Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Zeenat Aman


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4190 Post No. : 15371

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Blog 10-Year Challenge (2010-20) – Song No. 1
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Welcome all to this first post under the ‘Blog 10-Year Challenge’ in this year “2020”, where we will be going back to the movies represented on the blog in the year “2010”.

Today we begin our journey in this year with a not-so-popular but yet a nice hummable song from the movie ‘Aashiq Hoon Bahaaron Ka-1977’. I had planned the post in the month of December’2019 itself when I had browsed for the movies represented in the month of January’2010.

However, I had not selected the song for the post then. The song that readily came to my mind was the ‘title song’ of this movie and since it had not been posted I thought I would present this one. But when I listened to the other song remaining from this movie, I like it and presenting the same today, since it also talks of a ‘journey’ and a ‘continuing journey’ without reaching the ‘destination’.😊

We, on the blog, have already entered in the thirteenth ‘calendar year’ for the blog since its inception in 2008, and we have still a long way to go and many new ‘topics’ to be explored and this song perfectly sets the tune for another entertaining musical year ahead …

So far, the following three songs from this movie have been posted on the blog earlier;

Song Posted on
mashrique-se-jo-nikle-maghrib-mein-kho-gaye 07.01.2010
I-am-in-love-you-are-in-love 18.07.2013
mere-gorey-gaalon-ka 20.03.2014

This movie had total five songs in it and the two remaining songs to be posted are;
‘nahin dekha kabhi pehle … main aashiq hoon bahaaron ka’
‘tera dil kya kehta hai mera dil to ye kehta hai’

(and if the listing of songs given in HFGK Vol V is in correct order of appearance of the songs in this movie, the above two songs remaining are the first and the last song appearing in this movie).

Looking back ten years back i.e. on 07.10.2010 the following two movies were represented on the blog ten years back (in ascending order of presentation).

Song Movie title-Year Remarks
Gudiya hamse roothi rahogi Dosti-1964 All songs covered on the blog
Mashrique se jo aaye … Aashiq Hoon Bahaaron Ka-1977 03 of 05 songs posted so far

“Aashiq Hoon Bahaaron Ka-1977” was directed by J. Omprakash for ‘Shiv Kala Mandir’, Bombay. S.K. Chand was its Chief Assistant Director.

“Aashiq Hoon Bahaaron Ka-1977” was produced by K.K. Talwar and Raj Bathija. It had Rajesh Khanna, Zeenat Aman, Danny Dengongpa with Asrani and Om Prakash. Sulochana makes a special appearance in this movie. Its supporting cast includes Rehman, Preeti Ganguly, Pinchoo Kapoor, Madhup Sharma, Julie and Nadira.

Story and screenplay of this movie was written by Ram Kelkar. Its dialogues were written by Ramesh Pant. Editing of this movie was done by Pratap Dave and Prakash Dave.

This movie was passed by Censor Board on 18.11.1977.

This movie had total five songs in it and only Lata Mangeshkar and Kishore Kumar gave their voices to the songs in this movie where Lata Mangeshkar had one solo song, Kishore Kumar had three solo songs and there was only one duet sung by them.

Lyrics for all the five songs were penned by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

Today’s song is the fourth song from this movie to appear on the blog.

I think that, other than the title song of this movie and the song ‘I am in love’, the other songs were not very much popular, though I find the today’s song a nice hummable and an enjoying one. (also, I do not remember to have listened to the today’s song earlier before taking it for the presentation in this post).

I have not watched this movie so I cannot say much about it. I would request knowledgeable readers to throw more light on the movie and its songs …

Let us now enjoy this song …

(The songs is picturized on Rajesh Khanna and Zeenat Aman and many others are seen in the picturization of this song which is picturized on foreign locations).

