atul's bollywood song a day- with full lyrics

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Namaste” (1943) was directed by M Sadiq and S U Sunny. This movie had R Wasti, Protima Dasgupta, Jagdish Sethi, Nayampalli, Mishra, Rajkumari Shukla, But Kashmiri, Ghulam Rasool, Alluddin, Amir Ali, Jetha N Lakhani etc in it.

One song from this movie has been discussed in the past.

Here is the second song from the movie. This song is sung by G M Durrani. D N Madhok is the lyricist. Music is composed by Naushad.

Only the audio of this song is available. seeing that G M Durrani was the main (and only) male playback singer in the movie, he clearly gave playback for the mail lead actor, who could be Wasti. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

Lyrics of this song were sent to me by Nitin Shah.


Song-Mere dil mein saikdon armaan (Namaste)(1943) Singer-G M Durrani, Lyrics-D N Madhok, MD-Naushad

Lyrics (Provided by Nitin Shah)

mere dil mein saikdon armaan
wo kya jaanen
haan armaan wo kya jaanen
baat na maanen
raat chaandni
wo bhi saath mein
haath haath mein haath
dil darta darta jaa
mere dil mein saikdon armaan
wo kya jaanen
haan armaan wo kya jaanen
baat na maanen
raat chaandni
wo bhi saath mein
haath haath mein haan
dil darta darta jaa

dekhe jo chaand sharmaaye
baadal mein jaake chhip jaaye
phir aankh aankh mein
main unse kuchh keh doon
phir aankh aankh mein
main unse kuchh keh doon
??
?? modd ke haan
dil darta darta jaa
mere dil mein saikdo armaan
wo kya jaanen
haan armaan wo kya jaanen
baat na maanen
raat chaandni
wo bhi saath mein
haath haath mein haan
dil darta darta jaa

ghir ghir ghataayen phir aayen
wo kehen ke lo bhar jaayen
main kahoon aaj dil dil ke badle loonga
main kahoon aaj dil dil ke badle loonga
?? naazuk jiyara unka tadpe haan
dil darta darta ja
mere dil mein saikdon armaan
wo kya jaanen
haan armaan wo kya jaanen
baat na maanen
raat chaandni
wo bhi saath mein
haath haath mein haa
dil darta darta jaa

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (21 september 2014) is the 88th birth anniversary of Noorjahaan (21 september 1926-23 december 2000). It is an event that may have gone largely unnoticed in Indian media (I am not sure because I do not watch news on TV. Going by the faceboook groups that I frequent, only one site recalled this event. It was through that site that I came y=to know of this date being the birth anniversary of Mallika e Tarannum.

Here is a song from “Badi Maa” (1945) on this occasion. The song is sung by Noorjahaan. Zia Sarhadi is the lyricist. Music is composed by K Datta.

Only the audio of the song is available, but it is clear that the song was picturised on Noorhjahaan herself.

This song, which was created seven decades ago has lyrics that sound rather eerily prophetic today-“tum hamko bhula baithe ho”. That hopefully will not happen as long as there are listeners of old HFM.

Lyrics of this song were sent to me by Nitin Shah.


Song-Tum hamko bhula baithhe ho (Badi Maa)(1945)Singer- Noorjahaan, Lyrics-Zia Sarhadi, MD-K Datta

Lyrics (Provided by Nitin Shah)

tum hamko bhula baithhe ho
hamko bhula baithhe ho
tum hamko bhula baithhe ho
ham tumko bhulaayen kaise
ham tumko bhulaayen kaise ae ae
ae ae ae ae
ae ae
tum hamko bhula baithe ho

jo aag lagaayi tumne
ham uss ko bujhaayen kaise ae ae
ham uss ko bujhaayen kaise ae ae
tum hamko bhula baithe ho

ummeed pe jeete thhe ham
ummeed nahin abb koyi
jeene ka na ho jab saamaan aan
jeene ka na ho jab saamaan
to umar bitaayen kaise
to umar bitaayen kaise ae
ae ae ae ae
ae ae
tum hamko bhula baithe ho
ham tumko bhulaayen kaise
ham tumko bhulaayen kaise

ro ro ke huyi ye haalat
abb ro bhi nahin sakte ham
haaye
abb ro bhi nahin sakte ham
aur ro na saken to apna
aur ro na saken to apna
afsaana sunaayen kaise
afsaana sunaayen kaise ae ae
ae ae ae ae
ae ae
tum hamko bhula baithe ho


