Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Author Archive


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5780 Post No. : 18307

“Chhamiya” (1945) was produced and directed by Protima Dasgupta for Protima Dasgupta Films. The movie had Begum Para, Arif, Protima Dasgupta, David, Azoorie, Gulab, Dixit etc.

“Chhamiya” (1945) had 11 songs in it. Two songs have been covered in the past.

Here is the third song from the movie to appear in the blog. HFGK is silent about the singer of the song. Listening to the song, it becomes clear that the song is sung by Parul Ghosh.

The movie had two lyricists, viz Pt Indra Cahndra and Kaabil Amritsari. HFGK does not give distribution of songs of the movie between the two. But seeing that this song is a ghazal, it can be assumed that the song is penned by Kabil Amritsari.

Uploader of the song has mentioned Parul Ghosh as the singer and Kabil Amritsari as the lyricist, so I assume that the uploader had this information from the record label (though names of singer and lyricists were not given on the record label in 1945, if my guess is correct).

Gyan Dutt is the music director.

Only audio of the song is available. Story of the song was given by Mr Sadanand Kamath while covering another song of the movie. From the story, I have noted that Begam Para had played the title role of Chhamiya, so my guess is that this song was picturised on Begam Para.

The song is a ghazal. Parul Ghosh may not have been very familiar with the heavy duty Urdu words contained in the lyrics, and it appears that the lyricist was not available to correct her pronunciation of words when the song was being recorded. So twice Parul Ghosh sings “phir aankh kyun mitaa kar” instead of singing “phir aankh kyun milaa kar”.

Notwithstanding that slip, this song appears to be a forgotten gem, that should have become popular instead of ending up as a forgotten song. This should go down as one of the best lyrics of Kaabil Amritsari in Hindi movies.


Song-Vehshat mein apne haathon (Chhamiya)(1945) Singer-Parul Ghosh, Lyrics-Kabil Amritsari, MD-Gyan Dutt

Lyrics

vehshat mein apne haathon
mushqil ko dhoondhte hain
vehshat mein apne haathon
mushqil ko dhoondhte hain
sab hamko dhoodhte hain
ham dil ko dhoondhte hain
sab hamko dhoodhte hain
ham dil ko dhoondhte hain
vehshat

aaye hain tang itne
ham jaane har jagah se
aaye hain tang itne
ham jaane har jagah se
talwaar sar pe rakh kar
talwaar sar pe rakh kar
qaatil ko dhoondhte hain
talwaar sar pe rakh kar
qaatil ko dhoondhte hain
vehshat

mit kar koi mila hai
aisa kabhi hua hai
mit kar koi mila hai
aisa kabhi hua hai ae ae ae ae ae
phir aankh kyun milaakar
phir aankh kyun milaakar
bismil ko dhoondhte hai
phir aankh kyun milaakar
bismil ko dhoondhte hain
vehshat mein apne haathon
mushqil ko dhoodhte hain
vehshat


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5779 Post No. : 18306

“Sangam”(1954) was produced by J P Agrawal and directed by Kiran Kumar for Rajhans Pictures, Bombay. This “social” movie had Kamini Kaushal, Shekhar, Shashikala, K N Singh, Murad, Rajrani, Chaman Puri, Ratan, Neera, Jeewan etc in it.

The movie had seven songs in it. Four songs have been covered in the past.

Here is the fifth song from “Sangam”(1954) to appear in the blog. The song is sung by Madhubala Jhaveri. Kaif Irfani is the lyricist. Music is composed by Ram Ganguly.

Only the audio of the song is available. The song sounds like a mujra song to me. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Nazrein milaa ke piyaa ab na dukhaana jiyaa(Sangam)(1954) Singer-Madhubala Jhaveri, Lyrics-Kaif Irfani, MD-Ram Ganguly

Lyrics

nazren mila ke piya
ab na dukhaana jiya
dhokha na dena
dhokha na dena
humne kaha
ye tumhen humne kaha
humne kaha
ye tumhen humne kaha
nazren mila ke piya
ab na dukhaana jiya
dhokha na dena
humne kaha
ye tumhen humne kaha
uyi
humne kaha
ye tumhen humne kaha

yoon to laakhon ka dil
hai laakhon ka dil
mere kadmon tale
par tere liye mera jiya jale
ye mera jiya jale
ho ja mujhpe fida
main hoon tujh pe fida
saari duniya lutaayi humne kaha
humne kaha
ye tumhen humne kaha
uyi
humne kaha
ye tumhen humne kaha
nazre mila ke piya
ab na dukhaana jiya
dhokha na dena
humne kaha
ye tumhen humne kaha
uyi
humne kaha
ye tumhen humne kaha

ho o o o
meri nazar
hai meri nazar
kahe meri nazar
pyaar kaise kiya lagi tujhko khabar
jee laagi tujhko khabar
zara ho ke to dekh
mera ho ke to dekh
kahe mere ishaare
humne kaha
humne kaha
ye tumhen humne kaha
uyi
humne kaha
ye tumhen humne kaha


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5778 Post No. : 18305

“Aulaad”(1954) was produced by Kuldeep Sahgal and directed by Mohan Saigal for Kuldeep Pictures, Bombay. This “social” movie had Nirupa Roy, Balraj Sahni, Usha Kiran, Arun, Prabhu, Ramesh Kapoor, Lalita Kumari, Radhakishan etc in it.

This obscure movie had six obscure songs in it. Two songs from the movie have been covered in the past.

Here is the third song from “Aulaad”(1954) to appear in the blog. This song is sung by Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Sardar Malik.

Only the audio of this song is available. The song songs like a mother-child song. Though an obscure song, the song sound wonderfully fresh even today, after the passage of seven decades.

I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Chanda se pyaare aankh ke taare (Aulaad)(1954) Singer-Asha Bhonsle, Lyrics-Prem Dhawan, MD-Sardar Malik

Lyrics

chanda se pyaare
aankh ke taare
raaj dulaare laadle
hmm hmm
hmm hm hmm
hmm hmm hmm hmm
chanda se pyaare
aankh ke taare
raaj dulaare laadle
hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm

khilne lage hai phool kaise meri nigaahon mein
jalne lage hain deep kaise jeevan ki raahon mein
tum aa gaye to aa gayi duniya
meri do baahon mein
chanda se pyaare
aankh ke taare
raaj dulaare laadle
hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm

mal mal ke chandan
ganga jal se
tujhe nahlaaun main
in bhole bhaale nainanwa mein
kaajal lagaaun main
tak tak ke mukhda
pyaara pyaara
balihaari jaaun main
chanda se pyaare
aankh ke taare
raaj dulaare laadle
hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5777 Post No. : 18304

“Baaje Ghunghroo”(1962) was directed by Shivraj Shrivastava for Ram Raj Films, Bombay. The movie had Manhar Desai, Nalini Chonkar, Sheela Kashmiri, Leela Misra, Manju, Jagdish Kanwal, Nazir Kashmiri, Jugal Kishore, Keshri, Baby Farida, Baby Kokila, BA, Khan etc in it.

