atul's bollywood song a day- with full lyrics

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gehra Raaz” (1971) was directed by Niranjan for Salim Productions, Bombay. This B grade suspense movie had Sujit Kumar, Sofia (new find as they said those days), Sheikh Mukhtaar, Abhi Bhattacharya, Satyajit, Brahnchaari, Madhumati, Mohan Sherry, Eshwar, Dinani, Paro, Uma Dutt, Hiralal, Pardesi, Rani, samson, Jelani, Lohani, Sadhna Khote, Sarla, Master Salim etc in it.

Today (27 august 2014) is the 38th death anniversary of Mukesh. Here is a rare song from this obscure movie on this occasion. This song is sung by Mukesh and Krishna Kalle. The song is picturised on Sujit Kumar and Sofia.

Akhtar Romani is the lyricist. This movie had two music directors, viz Salil Chaudhary and Raj Ravinder. The music of two songs in the movie, including this song, was composed by Raj Ravinder.

Lyrics of this song were sent to me by Prakashchandra.


Song-Zulfon ko lehra ke chalo na bikhraa ke (Gehra Raaz)(1971) Singers-Mukesh, Krishna Kalle, Lyrics-Akhtar Romani, MD-Raj Ravinder
Both

Lyrics(Provided by Prakashchandra)

zulfon ko lehraa ke
chalo naa bikharaa ke
saawan ki ghataa sharmaayegi
zulfon ko lehraa ke
chalo naa bikhraa ke
saawan ki ghataa sharmaayegi

dekho na muskuraa ke
yoon nazrein milaake
phoolon ki adaa sharmaayegi
dekho na muskuraake
yoon nazrein milaa ke
phoolon ki adaa sharmaayegi

ye jhuki jhuki aankhein
ye ruki ruki saansein
ke duniyaa hi ruk jaaye naa
qasam hai tumhaari
ke tumse main haari
jabhi toh aankh jhuk jaaye naa haayye

nigaahon ko jhukaa ke
chalo naa sharmaa ke
dekhegi hayaa sharmaayegi
dekho na muskuraa ke
yoon nazrein milaa ke
phoolon ki adaa sharmaayegi

kali main albeli
rahoongi na akeli
jo chaahoon woh kahaa jaaye naa aa

ye kirnon si raahein
ye jharnon si baahein
bulaaye toh rahaa jaaye naa haayye
hawaa mein ithhlaa ke
chalo naa itraa ke
gulshan ki fizaa sharmaayegi

zulfon ko lehraa ke
chalo naa bikharaa ke
saawan ki ghataa sharmaayegi

ye dil hai deewaanaa
ise naa samjhaanaa
deewaanaa ye machal jaaye naa aa
milaa hai koyee apnaa
khilaa hai meraa sapnaa
zamanaa kahin jal jaaye naa haayye

chalenge gungunaa ke
waffa ke geet gaa ke
jahaan ki jafaa sharmaayegi
chalenge gungunaake
waffa ke geet gaake
jahaan ki jafaa sharmaayegi

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The best period of HFM’s melody was the 50s. Countless sweet melodies were brought out by talented composers. The whole atmosphere in India that time was highly conducive to the growth and spread of Indian film industry. newer markets were being added for overseas exhibition,thus making the actors and singers earn more.

Pehli Tarikh-1954 was a film always remembered by everyone for its most popular Kishore song,” Khush hai zamana aaj Pehli tarikh hai”. Radio Ceylon first broadcast this song on 1st October 1954 and then continued playing it-without a break-till 1st April 2008, when Radio Ceylon (SLBC by then) abruptly discontinued its Hindi commercial service.( later on it restarted-but woh maza nahin..)

Senior readers will surely remember the “RADIO DAYS ” of Radio Ceylon. For millions in this country, Radio Ceylon was not just a broadcasting station. It had a form and a personality. It was a companion who added a meaning to their lives, filled with vacant hours and has now left them with a host of memories.