Video

Audio

Song-Tera dil kya kehta hai (Aashiq Hoon Bahaaron Ka)(1977) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

(dialogues from the video link are not included)

Hmm hmm hmm
hmm hmm hmm
Hmm hmm hmm
Haa
Aa ha haa
Aa ha haa

Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa
Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Manzil jo nazdeek aayegi
Manzil jo nazdeek aayegi
Tu mujhse door chali jaayegi
Tere jaane ke baad
Teri yaad aayegi
Tere jaane ke baad
Teri yaad aayegi
Main tujh ko kahaan dhoondhoongaa
Tera pataa kis’se poochhoonga
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Mujhko to neend nahin aayegi
Mujhko to neend nahin aayegi
Tu kya mujhe bhool jaayegi
Mere jaane ke baad
Meri yaad aayegi
Mere jaane ke baad
Meri yaad aayegi
Achchhaa hai is doori se
Phir milne ki majboori se
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

Tera dil kya kehta hai
Mera dil to ye kehta hai
Yoon hi raston pe
chalte jaayen ham
Aur manzil kabhi bhi naa aaye
Hey la la laa
La la laa
La la laa
La la laa
Laa aa

la la laa
La la laa
La la laa
La la laa
Hmm mm

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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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हम्म हम्म हम्म
हम्म हम्म हम्म
हा
आ हा हा
आ हा हा
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
मंज़िल जो नज़दीक आएगी
मंज़िल जो नज़दीक आएगी
तू मुझसे दूर चली जायेगी
तेरे जाने के बाद
तेरी याद आएगी
तेरे जाने के बाद
तेरी याद आएगी
मैं तुझ को कहाँ ढूंढूंगा
तेरा पता किस से पूछूंगा
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
मुझको तो नींद नहीं आएगी
मुझको तो नींद नहीं आएगी
तू क्या मुझे भूल जायेगी
मेरे जाने के बाद
मेरी बाद याद आएगी
मेरे जाने के बाद
मेरी बाद याद आएगी
अच्छा है इस दूरी से
फिर मिलने कि मजबूरी से
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
तेरा दिल क्या कहता है
मेरा दिल तो ये कहता है
यूं ही रस्तों पे
चलते जाएँ हम
और मंजिल कभी भी ना आये
हे ल ल ला
ल ल ला
ल ल ला
ल ल ला
ला आ
ल ल ला
ल ल ला
ल ल ला
ल ल ला
हम्म म्म


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4184 Post No. : 15364 Movie Count :

4235

“Jaagir”(1984) was produced and directed by Pramod Chakraborty for Pramod Films, Bombay. The movie had Dharmendra, Zeenat Aman, Mithun Chakraborty, Shoma Anand, Amrish Puri, Preeti Sapru, Danny Denzongpa, Ranjeet, Beena Bannerjee, Azad, Bharat Bhushan, Birbal, R.S.Chopra, Bob Christo, Tarun Ghosh, Iftekhar, Kamal Kapoor, Praveen Kumar, Pran, Subroto Mahapatra, Baby Pinky, Sujeet Kumar, Mac Mohan, Master Ravi, Amol Sen, Asit Sen, Sunder Taneja, Ashalata Wabgaonkar etc in it.

The movie had six songs in it.

One of these songs was a new year song. Today (1 january 2020) is an ideal occasion to cover this song.

So here is this new year song from “Jaagir”(1984). This song is sung by Asha Bhonsle, Kishore Kumar and chorus. Anand Bakshi is the lyricist. Music is composed by R D Burman.

The song is picturised as a stage dance performance on Zeenat Aman, Dharmendra etc. House full audience, including Raj Kishore, Subroto Mahapatra, Amrish Puri, Shoma Anand, Ranjeet, Preeti Sapru, Praveen Kumar,Sunder Taneja(anouncer) are present on the occasion. Amrish Puri and Ranjeet receive call (on landline phone, brought to them on their chairs) that their nefarious business has been foiled and the main person was donning an orange boiler suit. And Ranjeet recalls having seen this boiler suited man onstage. So he obviously plans his next move as soon as the song finishes. 🙂 Our villains never act till the song performance is over !

Lyrics of this song were sent to me by Prakashchandra.

I take this opportunity to wish everyone a very happy new year 2020. 2020 has a nice sring about it, especially because we are already familiar with 2020 format of cricket :). Let us hope that this year will see quick fire action in our lives and also in the blog, similar to the action that we are used to seeing in a 2020 game of cricket.

With this song, “Jaagir”(1984) makes its debut in the blog.