The movie had eight songs in it. Two song from the movie have been covered in the past.

Here is the third song from “Baaje Ghunghroo”(1962) to appear in the blog. This song is sung by Savita Bannerji. Shivraj Shrivastava is the lyricist. Music is composed by Dhaniram.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song which sounds like a Meera bhajan.


Song-Zara murli baja de mere Shyam (Baaje Ghunghroo)(1962) Singer-Sabita Bannerjee, Lyrics-Shivraj Srivastav, MD-Dhaniram

Lyrics

zara murli baja de mere shyam re
zara murli baja de mere shyam re
zara murli baja de mere shyam
padoon baar baar tori painyya re
zara murli baja de mere shyam re
zara murli baja de mere shyam

main hoon deewaani teri kasam
teri murli ki
ho murali ki
aag lagee tan man mein
kasam tere murali ki
ho tere murali ki
koi laakh kare badnaam re
zara murli baja de mere shyam re
zara murali baja de mere shyam

taan sunoon murli ki sajan
main rah na sakoon ji
main rah na sakoon
peed uthhe tan man mein
sajan main rah na sakoon ji
main rah na sakoon
aayi paas tere jiya thhaam re
zara murli baja de mere shyam re
zara murli baja de mere shyam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5776 Post No. : 18303

“Dilli Darbaar”(1956) was directed by Chandrakant for Gandhi and Choksi, Bombay. The movie had Sumitra Devi, Rehana, Veena, Prem adeeb, Sapru, S N Tripathi, babu Raje, Uma Devi, Radha Rani, Minu, Helen, kammo, R s Dubey, Radheshyam, Rajesh Sharma, Raj Sood, Raj Kaushal, Arjun singh, Neerja, Noorjahan, Sarla Kapoor, Kanta, Ulhas etc in it.

The movie had five songs in it. One song from the movie has been covered in the past.

Here is the second song from “Dilli Darbaar”(1956) to appear in the blog. The song is sung by Asha Bhonsle and female chorus. Shailendra is the lyricist. Music is composed by S N Tripathi.

Only the audio of this song is available. The song sounds like a dance song. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Jaam e mohabbat laayee hoon (Dilli Darbaar)(1956) Singer-Asha Bhonsle, Lyrics-Shailendra, MD-S N Tripathi
Chorus

Lyrics

jaam e mohabbat laayi hoon
masti ban kar chhaai hoon
itna kehne aayi hoon
kya
dil le le aur dil de de
koi dil le le aur dil de de
dil le le aur dil de de
koi dil le le aur dil de de
(aa aa aa)
dil le le aur dil de de
koi dil le le aur dil de de
(aa aa aa)

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa

ek nazar par ae dil waalon
dil ka sauda karti hoon
ho ho ho ho
ek nazar par ae dil waalon
dil ka sauda karti hoon
jo mera deewaana ho
main bhi us par marti hoon
ho ho ho ho
main bhi us par marti hoon
mujhko sab se ulfat hai
pyaar khushi ki daulat hai
aankhon ki ye chaahat hai
kya
dil le le aur dil de de
koi dil le le aur dil de de
dil le le aur dil de de
koi dil le le aur dil de de
(aa aa aa aa)
dil le le aur dil de de
koi dil le le aur dil de de
(aa aa aa aa)

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa

saari duniya jhoom uthhi hai
mehfil hai armaanon ki
ho ho ho ho
saari duniya jhoom uthhi hai
mehfil hai armaanon ki
pyaar ki shamma lehraayi
bheed lagi parwaanon ki
ho ho ho ho
bheed lagi parwaanon ki
chanda jaisi soorat hai
phoolon jaisi rangat hai
lekin dil mein hasrat hai
kya
dil le le aur dil de de
koi dil le le aur dil de de
dil le le aur dil de de
koi dil le le aur dil de de
dil le le aur dil de de
koi dil le le aur dil de de


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5775 Post No. : 18301

‘Lehren’ (1953) was produced by C Ramchandra and directed by HS Rawail for New Sai Productions, Bombay. The movie had Kishore Kumar, Shyama, Shakuntala, Bipin Gupta, Om Prakash, Sunder, Leela Mishra, Iftikhar etc. in it.  Raj Kapoor made a guest apperance in the movie.

The film ‘Lehren’ had ten songs in it. Two songs have been covered in the past.

Here is the third song from the movie to appear in the blog. This song is sung by Lata Mangeshkar. Rajinder Krishan is the l;yricist. Music is composed by C Ramchandra.

Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Song-Aaja rasiya o man basiya kaahe ko der lagaai (Lehren)(1953) Singer-Lata, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics

aaja rasiya
o mann basiya
aaja rasiya
o mann basiya
kaahe ko der lagaai
lagaai raama
kaahe ko der lagaai
kaahe ko der lagaai
lagaai raama
kaahe ko der lagai
raama
kaahe ko der lagai
lagaai raama
kaahe ko der lagaai

baat tihaaree tak tak haare
preet ke maare nain hamaare
baat tihaaree tak tak hare
preet ke maare nain hamaare
yaad hamari na aayi
na aayi rama
yaad hamaari na aayi
rama kaahe ko der lagaai
lagaai raama
kaahe ko der lagai
aaja rasiya
o mann basiya
aaja rasiya
o mann basiya
kaahe ko der lagaai
lagaai raama
kaahe ko der lagaai

ro ro jeevan ho gaya sapna
ab to dikha ja daras apna
ro ro jeevan ho gaya sapna
ab to dikha ja daras apna
manwa det duhaai
duhaai rama
manwa det duhaai
raama
kaahe ko der lagaai
lagaai raama
kaahe ko der lagaai
aaja rasiya
o mann basiya
aaja rasiya
o mann basiya
kaahe ko der lagaai
lagaai raama
kaahe ko der lagaai