Radio Ceylon Hindi service started before 1950. Hamid Sayani, elder brother of Amin Sayani was involved in Radio Ceylon in early days and Binaca Geetmala started from 1952. The announcers of radio Ceylon like Kamini and Vijaya sisters, Vijay Kishore Dubey, Gopal Sharma, Shiv Kumar Saroj, Sunil Dutt, Manohar Mahajan etc were household names. So were towns like Jhumri Talaiyya, Nanded and few others. Radio clubs cropped up everywhere. Radio Ceylon got the real boost when HFM stopped playing on A.I.R. in 1952.

It is popularly believed that the then Minister for info and broadcasting, V.B.Keskar was against film music, calling it Vulgar and that it was he who banned it on A.I.R.

But it is NOT TRUE !

It is true that Keskar was a Purist and disliked Hybrid Music (i.e. HFM ),but he did not ban it.

What actually had happened was that A.I.R. announced its revised policy in July 1952 which said,

1) Broadcast time for Hindi film songs will be reduced and

2)Dropping the custom of announcing the name of the Film of the song.

IMPPA or The Indian motion Picture producers’ Association was enraged at this loss of free advertisement opportunity for their films and the producers, in their capacity as Copyright owners, took away the A.I.R.’s licences for broadcasting film songs. Thus film songs disappeared from A.I.R.,replaced by sugam sangeet and classical music.
(Ref. ‘ Mourning the nation: Indian cinema in the wake of the Partition” by Bhaskar Sarkar,pp 57 ).

So, the truth is Keskar did not ban HFM, it was the producers’ association which withdrew licences to AIR, thus forcing them to stop HFM. We had a very interesting discussion on RMIM forum today on this issue. Dr.Surjit singh ji , like a magician, produced several old documents which proved that keskar was NOT the villain, but popularly he was held responsible by one and all. Radio Ceylon took the advantage of the situation and grew very fast starting programmes like Binaca geetmala and Lipton ke Sitare. They did yeoman service to popularise HFM in south east Asia.

Radio Ceylon’s transmitters were powerful and Boosters were installed in India. The famous Mountaineer Edmond Hillary wrote, ” Soon after Conquering the Everest, we turned on our Transmitter Radio and the First thing we heard was an Overseas broadcast of Radio Ceylon Hindi service-from more than 3000 miles away ! “

Anyway, talking about the perennially popular song of Pehli Tarikh-54 played on every 1st of the month for over 50 years, some other gems from the same film are totally forgotten. Today we will hear another sweet song from this film, sung by Lalita Deulkar-wife of Sudhir Phadke,composer of this film.

LALITA was born in Bombay in 1924. She was not interested in acting or singing, but poor family conditions and father’s T.B ,forced her to earn a living by singing and acting. During 1940-45, she recorded many songs. One Mr. Dulerai Pandya, a Gujarati,owned ” The National Recording Co.Ltd.” in Bombay’s Fort area. There was a Tricolour shown on the labels of the records, hence this company was known as Jhandewali record co. V.Shantaram was also on its Board of Directors. Initially Prabhat and later Rajkamal film songs were issued on this Jhanda Chhap records only. The company had hired Datta Davjekar for Marathi and Avinash Vyas and Lallubhai Bhojak for Hindi and Gujarati songs. She recorded many Darya songs and Bhavgeets in this company. Along with her Gajanan Watwe, Jyotsna Bhole also recorded songs here. Some records named her as Lalita Devi. Once Saraswati Devi heard her and gave her chance to do small roles and sing in chorus of songs of Bombay Talkies films. Her Debut was made with the song “Aankhowale tu dekh ke chal” from film “Parbat pe apna dera”‘-44. it was a duet with Parshuram,under the baton of Vasant Desai.