Audio

Video

Song-Sach kehta hai ye saara zamaana…Naya naya hota hai puraana puraana (Jaagir)(1984) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Female chorus
Male chorus

Lyrics

sach kehtaa hai
hey sach kehtaa hai
ye saaraa zamaanaa
sach kehtaa hai
ye saaraa zamaanaa
nayaa nayaa hota hai
puraanaa puraanaa
nayaa nayaa hota hai
puraanaa puraanaa

ye to kahaawat hai barson puraani
socho nayee koyee chhedo kahaani
yaa hamse keh do
yaa hamse keh do
ke hamne ye maanaa

yaa hamse keh do
ke hamne ye maanaa

nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puranaa puranaa

(crowd cheering sound)

naye mein chamak hai
puraane mein kyaa hai
bolo
ho o naye mein chamak hai
puraane mein kyaa hai
naya kuchch na ho to
zamaane mein kyaa hai
chamaktaa hai jo kuchch
nahin hai woh sona
puraanaa hai insaan
nayaa hai khilauna
khilaune ki jhoothhi
khilaune ki jhoothhi chamak pe na jaanaa

khilaune ki jhoothhi chamak pe na jaanaa
o Bandhu
nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puraanaa puraanaa

(dialogues)

mihabbat ki banti hai jo ik nishaani
mihabbat ki banti hai jo ik nishaani
woh hoti hai tasveer koyee puraani
miley chand saathi puraane jahaan par
yehi baat aati hai sab ki zubaan par
nayaa yaar koyee
nayaa yaar koyee lateefaa sunaanaa

arrey nayaa yaar koyee lateefaa sunaanaa
nayaa nayaa hota hai
puraanaa puraanaa

arrey nayaa nayaa hota hai
puraanaa puraanaa

jahaan kal khade thhe
wahin ke wahin ho o
samjhe
jahaan kal khadey thhe
wahin ke wahin ho
tumhaaraa zamaanaa
gayaa tum yahin ho
ab aur hum kyaa kahein soniyyo
sab kuchch to aap keh gayeen

zameen par ho tum
aur hum aasmaan par
huaa kyaa lagaa chhupp ka
taalaa zubaan par
nahin yaad kyaa aaa
nahin yaad kya aur koyee bahaanaa
nahin yaad kya
aur koyee bahaanaa

nayaa nayaa hota hai
puraanaa puraanaa aa
nayaa nayaa hota hai
puraanaa puraanaa

sach kehtaa hai
ye saaraa zamaanaa
sach kehtaa hai
ye saaraa zamaanaa

nayaa nayaa hota hai
puraanaa puraanaa aa
nayaa nayaa hota hai
puraanaa puraanaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4155 Post No. : 15323

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # 89 #
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Welcome all to this post where once again I take you all back to the songs of seventies.

I originally wanted to present this post during the ‘Diwali festival’ since this song brings back my memories of ‘Diwali vacation’ days of my childhood. L liked this song as well as the other songs from this movie.

The song is from the ‘1975 movie ‘Warrant’. I was around seven years old then when the movie was released in 1975.

‘Warrant-1975’ had Dev Anand in lead role. And today 3rd December 2019 is the eighth ‘remembrance anniversary’ (26.09.1923-03.12.2011) of actor, producer, director Dev Anand.
We pay our tributes to him and will always be grateful for some of the great roles he played in the Hindi movies and also for the memorable and everlasting music which was a part of most of his movie.

Many new Dev Anand movies were getting released in those years when I was growing, but we were not getting to watch them then. Here when I say new movies means movies like ‘Ishq Ishq Ishq’, ‘Ameer Ghareeb’, ‘Warrant’, ‘Jaaneman’, ‘Bullet’, ‘Kalaabaaz’, ‘Darling Darling’, ‘Sahib Bahadur’ etc.

Instead in our colony club’s weekly movie screening we were getting to watch many of his old ‘black and white’ movies, like ‘Sarhad’, ‘Bambai Ka Babu’, ‘Jab Pyaar Kisise Hota hai’, ‘Pocketmaar’, ‘Taxi Driver’, ‘Teen Deviyaan’ etc.
And some the movies like ‘Shareef Badmaash’ I watched in a ‘touring talkies’ may be in 1974-75, and I think I watched some of the movies like ‘Joshilaa’, ‘Des Pardes’ during end seventies or early eighties.

I was not a big fan of Dev Anand in my childhood. But my father was a very big fan of him and because of that I became aware of his old movies and songs from them.
And I vaguely remember to have watched ‘Hare Rama Hare Krishna’, ‘Ye Gulistaan Hamaara’, ‘Heera Panna’, and ‘Chhupa Rustam’ with my father when I was a child.