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आजा रसिया
ओ मन बसिया
आजा रसिया
ओ मन बसिया
काहे को देर लगाई
लगाई रामा
काहे को देर लगाई
काहे को देर लगाई
लगाई रामा
काहे को देर लगाई
रामा
काहे को देर लगाई
लगाई रामा
काहे को देर लगाई

बाट तिहारी तक तक हारे
प्रीत के मारे नयन हमारे
बाट तिहारी तक तक हारे
प्रीत के मारे नयन हमारे
याद हमारी ना आई
ना आई रामा
याद हमारी ना आई
रामा काहे को देर लगाई
लगाई रामा
काहे को देर लगाई
आजा रसिया
ओ मन बसिया
आजा रसिया
ओ मन बसिया
काहे को देर लगाई
लगाई रामा
काहे को देर लगाई

रो रो जीवन हो गया सपना
अब तो दिखा जा दरस अपना
रो रो जीवन हो गया सपना
अब तो दिखा जा दरस अपना
मनवा देत दुहाई
दुहाई रामा
मनवा देत दुहाई
रामा
काहे को देर लगाई
लगाई रामा
काहे को देर लगाई
आजा रसिया
ओ मन बसिया
आजा रसिया
ओ मन बसिया
काहे को देर लगाई
लगाई रामा
काहे को देर लगाई


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 18300th post in the blog.

Blog Day :

5774 Post No. : 18300

chhed kar taaron pe dil ke
ek adhoori ragini
aur deewaane ko deewaana bana jaate ho tum

24 February 2024 marked the birth centenary of legendary singer and actor Talat Mahmood. Born on 24 Feb 1924, he passed away on 09 May 1998 at the age of 74. This write up was planned to coincide with the Birth centenary, but the article got delayed. The remembrance day today (9 May 1998) offers us another opportunity to pay our tributes to Talat Mehmood (24 Feb 1924-9 May 1998).

I have inordinately delayed paying tributes to one of my favorite singers on his birth centenary and express sincere regrets for this lapse.

I did not see much fanfare or homage on his centenary day on social media and news items in laudation of one of the most popular voices HFM has ever seen. Or maybe, I must have missed them.

His biography by his relative Sahar Zaman, was also unveiled and launched just a couple of months before his 100th birthday. One would have expected it to be released on his centenary date which was just about two months away from the launch date, but I suppose, the biographer found it more prudent to release the biography at the 16th Global Film Festival held in December 2023 at Marwah Studiosm (at Noida, close to Delhi).

His son Khalid Mahmood maintains his father’s website ‘A Golden Voice – Talat Mahmood‘. It’s a well-maintained website containing ample information and pictures on the life and career of Talat Saab. Of particular interest to self and readers would be the page on Talat Saab’s song list wherein most of the details are provided barring the names of the respective lyricists and the year of release of the films. However, the list is of immense help particularly in tracing his unheard and hitherto unavailable songs. The list also has details on songs from unreleased films. For example, a solo and a duet with Lata Mangeshkar have been listed from an unreleased film ‘Preet Na Jaane Reet’. What caught my attention was the composer’s name. Sajjad Husain. Wow. The combo will inevitably remind fans of ‘Sangdil’ (1952). I understand from our Sudhir ji that the lyrics are also mentioned in the Talat Geet Kosh. He is also on the job of tracing the audio of the songs.

Coming to his songs it is easy to sum up his career as a singer of less than 750 odd songs, about a dozen films as an actor, multiple state and club awards, pioneer of foreign concerts and a Padma Bhushan in 1992.

But then, Talat Mahmood’s career is not about numbers. In fact, it is more than mere class or quality also. His voice is about a phenomenon and the legendary cult that continues to enthrall listeners all over the world to this day.

Talat Saab has sung for himself as well as provided playback. However, hardly 450 odd songs are on record, compared to few thousands by his notable contemporaries. Of these, 400 plus songs are already showcased on the blog. That’s a good 90% coverage and I am sure it will not be long before all available HF songs of his are represented here. There are around 167 geet, ghazal, bhajans etc. according to this website. Hardly 14 of these NFSs have been represented on our blog. So, we still have a lot of ground to cover as far as his NFSs are concerned.

Of all the singers of the golden era, his was the distinct voice which has its own aura and has stood the test of time. When a Talat song comes on radio / TV programs or our own collection of songs, it’s always about the voice that the mind steps back and ponders about the rare element in his renderings. He neither has the numbers nor the range, but whatever has been exhibited continues to glow in gold.

I was under the impression that I have written only one post on Talat Saab, but then, I was pleasantly surprised to trace 3 of my posts on Talat Saab wherein I seem to have covered quite a few aspects on his songs, his voice and his special association with Mukesh. Of special mention are the two songs from ‘Yahudi’ (1958) and ‘Sujata’ (1959) associated with his good friend Mukesh. I would request readers to visit the following 3 posts for these mentions and the stories behind the two songs.

Song Post Number Song Title Movie (Year) Date of post
11658 Mitne de meri zindagi Meharbani (1950) 15 December 2015
12724 Mujhko mohabbat ho gayi hai Biwi aur makaan (1966) 22 December 2016 Sung by Mukesh, Manna Dey, Hemant Kumar, Talat Mehmood and Joginder
14996 Aao baadal chain re royen Aawaara Ladki (1967) 19 April 2019

On reading the above posts once again, it seems I had a better flair for writing, a decade back than what I possess now. Again, on discovering the contents of the above posts, my efforts in this post have been cut to size. I have even listed 15 of his best songs (my selection) in one of the posts; something which I normally avoid because great songs of legends cannot be short-listed.

‘King of Ghazals’, ‘India’s Frank Sinatra’, ‘Velvet voiced’ and many other sobriquets have been rightly used and reused for him. So instead of writing on his voice, I will try to emphasize on a few songs, especially for the lyrics and the flawless rendition and the empathy conveyed by him.

a. abhi zinda hoon lekin sochata rehta hoon ye dil mein
ki ab tak kis tamannaa ke sahaare jee liyaa maine

These lines from the song “Muhabbat Tarq Ki Maine, Gharebaan See Liya Maine” of film ‘Doraaha’ (1952) are like a sharp knife cutting through the heart so much so that you tend to sympathize with the feelings. Each stanza in this song written by Sahir Saab and composed by Anil Da is a textbook case of composing songs of melancholy genre.

b. jab kisi ke rukh pe zulfen, aa ke lehraane lagin
hasraten uthh uthh ke, armaanon se takraane lagin

Talat Saab has his own inimitable style in rendering romance. Listen to the complete song penned by DN Madhok and tuned by Vinod, from ‘Anmol Ratan’ (1950).