After singing songs in Valmiki-46 and Eight Days-46, she got a good break in film Saajan-1947. Her duet with Rafi, ” Humko tumhara hi aasra” is remembered even today. Film Nadiya ke paar-48 also had a duet with Rafi,” More raja ho, le chal nadiya ke paar” which was very popular. C.Ramchandra was MD for both these films. She sang in several other films like Bhakta Dhruv, Khidki, Jalan, Shaheed, Shakti, Vidya, Bedard, Daulat, Girls school, Jai Bheem, Roshni, Sanwariya, Shabnam, Apni Chhaya, Malti Madhav, Pahli Tarikh,Sajni etc.

She got married to Composer Sudhir Phadke (25-7-1919 to 29-7-2002),on 29-5-1949 at Poona. Their common friend Mohd. Rafi sang a specially prepared and meticulously rehearsed ” Mangalashtak ” ( an eight stanza marriage song in Marathi),in their marriage. After marriage she sang only in films of Sudhir Phadke. After Sajni-56, she stopped singing completely and became a devoted housewife. She died on 25-5-2010. Their son Shridahar Phadke is a well known Marathi singer and composer.

let us now enjoy her song from film Pehli Tarikh-1954. This song takes a fun look at the budget of a household if the lady of the house had her way. Qamar Jalalabadi, who also wrote lyrics of “Khush hai zamaana aaj pahli taarikh hai” comes up with equally funny lyrics in this song.


Song-Hisaab zara sunte jaana ji (Pehli Taareekh)(1954) Singer-Lalita Deulkar, Lyrics-Qamar Jalalbadi, MD-Sudhir Phadke

Lyrics

hisaab zara sunte jaana ji
hisaab zara sunte jaana ji
hisaab zara sunte jaana ji
hisaab zara sunte jaana
ji ji ji ji ji ji ji ji

pehli taareekh ko laaye balam tum
ek sau bees rupayye
ek hi din bas saath raha
kuchh bhi raha nahin palle
raha nahin palle
luta ik pal mein khazaana ji
luta ik pal mein khazaana ji
hisaab zara sunte jaana ji
hisaab zara sunte jaana
ji ji ji ji ji ji ji ji

paanch rupayye ka powder laayi
ek rupayye ki bindiya
teen rupayye ki honthon ki surkhi
aathh rupayye ki chunariya
chunariya
chunariya
kaajal ka solah aana ji
kaajal ka solah aana ji
hisaab zara sunte jaana ji
hisaab zara sunte jaana
ji ji ji ji ji ji ji ji

bees ki saadi
saath rupayye mein laayi apna suit
laayi apna suit
chaudah rupayye ke sandal laayi
liya zaalim ne loot
zaalim ne loot
bada mehanga hai zamaana ji
bada mehanga hai zamaana ji
hisaab zara sunte jaana ji
hisaab zara sunte jaana
ji ji ji ji ji ji ji ji

raste mein ik mili saheli
hotel huyi rawaana
piya tumhaari shaan ki khaatir
usey khilaaya khaana
khilaaya khaana
reh gaya aadha aana ji
reh gaya aadha aana ji
hisaab zara sunte jaana ji
hisaab zara sunte jaana
ji ji ji ji ji ji ji ji

powder surkhi bindiya saadi
inka zimma mera
ration
kapda
doodh
kiraaya
inka zimma tera
dekho ji kahin bhool na jaana ji
dekho ji kahin bhool na jaana ji
hisaab zara sunte jaana ji
hisaab zara sunte jaana
ji ji ji ji ji ji ji ji


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Majhli Didi” (1967) was directed by Hrishikesh Mukherji for K G Pictures. The movie had Dev Kishan, Meena Kumari, Sachin, Maruti, Leela Misra, Keshto Mukherjee, Dharmendra, Leela Chitnis, Lalita Pawar, Bipin Gupta etc in it.

Today (27 august 2014) is the 8th death anniversary of Hrishikesh Mukherji (30 september 1922- 27 august 2006). On this occasion, here is a lovely “paheli” song from “Majhli Didi” (1967). This song is sung by Lata, Kamal Barot and Nilima Chatterji. It is pictrised on Meena Kumari playing mother to Baby Sarika, Master Khalid and Baby Razia.