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naatak” (1947) was directed by S U Sunny for Kardar Productions. The movie had Suraiyya, Amar, Sofia, Kanwar, shaam Kumar, Pratima Devi, Nazeer Bedi, Ameer Ali, Suleman, Murtaza, Nazeer Ahmad, Nawab etc in it.

The movie had ten songs in it. As many as eight songs fro this movie have been discussed in the past.

Here is the ninth song from “Naatak” (1947). This song is sung by Amar. Khumar Barabankwi is the lyricist. Music is composed by Naushad.

Only the audio of this song is available, but it is clear that the song was picturised on Amar himself.

With this song, now only one song remains to be covered. That one song is the elusive Suraiyya song “Taaron bhari raat sajan taaron bhari raat”. So we will have to wait for that song to surface before we can cover all the songs of this movie in the blog.


Song-Man ka panchhi shor machaaye (Naatak)(1947)Singer-Amar, Lyrics-Khumar Barabankwi, MD-Naushad

Lyrics

man ka panchhi shor machaaye
aaja tujh bin chain na aaye
man ka panchhi shor machaaye
aaja tujh bin chain na aaye

raaten laayen sukh ka sandesa
saari duniya soye ae ae
raaten laayen sukh ka sandesa
saari duniya soye
haan aan aan
hook si uthhe mere dil mein
dard jigar mein hoye
haan aan aan
dard jigar mein hoye
aankhen tarsen neend na aaye
aaja tujh bin chain na aaye

chaand ko chheden chanchal taaren
ithhlaaye ujiyaali ee ee
chaand ko chheden chanchal taaren
ithhlaaye ujiyaali
haan aan aan
kis ko chhedoon tere bina main
mera pehloo khaali
haan aan aan
mera pehloo khaali
dil se mere nike haaye
aaja tujh bin chain na aaye

aankh mein aansoo
lab per aahen
dil mein dard basa le
aankh mein aansoo
lab per aahen
dil mein dard basa le
haan aan aan
dil ka sauda dil se kar le
kuchh kho le kuchh paa le
haan aan aan
kuchh kho le kuchh paa le
dekh jawaani beeti jaaye
aaja tujh bin chain na aaye
man ka panchhi shor machaaye
aaja tujh bin chain na aaye


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“Samundar” (1957) was produced and directed by Premnath for P N Films production where P N surpise surprise ! stood for Premnath. :) The movie was an all family affair. Premnath, Bina Rai (his wife), Rajendranath (his brother) figured in the movie. Others in the cast were Nishi, Tuntun, Anmol Krishan, Ram Avtar, Ullas, Heeralal, Sundar, Ridkoo, Paul Sharma, Rajan Kapoor, Habeeb, Azeem, Mahesh, Manohar, Niranjan etc.

I have discussed three songs from this movie in the past. Here is another song from the movie. This song, the sixth from the movie, is sung by Lata. It is picturised as a bullock cart song on Bina Rai who plays the happy passenger of a bullock cart who sings this song while the bullock cart is on the move on largely deserted roads.