c. har baat bane afsaana jahaan
har naam pe tohmat aati ho
uthte hi koi masoom nazar
bas ruswaayi ho jaati ho
ae dil aisi mehfil se to
behtar tanhaayi hai

These lines are from the song “Ye Kya Hai Dhang Zamaane Ka” Prem Dhawan in ‘Daak Babu’ (1954) came up with these beautiful verses.

d. koi jab yeh geet sunega
pyaar ka phir woh naam na lega
pyaar kiya to yoonhi jalega
tadpega aur royega

hum to hain pathhar ke insaan
hum to yeh dukh seh gaye

The song “Aise Toote Taar Ke Mere Geet Adhure Reh Gaye” by Shewan Rizvi in Ram Ganguly’s ‘Gawaiyya’ (1954)

e. aane se tere pahle aata hai ek ishaaraa
sooraj se pahle jaise ek roshni ki dhaaraa
hamne wahi ishaaraa dil mein basaa liyaa hai

Rajinder Krishan wrote these lines in the song “Tere Raaste Pe Hamne Ek Ghar Banaa Liya Hai” in the 1954 film ‘Kavi’. Fast paced romantic numbers were not exactly his forte, but Talat Saab comes up with excellent rendition in his indelible voice for this duet with Lata.

f. duniya mujhe dhoondhe,
magar mera nishaan koyi na ho

and

chalna hai sab se door-door
ab caravan koyi na ho

Majrooh Saab’s lyrics for the song “Ae Dil Mujhe Aisi Jagah Le Chal” in the film Aarzoo (1950).

I have taken just a small sample of a few lines of only five lyricists just to showcase the amazing blend of the voice and the thoughts of the poets. Such couplets and verses from various songs of Talat Mahmood are my personal favourites.

Coming to today’s song and celebrating the centenary yearr of the silken voice, I have selected this solo from the film ‘Bindiya’ (1955).

The film has ten songs in all, and two solos in the voice of Talat Saab. One solo – “Hai Dil Mein Milan Ki Aas” is already posted on the blog. The music is composed by Snehal Bhatkar, The ten songs are written by Arsh Haideri, Bharat Vyas and SH Bihari. Both solos of Talat Saab are from the pen of SH Bihari.

On our blog, 401 songs carrying the voice of Talat Sb are showcased. This song is 402th offering of his rendition in the blog.

Talat Mahmood Saab, a hundred years and a perpetual legacy of a voice that is distinctive and a class apart.

Editor’s Note: This Talat Mehmood tribute article post on his birth centenary year is the 18300th post in the blog. With this post, the blog achieves yet another century milestone. We take this opportunity to thank one and all for their continuous support and encouragement. Here is hoping that this musical bandwagon will keep rolling on and on and we will keep reaching many more milestones in the days to come.


Song – Meri Duniya Hai Tu Mera Aarmaan Tu Hai (Bindiyaa) (1955) Singer – Talat Mehmood, Lyrics – SH Bihari, MD – Snehal Bhatkar

Lyrics

aa aa aa
aa aa aa
aa aa aa
meri duniya hai tu
mera armaan tu hai
mere jeevan mein
khushiyon ka saamaan tu hai
meri duniya hai tu
mera armaan tu hai
mere jeevan mein
khushiyon ka saamaan tu hai

mere dil ko hai pyaari teri har ada
mere dil ko hai pyaari teri har ada
ye ada mujhko pyaari rahegi sada
ye ada mujhko pyaari rahegi sada
main hoon bejaan aur meri jaan tu hai
meri duniya hai tu
mera armaan tu hai
mere jeevan mein
khushiyon ka saamaan tu hai

mujhe har ghadi
tujh pe aata hai pyaar
mujhe har ghadi
tujh pe aata hai pyaar
meri zindagi mein hai
tujh se bahaar
meri zindagi mein hai
tujh se bahaar
bahaaron mein kaliyon ki muskaan tu hai
meri duniya hai tu
mera armaan tu hai
mere jeevan mein
khushiyon ka saamaan tu hai

tu nahin to meri daastaan kuchh nahin
tu nahin to meri daastaan kuchh nahin
ye zameen kuchh nahin
aasmaan kuchh nahin
ye zameen kuchh nahin
aasmaan kuchh nahin
main hoon anjaan
meri pehchaan tu hai
meri duniya hai tu
mera armaan tu hai
mere jeevan mein
khushiyon ka saamaan tu hai
meri duniya hai tu
mera armaan tu hai
mere jeevan mein
khushiyon ka saamaan tu hai

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आ आ आ
आ आ आ
आ आ आ

मेरी दुनिया है तू
मेरा अरमां है तू
मेरे जीवन में खुशियों का सामान तू है
मेरी दुनिया है तू
मेरा अरमां है तू
मेरे जीवन में खुशियों का सामान तू है

मेरे दिल को है प्यारी तेरी हर अदा
मेरे दिल को है प्यारी तेरी हर अदा
ये अदा मुझको प्यारी रहेगी सदा
ये अदा मुझको प्यारी रहेगी सदा
मैं हूँ बेजान और मेरी जान तू है
मेरी दुनिया है तू
मेरा अरमां है तू
मेरे जीवन में खुशियों का सामान तू है

मुझे हर घड़ी तुझपे आता है प्यार
मुझे हर घड़ी तुझपे आता है प्यार
मेरी ज़िंदगी में है तुझ से बहार
मेरी ज़िंदगी में है तुझ से बहार
बहारों में कलियों की मुस्कान तू है
मेरी दुनिया है तू
मेरा अरमां है तू
मेरे जीवन में खुशियों का सामान तू है

तू नहीं तो मेरी दास्ताँ कुछ नहीं
तू नहीं तो मेरी दास्ताँ कुछ नहीं
ये ज़मीन कुछ नहीं
आसमां कुछ नहीं
ये ज़मीन कुछ नहीं
आसमां कुछ नहीं
मैं हूँ अंजान मेरी पहचान तू है
मेरी दुनिया है तू
मेरा अरमां है तू
मेरे जीवन में खुशियों का सामान तू है

मेरी दुनिया है तू
मेरा अरमां है तू
मेरे जीवन में खुशियों का सामान तू है


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5773 Post No. : 18299

Yesterday 7th may 2024 was the third phase of General elections 2024 of India. I was looking forward to it for quite some time. The electoral process had started from march end itself and the process will go on till 4 June 2024. A very long drawn, a very elaborate, and at the same time a tedious and tiring process for all. Nevertheless, a very important process for India, and by that token, for the world, because it is the biggest polling exrcise evver undertaken in the history of mankind.