Later on, I watched many of Dev Anand movies between 1981-1988 and after that. However, for this post I am restricting myself and the discussion to the decade 1971-1980 only. In all the movies which I watched later including his ‘coloured’ and ‘black & white’ movies I always liked his acting, dialogues deliveries and his style.

However, I am still to watch many of his movies from the seventies which weren’t successful but their music was always very good.

Let us have a look at the Dev Anand movies released from 1971-1980:

Sno. Movie Title Year Passed by Censor Board Director Music Director Lyricist
1 Gambler 1971 16.02.1971 Amarjeet S.D. Burman Neeraj
2 Hare Rama Hare Krishna 1971 09.12.1971 Dev Anand R.D. Burman Anand Bakshi
3 Tere Mere Sapne 1971 13.05.1971 Vijay Anand S.D. Burman Neeraj
4 Yeh Gulistaan Hamaaraa 1972 30.12.1972 Atmaram S.D. Burman Anand Bakshi
5 Banarasi Baaboo 1973 20.03.1973 Shankar Mukherjee Kalyanji-Anandji Rajinder Krishan
6 Chhupaa Rustom 1973 07.05.1973 Vijay Anand S.D. Burman Neeraj, Vijay Anand
7 Heeaa Pannaa 1973 15.11.1973 Dev Anand R.D. Burman Anand Bakshi
8 Joshilaa 1973 26.09.1973 Yash Chopra R.D. Burman Sahir Ludhianvi
9 Shareef Badmaash 1973 31.03.1973 Raj Khosla R.D. Burman Anand Bakshi
10 Ameer Ghareeb 1974 26.07.1974 Mohan Kumar Laxmikant-Pyarelal Anand Bakshi
11 Ishq Ishq Ishq 1974 08.11.1974 Dev Anand R.D. Burman Anand Bakshi
12 Prem Shaastra 1974 08.07.1974 B.R. Ishara Laxmikant-Pyarelal Anand Bakshi
13 Warrant 1975 01.11.1975 Pramod Chakravarti R.D. Burman Anand Bakshi
14 Bullet 1976 28.12.1976 Vijay Anand R.D. Burman Anand Bakshi
15 Jaan-E-Man 1976 30.07.1976 Chetan Anand Laxmikant-Pyarelal Anand Bakshi
16 Darling Darling 1977 11.05.1977 Gogi Anand R.D. Burman Anand Bakshi
17 Kalaabaaz 1977 13.05.1977 Ashok Roy Kalyanji-Anandji Anand Bakshi
18 Sahib Bahaadur 1977 11.05.1977 Chetan Anand Madan Mohan Rajinder Krishan
19 Des Pardes 1978 24.04.1978 Dev Anand Rajesh Roshan Amit Khanna
20 Lootmaar 1980 27.09.1980 Dev Anand Rajesh Roshan Amit Khanna
21 Manpasand 1980 26.06.1980 Basu Chatterjee Rajesh Roshan Amit Khanna

The songs from this movie ‘Warrant-1975’ are nostalgic for me since my childhood days, and even though I had never watched this movie until I watched it online this year on ‘Diwali’ day.

I think we watched more movies in the summer vacations than the Diwali vacations, naturally because summer vacations would be longer than Diwali vacations.

I always had a very big nostalgia for the famous three movies and their songs which I remember to have watched during the Diwali festival which were released in the same year in 1974.
These are ‘Bidaai’, ‘Roti’, and ‘Roti Kapda Aur Makaan’. I have vague memories of watching these movies with elders in the family or may be all of them viz. my grandmother (my grandfather was still against watching of movies), aunts, uncles, parents and cousins.
I have mentioned about this in my ‘song nostalgia’ on the blog here.

Later I read somewhere that these three movies were released on the same day during Diwali of that year i.e.1974 (14.10.1974, knowledgeable readers can please correct me if I am wrong). Though, now equipped with the information in HFGK if we see the dates of their being given the Censor Certificates are;
Bidaai-09.10.1974, Roti-11.10.1974 and Roti, Kapadaa Aur Makaan-13.09.1974.

And those days ‘hit’ movies always used to run over fifteen weeks to twenty-five weeks. So, people like us staying in near by towns from the city would get to watch the movies on holidays or during the vacations when all family members would visit the city where my grand parents were staying.

