atul's bollywood song a day- with full lyrics

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sapera”(1939) was directed by Debaki Bose for New Theatres, Calcutta. The movie had Pahadi Sanyal, Kanan Devi, Prithviraj Kapoor, Nawab, K C Dey, Menaka Devi, Sham Laha, Vikram Kapoor, Vinay Goswami, Satya Mukherji etc in it.

Here is a song from “Sapera”(1939). The song is sung by Kanan Devi. Kidar Sharma is the lyricist. Music is composed by R C Boral.

Only the audio of this song is available, but it can be guessed that the song was picturised on Kanan Devi herself.

Lyrics of this song were sent to me by Nitin Shah.


Song-Man mere aandhi ban jaa (Sapera)(1939)Singer-Kanan Devi, Lyrics-Kidar Sharma, MD-R C Boral

Lyrics(Provided by Nitin Shah)

man mere aandhi ban ja
aandhi ban jangal par chhaa aa
man mere aandhi ban ja
aandhi ban jangal par chhaa
lekar sang bagula ko o
phoolon ko udna sikhla
lekar sang bagula ko o
phoolon ko udna sikhla
man mere aandhi ban ja

cheeton baagh baghelon se
jaakar apna dil behla
dil behla
cheeton baagh baghelon se
jaakar apna dil behla
dar daa dar daa dar dar daa dar daaa
badli ban aanchal phaila
badli ban aanchal phaila
aanchal maine chaand chhupa aa aa aa
aaa aaaa bijli boli chaand ??
tod gagan se taare la
bijli boli chand ??
tod gagan se taare la
man mere aandhi ban ja aa
aandhi ban jangal par chhaa
man mere aandhi ban ja

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Izzat”(1937) was directed by Franz Osten for Bombay Talkies. The movie had Devika Rani and Ashok Kumar in lead roles. The movie also had Kamta Prasad, Fateh singh, M Nazir, Ahmad, Mumtaz Ali, K H Dharamsi, Vimla, P F Peethawala, N M Joshi, Ameer Ali, Suneeta Devi, Madhurika, Manohar Ghatwai, Chandraprabha etc in it.

One song from this movie has been discussed in the past.

Here is another song from “Izzat”(1937). This song is a duet which is sung by Ashok Kumar and Devika Rani and picturised on themselves. J S Kashyap is the lyricist. Music is composed by Saraswati Devi.

Only the audio of this song is available but it is clear that the song was picturised on Devika Rani and Ashok Kumar themselves.

Lyrics of this song were sent to me by Nitin Shah.


Song-Bharne de mohe neer (Izzat)(1937) Singers-Devika Rani, Ashok Kumar, Lyrics-J S Kashyap, MD-Saraswati Devi

Lyrics(Provided by Nitin Shah)

bharne de mohe neer
bharne de mohe neer
bharne de mohe neer
hat chhaad dagar
mori dheeth langar
phooti jaat gagar
nahin mose jhagar
hatt chhaad dagar
mori dheeth langar
phooti jaat gagar,
nahin mose jhagar
bharne de mohe neer
bharne de mohe neer
bharne de mohe neer

badi neer bharan waari aayi braj naari
baari baari matwaari
badi neer bharan waari aayi braj naari
baari baari matwaari

mori dori na pakar
bharne de mohe neer
bharne de mohe neer
bharne de mohe neer
hatt kaanha muraari
nahin tohe doongi gaari
badi gaari dene waari
dekhoon de toh sahi gari

natkhat
chal hatt
panghat
jhatpat
hatt chhod dagar
bharne de mohe,
bharne de mohe neer
hatt chhod dagar
bharne de mohe,
bharne de mohe neer
bharne de mohe neer
bharne de mohe neer


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Laal Chithhi”(1935) was directed by Niranjan B Bhardwaj for Prakash Pictures. This extremely obscure movie had Panna, Jayant, Rajkumari, Alaknanda, Ramzan Khan, Lallubhai, Ismail, Jahaangeer, J M Kaul, Taara etc in it.

The uploader of this song has mentioned Rajkumari Dubey as the singer. But the voice bears no resemblence to the voice of Rajkumari who sang the famous song of Mahal viz. Ghabra ke jo ham sar ko and that of “Baawre Nain”(1950), viz.Sun bairi balam sach bol re . I can safely say that this is an unknown female voice that I had not heard before.

Likewise, the lyricist too is not known.

Lallubhai Nayak is the music director and that is the only information available about this song.

I have been unable to get a word (may be more) correct in the lyrics. I request our readers with keener ears to point out missing/ correct words wherever applicable.


Song-Kudrat hai rab ki nyaari (Laal Chithhi)(1935) MD-Lallubhai Nayak

Lyrics

Kudarat hai rab ki nyaari
Kudarat hai rab ki nyaari
Kudarat hai rab ki nyaari
Kudarat hai rab ki nyaari
baade bahaari aayi
gulshan mein kaisi hariyaali chhaayi
dekho gulshan mein
ye kaisi hariyaali chhaayi

koodti hai daali daali
koodti hai daali daali
koyaliya kaali
par hai kisne paaya
shaan hai niraali
par hai kisne paaya
shaan hai niraali
hai phooli kyaari kyaari
hai phooli kyaari kyaari
baade bahaari aayi
gulshan mein kaisi hariyaali chhaayi
dekho gulshan mein
kaisi hariyaali chhaayi

naache hai titli matwaali
haan
naache hai titli matwaali
naache hai titli matwaali
haan
naache hai titli matwaali
naache hai titli matwaali
haaan naache hai titli matwaali
bhanwra hai deta taali
naache hai titli matwaali
bhanwra hai deta taali

har ?? hai tera jalwa
tu hi hai waali
har ?? hai tera jalwa
tu hi hai waali
sab tum par waari waari
sab tum par waari waari
baade bahaari aayi
gulshan mein ye kaisi hariyaali chhaayee
ye dekho
gulshan mein ye kaisi hariyaali chhaayee


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In continuation to my post for ‘apne haathon ko pehchaan’ :
There is this bhajan/song which is more a philosophical song from 1989 movie ‘ Bade ghar ki Beti ‘.