Rajinder Krishan is the lyricist. Music is composed by Madan Mohan.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Do panchhi udte jaayen aur geet milan ke gaayen(Samundar)(1957) Singer-Lata, Lyrics-Rajinder Krishan, MD-Madan Mohan

Lyrics(Provided by Avinash Scrapwala)

Do panchhi udte jaayen
aur geet milan ke gaayen
hai duniya melaa preet ka
ye samjhaayen
do panchhi udte jaayen
aur geet milan ke gaayen
hai duniya melaa preet ka
ye samjhaayen

aa aa aa
aa aa
aa aa aa
aa aa
aa aa aa
aa aa
aa aa aa
aa aa
hawaa ye thhandi thhandi
ye baaghon ke nazaare
akeli mujhe dekhen to chhedenge saare
hawaa ye thhandi thhandi
ye baaghon ke nazaare
akeli mujhe dekhen to chhedenge saare
papeehe ki sadaayen
armaan jagaate jaayen
hai duniya melaa preet ka
ye samjhaayen
do panchhi udte jaayen
aur geet milan ke gaayen
hai duniya melaa preet ka
ye samjhaayen

aa aa aa
aa aa
aa aa aa
aa aa
aa aa aa
aa aa
aa aa aa
aa aa
koyaliya ye boley
kisi ki tu bhi holey
main dil se jo poochhoon to
haaye bairi doley
koyaliya ye boley
kisi ki tu bhi holey
main dil se jo poochhoon to
haaye bairi dole
ye naina bhi sharmaaye
sharmaake jhukte jaayen
hai duniya melaa preet ka
ye samjhaayen
do panchhi udte jaayen
aur geet milan ke gaayen
hai duniya melaa preet ka
ye samjhaayen


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Romeo and Juliet” (1947) was directed by Akhtar hussain for Nargis arts Concerns, Bombay. This movie, a home production of Nargis, had Nargis, Sapru, Anwar, Sunalini Devi, Nisaar, Johw Cawas, Hamid Muraad, Nazeer Kashmiri, Voilet, Pushpa, Abdul Rasheed, Amanullah etc in it.

One song from this movie has been discussed in the past. Here is another song from the movie. This song is sung by G M Durrani. Akhtar Sheeraani is the lyricist. Music is composed by Husnlal Bhagatram.

Lyrics of this song were sent to me by Nitin Shah.


Song-Tumhe sitaaron ne be-akhtiyaar dekha hai (Romeo and Juliet)(1947) Singer-G M Durrani, Lyrics-Akhtar Sheeraani, MD-Husnlal Bhagatram

Lyrics(Provided by Nitin Shah)

tumhen sitaaron ne be-akhtiyaar dekha hai
tumhen sitaaron ne be-akhtiyaar dekha hai
shareer chaand ne bhi baar baar dekha hai
shareer chaand ne bhi baar baar dekha hai
tumhen sitaaron ne be-akhtiyaar dekha hai

kabhi jo baithhi ho gesoo sanwaarne ke liye
kabhi jo baithhi ho gesoo sanwaarne ke liye
to aaine ne tumhen ham?? dekha hai

sunehre paani mein chaandi se paanv latkaaye
sunehre paani mein chaandi se paanv latkaaye
shafaq ne tumko sar e juebaar(?) dekha hai

kabhi gayi ho chaman mein to shokh phoolon ne
kabhi gayi ho chaman mein to shokh phoolon ne
nigaah e shauk se mastaanawaar dekha hai
nigaah e shauk se mastaanawaar dekha hai

garaz maza(?) hi gar qudrat ne har tarah tumko
hazar baar nahin laakh baar dekha hai
magar meri nigaah e shauk ko shiqaayat hai
magar meri nigaah e shauk ko shiqaayat hai
ke usne tumko fakat ek baar dekha hai
ke usne tumko fakat ek baar dekha hai
tumhen sitaaron ne be-akhtiyar dekha hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chhoti Duniya” (1953) was Produced by D M Sheth and directed by Uday Kumar for Meera Productions, Bombay. This movie had Uday Kumar, Leela Kumari, Shiela Naik, Nannu, Ranjeet, Ashwin Roy, B lalwani, Moolji Khushal, Babu, Chandar etc in it.