Under normal circumstances, polls should take place unnoticeably and be done with it. But that is hardly the case. It is a very loud, noisy, ugly process lasting nearly three months or so. Normal people, who do not apply their mind and are easily swayed by media, may be having a tough time whenever they read newspapers or switch on the TV. I, who consider myself as someone who applied my mind instead of blindly believing what I read or listen from others, have managed to keep by and large aloof from all this madness. I am eagerly waiting for all the seven phases of polling to get over and the results announced on 4 June 2024, so that we can all go back to our normal routines for the next five years.

I did not notice much poll related activities in Bhopal. That was because I do not watch TV, and secondly we do not get any newspapers. So the little I came to know about these activities was shrill campaigning on TV channels whenever my wife would open TV. On checking out news on my mobile, I was given to understand that voters are rather indifferent and voting percentages are down vis a vis 2019 elections. It was pointed out that a few parties do not have party workers to carry out election related activities. Other parties with resources have got complacent or disheartened, as the case may be, we were told. People are not even doing door to door canvassing this time, we were told.

After I settled down in Bhopal from July 2022, I first voted in local municipal election, and subsequently Assembly election. This time I was goping to vote in Parliamentary election. Every time, my centre is the same, namely St Xavier’s school, which is located nearly one km from my residence and is within walking distance. Based on past two elections, I knew that one gets a slip where polling details-viz centre, voter serial number, location of centre etc are mentioned. Typically one party or the other with resources would hand over these details at your household. This time I came to know that the election commission had taken this work on itself. But election commission failed to send slips to our locality. On friday, 3 may 2024, we did get our slips, alongwith pamphlet of a party that had the required resources and enthusiasm for the elections.

Out of the four slips for four voters of our household, only I and my wife were around to vote. The vote time was 7 AM to 6 PM. I suggested to my wife that we should go to vote early in the morning when there was less crowd at the polling station.

Next morning, we left for the polling booth at 7:30. I found that two couples from neighbouring houses were returning back after voting. So we were not really that early to the polling station. We found that there was a very long line of voters for our polling booth. That school had some half a dozen polling booths, each with a different number and serving different localities. Our polling booth had the longest queue. Perhaps the voters of our locality were the most enlightened !

There were separate queues for men and women. It took me about one hour to enter the polling booth room. My wife too entered at the same time. Inside the room, it did not take more than a couple of minutes. First one had to show the slip, and the staff would match the slip with his record and then cross the name on his list, indicating that the person had arrived to vote. Voter ID would be shown, and after that you would have to sign on a register, that would mean you have marked your attendance. Then a slip would be generated and given to you. The person ahead of you would go to the enclosure with EVM. A few seconds later a beep would be heard. The person would indicate that the vote was recorded. Then he would collect the slip from the next voter and ask him to go to the voting enclosure. The EVM voting is so easy these days. Just locate your desired symbol and press the button on its right. Look inside the small looking glass. This is VVPAT. It displays the symbol that you pressed. A few seconds later, beep sound is heard. Congratulations, your polling is done !

I and my wife left the booth at a few minutes apart. We arrived at the car, where I had kept my mobile (as carrying mobiles are not allowed inside polling booth). The time mentioned on the mobile was 8:36. So I guessd that I had voted at around 8:33 after standing in the queue for one hour.

We arrived back home a few minutes later.

I felt that I had accomplished an enormous task. I felt good and satisfied about it. The fact that our voting was over at about 8:30 meant we had defeated the sun and we were back at home by our breakfast time.

People feel tired after accomplishing a big task. I too felt tired. 🙂 It was a bit like how I feel when I fill up my IT return and it successfully gets submitted online. A few days later, IT department processes it I receive the message that my IT return has been accepted.

There is one difference though. IT return is filed every year. Voting takes place once in five year. If you add assembly election and municipality elections as well, then one needs to vote thrice in five years.

My case was unique. It was the very first time in my life that I had voted in a parliamentary election. Voting for a parliamentary election for the first time at an age of 60 plus ! It must be a strange kind of record. But that is not all. Though I had not voted in Parliamentary elections, I had figured in the parliament election process as a patrolling magistrate, as far back as in 1984 ! Imagine serving as an election official even before voting in the elections, seeing that I was not eligible for voting during the previous elections of 1980.

40 years ago was like a different era altogether, much different from what it is today. The Indian PM Mrs Indira Gandhi was assassinated by her own bodyguards in her official residence on 31 october 1984. Those were very difficult days for India as a nation.

I like my hostel mates in Jamalpur (Bihar) followed all these developments on the newly acquired colour TV in the hostel, just after a low power relay TV station was set up in Munger, the district HQ located 10 km from Jamalpur.
Elections were announced to be held late in december 1984 (in three phases). Nowadays people complain that elections are held in severe heat. That election, by contrast had taken place when winter season was in full swing in most parts of India, including the part where I was.

We needed to appear and pass external examinations that were held twice in an year- once in Summer, once in winter. Many of us (excluding some like me) were busy preparing for winter examinations. People like us laughed that they would be slogging hard while the rest of us would enjoy ourselves watching TV. Our happiness was wiped out from our faces when it turned out that those who did not have examinations would be sent to election duty.

So, we left for Munger. We had to serve as patrolling magistrates. Our job was to collect the election material, viz ballot boxes, ballot papers and other materials for the polling booths allotted to us. I was allotted three polling booths located in a village some 70 KM away. The district administration had seized all the vehicles they could seize and had kept them in a ground. These vehicles were to serve as the transport vehicles for the patrolling parties. Each patrolling party had one patrolling magistrate and he had four security personnel. My four security personnel were as young and raw as I was. They were trainee homeguard staff, and they were led by one trainee ASI.

In the briefing area, we all located our security personnel. Then we located the vehicle allotted to us. The vehicle allotted to us turned out to be a fully loaded truck. The truck was on its way to deliver its consignment when elections were declared and it, as well as other vehicles were “requisitioned” for election duty, along with its driver and cleaner. We collected our election materials, loaded them on the truck, got the directions to reach our destination and left. I, alongwith the ASI sat in drivers cabin whereas the sipaahis happily settled themselves over the roof of the driver’s cabin.

We had started in the afternoon. We were required to reach our destination by evening, when we had to go to the three allotted polling booths and hand over the polling material to them, so that they could prepare for the polling that was to start next morning.