The lyrics are by Neeraj and music is composed by Hemant Kumar.

This song is picturised quite nicely. The mother indulges in a “paheli” (riddles) session with her kids. Though it must be said that I did not fully understand these pahelis. I was better in solving them when I was a child. :)

As the session ends, the kids want more, but the mother throws spanner in their works, telling them that she has lots of other works to attend to. Not just that, she asks the kids to go and study and that she was going to take their test in the afternoon. :)

The lyrics of this song were sent to me by Prakashchnadra.


Song-Main laal laal gujkoon (Majhli didi)(1967) Singers-Lata, Kamal Barot, Nilima Chatterjee, Lyrics-Neeraj, MD-Hemant Kumar
Kamal Barot + Nilima Chatterjee

Lyrics(Provided by Prakashchandra)

main laal laal gujkoon
tu haath daale mujhkoon
main kaatt khaaoon tujhkoon
tu khaaye jaaye mujhkoon
bataao bataao bataao
main kaun hoon

ber

ek achhambhaa aissa dekhaa
haathi khadaa nahaaye
bataaoo toh kyaa hai
tum hi bataao naa maa
oas
oas ?
haan…aaa….aaa
chonch na doobey
ghadhaa naa dobey
chidiyaa pyaasi jaaye
ek achhambhaa aissa dekhaa
haathi khadaa nahaaye
bataao bataao
bataao toh kyaa hai ?

oas

ek katore mein hai katoraa
baap se zyaadaa beta goraa aa
ek katore mein hai katoraa
baap se zyaadaa beta goraa
poojaa mein woh aataa kaam
kaho toh uskaa
kyaa hai naam ?

bataaoon ?
naariyal

ek angul ke ghaazi miyaan
dus angul ki poonchh
chalte jaayen ghaazi miyaan
phansti jaaye poonchh

phir se bolo
ek angul ke ghaazi miyaan
dus angul ki poonchh
chalte jaayen gaaji miyaan
phansti jaaye poonchh

hmmm…hmmmmm
sui dhaagaa ?
haan…aaaaaaaa

ek thhaal moti se bharaa aa aa
sab ke sar par ultaa dharaa
aandhi aaye ae ae ae
paani aaye ae
moti ek nahin gir paaye
bataao toh kyaa hai ?
ek thhaal moti se bharaa aa
sab ke sar par ultaa dharaa

aandhi aaye ae ae
paani aaye ae
moti ek nahin gir paaye
aakaash
aakaash
aakaash
aakaash
aaa…aaaa…aaa kaash

maa aur paheliyaan bujaao naa
naa naa
Mujhe bahut kaam karne hain
tum dono baithkar sabak yaad karo
aur suno lalil uma
aaj dopahar ko tumhaari pareeksha loongi
samjhe


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Legendary singer Mukesh was born in Delhi, on July 22, 1923 in a middle class family consisting of 10 children. Mukesh was the sixth of the siblings. The lure of films always appealed to Mukesh and as such he was less interested in studies. After his matriculation in a municipal school he was able to get a job of assistant surveyor in Delhi’s department of public works through his father. However, after just seven months of service, Mukesh ran away to Mumbai to become another KL Saigal whose adherent fan he had been all along. Even in school, Mukesh was known as “junior saigal” and the lunch breaks often involved the young Mukesh rendering his favourite Saigal numbers to his peers amongst whom Roshan Lal would be one on the harmonium.

Before landing in Mumbai, Mukesh had secretly recorded 6 private songs in Delhi in 1940. In Mumbai, his relative, a well-known actor at that time, Motilal, arranged for his stay. Motilal was already impressed with the young man’s voice, when he had heard him sing at his elder sister’s wedding. Motilal even engaged Pandit Jagannath Prasad to train the young singer.