Here is a rare song from this obscure movie. This song is sung by G M Durrani. Bekal is the lyricist. Music is composed by Rajhans Kataria.

The movie as well as the music director are making their debut in the blog with this song.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Is toote huye dil ka (Chhoti Duniya)(1953) Singer-G M Durrani, Lyrics-Bekal , MD-Rajhans Kataria

Lyrics(Provided by Avinash Scrapwala)

Is toote huye dil ka
ab kaun sahaara hai
is toote huye dil ka
ab kaun sahaara hai
apne na baney apne
ab kaun hamaara hai
is toote huye dil ka

ae duniya bataa hamko
jaayein to kidhar jaayein
ae duniya bataa hamko
jaayein to kidhar jaayein
hamko to nazar aati
manzil na kinaara hai
apne na baney apne
ab kaun hamaara hai
is toote huye dil ka

jeena bhi agar chaahen
kis aas pe ham jiyein
jeena bhi agar chaahen
kis aas pe ham jiyein
ummeed ke aakash pe
ab chaand na taara hai
apne na baney apne
ab kaun hamaara hai
is toote huye dil ka

ab kis se gila shikwaa
aur kis se shikaayat ho
ab kis se gila shikwaa
aur kis se shikaayat ho
taqdeer ke maaron ko
taqdeer ne maara hai
apne na baney apne
ab kaun hamaara hai
is toote huye dil ka
ab kaun sahaara hai
is toote huye dil ka


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sahir Ludhianvi will always be remembered for the respect he brought to the lyricists of Hindi films. His arrival in the Hindi film industry set a bench mark for lyricists which brought about a transformation in the style of lyrics writing for Hindi film songs from the 5Os through 7Os. His stock went so high after the success of Pyaasa (1957) and Naya Daur (1957) that some producers started signing him first before deciding on the music director or sometime even the main cast during his hey days. He ruled the Hindi film industry during most of his 3 decades of association with it. This was despite the fact that he had no opportunity to work with three of the top music directors of his time viz Naushad, Husnlal Bhagatram and Shanker-Jaikishan. And two other top music directors namely S D Burman and O P Nayyar refused to associate with him after 1957. How did he manage to stay aloft in the Hindi film industry? The answer is that the quality of his lyrical poetry far outweighed his temperament and his rigid conditions for writing songs. Let us see his report card in the following table:

Music Directors No. of Films No. of Songs
S D Burman 18 137
Ravi 19 129
N Datta 18 115
Roshan 8 60
Khaiyyam 5 41
Laxmikant-Pyarelal 6 32
R D Burman 4 25
Madan Mohan 3 24
O P Nayyar 5 23
Jaidev 3 2O
Chitragupta 2 13
Others(19) 24 1O5
Total 115 724

NOTE: This table has been prepared from the list of songs available at sahirludhianvi.com which has been counter checked with http://www.myswar.com. Ultimately, I have gone by the latter source. There could be some minor discrepancies because of version songs.

Sahir wrote 724 songs in 115 films for 30 music directors. More than 5O% of his songs were written for just 3 music directors – S D Burman, Ravi and N Datta. It is significant to note that Sahir worked with S D Burman only during 1951-57 but still he wrote his maximum number of songs for him. A few prominent music directors in the ‘Others’ category with whom he worked were Anil Biswas, C Ramchandra, Hemant Kumar and Kalyanji Anandji .

Period wise song output of Sahir Ludhianvi throws some interesting statistics. During 1948-6O, he wrote 3O9 songs which came down to 241 songs during 1961-7O and further declined to 174 songs during 1971-82. Surely, his condition of getting remuneration of one rupee more than the music directors and his rigid stand of not writing lyrics to pre-set tunes had affected his output. But financially, he may not have been worse off as during this lean period, he constructed his bungalow ‘Parchhaayian’ sometime in mid 7Os and stayed there with a fleet of cars until his death in October 25, 198O.

