which I had come across, I guess, the song pamphlets of the films of the 1930s and the 40s may have mentioned mostly the names of the actors on whom the songs were picturised. So the playback singers during these times remained really the ‘ghost singers’ without any official identity with the films’ music. But why did they remain ‘ghost singers’?

The concept of ‘ghost singers’ has to be seen in the background of how the music in sound films evolved in its early stages. During this stage, actors were required to sing the songs on themselves in the films. Although the playback system was introduced in 1935 in Calcutta and in 1937 in Bombay, the system got well-established only in the early 1940s. However, the convention of giving credit to the actors as singers either in their own names or in the names of the roles they performed on the screen continued in most cases well into the end of the 1940s. The convention created a lot of problems in the latter years in identifying the so called ‘ghost singers’ especially for those who had interest in listening to the songs of pre-golden era period of Hindi film music. It was only after Lata Mangeshkar became a force to reckon with in the sphere of playback singing in early 1950s, the system of giving credit to playback singers both in the credit titles of the films as well as on the gramophone record labels was put in place.

It is in the context of identifying the playback singers and also music directors/lyricists that Har Mandir Singh ‘Hamraaz’ of Hindi Film Geet Kosh has rendered yeoman service in documenting the Hindi film music up to 1985. The process of documenting the Hindi film music – especially of 1930s and 1940s are an on-going process as we still come across many songs of these periods where playback singers, lyricists and music directors have not been identified.

Recently, I came across 4 rare songs of an obscure film ‘Mohini’ (1947). All the songs are very melodious. However singers for the songs have not been identified. There were three lyricists – Bekal, Sarshar Sailani and Raj Hashmi and two music directors – Lachhiram Tamar and Bhai Lal. But the individual songs were not identified with any one of the lyricists and music directors.

It was so frustrating for me for not being able to formally identify those associated with four melodious songs of the film. So I contacted Sudhir ji for help in identifying at least the singers of the songs. Though he had all the four songs in his collections, none of them were tagged. So he contacted one of his collector-friends who identified not only Munawwar Sultana as singer for all the four songs, but also confirmed that all the four songs were composed by Lachhiram Tamar. I am thankful to Sudhir ji and his friend for the help.

‘Mohini’ (1947) was produced under the banner of Mahindra Pictures, Lahore and was directed by Mahindra Gill. The star cast included Chand Kumar, Mahapara, Pran, Roofi, Nazar, Niranjan, Baby Shamshad etc. The film had 7 songs.

I am presenting the first song from the film,’meri mast aankhon se aa pee bhi le’ sung by Munawwar Sultana to appear in the Blog. As mentioned earlier, there were three lyricists and the song writer for this song has not been identified. The song was set to music by Lachhiram Tamar. The prelude music of the song would give an impression that the song belongs to the music style of early 1950s.

Enjoy this ‘Aankh’ song with ‘masti’.

With this song, ‘Mohini’ (1947) makes a debut in the Blog.

Audio Clip:

Song-Meri mast aankhon se aa pi bhi le (Mohini)(1947) Singer-Munawwar Sultana, MD-Pt Lachchiram

Lyrics

o o o
jeenewaale
pee bhi le
pee bhi le
pee bhi le
o o o
jeenewaale
pee bhi le
pee bhi le
pee bhi le
meri mast aankhon se
aa pee bhi le
aa pee bhi le
aa pee bhi le
meri mast aankhon se
aa pee bhi le
aa pee bhi le
aa pee bhi le

lutaayi huyi zindagi laayi hoon
lutaayi huyi zindagi laayi hoon
laayi hoon
bebasi ki hansi
laayi hoon
laayi hoon
bebasi ki hansi
laayi hoon
bol kar aaj saahab mein tere liye
bol kar aaj saahab mein tere liye
ye aahon bhari zindagi laayi hoon
ye aahon bhari zindagi laayi hoon
zindagi ka sahaara hai hi kya
zindagi ka sahaara hai hi kya
aa pee bhi le
aa pee bhi le
aa pee bhi le
meri mast aankhon se
aa pee bhi le
aa pee bhi le
aa pee bhi le

meri yaad dil ko sataati thhi jab
kya tujhe
yaad hai
yaad hai
aankhon(?) ke baat
yaad aati thhi jab
kya tujhe yaad hai
yaad hai
yaad ho ya na ho
ab aa bhi jaa
aa pee bhi le
aa pee bhi le
aa pee bhi le
meri mast aankhon se
aa pee bhi le
aa pee bhi le
aa pee bhi le


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3785 Post No. : 14768

Today’s song is from the film Madhubala-50.