The film career of Mukesh began with the film Nirdosh (1940) in he which he acted opposite Nalini Jaywant. Naturally, he singing also started with this film in which he had one ghazal penned by Neelkanth Tiwari and 2 duets with Nalini Jaywant. The music director of the film was Ashok Ghosh.

From 1940-45, Mukesh experimented himself with a variety of roles, but without much success. In 1945, with Pheli Nazar, he appeared on the center-stage by giving playback for the unforgettable “dil jalta hai tho jalne do” aptly for Motilal himself. In this song, Mukesh heavily copied his idol Saigal. Bets were placed all over the country as to who the actual singer was and to the extent that Saigal himself is said to have commented “but I don’t remember singing this song”. This all-time great song was composed by Anil Biswas who along with Naushad was instrumental in shaping the singing career of Mukesh in his early years.

The phenomenal success of the song once again started a burning desire by Mukesh to follow the footsteps of saigal in becoming an “actor-singer” a disastrous decision which almost cost Mukesh his career. Today, many know Mukesh only as a great singer. Sudhir ji in his “The Voice of Mukesh” series has amply covered many songs of the 40’s. The series also covers with detailed explanations of most of the films in which Mukesh took up other roles. The table below enlists the other roles Mukesh donned before he took up only playback singing seriously.

Year Film Role Remarks
1940 - - Recorded 6 private songs
1941 Nirdosh Actor-Singer With Nalini Jaywant
1942 Adaab Arz Actor With Nalini Jaywant
1942 Dukh-Sukh Actor-Singer With kathak dancer Sitara Devi
1944 Uss-paar Villan With Kusum and has one duet in the film
1949 Rumaal Guest appearance -
1951 Malhar Producer With Roshan as Music Director
1953 Aah Guest appearance Featuring in the song “choti si yeh zindagani” as a tangewala
1953 Mashooqa Actor-Singer With Suraiya
1956 Anuraag Actor, Singer, Music Director and Producer With Usha Kiran

The making of Mashooqa proved to be very ruinous for Mukesh as he had signed a contract that he would not be singing for any other production house or actor. Music directors in particular started avoiding Mukesh and to make matters worse, the release of the film got delayed. Anuraag with manifold roles by Mukesh also boomeranged at the box-office.

It was only with the great support from Shanker Jaikishan and Salil Choudhary for Yahudi and Madhumati respectively, that things started looking brighter for Mukesh from 1958. There was no looking back and the following year in 1959, Mukesh went on to become the first ever male singer to win the filmfare award for Best Playback singer for Anari. He received this award from his fan and president of Egypt Al Nasir.

Mukesh received 4 filmfare awards, 1 National Award in 1974 and 3 Bengal Film Journalists Association Awards apart from others.
Starting from 1940 to 1976, in a career spanning 36 years, Mukesh sang less than a thousand hindi film songs. The figure could reach about 1100 or so if we include all his regional and non-film songs, ghazals etc. Mukesh was one of the few singers whose non film songs were as popular as his filmi songs.

Remembering this great singer on his 38th death anniversary (27th August 1976), I bring to the music lovers a very famous NFS. The lyrics are penned by Indivar and the music is scored by Kishore Desai


Song-Mil na saka dil ko agar pyaar tumhaara (Mukesh NFS)(1970) Singer-Mukesh, Lyrics-Indeewar, MD-Kishore Desai

Lyrics

mil naa sakaa dil ko

mil naa sakaa dil ko
agar pyaar tumhaara
aana padega mujhko duniya mein dubaara
mil naa sakaa dil ko

gaal par gulaab ke shabnam hai zindagi
pyaar ke liye to bahut kam hai zindagi
udti hui is umr ko ek teraa sahaara
aana padega mujhko duniya mein dubaara
mil naa sakaa dil ko

apni ye chhoti si mulaaqaat bahut hai
jitni der tera miley saath bahut hai
bas ek jhalak ek nazar ek ishaara
aana padega mujhko duniya mein dubaara
mil naa sakaa dil ko
agar pyaar tumhaara
aana padega mujhko duniyaa mein dubaara
aana padega mujhko duniyaa mein dubaara
aana padega mujhko


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Munim Ji” (1955) was directed by Subodh Kumar for Filmistan Limited, Bombay. The movie had Nalini Jaiwant, Dev Anand, Nirupa Roy, Pran, ameeta, S L Puri, Prabhu Dayal, Kanu Roy, Samar Chatterji, Madan Mohan etc. in it.