Sahir Ludhianvi was almost like ‘in house’ lyricist for B R Films (B R Chopra) and for Yash Raj Films (Yash Chopra) who wrote lyrics for most of their films. Yash Chopra, who directed films, ‘Joshila’ (1973), ‘Deewaar’ (1975) and ‘Trishul’ (1978) produced under the banner of Trimurti Films of Gulshan Rai, also entrusted Sahir Ludhianvi for writing songs for these films.

I am presenting here one of the songs from the film TRISHUL (1978) ‘aapki mehki huyi zulf ko kahte hain ghata’ sung by Yesudas and Lata Mangeshkar under the music direction of Khaiyyam. The song is picturised on Sanjeev Kumar and Waheeda Rehman when the credit titles of the film are being shown on the screen. While the lover admires his beloved and tells her that he calls her intoxicated eyes flowers. She smiles and tells him that she is nothing. It is he who feels that way. Then she teases him saying that his admiration of her is nothing but his desire filled glances. In the next, she teases him further by saying that his admiration of her is something which is difficult to believe. Such type of praises reflects his ultimate intention. Of course at the end they feel that they are fortunate to have each other for company, the fructifying desires of the centuries of both of them to be with each other.

It is a beautifully worded romantic song nicely picturised without much of disturbances from the credit title display on the screen.


Song-Aapki mehki huyi zulf ko kehte hain ghata (Trishul)(1978) Singers-Yesudas, Lata, Lyrics-Sahir Ludhianvi, MD-Khayyaam

Both

aapki ee
mehki huyi ee
zulf ko kehte hain ghata
aapki ee
mehki huyi ee
zulf ko kehte hain ghata
aapki madbhari aakhon ko kanwal kehte hain
aapki madbhari aakhon ko kanwal kehte hain
main to o
kuchh bhi nahin ee
tumko haseen lagti hoon
isko chaahat bhari nazron ka amal kehte hain
isko chaahat bhari nazaron ka amal kehte hain

ek ham hi nahin
ek ham hi nahin sab dekhne waale tumko
sangemarmar pe
sangemarmar pe likhi shokh ghazal kehte hain
sangemarmar pe likhi shokh ghazal kehte hain
aisi baaten na karo
aisi baaten na karo
jinka yakeen mushkil ho
aisi taareef ko
aisi taareef ko neeyat ka khalal kehte hain
aisi taareef ko neeyat ka khalal kehte hain

aapki madbhari aakhon ko kanwal kehte hain
isko chaahat bhari nazron ka amal kehte hain

meri taqdeer ke tumne mujhe apnaa samjhaa
meri taqdeer ke tumne mujhe apnaa samjhaa
isko sadiyon ki
isko sadiyon ki tammanaaon ka phal kehte hain
isko sadiyon ki tammanaaon ka phal kehte hain
isko sadiyon ki tammanaaon ka phal kehte hain


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTIST NAME FILMS……Song No. 2
————————————————-

The famous song, ” Jaane naa nazar, pehchane jigar” was being shot on the floor, on Raj Kapoor and Nargis for the film ‘Aah’-53. It was a romantic song, but Nargis was weeping. The director of ‘Aah’ was Raja Nawathe. He said, ‘ What is this Nargis ? This is a romantic song and you are crying ? ‘. Nargis requested him to stop the shooting. Raj Kapoor,the film’s hero and her close friend was worried. He went to her and asked,” what is the matter,Baby ? ‘. She said sobbingly,” Nani ki bahut yaad aa rahi hai”. Her Nani- Dilipa – was very sick those days. Raj had met her some times, so he understood.

Same time, a person came to the studio with an urgent message for Nargis. He was immediately taken aside. He informed that her Nani- Dilipa- had just died. The day was 7th may 1953. The shooting was cancelled. Nargis was weeping uncontrollably.