‘Warrant-1975’ was passed by Censor Board on 01.11.1975 and I think it was around ‘Diwali’ of that year that this movie must have hit the theatres. And that is why I am reminded of its’ song during ‘Diwali festival’ every year. (The songs from this movie were frequently played either on loud speakers or on radio then and that is why they must have made their way to my impressionable mind then.
I also remember the songs of ‘Ameer Ghareeb’ which were played frequently and I didn’t like them then and they were very irritating to me).

Well, all the three movies that I mentioned above viz. ‘Bidaai’, ‘Roti’, and ‘Roti Kapda Aur Makaan’ were declared as hit or super hit movies of that time. However, in comparison to the above movies I was under impression that the today’s movie ‘Warrant-1975’, was not a successful one, but now sources mentioned that it was among the top ten grossers of that year.

‘Warrant-1975’ was directed by Pramod Chakravarty for N.P. International, Bombay.

It was produced by N.P. Singh.

Here is again one more movie which is dedicated to the ‘police forces’ in the country;

“Dedicated to those Officers and men of our police force who suffered and sacrificed their lives so that their countrymen can live in peace”

‘Warrant-1975’ had Dev Anand, Zeenat Aman, Pran, Dara Singh, Ajit, Satish Kaul, Sulochana, Madan Puri, Jankidas, V.Gopal, Bunty, Aparna Choudhary, Kuljeet, Seema Kapoor, Jagdish Raj, Narbada Shankar, Praveen Paul, Rajan Kapoor, Kirti, Viju Khote, Lambha, Raja Saigal, Rajan Kumar, Manjit, Paul Sharma, Habib, Ujagar, Rajnish, Dhanna, Pehlwan, Birbal, Kirti Kumar, Devdas, Hercules, and many others.

Lalita Pawar, Joginder and Sujit Kumar make friendly appearance in this movie.

Story and screenplay of this movie was written by Sachin Bhowmick. Dialogues were written by Vrajendra Gaur.
Editing of this movie was done by Narinder Arora.

The movie is an interesting movie to watch except few action scenes where Dev Anand is jumping over the buildings and like that are not easy to digest’😊. They could have been avoided and fight scene suitable to Dev Anand’s image would have been much better.
All the stars perform well to their character in the movie and the movie keeps one engaged till the end.
And most importantly music of this movie is very nice and all songs are very good.

The movie had four songs written by Anand Bakshi and composed to music by R.D. Burman.
Kishore Kumar and Lata Mangeshkar gave their voices to the songs in this movie where Kishore Kumar had two solos and one duet with Lata Mangeshkar, and other than the duet Lata Mangeshkar had sung one solo song in this movie.
(*HFGK also mentions the name of Asha Bhonsle in the singer’s list of this movie however movie title clearly mentions the name of Lata Mangeshkar and Kishore Kumar only).

Only one song from this movie featured in the ‘annual ‘Binaca geetmala’ of 1975’ ranking at number twenty-ninth, and it improved by featuring two songs from this movie in the annual ‘Binaca geetmala of 1976 i.e. Ruk jaana o jaana at number twenty-three and ‘main tumse mohabbat karti hoon’ at number thirty-one.

And so, very rightly these two songs have already been posted on the blog and in accordance of their popularity too. 🙂

Song Posted on
Ruk jaana o jaana hamse do baatein karke chali jaana 18.09.2008
Main tumse mohabbat karti hoon 19.11.2014

Today’s song happens when Mehra (Pran) – Chief of Police and his team (read Jagdish Raj and others) are looking for Jailor Arun (Dev Anand) who is on the run with a murder accused. Police is having the information that Arun would be attending the marriage function of Pyara Singh (Dara Singh)’s sister Guddo (Seema Kapoor).

Pran plays the father of Dev Anand and is a Chief of the Police. Dev Anand being a Jailor also and son of the Police Chief is wanted by Police and is on the run. Jailor Arun had helped and eloped with the accused Dinesh and is sheltering him. The reason being that during a revolt by the prisoners and an attempt of ‘jail-break’ Dinesh saves the life of the Jailor.
Jailor (Dev Anand) wants to know that why a ‘murderer’ saved his life and when he could have run to avoid his hanging which was going to take place soon.
So our Jailor wants to know the ‘truth’ and also look for the ‘asli gunahgaar or qaatil’ of a scientist (Madan Puri), after the accused Dinesh finally breaks the ‘secret’ of his being wrongly ‘trapped’ in the ‘murder-case’ and real ‘qaatil’ and ‘culprits’ are some other people and not him.