Actually it is based on a Meera bhajan, but improvised by the lyricist Santosh Anand and composers Laxmikant-Pyarelal. Once heard never forgotten kind of song, with its simple words and simple philosophy of contentment and containment.

There is another version of Meera bhajan from the film “Meera”(1979) sung by Vani Jairam. Having heard this one too, am not sure if this is the original one, because it has words like ‘bangla’ ‘gaadi’ in it.

Here is a pensive/reflective poem which I read today : -

‘Farq sirf itnaa sa thha’

Farq sirf itnaa sa thha
teri doli utthi, meri maiyyat utthi
phool tujh par bhi barse, phool mujh par bhi barse
farq sirf itnaa sa thha
tu saj gayi, mujhe sajaaya gayaa

tu bhi ghar ko chali, main bhi ghar ko chala
farq sirf itnaa sa thha
tu utth ke gayee, mujhe utthaaya gayaa

mehfil wahaan bhi thhi, log yehaan bhi thhe
farq sirf itnaa sa thha
unn ka hasna wahaan, inn ka ronaa yehaan

qazi udhar bhi thha, maulvi idhar bhi thha
do bol tere padhe, do bol mere padhe
tera nikaah padha, mera janaaza padha
farq sirf itnaa sa thha
tujhe apnaaya gayaa, mujhe dafnaaya gayaa…..
farq sirf itnaa sa thha

kuchh bhi paaye garv na kariyo
duniyaa aani jaani hai
tere saathh jahaan se teri
parchhaayi bhi jaani hai

The singers of the song being presented are Suresh Wadkar and Kavita Krishnamoorthy giving playback to Rishi Kapoor and Meenakshi Sheshadri.


Song-Karna fakeeri phir kya dilgeeri (Bade Ghar Ki Beti)(1989) Singers-Suresh Wadkar, Kavita Krishanmoorthy, Lyrics-Santosh Anand, MD-Laxmikant-Pyarelal
Both
Chorus

Lyrics

govind jai jai hari gopal jai jai
govind jai jai hari gopal jai jai
radha raman hari gopal jai jai
radha raman hari gopal jai jai
govind jai jai hari gopal jai jai
govind jai jai hari gopal jai jai
radha raman hari gopal jai jai
radha raman hari gopal jai jai
govind jai jai hari gopal jai jai
govind jai jai hari gopal jai jai

ho ho ooo
ooo oooo
oo ooo
oooooo

hmm hmmm hmm
hmm hmmm hmm

karna faqeeri phir kya dilgiri
sadaa magan mein rehna ji
koi din haathhi ne koi din ghodaa
koi din haathhi ne koi din ghodaa
koi din paidal chalna ji
karna faqeeri phir kya dilgiri
sadaa magan mein rehna ji
koi din haathhi ne koi din ghodaa
koi din haathhi ne koi din ghodaa
koi din paidal chalna ji

kaisa bhi ho waqt musaafir
ho oo oooo
kaisa bhi ho waqt musaafir
pal bhar na ghabraana ji
koi din laadu ne koi din pedaa
koi din laadu ne koi din pedaa
koi din phaakam phaaka ji
karna faqeeri phir kya dilgiri
sadaa magan mein rehna ji
koi din haathhi ne koi din ghodaa
koi din paidal chalna ji

koi farq nahin hotaa hai
raaja aur bhikaari mein
koi farq nahin hotaa hai
raaja aur bhikaari mein

donon ki saansen kaatin hain
samay ki tez kataari ne
apni hi raftaar se hardam
hoo oooo
apni hi raftaar se hardam
kaal ka pahiyaa chalta ji
koi din mehlaa ne koi din sejaan
koi din mehlaa ne koi din sejaan
koi din khaak bichhaunaa ji
karna faqeeri phir kya dilgiri
sadaa magan mein rehna ji
koi din haathhi ne koi din ghodaa
koi din paidal chalna ji

maa se achha kuchh na hotaa
maa tu hi parmeshwar hai
maa se achha kuchh na hotaa
maa tu hi parmeshwar hai

har dam mere man mandir mein
teri jyot ujaagar hai
sab rishte naate jhoothe hain
ho oooo
sab rishte naate jhoothe hain
maa ka pyaar hi sachchaa ji
koi din bhaiyya ne koi din behnaa
koi din bhaiyya ne koi din behnaa
sab din maa ki mamtaa ji
karna faqeeri phir kya dilgiri
sadaa magan mein rehna ji
koi din haathhi ne koi din ghodaa
koi din paidal chalna ji

aa aaaa aaa
aaa aaa aaa

kuchh bhi paaye garv na kariyo
duniyaa aani jaani hai
kuchh bhi paaye garv na kariyo
duniyaa aani jaani hai

tere saathh jahaan se teri
parchhaayi bhi jaani hai
sab ko apnaa pyaar baantnaa
ho ooo
sab ko apnaa pyaar baantnaa
meetthaa bol bolnaa ji
koi din melaa ne koi din akelaa
koi din melaa ne koi din akelaa
koi din khatm jhamelaa ji
karna faqeeri phi kya dilgiri
sadaa magan mein rehna ji
koi din haathhi ne koi din ghodaa
koi din haathhi ne koi din ghodaa
koi din paidal chalna ji

karna faqeeri phi kya dilgiri
sadaa magan mein rehna ji
koi din haathhi ne koi din ghodaa
koi din paidal chalna ji

aaa aaaa
aaa aaaa
aaa aaaa
aaa aaaa
aaa aaaa
aaa aaaa


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

LOST AND FOUND-GEMS FROM UNRELEASED FILMS…Song No. 12…LAST SONG OF THIS SERIES
———————————————————————————–

Today’s song is a real Gem in this series. In the period 1931 to 1940, there were only 7 unreleased films, out of which information is available on the records of only 3 films. This is/may be because though having records for the film songs issued commercially had started from 1932, it had not caught momentum till late 30s. Madhuri-1932 was the FIRST film for which commercial records were issued with the Film and Singer’s name mentioned on the Record label. Obviously, this film ‘Stove Tragedy’ whose song we are going to enjoy today, must have been made after 1932.