Who was Dilipa ? She was Jaddanbai’s mother. Jaddanbai was the love child of Dilipa and Motilal Nehru-Jawaharlal Nehru’s father. Jawahar ( born from Motilal and Swaroopa Rani) and Jaddan bai had played together in childhood. Later their paths differed. However, on several occasions,Jaddanbai had tied ” Rakhi” on Jawaharlal’s wrist.( afterall,their father was one. There is a striking resemblance ,particularly in the Nose of Nargis, Indira Gandhi and Nehru-her Mama).

Lovely Jaddanbai too became a Tawayaf like her beautiful mother-Dilipa. She begot a son-Akhtar Hussain,from Seth Narothamdas khatri or Bachhibabu. Then she got another son -Anwar Hussain, from her harmonium player, Irshad Meer Khan. Jaddanbai got her true love when she fell in love with a Medical student of Lucknow-Uttamchand Mohan from Rawalpindi. After a few hiccups,they got married in Calcutta,when Uttam became a Muslim-Abdul Rashid. On 1-6-1929, they got a daughter-baby Fatima Rashid, who was called Bibbo by all. She later became Nargis.

Nargis not only continued the tradition of marrying a Hindu boy (Sunil alias Balraj Dutt), but even her son Sanjay Dutt too did the same by marrying a much married and divorced muslim girl- Dilnawaz shaikh ( Manyata). Sanjay Dutt too got converted as a Muslim for this. Nargis, it is claimed , had become a Hindu, before marriage and was called Nirmala. In fact,after her death,Nargis was dressed like a Dulhan with all the paraphernalia, before taking her for cremation. ( According to Tabassum-phool khile hai gulshan gulshan fame- in an interview to filmfare.)

So much has been written about Nargis as an actress, on Internet and in this Blog,that I will not repeat it here.

Nargis made her Debut as a Heroine in Mehboob Khan’s film Taqdeer-1943,when she was just 14 years..

Today’s song is from film NARGIS-46. This was her 7th film as a Heroine. Her Hero was the dashing handsome Rahman(My favourite Hero). This film was also a Debut film for Baby Tabassum. From the scheming publisher in Pyaasa to the loyal friend in Chaudhvin Ka Chand to the decadent husband in Sahib Bibi Aur Ghulam, Rehman played characters of all shades. Born in 1923 in Lahore (now in Pakistan), Rehman moved to Jabalpur where he completed his education. He joined the Indian Air Force, but quit soon to join Prabhat Studios as third assistant to director Vishram Bedekar.

His first brush with acting happened almost by chance. Director D.D. Kashyap, whom Rehman was assisting at that time, urgently required someone to play the role of a Pathan in his film Chand. Since Rehman was the only one on the sets who could tie a turban the Pathani way, he landed the part.
The cameo in Chand was followed by more substantial parts in Hum Ek Hain, Nargis, Paras, Pyar Ki Jeet, Dil Diya Dard Liya, and Dost. But it was director Guru Dutt who gave Rehman his best roles in films such as Pyaasa, Chaudhvin Ka Chand, and Sahib Bibi Aur Ghulam. Perfectly tailored by Guru Dutt and played admirably by Rehman, these remain amongst the most vivid characters portrayed in Hindi cinema.

The film was directed by D.D.Kashyap. He was born in 1910 at Jalalpur in UP(now Uttar Pradesh,but earlier called United Province),in a middle class family without any connection to films or music. When DD came to the college in Lucknow,he was awed by the silent movies. By 1931 the Talkie started and he decided films as his career. He knew that it is only Bombay that can extend opportunities to him. Reaching Bombay, he labouriously worked up his way up, doing menial jobs on the way, in the V.Shantaram camp. He was a learned man with a flair for writing, hence he got a chance to become an assitant to Munshi Aziz, while writing dialogues for AADMI-1939.(I checked the credits of Aadmi and truely his name features in the list of assistants, in the Dialogues section.)I can only imagine how he must have felt then.