The plot is interesting and the presentation is having all the ingredients of the ‘seventies’ movies and one can enjoy the movie and the ‘thrill’ of watching it.

Let us now enjoy the song where Dev Anand and Zeenat Aman perform in disguise (for the police and not for us – the viewers) hiding their real identity in the movie.

Zeenat Aman plays Rita Verma who is the daughter of the deceased scientist Madan Puri and is looking for the killer of her father to take revenge of her father’s death. (But here there is a ‘twist’, and I am leaving that for those interested and want to watch this movie) 😊

As mentioned above the song is composed by R.D. Burman and lyrics are by Anand Bakshi.
Kishore Kumar and Lata Mangeshkar have given their voices for Dev Anand and Zeenat Aman respectively in this energetic bnagra style dance song.

I hope you will like this song and enjoy it …:)

Today also happens to the birthday of our own Khyati Ben. We wish her a very happy birthday.

Video

Audio

Song-Ladi najariya ladi chali re phuljhadi(Warrant)(1975) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-R D Burman
Both

Lyrics

ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
arri ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

dekh rahe ho kyun saahib
aap hamaara yoon chehra
gori ka ghoonghat dekho
saajan ka dekho sehra
aa aa aa aa
aa aa aa

dekh rahe ho kyun saahib
aap hamaara yoon chehra
gori ka ghoonghat dekho
saajan ka dekho sehra

ek prem kahaani kehti hai
phoolon ki har ladi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

hum jaise bhai jiske
khush-kismat hai woh dulhan
khade huye munh dekhte hain
pyaar mohabbat ke dushman

arre hum jaise bhai jiske
khush-kismat hai woh dulhan
khade huye munh dekhte hain
pyaar mohabbat ke dushman

haay tauba kiske chehre pe
meri nazar jaa padi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

achcha ab chup ho jaao
mushqil hai ab kuchh kehna
aisi ek khushi hai yeh
bheeg gaye jismein naina
aa aa aa
aa aa aa

achcha ab chup ho jaao
mushqil hai ab kuchh kehna
aisi ek khushi hai yeh
bheeg gaye jismein naina

nainon se saawan bhaado ki
lag gayi jaise jhadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi

ari ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghaddi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi

——————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————–
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
अरे लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

देख रहे हो क्यों साहिब
आप हमारा यूं चेहरा
गोरी का घूँघट देखो
साजन का देखो सेहरा
आ आ आ आ आ आ

देख रहे हो क्यों साहिब
आप हमारा यूं चेहरा
गोरी का घूँघट देखो
साजन का देखो सेहरा

एक प्रेम कहानी कहती है
फूलों की हर लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

हम जैसे भाई जिसके
खुश किस्मत है वो दुल्हन
खड़े हुए मुंह देखते हैं
प्यार मोहब्बत के दुश्मन

अरे हम जैसे भाई जिसके
खुश किस्मत है वो दुल्हन
खड़े हुए मुंह देखते हैं
प्यार मोहब्बत के दुश्मन

हाए तौबा किसके चेहरे पे
मेरी नज़र जा पड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

अच्छा अब चुप हो जाओ
मुश्किल है अब कुछ कहना
ऐसी एक ख़ुशी है ये
भीग गए जिसमें नैना
आ आ आ आ आ आ

अच्छा अब चुप हो जाओ
मुश्किल है अब कुछ कहना
ऐसी एक ख़ुशी है ये
भीग गए जिसमें नैना

नैनों से सावन भादों की
लग गयी जैसे झड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई

अरे लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4141 Post No. : 15304

Hullo Atuldom

The song with this post is a walk down memory lane for me. I had seen this movie with my dad in the movie hall and subsequently he had purchased the cassette of its songs too. The songs from this album along with those of “Yaraana”, “Qurbaani” and “Sholay” used to be played constantly on holidays and I had learnt all the songs from these ‘by heart’ prompting the elders in the family to comment that if I had shown similar passion in studies I would have been a topper, not that I was a bad student but I used to top only in mathematics and was reasonably good at all other extra or co-curricular activities.

But that is not the subject of this post.