The record information gives the singer’s name as ‘ Miss Sitara’. Now,if you scan HFGK, you will find names of singers like Sitara, Miss Sitara, Sitara Devi, Sitara(Agra) and Sitara Kanpuri. One may wonder if all these Sitaras were one or different persons.

As far as Sitara Kanpuri is concerned, she was a different person. Sitara Kanpuri or Sitara of Kanpur or Sitarabai Kanpurwali was born in Cawnpore(Kanpur-UP) in 1923 in a courtesan’s family and so her father’s name is not known.

She did not have formal schooling, but sang wonderfully. she started singing on Radio. She was an expert in Bhajans,Thumari and Gazals.

W.Z.Ahmed, who was also from Kanpur heard about her singing, heard her once and took her to his office in Bombay. She was so excited that without delay, she put her thumb on the contract put forth.The contract restricted her to sing only for Ahmed’s Shalimar studio productions for 10 years. She sang her first song,’nagari meri kab tak’ in Mann ki jeet-1944 for Neena ( real name Shahida-she was the wife of the brother of Renuka Devi the actress. She was a plain simple house wife,who was lured by Ahmed and made actress Neena and his wife), who was Ahmed’s wife.later she also sang in prithwiraj sanyukta-46 and Meerabai-47.In the free times she was allowed to do private jalsa for her living.

After Partition, Ahmed and Neena left for Pakistan, taking with them the prints of their films(like most others who left India) and Sitara was free to sing free lance now. She sang in Pugree-48, Aparadhi-49 and Rasheed Dulhan -50.

After this she simply vanished into thin air !

Barring just one song from Film ” Vaasanti-1938″, Singer Sitara (Agra) does not appear in the HFGK again(E&OE)- obviously she was a classical singer from Agra.

Talking about the other varieties of Sitaras,I started a search and looked into the interview of Dancer,singer,actress Sitara Devi published in Sharma ji’s Blog ” Beete Hue Din.blogspot.com “. She has recounted the names of her initial films in the interview. Referring to the HFGK again I checked all these films serially. My findings were-

Movie Credited as
First film-Vasantsena -34 Miss Sitara
Second film- Anokhi Muhobbat-34 Sitara Devi
Third film- Shehar ka Jaadu-34 Sitaara
Fourth film- Vengeance is mine-35 Sitaara
Fifth film- Registan ki Rani- 35 Sitaara

From the above data, it is clear that she is the same person using all 3 names mentioned above. Since the singer’s name for today’s song is mentioned as Miss Sitara, this film might have made in or around 1934, when she was calling herself as Miss Sitara. As she became famous as a Dancer, she liked to use Sitara Devi as her name many times. In all her Dance programmes or dance related items,her name always was Sitara Devi.
So much about Sitara, the singer dancer and actress .

The film name ” Stove Tragedy ” evokes nostalgic memories. Kerosene stoves as a kitchen aid, came into use in India around the First or the second decade of the 20th Century. But this was exclusively used by the urban, upfront, higher level families. For most others, it was the traditional Choolhas for cooking. Those of our readers who grew up in the 50s or 60s will definitely remember Kerosene Stoves. It was only in the 70s that the LPG was introduced and became popular and commonly used cooking means. The original first Kerosene stove known popularly as ” Primus ” stove was later replaced by a Wick stove for safety purpose.

This is one reference I found in an old article, “In Hindi, Kerosene is called ‘Mitti ka tel’, meaning oil (out) of the earth. Initially, Kerosene was used in the lanterns for light. In 1892, Frans Wilhem Lindqvist developed the first commercially manufactured portable indoor cooking stove called ‘Primus’. The Primus employs a special burner where a tube is heated by lighting alcohol spirit. The Kerosene is manually pumped into heated tube, where it sprays out of a nipple mixing with air and producing blue hot flame. Primus provided convenience and became popular among low middle class in the urban areas.
During late 1970s, Kerosene wick stove was introduced. In principle, it is similar to the Kerosene space heaters used in United States “

The Kerosene stoves, besides being useful and famous for cooking and heating, were also notorious for accidents. Every now and then, there used to be cases reported in papers about the explosion of Stoves resulting in serious burns and deaths. Also these stoves were the causes where the ladies’ dresses, particularly the Sarees used to catch fire and young housewives would die of burns. Probably, this danger must have prompted invention and introduction of Stoves with Wicks.

The film ‘ Stove Tragedy’ might be a film based on such an accident. Its story is not known,but the title of the film suggests this type of story-line.

I am very grateful to our SUDHIR JI,who was kind enough to offer me this song-with Lyrics-to get included in this series. He even uploaded it on You Tube. So I am concluding this series with this Gem from an unreleased film of 30′s…an Unique distinction for this Blog. Thank you,Sudhir ji for your generosity.

Let us now enjoy this song by Miss Sitara….