When we arrived at the village, I found that the three polling stations were three village schools. These schools barely had any roof over them, and had just a few chairs and desks that were sufficient to hold the election. We handed over the election materials to the three polling booths, each located a few kilometers from the other. The polling booth staff had to stay in the polling booth etc at night. As for I and my staff, one building a few kilometers away was requisitioned in a nearby town. This building basically had a hall. Those were the days when Indians used to travel with their hold-all while travelling by train. I, as well as everyone else had brought their hold-alls, that contained razaai inside it, which was so important in that winter season. We laid out our hold-alls on the floor of the hall and slept, while the vehicles were kept outside in a ground. The security personnel and drivers fended for themselves.

Next day, as the polling began, I as patrolling magistrate was supposed to keep patrolling the three polling booths to ensure that polling was taking place peacefully.

While watching the polling process, I realised how actual polling takes place in Bihar and what is the role of administration. One realises that polling staff in the polling booth as well as the partoling party are outsiders who are working in interior places which are far away from towns and cities away from media glare. The voting these did not take as is shown on TV or movies. We also realised that the local administration, viz local police, worked according to the instructions of their bosses, viz ruling party at state level. We realised that no matter how much one tried, voting in interior areas was nothing but a case of peaceful booth capturing. The influential communities, in collusion with local police, would come to mutual understanding and they would “vote” certain number of votes on behalf of their community. Voters of weaker section (viz SC community voters) were not allowed to vote. Their quota of vote too was cast by the influential communities as agreed among themselves. They also made sure that the total number of votes cast by them was 89.9%. That was because polling above 90 % is considered suspicious and in that case repoll is ordered.

After the polling was over in the evening, all the polling materials, viz ballot boxes, unused polling material etc were collected by the patrolling magistrate and his team from the three booths. The polling booth staff requested that they too should be given lift to go out of the village. I let them, seeing that they, unlike the patrolling team were not provided with any vehicles.

We arrived back to district HQ at Munger where every team had to deposit all the polling materials. It was late at night when we deposited all the polling items and we were given our relieving letter.

When I checked up with fellow hostel mates, it turned out that I was not alone. Everyone had similar experiences. That made me feel better. We had gained first hand experience of how democratic institutions functioned in Bihar. Subsequently on TV, we heard knowledgeable poll related discussions by Prannoy Roy about vote swing, voter sentiments, voting trends etc. Those discussions were very convincing and erudite for armchair TV watchers, but those discussions failed to impress us.

By the way, state assembly elections took place a few months later in 1985. Same people who had served during Parliament elections were summoned again. Some of us backed out giving valid or not so reasons. Like for example, some South Indians gave the reason of language problem, which was a real problem for them. Personally understanding the “Bihari” language was no problem for me. I participated in the assembly election as well. This time my vehicle was a tractor ! Riding this tractor, with polling material and security staff on the trailer, we made such slow progress that we arrived at the polling booths just hours before the polling was to take place. On the positive side, this time I had a veteran police ASI, who had the necessary dabangai to ensure that polling malpractices were not allowed to take place in the polling booths. That made me feel much better.

So I had served as patrolling magistrate in one of the most important Parliamentary election in Indian history. 40 years later, I got to vote in a parliamentary election for the first time. These days voting takes place on EVM, which is a big improvement over ballot paper. Ballot paper voting was very expensive and very cumbersome. One voter typically took ten minutes to locate the desired symbol on a newspaper sized ballot paper, marked it, and then it had to be folded properly so that it could be shoved inside the ballot box. Booth capturers had expertise in “polling”. They could carry out 89.9% polling within a couple of hours, which was impossible if polling took place in a lawful manner, where typically unskilled and illiterate voters were made to vote.

Today, EVM has made it so easy. One can easily locate the desired symbol on the EVM. All one has to do is press the button adjacent to the symbol. One can see the symbol flashing in the VPAT box, and a beeping sound comes out, indicating that the voting in done. Voting takes a few seconds. It is standing in the queue and then showing up one’s documents for verification, and getting indelible ink on your finger that takes bulk of your time.

I hope that in future we will have the option of online voting as well, just as we can nowadays have the option of online banking and online commercial transactions. If financial transactions can take place online without glitch that I do not see any reason why online voting should not be implemented in future. That would be far more economical and convenient. Hopefully I will see online voting at least as an option in future elections.

Different people vote for different reasons. Likewise different people/ parties have different motives/ agendas while contesting the elections. It is the voters who have to decide what they consider is the suitable candidate for their vote.

On this occasion, here is a vote related song. This song is from “Aansoo Ban Gaye Phool”(1969). Kisore Kumar is the singer. Lyrics are pennede by Taj Bhopali. Music is composed by Laxmikant Pyarelal.

“Aansoo Ban Gaye Phool”(1969) was produced by S.M. Sagar and Anoop Kumar and directed by Satyen Bose for Anoop Kumar Productions. The movie had Ashok Kumar, Deb Mukherjee, Alka, Nirupa Roy, Raj Mehra, Anoop Kumar, Rakesh, with Helen and Pran. They were supported by Kumud Tripathi, Manik Dutt, Kumari Uma, Mughni Abbasi, Shekhar Purohit, Janki Das, Tarun Ghosh, Bazid Khan, Radhey Shyam, Gautam Mukherjee, Pardesi, Uma Dutt, Madhup Sharma, Prakash Misra, Behari, M.A. Latif, Vinod Sharma, Lalit Kapoor, Genius, Ramlal, Amrit Rana, Nadir, Deepak, Aziz Siddiqui, Habib etc in it.

Kisore Kumar is the singer. Lyrics are penned by Taj Bhopali. Music is composed by Laxmikant Pyarelal. This is one of those few songs where Kishore Kumar sings for his bhaanja (nephew) Deb Mukherjee. This is a song about a college election where Deb Mukherjee is seen heckling the candidate who is a product of nepotism, viz he is the son of the owner of the college.

This is the fifth and final song from “Aansoo Ban Gaye Phool”(1969). The movie thus joins the list of movies that have all their songs getting covered in the blog. The movie thus gets YIPPEED in the blog. The movie had made its debut in the blog on 8 may 2009. The movie gets yippeed on the same date fifteen years later on 8 may 2024 !