What is the meaning of ‘Sone pe suhaga ‘ or ‘Doodh mein shakkar ‘ or even ‘Saatwe aasmaan par’ ? These and similar expressions are used when more than one pleasing matters are combined. Same is the case with film Madhubala. The most beautiful actress in Hindi film history and the most charming and handsome actor in Hindi cinema worked in this film as the lead pair in this film.Yes, Madhubala and Dev Anand.

It was a dream for many to see these two beautiful and handsome creations of the Almighty together. people would become ecstatic in the theatres, when they sang together or exchanged love dialogues on the screen. I know, because I too was one of them. Those days, Dev Anand was becoming the heart throb of many a college girls and young ladies. In the later years of the 50’s decade, Dev Anand was the most popular actor in the Hindi films.

In this film Madhubala-50, Dev and Madhubala acted together for the second time . Their first film was Nirala also made in 1950, but released first.In all they acted together in 8 films. This was a record till the Dream girl Hema Malini broke it with 11 films with Dev Anand.

Though Dev ( 26-9-1923) was 10 years older than Madhubala ( 14-2-1933), he was very junior to her in the Film industry. By the time Dev Anand did his first film Hum Ek Hain-1946, Madhubala had already done 13 films. She had started as a child artist in Swastik-1939. Madhubala-50 was her 35th film and Dev’s 13th film ! Fron Nirala-50 to Sharabi-64, they did 8 films together. Dev Anand did 116 films and sang 303 songs on screen. Madhubala did only 81 films and sang 189 songs on screen. Her speed came down drastically, after her Heart ailment was detected while shooting in Madras and the treatment had started.

Dev of course continued steadily for a much longer period, but out of his 116 films how many films were actually watchable is a moot question.

Film Madhubala-50 was made by Ranjit Movietone. There is an interesting story behind this film’s making. When Madhubala was about 13-14 years old, Chandulal knew her and also liked her. He had already predicted a bright future for her. Her father Ataulla Khan was a very careless and irresponsible person. One day, when Chandulal Shah was playing cards with his friends, he got a phone call from his nephew, Ratilal Punatar, saying that Madhubala had come and she is asking for a loan of Rs. 2000, on interest, immediately. Her mother was in serious condition to deliver for the 10th time and her father was not at home. Chandulal asked Ratilal to give the money to her without interest, but to tell her that in future if Ranjit needed her, she should work for them.

In the end of 40’s decade, due to a heavy loss in gambling, Ranjit had seen bad days. They decided to make a film with Dev and Madhubala. Ratilal went to Ataulla Khan, but he quoted an astronomical amount. Ratilal returned. Next day Madhubala herself came to Ranjit and told them that she will work in their film and that too without any money. Those were the days, when she had become famous after the success of film Mahal-49. But she worked in the film and Ranjit, as a mark of gratitude, named the film as Madhubala.

The film was directed by an outsider named Prahlad Dutt. He was actually a foreign trained photographer and Cameraman-expert in Trick scenes. He was working in Lahore in the early 40s. Pancholi’s film ” Shirin Farhad”-45 was getting ready and Prahlad Dutt was its Director and trick scene Master. His work was applauded by everyone. The scene where Farhad digs out a canal from a big mountain single handedly, was done by Prahlad with astounding results. After the Partition, he ran away from Lahore to Bombay. He soon got work here as his name was well known and famous.

Author Vithal Pandya, in his book ” Sapnon ke saudagar” has described an incident about Prahlad Dutt.
” Dutt was working in Ranjit, directing a film ” Mitti ke Khiloune”-48. It was in early 1948. Gandhiji was killed on 30th January. 4-5 days after that, Ranjit studio workers were shocked to find a Police Jeep entering the studio,in speed. Out jumped an Inspector and asked, ” Where is Prahlad Dutt?” Ranjit Manager asked” why?” the answer was ” We have his arrest warrant in connection with Gandhi killing”. While the Manager offered to call him here from another floor where he was shooting, the Police ran towards that place. As soon as Prahlad saw the Police, he started running, with Police chasing him and shouting stop stop. He tried to climb the wall and disappear, but the inspector warned him first and then shot him with his pistol in his thigh. He fell down. He was arrested and taken away.