Song-So jaa so jaa so jaa (Stove Tragedy)(1934)(UR) Singer-Miss Sitara

Lyrics(Provided by Sudhir)

so jaa so jaa
so jaa re
mere laal kanhaiyaa so ja
so jaa so jaa
so jaa re
mere laal kanhaiyaa so ja
so jaa so jaa
so jaa re ae ae
so jaa so jaa
so jaa re
mere laal kanhaiyaa so ja
haaan
mere laal kanhaiyaa so ja

hmmm hmmm hmmm
hmm hmmm hmmm hmmm hmmm
hmmm hmmm
hmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm hmmm
hmmm hmmm
hmm hmmm hmmm hmmm hmmm
hmmm hmmm hmmm

maat yashoda jhoola jhulaaven
maat yashoda jhoola jhulaaven
tori aankhon mein nindiya aave
haan
tori aankhon mein nindiya aave
so jaa so jaa
so jaa re
mere laal kanhaiyaa so ja
so jaa so jaa
so jaa re
mere aankhon ke taare so ja

doodh dahi aur maakhan mewa
doodh dahi aur maakhan mewa
bhor hot tu khaave
haa. . .aan
bhor hot tu khaave
so jaa so jaa
so jaa re
mere aankhon ke taare so ja

hmmm hmmm hmmm hmmm
hmmm hmmm
hmm hmmm hmmm hmmm hmmm


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saugandh”(1942) was directed by Hem Chandra for New Theatres, Calcutta. The movie had Asit Baran, Bharati devi, Pahadi Sanyal, Chandravati, Suprabha Mukherji, Srilekha, Chhabi Biswas, Vinay Goswami, Khagen Pathak, Farooque Mirza, Dar Kashmiri, Nemo, Tulsi Chakraborty, Puttan, Narayan Rao, Maya Bose, Gopal Das, Kali Ghosh, Hira Bai, Natwar, Jawaharlal, Kaalo, Dwijen Sanyal etc in it.

Four songs from this movie have been discussed in the past.

Here is the fifth song from the movie. The singer of the song is not known. For that matter I am unable to identify the actress as well who lip syncs this song. I request our knowledgeable readers to throw light on the identification of the singer as well as the actress. The YT uploader mentions the singer name as Shanti which is not correct. HFGk mentions Shanti as singer in three other songs, but no singer is mentioned for this song. Moreover Shanti is the name of the characted played by Bharati Devi in this movie and there was no singer of this name those days.

Pt Natwar is the lyricist. Music is composed by R C Boral.

Lyrics of this song were sent to me by Nitin Shah.


Song-Duniya mujh par deewaani (Saugandh)(1942) Lyrics-Pt Natwar, Lyrics-R C Boral

Lyrics(Provided by Nitin Shah)

deewani duniya mujh par
deewani
deewaani hai deewaani
deewaani hai deewaani
duniya mujh par deewaani
jisko dekho pooj raha hai
jisko dekho pooj raha hai
joban roop jawaani ee ee
duniya mujh par deewaani

jo bhi mujhse milne aate
aan baan nayi shaan dikhaate
jo bhi mujhse milne aate
aan baan naye shaan dikhaate
dhan daulat imaan lutaakar
kuchh din to majnu ban jaate
dhan daulat imaan lutaakar
kuchh din to majnu ban jaate

khatam hui jab maaya
to sab bhoole
khatam hui jab maaya
to sab bhoole
apni baani
duniya mujh par deewaani
deewaani hai deewaani
deewaani hai deewaani
duniya mujh par deewaani

chaandni hai
ye chaar din ki ee ee ee ee
phir andheri raat
haa aa aaa aa aa
chaandni hai
ye chaar din ki
phir andheri raat
joban roop jo dhal jaaye
to koi na poochhe baat
haa aaa aa aa aa
joban roop jo dhal jaaye
to koi na poochhe baat

kaun kisi ka
matlab ke sab
kaun kisi ka
matlab ke sab
jhoothi prem kahaani ee ee
duniya mujh par deewaani
duniya mujh par deewaani
deewaani hai deewaani
deewaani hai deewaani
duniya mujh par deewaani


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Abhaagin”(1938) was a New Theatres movie. The details of this movie were provided by Mr Arunkumar Deshmukh, our beloved inhoise encyclopaedia. Here is what he has to say about this movie:

ABHAGIN-1938 was a New Theatre presentation. The director was Prafulla Roy and the music was by R C Boral. His assistant was Pankaj Mullick. The writer of the screenplay was Phani Muzumdar,based on the story of Upendranath Ganguli.Hindi dialogues were by A H Shor. The cinematographer was Bimal Roy, who,later gave us classic Hindi films as a Director.

The cast consisted of Vijay Kumar, Molina Devi, Prithwiraj kapoor, Trilok Kapoor, Bikram Kapoor (father of Meena Kapoor the singer), Devbala, Kamala Jharia, Chaman Puri(his Debut film), Menaka (wife of Kamran and sister of Honey Irani and Daisy Irani Shukla), and Nemo.

A wealthy, but tyrannical Landlord-Jawaharlal Chaudhari(Nemo), has a quarrel with one of his tenants for a long time. In one of the disputes with him, the tenant attacks Chaudhari, injures his son Priyalal( Vijay kumar) and abducts priyalal’s wife Sandhya (Molina Devi). However Sandhya escapes from the captors and comes to her relative Prakash (Bikram Kapoor) for help. After everything is settled and the attacker is caught, Sandhya returns to her husband but the Father in law,Chaudhary refuses to accept her back. He expresses doubts on her chastity,as she was with the captors first and later in the house of an outsider. Her husband knows she is pure, but can not do anything and Sandhya leaves the house and a friend of Priyalal- Pramod (Prithwiraj Kapoor) gives her shelter and helps her to stand on her own feet.

When all the misunderstandings etc are cleared, Sandhya is recalled with honour, back to her in laws’ house. She returns but her heart is aching for Promod who has been very helpful to her.

Still as an ideal Indian wife she forgets him and stays with Husband whom she no more loves. Thus she is an Abhagin in matters of true love.

One song from this movie has been discussed in the past. Here is the second song from the movie. This song is sung by Akbar Khan Peshawari. Lyricist of this song is not known. Music is composed by R C Boral.

Lyrics of this song were sent to me by Nitin Shah.