Audio

Video

Song-Election mein maalik ke ladke khade hain (Aansoo Ban Gaye Phool)(1969) Singer-Kishore Kumar, Lyrics-Taj Bhopali, MD-Laxmikant Pyarelal
Chorus
Unknown male voice 1
Unknown male voice 2

Lyrics

election mein maalik ke ladke khade hain
hahahaha
arre inhen kam na samjho
ye khud bhi bade hain
hahaha
haan
haan haan
inke siwa vote ka ka ka
haqdaar kaun hai
inse lade chunaav wo
gaddar kaun hai
jiyo raaja jiyo

ab chaahe kisi se pyaar karo
inko vote do
ab chaahe kisi se pyaar karo
inko vote do
waadon ka aitbaar karo
inko vote do
ab chaahe kisi se pyaar karo
inko vote do
ab chaahe kisi se pyaar karo
inko vote do
vote for
baap ka laal
arre vote for
baap ka laal

is shehar bhar mein jitne hain
akhbaar inke hain
daily dabba roz aamcha peela parcha
is shehar bhar mein jitne hain
akhbaar inke hain
kaale safed saikdon vyopaar inke hain
sab aspatal inke hain
beemar inke hain
parnaam laakh baar karo
inko vote do
waadon ka aitbaar karo
inko vote do
haan haan
ab chaahe kisi se pyaar karo
inko vote do

aise sapoot ab hain kahaan
apne desh mein
ek yahi pe hain

aise sapoot ab hain kahaan
apne desh mein
bhagwaan aa gaye hain
insaan ke bhes mein
chanda diya inhone
freedam ke case mein
sab inki jaijaikaar karo
inko vote do
waadon ka aitbaar karo
inko vote do
haan haan
ab chaahe kisi se pyaar karo
inko vote do

arre bolo re bappa dhingar bappa
de ghuma ke
ghuma ko
dhing phataafat dingdi popo
de ghuma ke
ghuma ke
hey
ghuma ke
hey
ghuma ke
hey

haay
haay haay
haay haay
haay
brmm
haay haay
haay haay

har cheez inki daas hai
har shai ghulaam hai
ajee chaandi ka joota inke paas hai
har cheez inki daas hai
har shai ghulaam hai
zinda inhin ke dam se
sharaafat ka naam hai
logon ke dil khareedna
bas inka kaam hai
arre kuchh to khayaal e yaar karo
inko vote do
waadon ka aitbaar karo
arre waadon waadon waadon ka
bhai pain pain
bhai bhai pain
waadon ka
aitbaar

waadon ka aitbaar karo
arre inko vote do
haan haan
ab chaahe kisi se pyaar karo
inko vote do

ho ho
ab chaahe kisi se pyaar karo
inko vote do

vote for
baap ka laal
baap ka laal
arre vote for
baap ka laal


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5772 Post No. : 18298

“Asiai Sitaara”(1937) was directed by Haribhai Desai for Harshad and Jagtap, Bombay. The movie was distributed by Wadia Movietone.

“Asiai Sitaara”(1937) had master Vithal, Jenabai Pawar, Ibrahim, Veenadevi, Krishnaswami,Minoo the Mystique, Vasant Pehelwan, Master Dhulia etc in it.

This costume drama movie had eight songs in it that have become extremely rare to find. One song has been covered in the past.

Here is the second song from “Asiai Sitaara”(1937) to appear in the blog. This song is sung by Jenabai Pawar. Pt Anuj is the lyricist. Music is composed by Master Mohammad.

Only audio of this rare song is available. It is clear from the starcast that this song was picturised on Jenabai Pawar herself.

From her powerful voice, it appears that Jenabai Pawar was a trained singer. With this song, she makes her debut in the blog as a singer.


Song-Nit leke prem ki maala (Asiai Sitaara)(1937) Singer-Jenabai Pawar, Lyrics-Pt Anuj, MD-Master Mohammad

Lyrics

taat bichhure
hriday ke
dhannath bichhure
humse bichhudo des

hey ae aao aao
nit leke prem ki maalaa
japti priy naam tumhaaraa
nit leke prem ki maalaa
japti priy naam tumhaaraa
ro ro din haay bitaaye
per bhuwannaath na aaye
ro ro din haay bitaaye
per bhuwannaath na aaye

jharat nayan se ansuwan kee dhaaraa
jharat nayan se ansuwan kee dhaaraa
aao
aao
aaao


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5771 Post No. : 18297

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# R.D. Burman – Music from ‘The 1970s’# (Darling Darling-1977)
——————————————-———————————

With this post we go back to the ‘decade of ‘seventies’. Of late very few songs from the ‘seventies’ have been posted on the blog. We are still a long way off from the estimated eight thousand songs that were created in this decade, so far, only 2834 songs from 1970s have been posted on the blog. On personal front,I also have many songs from this decade lined up to be present here. All these days I was listening to and enjoying songs on ‘radio’ every morning and evening while travelling to workplace and returning back to home.

Today’s song is from the movie ‘Darling Darling-1977’. I have presented a song from this movie in the past where I had mentioned that this movie had a few good songs that were played frequently on loud-speakers on those years.

Title song of this movie was heard more than other songs. I have mentioned that I did not like this ‘title song’ ‘hello darling bolo hello darling’ as I found it very irritating. As growing children the word ‘darling’ was taboo for us growing up in conservative surroundings. It was an ‘ultra-modern’ word for children like us who were studying in ‘small village school’:). This song is yet to appear on this blog and it will be coming here soon 🙂

Today another song from this movie is being presented with this post.

“Darling Darling-1977” was directed by Gogi Anand for ‘Fortune Films International, Bombay’. It was produced by Kishore Doshi. ‘Darling Darling-1977’ is mentioned as a movie from ‘genre’ of ‘social movies’ in HFGK Vol-V (1971-1980). It had Dev Anand, Zeenat Aman, Mahmood, Jeevan, Nadira, Dheeraj Kumar, Poonam, Sajjan, Durga Khote, Helen, Ranjan, Raj Verma, Shivraj, Shefali, V. Gopal, Hercules, Baby Goody, Baby Padmini, Janki Das, Zankhana, Pushpanjali, Birbal, Roopa, Dev Raj, Julian, Hira, Geeta Khanna, Monto, Pushpa Nepali, Bhushan Sawhny, Dhanna, Shahid Bijnori, Shaikh, and others.

Story and screenplay of this movie was written by Gulshan Nanda. Dialogues of this movie were written by Bhushan Banmali. Editing of this film was done by Ashok Ghai.

This movie has six songs that were written by Anand Bakshi and composed by R.D. Burman. Kishore Kumar, Asha Bhonsle and R.D. Burman had given their voices to the songs in this movie.