The subject of this post is Zeenat Aman. It is her birthday today and I would like to present this song to emphasise on how stylish she was.
The song is from the 1978 release “Heeralal Pannalal” about which Atulji has written a very interesting post with this song .

“Heeralal Pannalal” made its debut on the blog with the Pancham- Asha Bhonsle duet on the occasion of Amjad Khans’ birthday. The next song posted for Premnath’s birthday was the second version of the first song posted. It was treated as two posts as the lyrics were different and RD had given entirely different look to them. The movie has six songs and the fourth came on the blog for Shashi Kapoor’s birthday and the fifth one is here for Zeenat’s birthday. I think we should rename this movie as Birthday Special. Whatsay?

The songs were the handiwork of Majrooh and R D Burman. Today’s song is a stage song. The song happens as the two innocent and kind hearted heroes are trying to run away from some goons and land up (drop on would be more correct) on the stage as the heroines are awaiting the arrival of two professional dancers to help them in some inter college competition. The professionals walk-in just as song is coming to a close. This is the first time that the couples meet.

Let us pray for the speedy recovery of Lata Mangeshkar who sings today’s song with Asha, Bupinder and Kishore Kumar.
Happy Birthday to you Zeenie a.k.a Zeenat Aman.

Audio

Video

Song-Kahiye kahaan se aana hua (Heeralal Pannalal)(1978) Singers-Kishore Kumar, Lata, Bhupinder Singh, Asha Bhonsle,Lyrics-Majrooh Sultanpuri, MD-R D Burman
Kishore Kumar + Bhupinder Singh
Lata + Asha Bhonsle
All

Lyrics

Hae ae kahiye kahaan se aana hua
chehra toh hai pehchaana hua
hae ae kahiye kahaan se aana hua
chehra toh hai pehchaana hua

ho oo sochiye nayi baat koyi
ab ye mazaak puraana hua

woh suhana milan
pyaar ki woh lagan
bhool gaye kya sanam

tarram parram parram pam
kahiye kahaan se aana hua
chehra toh hai pehchaana hua
ho o o sochiye nayi baat koyi
ab ye mazaak puraana hua

woh suhana milan
pyar ki woh lagan
bhool gaye kya sanam

yaad ab aaya re ha
aagre ki kunj galiyaan

pa ra paa, pa ra paa,
pa ra paa, pa ra paa

yaad ab aaya re haan
aagre ki kunj galiyaan

o o peechhe peechhe ladkon ki fauj
aage aage tum meri jaan

phir lage the gale tajmahal tale
bhool gaye kya sanam
tarram parram parram pam
kahiye kahaan se aana hua
chehra toh hai pehchaana hua

sochiye nayi baat koyi
ab ye mazaak purana hua

aaine me kabhi, dekh lete chhavi
bhool gaye kya sanam

waa waa waa waa waa waa
waa waa waa waa waa waa
waa waa waa waa waa waa

yaad hai saawan ki rumjhum
jab thhe mere pyaar mein gum
pa ra paa, pa ra paa,
pa ra paa, pa ra paa

yaad hai saawan ki rumjhum
jab thhe mere pyaar me gum
maar ke thokar apnon ko
ghar se bhaag liye thhe tum

phir humari chhadi, yaar kaisi padi
bhool gaye kya sanam

tarram parram parram pam
kahiye kahaan se aana hua
tara raa
chehra to hai pehchaana hua
tara raa
sochiye nayi baat koyi
ab ye mazaak puraana hua

laa la lalaa laa la
laa la lalaa laa la
laa la lalaa laa la

tarram parram parram pam
kahiye kahaan se aana hua
chehra to hai pehchaana hua

are are
ye toh asli tapak pade
kahiye kahaan se aana hua
chehra to hai pehchaana hua
aaaaaa

hu kaa hua
hu kaa hua
hu hu hu kaa hua


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3941 Post No. : 15017

“Insaaf Ka Taraazu”(1980) was produced and directed by B R Chopra for B R Films, Bombay. This movie was inspired from an American movie called “Lipstick” (1976). The movie was a rape and revenge movie. Many people who thronged to watch “Insaaf Ka Taraazu”(1980) were attracted to the movie hall because of this fact.