Song-Kaun hai kiska meet (Abhaagin)(1938) Singer-Akbar Khan Peshawari, MD-R C Boral

Lyrics(Provided by Nitin Shah)

kaun hai
kaun hai
kaun hai
kiska aa meet
moorakh
kaun hai kiska meet
kaun hai kiska meet
moorakh
kaun hai kiska meet
bach thokar se
raah badal de
bach thokar se
raah badal de
reet to kar anreet
moorakh
kaun hai kiska meet
kaun hai kiska meet
moorakh
kaun hai kiska meet

aaa aaa aaa aaa
phool ki baas khatakta ??
kaun na dhokha aa aa khaaye
aaaa
phulwari se ban hi ee ee ee achcha
jo na dukh haaa aa aa aa pahunchaaye
aa aa aa aa
kapat bane na preet
moorakh
kaun hai kiska meet
kaun hai kiska meet
moorakh
kaun hai kiska meet

sukh ki khoj laga ke toone
dagar dagar dukh paaye
sukh ki khoj laga ke toone
dagar dagar dukh paaye
dukhon ki duniya mein bhi phir le
shaayad sukh mil jaaye
dukhon ki duniya mein bhi phir le
shaayad sukh mil jaaye
haar mein nikle jeet
moorakh
kaun hai kiska meet
kaun hai kiska meet
moorakh
kaun hai kiska meet


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In an article posted today, Sudhir Ji lamented the fact that Religious movies had sadly gone out of favour and fashion among movie makers and that deprived people from the opportunity of watching Jeewan as Narad, Dara Singh as Hanuman and Premnath as Yamraj. :)

And then Sudhir Ji went to to discuss a song picturised on today’s birthday boy Premnath.

Echoing Sudhir ji’s sentiments, I too lament the fact that absence of religious movies has deprived us from the opportunities of watching female dancers of those eras from playing assorted Rakshasis, when not playing assorted apsaras. :)

Today (21 november 2014) is not just the birth anniversary of Premnath. It happens to be the birth anniversary of Helen too. And guess what role Helen played in “Sampoorna Ramayana” (1961)? She played the role of Shoorpnakha in this movie. :)

On the occasion of Helen’s birth anniversary, here is a song from “Sampoorna Ramayana”(1961). This song is sung by Asha Bhonsle and the picturisation shows Helen, playing Shoorpnakha wooing Laxman. I am unable to identify the actor playing Laxman and I request our knowledgeable readers to help identify him.

Bharat Vyas is the lyricist. Music is composed by Vasant Desai.

Lyrics of this song were sent to me by Prakashchandra.


Song-Baar baar bagiya mein koyal na boley(Sampoorna Ramayana)(1961) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Vasant Desai

Lyrics(Provided by Prakashchandra)

aaa..aaa…aaa…aaa
aaa…aaa….aaa aaa
aaa…aaa…aaa…aa
aaa…aaa….aaa
aaa…aaa…aaa…aaaa
aaa…aaa….aaa

baar baar bagiyaa mein koyal na boley
baar baar bagiyaa mein koyal na boley
baar baar hoti na bhool
ho o o
ek baar jeevan mein aataa basant hai
ek baar khiltaa hai phool ool
ek baar khiltaa hai phool ool
baar baar bagiyaa mein koyal na boley
baar baar bagiyaa mein koyal na boley

ye bal khaati ghataa
laaj ke pat ko hataa
dheeme dheeme jhoom rahi
dekho dekho mukh ki chhataa
dheeme dheeme jhoom rahi
dekho dekho mukh ki chhataa
madbhari thhandi hawaaa aa aa
madbhari thhandi hawaa
chupke se paas mein aaa
kehti hai preet lagaa..aaaa
palkon se door na jaa
kehti hai preet lagaa aa aa
palkon se door na jaa
aa jaa rey preet karein preet karein preet karein
ae ae ae
baar baar bagiyaa mein koyal na boley
baar baar bagiyaa mein koyal na boley

nainaa ras ke bhare ae
kajre ki dhaar karen
chhitwan baan liye ae
chhupp chhup waar karen
chhitwan baan liye
chhupp chhupp waar karen
kaliyaan roop saje ae ae
kaliyaan roop saje
pyaar painjaniyaa baje
rumjhum naache jiyaa aaa
tan mann vaan taje
rumjhum naache jiyaa aa aa
tan mann vaan taje
aa jaa rey peet karein preet karein preet krein ae ae
baar baar bagiyaa mein koyal na boley
baar baar hoti na bhool ool
ho o o
ek baar jeevan mein aataa basant hai
ek baar khiltaa hai phool ool
ek baar khiltaa hai phool ool
baar baar bagiyaa mein koyal na boley
baar baar bagiyaa mein koyal na boley


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

LOST AND FOUND-GEMS FROM UNRELEASED FILMS…Song No. 11
———————————————————–

it is not that Unreleased films were the speciality of the 40s or 50s. on the contrary, the percentage of such films has increased from the last few years. What I learnt from last few days, while working on this series is, that the number of incomplete or unreleased films was the maximum- to the extent of almost running over 100- during the years 70s and 80s. If you see the statistics, you will find that the number of censored films has also increased systematically from 1970 onwards. In 1990, it touched 200 films and thereafter from 2000, it has always been between 200 to 300, touching 250 in 2005.

Many stars and superstars emerged during the 70s and the 80s, like Rajesh Khanna and Amitabh Bachchan. Almost every producer and the aspirant investors naturally wanted to make films with them. Every week, 4 to 5 films used to be announced with them. Some films even started shooting, but only the experienced and the established sustained in this Rat race and the novices left the movies incomplete. The urge to earn money had become so intense that many completed and censored films got into disputes and court cases, resulting into films remaining unreleased. One can find such films’ lists on Google. Some of the films were released after a gap of 10 to 40 years, between completion/censoring and release time.

Today’s song is from one such film. It was made in 1983 with Raj Kapoor ( his last acted film), joining hands with the thespian Ashok Kumar. This film ran into disputes and was never released. The name of the film is ” CHOR MANDALI “-83. (I find that there was yet another film of the same name in 2006. But it had a different cast).

The film was from Rawal Films. Produced by C.L.Rawal, it was directed by B.L.Rawal, and the Lyrics were by G.L.Rawal. Looks like a family affair. The Music Director was the pair of Kalyanji-Anandji and the cast included Raj Kapoor, Ashok Kumar, Vinod Mehra, Asha Parekh, Rita Bhaduri, Bindu etc etc. I feel that it was way back in a 1950 film ” Bewafa” that Raj Kapoor and Ashok Kumar had acted together. Even that film had released only in 1952, two years after completion.