He was charged with various crimes and a case was put on him. However, he was released unblemished after 4 months. Ranjit management helped him quite a lot in those days. ”

Prahlad Dutt acted in only one film-Ek hi Bhool-40 ( There was another actor S.Prahlad in films same time, but he was different). He directed 5 films in all- Shirin Farhad-45, Piya Ghar aajaa-47, Mitti ka khilouna-48, Nazare-49 and Madhubala-50.

The music of film Madhubala was by Lachhiram Tamar. LACHHIRAM is a name not known to many readers. Most people think that his family name is TOMAR. Many sites and books also say so. However, one of his family members has clarified on the Blog,’ Songs Of Yore’ that the correct surname is TAMAR. He was a very talented but unlucky composer, who, despite his good work was never counted among the A grade composers.

LACHHIRAM TAMAR was a Punjabi Chaudhary born in 1914 in the princely state of Kuthar in the present day Himachal Pradesh. His father died early and he was brought up and trained in music by the Rana Jagjit Chandra of Kuthar, under the tutelage of Ustad Noore Khan. He came to Delhi at the age of 20 years and served in H.M.V.Company as a singer. He cut many records there. Side by side he was singing on A.I.R. also.

Aziz Kashmiri, writer and Director of Shorey Films, Lahore came scouting for talents and engaged him as an assistant to music composer for a salary of Rs.750 per month. He assisted in films like Champa, Badnami and Shalimar. His first independent film as a composer was Kahaan Gaye-46. Then he did Aarsi-47, Mohini, Birhan and Director in 47-48 and did Guru Dakshina and Madhubala in 1950.

The songs of Madhubala became Hits, but his luck misfired. He suffered from T.B. and had to leave everything. He lost one Lung also in it. However this brave man came back and did Ameer, Shaheed Bhagat Singh-54 (Sarfaroshi ki tamanna-Rafi), Maharani Jhansi, Guru Ghantal and Hazaar pariyaan-59. In his last spell he did Do Shahzade, Razia Sultan and his Last film was Main Suhagan Hoon-64.

Lachhiram Tamar died on 5-2-1966 at Bombay.

Today’s song is sung by G M Durrani – a singer who had a natural charm in his voice. I like many of his songs. His career was a ” Riches to Rags” story, which I will discuss some other day. Let us now enjoy his song today.


Song-kisiko yaad karta hai mera dil (Madhubala)(1950) Singer-G M Durrani, Lyrics- I C Kapoor, MD-Lachhiram Tamar

Lyrics

kisi ko yaad karta hai
mera dil raat din
haaye mera dil raat din
akela aahen bharta hai
mera dil raat din
haaye mera dil raat din

chaman mein gar bahar aaye hamen kya
kali gar phul ban jaye hamen kya
chaman me agar bahar aaye hame kya
kali gar phul ban jaye hame kya
chahak kar aam ki daai pe bulbul
khushi ke geet gar gaye
hame kya
hame kya
judai me tadapta hai
mera dil raat din
kisi ko yaad karta hai
mera dil raat din
haaye mera dil raat din
akela aahen bharta hai
mera dil raat din
haaye mera dil raat din

ye aansu aankh mein jo aa rahe hain
fasaana ishq ka dohra rahe hain
ye aansu aankh mein jo aa rahe hain
fasana ishk ka dohra rahe hain
tujhe meri kasam ik baar aaja
aaja
tujhe meri kasam ik baar aaja
sandeshe maut ke bhi aa rahe hain
aa rahe hain
yahi fariyaad karta hai
mera dil raat din
kisi ko yaad karta hai
mera dil raat din
haay mera dil raat din
akela aahen bharta hai mera dil raat din
haay mera dil raat din
raat din


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3735 Post No. : 14681

“Ameer”(1954) was produced and directed by Chandu for Chandu Studio Limited, Bombay. This “stunt” movie had Geeta Bali, Kamal Kapoor, Tiwari, Patanjali, Manju, Nagpal, Vasantrao Pahalwan, Babu Raje etc in it.