Looking at his enthusiasm, Shantaram promoted him as one of his assistant Directors in PADOSI-1941. He even did a cameo role of OMKAR in Padosi. Now he had enough experience and his first film as a Director was NAI KAHANI-1943. Then came a series of films, Chand, Nargis, Aaj ki Raat, Pyaar ki Jeet, Badi Behan, Kamal ke phool, Aaram, Do sitare, Badnaam, Naya Ghar, Shama Parwana, Aan baan, Halaku, Maya(Dev Anand film),and Dulhan ek raat ki-67.

he has also written the story of 10 o’clock-58.

He was an actor,writer,s/play writer,dialogue writer,producer as well.
Actually he produced Badi behan-a hit film,Aaram-another hit and Shama Parwana.
He died on 5-9-1988,at Bombay.

(Thanks to shri Rajnikumar Pandya ji,for making use of some information from his book,’ Aapki Parchhaiyan”)

Let us now listen to a melodious song by G M Durrani, from “Nargis” (1946). Qamar Jalalabadi is the lyricist. Music is composed by Husnlal Bhagatram


Song=-Ye to bata mere khuda (Nargis)(1946)Singer-G M Durrani, Lyrics-Qamar Jalalabadi, MD-Husnlal Bhagatram

Lyrics

ye to bata mere khuda
ye to bata mere khuda
lut gaya mera pyaar kyun
dil ki kali khili na thhi
dil ki kali khili na thhi
roothh gayi bahaar kyun
ye to bata mere khuda
meri kali ko chheen kar
meri kali ko chheen kar
kya mila baaghbaan tujhe
kya mila baaghbaan tujhe
bulbule badnaseeb ki
bulbule badnaseeb ki
sunta nahin pukaar kyun
ye to bata mere khuda
lut gaya mera pyaar kyun
ye to bata mere khuda

aake chali gayi khushi
aake chali gayi khushi
yaad hi dil mein reh gayi
yaad hi dil mein reh gayi
yaad bhi kyun na chheen li
yaad bhi kyun na chheen li
aati hai baar baar kyun
ye to bata mere khuda
lut gaya mera pyaar kyun
dil ki kali khili na thhi
roothh gayi bahaar kyun
ye to bata mere khuda


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Regulars may have noticed that I have discussed lots of Suraiyya songs in the recent past and now we have reached close to her total tally of HFM songs that she sang. In my previous writeup on Suraiyya, I had given some figures about her songs. Here, in this writeup, I give the findings of my research on Suraiyya songs.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaarda” (1942) was produced and directed by A R Kardar. The movie had Mehtab, Ulhas, Vasti, Nirmala, A Shah, Badri Prasad Pratima Devi, Amir Banu, S Baburao, Shyam Kumar etc in it.
Read more on this topic…


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(© 2008 - 2014) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10200 songs post by now.

Total number of songs discussed

10277

Number of movies (All songs covered)

533

Total visits so far

  • 5,929,034 hits

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1947 1948 1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1973 Actor-Singer Anand Bakshi Anil Biswas Asha Bhonsle Bharat Vyas Chitragupta C Ramchandra Dev Anand Dharmendra D N Madhok Geeta Dutt Hasrat Jaipuri Hemant Kumar Husnlal Bhagatram Kalyanji Anandji Kishore Kumar Lata Laxmikant Pyarelal Madan Mohan Madhubala Mahendra Kapoor Majrooh Sultanpuri Manna Dey Meena Kumari Mukesh Nargis Naushad O P Nayyar Prem Dhawan Qamar Jalalabadi Rafi Raja Mehdi Ali Khan Rajesh Khanna Rajinder Krishan Raj Kapoor Ravi R D Burman Roshan Sahir Ludhianvi S D Burman Shailendra Shakeel Badayuni Shammi Kapoor Shamshad Begam Shankar Jaikishan Singer-MD Suman Kalyanpur Suraiyya Talat Mehmood
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