The plot of the film revolved around a gang of hopeful thieves who attempt a Diamond Heist and Raj and Ashok Kumar successfully foil their attempt. The film was dubbed, completed and censored in 1983, but its release was stalled due to a dispute.

This film had a song sung by Kishore Kumar, Mukesh and Dilraj Kaur. This is not a common combination. However even in ” Amar Akbar and Anthony”-77, Kishore and Mukesh had sung a song together. I first got an audio of this song and then I found an incomplete video also. Mukesh died in 76, Kishore in 87. That means this song must have been recorded either in the early 76 or before that. This indicates how much time this film has taken to go to censors in 1983. Even if this film is released now, I am sure its fate will be the same as ” Love in Bombay ” which was released after 42 years.

The Music Director pair of this film was Kalyanji-Anandji, who had their own place in the HFM. Kalyanji and Anandji were children of a businessman who migrated from Kutch to Bombay (now Mumbai) to start a grocery and provision store. The brothers began to learn music from a music teacher, who taught them in lieu of paying his bills to their father. One of their great-grandparents was a folk musician of some eminence. They spent most of their formative years in the hamlet of Girgaum (a district in Mumbai) amidst Marathi and Gujarati environs and among some eminent musical talent that resided in the vicinity.

Kalyanji started his career as a musician, with a new electronic instrument called the claviolin. which was used for the famous “Nagin Been,” used in the film Nagin (1954) which had the music of Hemant Kumar. Kalyanji then, with his brother Anandji, started an orchestral group called Kalyanji Virji and Party which organised musical shows in Mumbai and outside. This was the first attempt made for holding live musical shows in India.

Kalyanji Anandji’s arrival in the Bombay film industry as music composers was a turning point. When big music directors like S.D. Burman, Hemant Kumar, Madan Mohan, Naushad, Shankar Jaikishan and Ravi were ruling the Hindi film music world – and it was a golden period of film music – it was very tough to make a place amongst them. Still they came and won the hearts and minds of Indian people.

The Bharat Bhushan–Nirupa Roy hit Samrat Chandragupta (1959) was his first film as Kalyanji Virji Shah. Songs like “Chahe Paas Ho” (Lata–Rafi) that are remembered to this day were what made the movie a commercial success. This was followed by his composing music scores for more films like Post Box 999 before Anandji who was assisting him, joined him officially to form the Kalyanji Anandji duo in Satta Bazar and Madari (1959). Chalia (1961) was their earliest major hit. In 1965, two decisive scores, Himalay Ki God Mein and Jab Jab Phool Khile, established them as composers to reckon with.

Kalyanji-Anandji’s variety-studded music is complete with some of the topmost songs of all singers and genres. Both Kalyanji and Anandji worked as music composers for over 250 films, 17 of which were golden jubilees and 39 silver. The factor behind their success is hard work, apart from their talent. They were never self-centered or egoistic. The spiritually inclined brothers opened up a new horizon in Bollywood. They used to put society in front of them and, as a thankful gesture, organised many charitable concerts for NGOs and several charitable institutions in India and abroad with some of the biggest names in Bollywood, like Dilip Kumar, Amitabh Bachchan, Anil Kapoor, Vinod Khanna, Rekha and Sridevi.

They were tireless in discovering new talents and grooming them, as well. Manhar Udhas, Kumar Sanu, Alka Yagnik, Sadhna Sargam, Sapna Mukherjee, Udit Narayan, Sunidhi Chauhan, now very popular names, were nurtured as singers and got their first breaks from Kalyanji Anandji. Fellow composers Laxmikant Pyarelal, before becoming famous, worked as music assistants to Kalyanji Anandji.

They helped introduce or gave career defining breaks to lyricists like Qamar Jalalabadi, Anand Bakshi, Gulshan Bawra, Anjaan, Verma Malik and M G Hashmat.

In the late 1990s and early 2000s, their work was introduced to a young Western audience by three albums. Bombay the Hard Way: Guns, Cars and Sitars was a mix album put together by US DJ Dan The Automator; Bollywood Funk was an Outcaste compilation album put together by Sutrasonic DJs Harv and Sunni; while The Beginners Guide To Bollywood was compiled by John Lewis from Time Out magazine. All three of these records concentrated on Kalyanji Anandji tracks from 1970s films that featured funk breakbeats, wah-wah guitars and Motown-style orchestrations. In 2005, The Black Eyed Peas’s “Don’t Phunk with My Heart” used music pieces from two of their songs: “Ae Naujawan” from the 1972 film Apradh and “Yeh Mera Dil” from the 1978 film Don, which won them a Grammy Award.

On 24 August 2000, Kalyanji breathed his last. His era with Anandji will always be remembered for their great contributions. Kalyanji’s dream for training new and young talents and promoting them is carried on today by Anandji in the name of Little Stars.

The composers composed some outstanding songs rendered by the legend Kishore Kumar such as “Jeevan se bhari teri aankhe”, “Zindagi ka safar hai ye kaisa Safar”, “Pal pal dil ke paas”, “Neele Neele Ambar Par”. Their composition called “Pal bharke liye” was used in an episode of The Simpsons. Remixed version of the song “Apni Toh Jaise Taise,” originally from the 1981 film Laawaris was used in 2010 Bollywood film housefull. The Calcutta High Court restrained producer Sajid Nadiadwala from the cinematic use of the song.(Thanks to wiki).