The movie had six songs in it. Three of these songs have been covered in the past. all these songs were discussed in 2011.

Now, after more than seven years, here is the next song from “Ameer”(1954) to appear in the blog. this song is sung by S Balbir and Asha Bhonsle. Udhhav Kumar is the lyricist. Music is composed by Pt Lachchiram.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song the blog now has 500 songs from movies relesed in 1954. With this song, 1954 joins 1949, 1950, 1959 and 1960 that have 500 songs each in the blog.


Song-Kahaan se aayi hai…ho tu bol saamne aake (Ameer)(1954) Singer-Balbir, Asha Bhonsle, Lyrics-Uddav Kumar, MD-Pt Lachchiram
Both

Lyrics

kahaan se aayi ee ee
kahaan se aayi hai
nazron mein laakhon teer chhupaa ke
kya laayi
kya le jaayegi
bol saamne aake
kya laayi
kya le jaayegi
bol samne aake
ho tu bol saamne aake

layi hoon main husn jawaani
ulfat ki rangeen kahaani
laayi hoon main husn jawaani
ulfat ki rangeen kahaani
le jaaungi pyaar chura ke

bol saamne aake
ho tu bol samne aake

ye husn hai faani
mast jawaani do din ki
ulfat ki rangeen kahaani do din ki
dekh le dil ki aankhon se
tu parda zara uthha ke
parda zara uthha ke
dekh le dil ki aankhon se
tu parda zara uthha ke
parda zara uthha ke
ho tu bol saamne aake

do din hai to hans loon gaa loon
dushman ko dildaar bana loon
do din hain to hans loon gaa loon
dushman ko dildar bana loon
naagan si zulfen bikhra ke

bol saamne aake
ho tu bol saamne aake

hansna gaana dil ka lagaana khel nahin
dard ki duniya mein muskaana khel nahin
jeena ho to jeene waale
jeena naam kamake
jeena naam kamaake
jeena ho to jeene waale
jeena naam kamaa ke
jeena naam kamaa ke

ho tu bol saamne aake
kya laayi
kya le jaayegi
bol saamne aake
ho tu bol saamne aake


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3635 Post No. : 14463

“Razia Sultaana”(1961) was directed by Devendra for Movie India, Bombay. This historical movie had Nirupa Roy (in title role), Jairaj, Kamran, M Kumar, N A Ansari, Agha, Sadhana Chaudhary, Leela Mishra, Rajan Kapoor, S M Sagar, Narad Muni, Madhumati, Jeewan Kala, Meena, Maqbool etc in it.

The movie had seven songs in it. Two of these songs have been covered in the past.

Here is the third song from “Razia Sultaana”(1961) to appear in the blog.

This song is sung by Asha Bhonsle and chorus. Anand Bakshi is the lyricist. Music is composed by Pt Lachchiram.

The song is picturised as a raj darbaar dance song. I am unable to identify the dancers. I request our knowledgeable readers to help identify them.

I may have got a few words wrong in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Kehna na maanoon main jawaani ka (Razia Sultana)(1961) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Pt Lachchiram
Chorus

Lyrics

kehna na maanoon main
kehna na maanoon main jawaani ka
naam badnaam hai deewaani ka
ho
kehna na maanoon main jawaani ka
lalalaalalalalalalaa
lalalaalalalalalalaa

pehle nazron ki kamaanen kas ke
ye bade teer chalaayen hans ke
teer chalaayen hans ke
teer chalaayen hans ke

aur phir baithh ke royen naadaan
kisi ke jaam e nazar mein phans ke
jaam e nazar mein phans ke
jaam e nazar mein phans ke

iska har kaam hai
iska har kaam hai naadaani ka
naam badnaam hai deewaani ka
kehna na maanoon main jawaani ka
laalalalaalalaalala
laaalaalalaalalalala
lalaalaalaalaalaalaa aa aa

kya kahoon mujhse kya kehti hai
jo meri laakh sitam sahti hai
laakh sitam sahti hai
laakh sitam sahti hai