As many as ten songs from this movie have been discussed in the past. Here is the eleventh and final song from the movie. This song is sung by Geeta Dutt with an uncredited male voice that sounds like S D Burman to me. Only the audio of this song is available. HFGK is of the opinion that this song was probably added in the movie later.

I request our knowledgeable readers to throw light on the picturisation of this song.

Shailendra is the lyricist of this song. Music is composed by S D Burman.

Lyrics of this song were sent to me by Nitin Shah.

With this song, “Munim Ji” (1955) joins the list of movies that have all their songs covered in the blog.


Song-De diya tu le le dil (Munim Ji)(1955) Singer-Geeta Dutt, S D Burman, Lyrics-Shailendra, MD-S D Burman

Lyrics(Provided by Nitin Shah)

de diya tu lele dil
yoon nahin to chhupke mil
de diya tu lele dil
yoon nahin to chhupke mil
tu hamaara ho jaiyyo
apna hamen bana
ab na ji dukha
ab na ji dukha
kisi ki jaan se na khel re
anaadi ee
de diya tu lele dil
yoon nahin to chhupke mil
anaadi anaadi anaadi re

de de diya tu tu lele lele dil
yoon yoon nahi to to chhu chhu mil

jhuk padi hain mast baadalon ki toliyaan
pi kahaan pi kahaan papihe ki boliyaan
pi kahaan pi kahaan papi pi kahaan pi kahaan
jhuk padi hain mast baadlon ki toliyaan
pi kaha pi kahaan papihe ki boliyaan
jali dil mein holiyaan
kaisi meethi aag lagaai hai waah waah re
anaadi
de diya tu lele dil
yoon nahin to chhupke mil
anaadi anaadi anaadi re

jab talak jiyenge
tera naam lenge ham
tera
ho tera naam lenge ham
seene se lagaaye rahenge ye tera gham
tera
ho tera naam lenge ham
o o o
dillagi mein jaan bhi jaaye to balaa se
dillagi mein jaan bhi jaaye to balaa se
hoga na hamem gham
tere pyaar ki qasam
hoy
sab kahenge preet nibhaai hai waah waah re
anaadi
de diya tu lele dil
yoon nahin to chhupke mil
tu hamaara ho jaiyyo
apna hamen bana
ab na ji dukha
ab na ji dukha
kisi ki jaan se na khel re
anaadi ee
de diya tu lele dil
yoon nahin to chhupke mil
anaadi anaadi anaadi re


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kinaara” (1949) was directed by Ambalal Dave for New India Theatres, Bombay. The movie had Geeta Bali, Madhusudan Acharya, Ram Singh, Sharda, Kanta Kumari, R S Dubey, Pandey, Charubala, M S Bhalla, Jamu Patel, S Nazir, Bismillah Khan etc in it.

Here is the first song from “Kinaara” (1949) to appear in the blog. This song is sung by Zohrabai Ambalewaali. The song is written by Neelkanth Tiwari. Madhusudan Acharya is the music director.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Dil mein to aag hai lagi (Kinaara)(1949) Singer-Zohrabai Ambalewaali, Lyrics-Neelkanth Tiwari, MD-Madhusudan Acharya