Let us now listen to a song from Unreleased film ” Chor Mandali”-1983,sung by Mukesh,Kishore and Dilraj Kaur…

Audio (Full)

Video (Patrial)

Song-Jaaneman jaane jaan (Chor Mandali)(1983)(UR) Singers-Kishore Kumar, Mukesh, Dilraj Kaur, Lyrics-G L Rawal, MD-Kalyanji Aanndji
Kishore Kumar + Mukesh

Lyrics

he ho o o
dekhe tujhe
ke dil ko sambhaala kare ae koi
allah
arre waah re allah miyaan
allah
ek waqt mein kya kya kare koi

jaane man
jaane man
jaane man
jaane jaan
hoja aaj meharbaan
jaane man
jaane jaan
hoja aaj meharbaan
aisi tanhaai kahaan
aur phir
ham bhi jawaan
haan haan
ham bhi jawaan
oy hoy
ham bhi jawaan

jna na na na
na baaba na
arre na na na na
na baaba na
zamaana shor machaayega
zamaana shor machaayega
uyi maa kaun bachaayega

jo hoga dekha jaayega
jo hoga dekha jaayega
ye mauqa
ye mauqa
ye mauqa phir na aayega
jaane man
jaane jaan
hoja aaj meharbaan
ho ja aaj meharbaan aan aan
haan

aisi na na karo na khudaara
aisi na na karo na khudaara
bada naazuk hai ye dil hamaara
jhamko teri adaaon ne maara
o hamko teri adaaon ne maara
koi jeene ka de do sahaara

dekho pehli mulaaqaat hai ye abhi
dekho pehli mulaaqaat hai ye abhi
meharbaan honge ham bhi
magar phir kabhi
haan
magar phir kabhi
haan
magar phir kabhi

arre arre arre
ye phirr
ye phirr hai
phirrta jaayega
kya
ye phirr hai
phirrta jaayega
chali aa
na jaane ye phirr kab aayega

na na na na
na baaba na

arre haan haan haan haan
haan haan haan haan
zamaana shor machaayega
uyi maa kaun bachaayega

jo hoga dekha jaayega
jo hoga dekha jaayega
ye mauqa
ye mauqa
ye mauqa phir na aayega
jaane man jaane jaan
ho ja aaj meharbaan
ho ja aaj meharbaan aan aan
haan

ye mohabbat ke din hain hamaare
ye mohabbat ke din hain hamaare

haaye hote kabhi ham kanwaare
haaye hote kabhi ham kanwaare
o kab se armaan dil mein hain pyaare
koi hamko bhi apna pukaare
rehne do wo jawaani ke din dhal gaye
rehne do wo jawaani ke din dhal gaye
chalne waale thhe jo teer
sab chal gaye
haan haan
sab chal gaye
oho
sab chal gaye

kya kaha sab chal gaye
arre chadhti hai jawaani ki masti
jitni ye puraani hoti hai
dil zinda ho
to jawaani se
sheerin(?) bhi suhaani hoti hai
kuchh samjhe

hmm hmm hmm hmm hmm
mujhe lagta hai nahin samjhe
hamaara pyaar bataayega
budhaapa rang laayega
hamaara pyaar bataayega
budhaapa rang laayega

na na na na
na baaba na

arre haan haan haan haan
haan haan haan haan
zamaana shor machaayega
uyi maa kaun bachaayega

jo hoga dekha jaayega
jo hoga dekha jaayega
ye mauqa
ye mauqa
ye mauqa phir na aayega
jaane man jaane jaan

nanananana
ho ja aaj meharbaan
nanananana
ho ja aaj meharbaan
haan haan haan haan
nananananana
haan haan haan haan
haaan haaan haaan haaan


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Only if religion had not fallen out of favor with the film industry. Kya kahen, sab paise ki maya hai (what to say, it is all a money game). The producers say that the public is not interested. And so they will lose money if they make religious films. And so we have been seeing less and less of religious and spiritual themes on screen. Rather, I do not recall seeing any title that indicates a religious film, in the past decade or so.

Arre, you must be wondering, why this concern about religion in films. Well, besides all other concerns that could be listed, one concern is that we lost opportunities to see more of ‘Yamraaj’ roles that could have been played by Premnath. You see, just as Jeevan specialized in the role of Naarad, and Dara Singh specialized in the role of Hanuman in Hindi films, similarly Premnath was also gearing up to take on the role of ‘Yamraaj’ on screen. He has played this role very effectively in a couple of films – ‘Raani Aur Lalpari’ (1975) and ‘Lok Parlok’ (1979). But then, religion slowly became ‘out-of-fashion’ with the film producers, and Premnath hung up his performing shoes in 1985. Varnaa kya baat hai, that we could have seen more of him in this role. :)

Remembering Premnath on the anniversary of his birth today (21st November).

Born as Premnath Malhotra, this day in 1926, in Peshawar, he was a young man of 21 years when the partition happened, and the family moved to Jabalpur (in Madhya Pradesh). Being interested in and involved with the theatre from his school and college years, his interest was more in a career as an actor. He did not stay with family, and moved to Bombay, to make a career in films.

His first film was ‘Rangeen Zamaana’ from 1948 (also titled as ‘Ajeet’), in which he was paired opposite to Monica Desai. But more importantly, on reaching Bombay, he made acquaintance with and became a very close friend of Raj Kapoor, who was just starting with his RK Films venture. Although I have found no specific reference for it, it is possible that the two families knew each other. As is known, Prithviraj Kapoor was from Lyallpur and had done his college education in Peshawar before moving to Calcutta to start his film career with New Theatres.

Premnath connected into the industry, more than just a performer. He also got connected with other film families. One of his sisters got married to Raj Kapoor. Another sister got married to Prem Chopra. His own family and children have further enriched the industry. His brothers Rajendranath and Narendranath got their own place in limelight of the industry. So did his son Prem Kishen, whose children continue to be active in films – Akanksha, as an actress and Siddhartha as a director.