?? dubone ko safina dil ka
ek nadi hai ki chadhhi rahti hai
haay chadhhi rahti hai
nadi chadhi rahti hai

mauqa na doon ise
mauqa na doon ise rawaani ka
naam badnaam hai deewaani ka
haaye
kehna na maanoon main jawaani ka
laalaalalaallalala
laalaalalalalala
lalalalaaalaalaa aa aa

shirin farhad ka hai afsaana
donon ko isne kiya deewaana
isne kiya deewaana
isne kiya deewaana

ye wo kaafir hai ke jiski khaatir
laila majnu ko pada mar jaana
haaye pada mar jaana
haaye pada mar jaana

sabko pata hai
sabko pata hai is kahaani ka
naam badnaam hai deewaani ka
ho
kehna na maanoon main jawaani ka


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3466 Post No. : 13912

“Birhan”(1948) was directed by Kailash Bhandari for National Film Producers, Bombay. The movie had Roopa, Pran, Begam Parveen, Gul Zamaan, Ram Lal, Zaheer, Nafees Begam, Krishna Rane, Cuckkoo etc in it.

The movie had twelve songs in it that were penned by two lyricists vz. Bekal and Sarshar Sailaani but the distribution of songs among the two is not known.

Four songs from the movie has been covered in the past.

Here is the fifth song from “Birhan”(1948) to appear in the blog. HFGK is slent about the singer of the song. The uploader mentions the singer as Dilshad Begam. Lyricist is not known. Music is composed by Pt Lachchiram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Gaa meri maina ga (Birhan)(1948) Singer-Dilshad Begam, MD-Pt Lachchiram

Lyrics

aa ha ha ha
gaa meri maina gaa
gaa meri maina gaa
main mil aayi hoon apne balam se
apne balam se
tu bhi na sharma aa
tu bhi na sharma aa
wo baithha tera rasiya bulaaye
wo baithha tera rasiya bulaaye
ja ri ja
mil aa
ja ri ja
mil aa
ja ri ja
mil aa
ja ri ja
mil aa
aa ha ha ha
gaa meri maina gaa
gaa meri maina gaa

komal kaliyon
tum phir (??) phoolo
komal kaliyon
tum phir (??) phoolo
aaj gale mil mil jhoolo
aaj gale mil mil jhoolo
o bhanwre o lobhi bhanwre
o bhanwre o lobhi bhanwre
kali kali par ghoomne waale
kali kali par ghoomne waale
kaliyon ka munh choomne waale
kaliyon ka munh choomne waale
kaliyon ka ras choos le pagle ae ae
dil ki lagi bujha
kaliyon ka ras choos le pagle ae
dil ki lagi bujha
aa ha ha ha
gaa meri maina gaa
gaa meri maina gaa

dekho thhaam thhaam ke haaye
dekho thhaam thhaam ke daaman
poochho na tum raaz ki baaten aen aen
dekho tham tham ke daaman
poochho na tum raaz ki baaten
more saajan maan gaye
more saajan maan gaye
ab naa katengi ro ro raaten aen aen
ab naa katengi ro ro raate aen aen
aaj mera man naach raha hai
aaj mera man naach raha hai
man ka meet mila aa
man ka meet mila aa
aa ha ha ha
gaa meri maina gaa
gaa meri maina gaa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Birhan”(1948) was directed by Kailash Bhandari for National Film Producers, Bombay. The movie had Roopa, Pran, Begam Parveen, Gul Zamaan, Ram Lal, Zaheer, Nafees Begam, Krishna Rane, Cuckkoo etc in it.

The movie had twelve songs in it that were penned by two lyricists vz. Bekal and Sarshar Sailaani but the distribution of songs among the two is not known.

Three songs from the movie has been covered in the past.

Here is the fourth song from “Birhan”(1948) to appear in the blog. HFGK is slent about the singers of the song. The uploader mentions the singers as Dilshad Begam and Trilok Kapoor (singer). Lyricist is not known. Music is composed by Pt Lachchiram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Tu chanda main teri chakori (Birhan)(1948) Singers-Dilshad Begam, Trilok Kapoor, MD-Pt Lachchiram