Following is the brief about the story of this movie taken from filmiclub.com

‘Darling Darling’ is a 1977 Indian Bollywood social film released in 1977. The film is directed by Gogi Anand.
It is the story of a young man and woman brought together by circumstances. In a bid to solve their own individual problems, they strike a bargain with each other, pass through various vicissitudes and ultimately fall in love and are united. – “Darling Darling” is the story of two lovers who are caught in the cob-web of crime and conspiracy. The story takes unexpected turns almost in every reel and keeps the audience engrossed throughout the film. . Kumar (Dev Anand) is the grandson of a wealthy widow (Durga Khote). Having been jilted in love by Seema (Poonam), Kumar resolves never to marry. His grandmother wants a good wife in the house and threatens Kumar to disinherit him of the money if he did not marry soon. . On the other hand, there is Madhu (Zeenat Aman) who has been brought up by her step-mother (Nadira) and tortured by step-sister Seema. To inherit the entire property of Madhu, left to her by her father Rai Bahadur Dinanath (Sajjan) Jeevan, Nadira, Seema and Jeevan’s son, Dheeraj conspire to marry Madhu with Dheeraj and kill her after marriage. . Madhu is saved from the pursuing thugs of Mrs. Rai Bahadur by Kumar, who on the adivce of his friend Debu (Mahmood) brings her to his house with Debu posing as her father and makes her acceptable to his grandmother. Kumar thinks that he will get the entire property by having a “hired wife while the grandmother reveals to Madhu that they are actually very poor and the entire property has been mortgaged. . . The story takes a sudden twist when, in the absence of his grandmother, Kumar is unable to pay off the creditors. Madhu then offers to take him out of trouble if he became her “hired husband” and brought the conspirators to book. Where this all leads to is to be watched in the movie. 🙂

This movie ‘Darling Darling-1977’ which has good music by Pancham featured in the top twenty ‘Bollywood movies’ of ‘1977’ (as per IMDB). None of the songs from this movie appeared in the annual list of ‘Binaca Geetmala’ of ‘1977’. Though this annual Binaca Geetmala list of 1977 had as many as eleven other songs composed by Pancham there.

‘Radio listeners’ know that the song ‘aise naa mujhe tum dekho’ is the top favorite of almost all FM channels on radio nowadays and it gets frequently played on radio in between. Four songs out of the six songs from this movie have already been posted on the blog.

Today I am presenting the fifth song from this movie which is a nice entertaining hummable song with the special ‘Pancham’ beats. There is an interesting story behind the ‘fast paced’ clap-sound in this song which are part of the interlude of this song. It is mentioned in the biography of Pancham – ‘R.D. Burman – The Man, The Music’ – by Anirudha Bhattacharjee & Balaji Vittal that Pancham asked his musician Amrutrao Katkar to take off his shirt and sit in the recording room where Pancham played these ‘series of beats’ by his hands like a ‘tabla’ on the shirtless back of Amrutrao (listen in video of this song from 05:27 to 05:40 & 03:00 to 03:15 in the audio of this song). Now we all know that there are many such stories when Pancham created music by using unconventional ways and achieve new heights in his musical journey making him a ‘genius’ and ‘unique’ the history of music of Hindi Cinema. The story of Pancham songs will keep continuing further.

Today’s song happens when Kumar (Dev Anand) takes Madhu (Zeenat Aman) to a club party where the club dancer (Helen) teases Kumar after Kumar tells her that he has been engaged to Madhu and is going to marry her. While the club dancer sings the song to Kumar, Madhu being a simple girl watches her but provoked by the club dancer’s singing and dancing she joins the performance with her ultra-modern get-up.

We have Dev Anand lip-syncing for Kishore Kumar and Helen and Zeenat Aman lip-syncing for Asha Bhonsle in this foot tapping song. There are many other artists present in the picturization of this song. Lyrics for the song are by Anand Bakshi and music is composed by R.D. Burman.

Enjoy the song!!!
Audio

Video (video, with dialogues)

Song-Bhool gaye tum ham ko(Darling Darling)(1977) Singers – Asha Bhonsle, Kishore Kumar,LYRICS – Anand Bakshi, MUSIC – R.D. Burman
chorus

Lyrics

Ha ha ha ha aa ha
hey ae
bhool gaye tum ham ko
yaad nahin kya tum ko
arey re re re re re
kal miley thhe
ham tum

aaj phir milnaa thhaa aa
arey ek mulaaqaat
ek raat ki baat
raat gayee
baat gayee

haa haa
ha haa haa
ha haa haa
bhool gaye tum ham ko
yaad nahin kya tum ko
kal miley thhe ham tum
aaj phir milnaa thhaa aa aa
hey ae ek mulaaqaat
ek raat ki baat
raat gayee
baat gayee

ho ho
o ho ho
o ho ho
bhool gaye tum ham ko
yaad nahin kya tum ko
ho o kal miley thhe
ham tum
aaj phir milnaa thhaa aa aa
haan haan ek mulaaqaat
ek raat ki baat
raat gayee
baat gayee samjhe

aa ssssssssss
samjhe ae
aa aa aa

wow wow
wow wow
wow wow

roz shuroo karte hain
ham ek kahaani nayee ee

paa paa paa paa
maaf karnaa aa
maaf karnaa aa
dost naye pyaar nayaa
aur zindagaani nayee ee

paa paa paa paa
maaf karnaa aa aa
beqadar tum nikley
bewafaa harjaayee ee
kal miley thhe
ham tum
aaj phir milnaa thhaa aa aa
arey sab jazbaat
ek raat ki baat
raat gayee
baat gayee
samjhe

aa aa aa

paa paa pa ra paa
paa pa ra paa
paa paa paa
paa paa paa

paa paa paa
paa paa paa
paa aa
paa paa paa
paa aa
paa paa paa

aap ka hamaaraa bhi
pyaar puraanaa huaa
ru ru ru ru oo
maaf karnaa aa
maaf karnaa aa
ek hi soorat dekhte
zamaanaa huaa
ru ru ru ru oo
maaf karnaa aa
bewafaai tum se hi
seekh li
kal miley thhe
ham tum
aaj phir milnaa thhaa aa aa
pyaar ki baaraat
ik raat ki baat
raat gayee
baat gayee
haa haa
ha haa haa
ha haa haa
bhool gaye tum ham ko
yaad nahin kya tum ko
ho o kal miley thhe ham tum
aaj phir milnaa thhaa aa aa aa ssssssssss


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

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