Over a period of almost four decades, Premnath appeared in close to 150 films. In his early years, he was popular as a dashing young hero, but later he found greater success as a character artist. Till about mid 1960s, he continued to appear as the lead actor in films. In 1963 came ‘Rustam Sohrab’ in which he played the role of Sohrab, son of Rustam, role played by Prithviraj. Then in 1965 came the film ‘Janam Janam Ka Saath’ in which he was the lead actor opposite to Kamini Kaushal. As I review his filmography, this might well be his last film as a hero. In 1966 came the films ‘Amrapali’ and ‘Teesri Manzil’ in which he clearly struck out towards the path of character portrayals. Considering his strong on screen presence and his portrayals of the roles, he found a more effective success and popularity in his later years. I have always fancied his roles in ‘Teesri Manzil’, as the surprise villain revealed at the end, and in ‘Johnny Mera Naam’ (1970), as the vociferous Ranjit, younger brother of Rai Sb Bhupender Singh (role played by Sajjan), whom he imprisons and impersonates for his own criminal machinations. Of course there have been more memorable performances, but these two probably caught my fancy at a more impressionable age. Other roles that I would prefer to list are his performances in ‘Shor’ (1972), ‘Bobby’ (1973), ‘Ishq Ishq Ishq’ (1974), and Dharmatma (1975). That does not mean I have any lack of preference for his earlier roles. His performances in ‘Aag’ (1948), ‘Barsaat’ (1949), ‘Awaara’, ‘Baadal’, ‘Naujawaan’, ‘Buzdil’, ‘Shokhiyaan’ (all 1951)’, ‘Aan’ (1952), ‘Aurat’ (1953), ‘Aab e Hayaat’ (1955), ‘Changez Khan’ (1957), ‘Forty Days’ (1959) are memories to be relished.

I present this song (as homework assigned to me :) ), from the 1975 film of the same name – ‘Dhoti Lota Aur Chowpatty’. In this film, Premnath plays the role of a roadside vendor who sells pao bhaji at Chowpatty. His small vendor van has ‘Imaandar Pao Waala’ written on it. The film is produced and directed by Mohan Choti – ah yes, I was also surprised to see this name. The film has a whole galaxy of actors, some of them are making appearances as themselves in the film. The five songs in the film are written by three poets, Hasrat Jaipuri, Gulshan Baawra and Kulwant Jaani. This song is from the pen of Hasrat Jaipuri. The music is by Shyamji Ghanshyamji. The singing voice is that of Mukesh. The scenario is the streets of Bombay and the beach of Chowpatty, where a whole universe of human interactions exist. And Premnath is his exuberant self as he performs this song.

The nudging for this remembrance post, the song identification, and the lyrics have been assigned to me as homework by our dear principal, Khyati Ben. Ab ye homework to karna hi thaa naa. ;) Asha hai achhe number mil jaayenge.

Listen and enjoy.


Song-Dhoti lota aur chowpaati (Dhoti Lota aur Chowpaati)(1975) Singer-Mukesh, Lyrics-Hasrat Jaipuri, MD-Shamji Ghanshamji
Chorus

Lyrics

dhoti lota aur chowpaaty
dhoti lota aur chowpaaty
arre ye hain apne pyaar ke saathi
inse apna rishta naata
baaki saari duniya maati
dhoti lota aur chowpaaty
aji ye hain apne pyaar ke saathi
inse apna rishta naata
baaki saari duniya maati
dhoti lota aur chowpaaty

dhoti ne to ang chhupaaya
aur lote ne pyaas bujhaayi
mehnat ko imaan banaaya
chowpaaty par kari kamaayi
chowpaaty par kari kamaayi
jag waalon ki jeb na kaati
dhoti lota aur chowpaaty

hadtaalon ka zor to dekho
aeji naadaanon ka shor to dekho
khud apna nuksaan kare hain
duniyaa ke ye taur to dekho
duniyaa ke ye taur to dekho
apne ghar mein loota-laati
dhoti lota aur chowpaaty

kaam kiya hai kaam karenge
aur kaam se ooncha naam karenge
chaahe apni jaan bhi jaaye ae
Raghupati raaghav raaja Raam
patit paawan Sita Raam
ishwar allah tero naam
sab ko sanmati de bhagwaan

desh ko naa badnaam karenge
hum to hai Gaandhi ki laathi
dhoti lota aur chowpaaty
aeji ye hai apne pyaar ke saathi
inse apna rishta naata
baaki saari duniya maati
dhoti lota aur chowpaaty

waa wa wa wow waa
wa wa wow waa
waa wa wa wow waa
wa wa wow waa
waa wa wa wow waa
wa wa wow waa

————————————

धोती लोटा और चौपाटी
धोती लोटा और चौपाटी
अरे ये हैं अपने प्यार के साथी
इनसे अपना रिश्ता नाता
बाकी सारी दुनीया माटी
धोती लोटा और चौपाटी
अजी ये हैं अपने प्यार के साथी
इनसे अपना रिश्ता नाता
बाकी सारी दुनीया माटी
धोती लोटा और चौपाटी

धोती ने तो अंग छुपाया
और लोटे ने प्यास बुझाई
मेहनत को ईमान बनाया
चौपाटी पर करी कमाई
चौपाटी पर करी कमाई
जग वालों की जेब न काटी
धोती लोटा और चौपाटी

हड़तालों का ज़ोर तो देखो
अजी नादानों का शोर तो देखो
खुद अपना नुकसान करे हैं
दुनिया का ये तौर तो देखो
दुनिया का ये तौर तो देखो
अपने घर में लूटा लाटी
धोती लोटा और चौपाटी

काम किया है काम करेंगे
और काम से ऊंचा नाम करेंगे
चाहे अपनी जान भी जाये॰ ॰ए
रघुपति राघव राजा राम
पतित पावन सीता राम
ईश्वर अल्लाह तेरो नाम
सबको सन्मति दे भगवान

देश को ना बदनाम करेंगे
हम तो हैं गांधी की लाठी
धोती लोटा और चौपाटी
अजी ये हैं अपने प्यार के साथी
इनसे अपना रिश्ता नाता
बाकी सारी दुनीया माटी
धोती लोटा और चौपाटी

वा व व वौ वा
व व वौ वा
वा व व वौ वा
व व वौ वा
वा व व वौ वा
व व वौ वा


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10500 song posts by now.

Total number of songs discussed

10520

Number of movies (All songs covered)

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