Lyrics

tu chanda main teri chakori
tu chanda main teri chakori
dekho sudh bisra ke mori
dekho sudh bisra ke mori
kal ko na tarsaanaa
na tarsaana
chhod na jaanaa
na jaana
tu chanda main teri chakori
tu chanda main teri chakori

tu koyal main tera taraana
tu koyal main tera taraana
dekho kar ke mujhe deewaana
dekho kar ke mujhe deewaana
kal ko bhool na jaanaa
bhool na jaana
tod nibhaanaa
nibhaana

tu chanda main teri chakori
tu chanda main teri chakori

tu bane mera na mera
haay na mera
main to teri ho li
teri ho li
tu bane mera na mera
haay na mera
main to teri ho li
teri ho li
aaj ameeri aur gareebi
donon khelein holi
khelein holi
aaj ameeri aur gareebi
donon khelein holi
khelein holi

oho ho
meri bhigodi choli
maan meri bhigodi choli
oho ho
meri bhigodi choli
maan meri bhigodi choli
maine thha ghar jaana
haaye
maine thha ghar jaana
maine thha ghar jaana
haaye
maine thha ghar jaana
tu chanda main teri chakori
tu chanda main teri chakori

wo dekho ik ped pe baithe
hain do panchhi pyaare
panchhi pyaare
wo dekho ik ped pe baithe
hain do panchhi pyaare
panchhi pyaare
milein to hain par bichhad na jaayein
kahin naseebon maare
naseebon maare
milein to hain par bichhad na jaayein
kahin naseebon maare
naseebon maare

do dil milte dekh ke duniya
sau sau zulm guzaare
do dil milte dekh ke duniya
sau sau zulm guzaare
par tum na ghabaraana haaye
par tum na ghabaraana

tu chanda main teri chakori
tu chanda main teri chakori


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Birhan”(1948) was directed by Kailash Bhandari for National Film Producers, Bombay. The movie had Roopa, Pran, Begam Parveen, Gul Zamaan, Ram Lal, Zaheer, Nafees Begam, Krishna Rane, Cuckkoo etc in it.

The movie had twelve songs in it that were penned by two lyricists vz. Bekal and Sarshar Sailaani but the distribution of songs among the two is not known.

Two songs from the movie has been covered in the past.

Here is the third song from “Birhan”(1948) to appear in the blog. This song is sung by Dilshad Begam. Lyricist is not known, as mentioned above. Music is composed by Pt Lachchiram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-jawaani pukaare jawaani pukaare..aaja aaja chaand hamaare (Birhan)(1946) Singer-Dilshad Begam, MD-Pt Lachchiram

Lyrics

jawaani pukaare
jawaani pukaare
jawaani pukaare
jawaani pukaare
jeewan ke saathi jawaani pukaare
jeewan ke saathi jawaani pukaare
aaja aaja chaand hamaare
haaye
o o o
aaja aaja chaand hamaare

aankhen milaayin thhin
dil bhi milaa len
aankhen milaayin thhin
dil bhi milaa len
itna bata jaa
bichhad jaane waale
itna bata jaa
bichhad jaane waale
jeewan bitaaun main kiske sahaare
ae ae ae
jeewan bitaaun main kiske sahaare
ae ae ae
aaja aaja chaand hamaare
haaye
o o o
aaja aaja chaand hamaare

kaise kahoon
kaise dil ko sambhaaloon
kaise kahoon
kaise dil ko sambhaaloon
tera naam dar ke na munh se nikaaloon
tera naam dar ke na munh se nikaaloon
duniya na pad jaaye peechhe hamaare ae ae
duniya na pad jaaye peechhe hamaare ae ae
aaja aaja chaand hamaare
haaye
o o o
aaja aaja chaand hamaare

teri yaad mein roye teri bhikaaran
mere devta
main hoon teri pujaaran
tujhe chhod kar jaaun kiske dwaare
ae ae ae
tujhe chhod kar jaaun kiske dwaare
ae ae ae
aaja aaja chaand hamaare
haaye
o o o
aajaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Birhan”(1948) was directed by Kailash Bhandari for National Film Producers, Bombay. The movie had Roopa, Pran, Begam Parveen, Gul Zamaan, Ram Lal, Zaheer, Nafees Begam, Krishna Rane, Cuckkoo etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aarsi”(1947) was directed by Daaud Chand for Jeewan Pictures,Lahore. There movie had Meena, Al Nasir, Ajmal, Asha Posle, Ramlal, Zahoor Shah, Kamla, Iqbal, P N Bali, Chandrashekhar, Bheemsen, Kukku, Pran etc. in it. The Meena most likely was Meena Shorey.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14789

Number of movies covered in the blog

Movies with all their songs covered =1153
Total Number of movies covered =4044

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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