Lyrics

Dil mein to aag hai lagi
honthon se muskuraati hoon
dil mein to aag hain lagi
honthon se muskuraati hoon
apne hi aansuon ko hi
gaa ke main sulaati hoon

aayi to qaid kar liya
kaanton mein hi bahaar ko
aayi to qaid kar liya aa
kaanton mein hi bahaar ko o
kaanton ko main isi liye
khoon e jigar pilaati hoon
kaanton ko main isi liye
khoon e jigar pilaati hoon

phool meri zindagi ke bhaag ke ae
murjhaa gaye hain
phool meri zindagi ke bhaag ke ae
phir bhi kisi ke pyaar mein
mar mar ke jiye jaati hoon
dil mein to aag hai lagi
honthon se muskuraati hoon


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (26 august 2014) is the second death anniversary of A K Hangal (1 febraury 1914-26 august 2012). On this occasion, here is a song from “Hamkadam” (1980). This movie was directed by Anil Ganguly for Rajshree Productions. The movie had Rakhee Gulzar, Parikshat Sahni, A.K.Hangal, Dina Pathak, Ritu Kamal, Biswajeet, Iftekar, Madan Puri,Dinesh Hingoo ,Preetam, Pardesi, Partho Guha, Harish Mugan, Deepak, Chaturvedi, John Boland, Amol Sen, Anand Joshi, Pilloo Wadia, Nilu Arora, Komal Soni, Zubeda, Anita, Rajni Verma, Master Ashoo, Sameena Kashimiri, Baby Geeta Khanna etc in it.

The song depicts a lower middle class happy joint family. The picturisation shows Dina Pathak, A K Hangal (playing the heads of the joint family), Rakhi, Parikshit Sahni and Master Aasho. The song is lip synced by a lady playing the sister of Parikshit Sahni who is apparently Sameena Kashmiri.

The song is sung by Chandrani Mukherji. M G Hashmat is the lyricist. Music is composed by Bappi Lahiri.

Lyrics of this song were sent to me by Prakashchandra.


Song-Ha tima tim tim dekho sar pe hain do seeng (Humkadam)(1980) Singer-Chandrani Mukherji, Lyrics-H G Hashmat, MD-Bappi Lahiri

Lyrics(Provided by Prakashchandra)

haa timaa tim tim
dekho sar pe hain do seengh
haa timaa tim tim
dekho sar pe hain do seengh
aaye achche din
tota boley saaraa din
ek hai angootaa
unglee hain chaar
dekho re paanchon mein
hai kitnaa pyaar
ek ko bhi
ek ko bhi laage jo maar
sabke sab hain bekaar
ek ko bhi laage jo maar
sabke sab hain bekaar
haa timaa tim tim
dekho sar pe hain do seengh
aaye achche din
tota boley saaraa din

motor chalee
pom pom karey
tezee se dekho
aagey badhey
motor chalee
pom pom kare
tezee se dekho
aagey badhey
motor hai ek
chakke hain chaar
chaaron ke chalne se chalti hai car
ek kaa bhi
ek kaa bhi chhoote jo saath
sab ke sab hain bekaar
ek kaa bhi chhoote jo saath
sab ke sab hain bekaar
haa timaa tim tim
dekho sar pe hain do seengh
aaye achche din
tota boley saaraa din

pahaad pe ae
gaadi bhaage
peechhe ek engine
doojaa aagey
pahaad pe ae
gaadi bhaage
peechhe ek engine
doojaa aagey
kheenche ye dabbon ki
lambi kataar
donon ki taaqat naa
maanegi haar
donon mein se
donon mein se ek naa chaley
gaadi ho jaaye bekaar
donon mein se ek naa chaley
gaadi ho jaaye bekaar
haa timaa tim tim
dekho sar pe hain do seengh
aaye achche din
tota boley saaraa din


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jwaar Bhaata” (1973) was produced by Hargobind Duggal and directed by A Subba Rao for Bahar films. The movie had Dharmendra, Saira Banu, Sujit Kumar, Jeevan, Rajinder Nath, Nazir Hussain, Sunder, Shammi, Jayashree.T., Meena.T., Baby Guddi, Baby Pinky, Baby Sabira, Randhir, Shivraj, Narbada Shankar, Sulochana Chatterjee, Master Shahid, Johny Whisky, Behari, Gulshan Banwra, Kesho Rana, Aziz, Nazir Kashmiri, Master Manoj ,Master Ahmed, Dina Nath, Mukthar Ahmed, Moolchand, Nana Palsikar etc in it.

The movie had some nice songs in it and they have all been forgotten with time. I had listened to and enjoyed the songs of this movie, though I was not aware that those songs were from this movie. The songs that I enjoyed listening to those days were Daal roti khaao Prabhu ke gun gaao, Roothaa hai to manaa lenge and Turururu turururu tera mera pyaar shuru.

Here is a song from “Jwaar Bhaata” (1973) that I had never heard at that time. This song is sung by Asha Bhonsle. The song is picturised as a seduction cum diversion song on Saira Bano who diverts the attention of Sujeet Kumar and Jeewan so that Baby Pinky, a fellow captive can escape unnoticed and bring help. And Saira Bano seems quite confident that help would arrive in the form of Dharmendra by the time her song ends. :) Rescued within three minutes-does she think that rescuing damsels in distress is like making a two minutes noodle ? :)

Rajinder Krishan is the lyricist. Music is composed by Laxmikant Pyarelal.

Lyrics of this song were sent to me by Prakashchandra.

With this song, the fifth from the movie, “Jwaar Bhaata” (1973) joins the list of movies that have all their songs covered in the blog.


Song-Peene ki der na pilaane ki der hai (Jwaar Bhaata)(1973) Singer- Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal

Lyrics (Provided by Prakashchandra)

aaa aaaa
aaa aa aa
ho o o
ho o o

peene ki der na pilaane ki der hai
ek zaraa saaqi ke aane ki der hai
ek zaraa saaqi ke aane ki der hai
peene ki der na pilaane ki der hai
ek zaraa saaqi ke aane ki der hai
peene ki der na pilaane ki der hai
ek zaraa saaqi ke aane ki der hai
bas mere saaqi ke aane ki der hai

aaj dolegaa shabaab
aaj bolegi sharaab
aaj dolegaa shabaab
aaj bolegi sharaab
kaun kaun ladkhadaayegaa
dekhenge janaab
girne ki der na giraane ki der hai
bas zaraa saaqi ke aane ki der hai
bas mere saaqi ke aane ki der hai

dekho chhodo na aas
zaraa badhne do pyaas
dekho chhodo na aas
zaraa badhne do pyaas
do ghadi ke liye
aur ho lo udaas
hansne ki der na hansaane ki der hai
bas mere saaqi ke aane ki der hai
bas zaraa saaqi ke aane ki der hai

pyaas sab ki huzoor
main bujhaaungi zaroor
pyaas sab ki huzoor
main bujhaaungi zaroor
peechhe doongi sharaab
pehle laaoongi suroor
chhakne ki der na chhakaane ki der hai
bas mere saaqi ke aane ki der hai
bas mere saaqi ke aane ki der hai
peene ki der na pilaane ki der hai
ek zara saaqi ke aane ki der hai
aane ki der hai
aane ki der hai
ek zara saaqi ke
haan haan mere saaqi ke
oy oy mere saaqi ke
aane ki der hai

bas mere saaqi ke aane ki der hai
bas zaraa saaqi ke aane ki der hai
ek zara saaqi ke aane ki der hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog often come across milestones. The most common milestone is century of songs which occurs after every one hundred songs and so far we have had 101 such centuries.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the mid 50s,there were several religious movies and hundreds of melodious Bhajans in them. Those readers who were grown up enough to enjoy Radio in that period will recall several bhajans from that era which had become commonplace in most household. Today we will enjoy one such bhajan from the film Tulsidas-1954.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10100 songs post by now.

Total number of songs discussed

10156

Number of movies (All songs covered)

502

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