The movie had Zeenat Aman, Raj Babbar (new discovery), Deepak Parashar (new discovery), Padmini Kolhapure, Shreeram Lagoo, Simi Garewal, Iftekhar, Jagdish Raj, Vijay Sharma, Prem Sagar, Sunil Dhawan, Om Shivpuri, Sujit Kumar, Yunus Parvez, Sudha Shivpuri etc in it, with Hiralal in a guest appearance and Dharmendra in a special appearance.

“Insaaf Ka Taraazu”(1980) had four songs in it. Three of these songs have been covered in the past.

The details of the songs from the movie that have been covered earlier :-

1 Insaaf ka taraazu 8774 27-Sep-13
2 Log aurat ko faqat jism samajh lete hain 13021 8-Mar-17
3 Hazaar khwaab haqeeqat ka roop le lenge 14913 8-Mar-19

The three songs that have been covered so far were serious songs all penned by Sahir Ludhianvi. The fourth and final song under discussion is a light hearted happy teasing song picturised on Padmini Kolhapure, Zeenat Aman (playing her sister)and Deepak Parashar (playing her would be jeeja ji). Sahir Ludhianvi demonstrates that he was capable of penning superb light hearted non jhonk songs as well.

The song is sung by Asha Bhonsle, Hemlata and Mahendra Kapoor.

With this song, all the four songs are covered and “Insaaf Ka Taraazu”(1980) joins the list of movies that have been YIPPEED in the blog.


Song-Hai jo yehi pyaar ka trailer to picture na jaane kya hogi(Insaaf ka Taraazu)(1980) Singers-Asha Bhonsle, Mahendra Kapoor, Hemlata, Lyrics-Sahir Ludhainvi, MD-Ravindra Jain
Asha Bhonsle + Hemlata
All
Deepak Parashar

Lyrics

jeeja ji
didi ko dekhe
hmm
didi jeeja ji ko
main bhookhi pyaasi baithi hoon
ye nahin hosh kisi ko
chup saali
saali nahin
sister-in-law
sister-in-law

hai jo yahi
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi
o hero ji
heroine ji
ab aur rehearsal jaane do o
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi

na maangoon ghoda
na maangoon haathi
maangoon hoon keval
only
only
maangoon hoon keval l l
sabji chapaati
kyun yunhi tar tar bheja hai khaati
bheja hi tum donon ka nahin hai
warna kabhi ki main kha bhi jaati
tu baaz nahin aati
kya baaz aaun
tum khud hi socho
faake se meri
hai jaan jaati
mujhko bacha lo
shaadi ke din tak
ghat jaayega warna aa aa
aaj ik baaraati
chaawal bhi dhare hain
kaddu bhi hai kaata

o ho
kyun sar pe chadhe hai
jaa goondh le aata

achcha ji
hai jo yahi
o ho ho
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi

is bhootni ko
ghar se bhaga do
jaldi se iski o o o o
shaadi racha do

haan ji
kya kasht pahuncha hai
ye to bata do
what is the trouble sir
main kisko dekhoon
tum jija ji ho
apne sa husband isko bhi la do

arre husband jaanti hai
pati pati

pata hai
are pata nahin
pati pati

is jaisa budhu main to na loongi
chahe gaddhe mein ae ae ae ae
mujhko gira do
hmm
gaali deti hai saali

saali de sakti hai gaali
ladka to hai dekha
achcha
langdaata hai thoda
oooon
aur baat kare to
hak hak haklaata hai thoda

aa maaroongi
o sister ji
o mister ji
ye maara maari jaane do

jaane do
hai jo yahi
o o o
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi
hai jo yahi pyaar ka trailer
to picture na jaane kya hogi


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3885 Post No. : 14913

Today 8th March (2019) is the ninety-eighth ‘birth anniversary’ (08.03.1921 – 25.10.1980) of Sahir Ludhianvi. Imagine, in another two years it will be his birth centenary celebrations and we can say that ‘sau saal pehle is sarzameen par ‘Sahir’ ka janam huaa tha’…

Regulars on this blog are well aware that already much has been written about Sahir Ludhianvi on this blog and other sources, and as mentioned by me in one of my earlier posts people are still exploring ‘Sahir’ in their own way. Many researches have been done and still continuing about Sahir and his poems.

I have mentioned in one of my earlier posts that we know Sahir Ludhianvi as a poet of the highest quality, a romantic at heart, and a rebel.
But for me, he was much more than this.

For me he was a truly secular individual, a humanitarian, and a motivational philosopher. There were many aspects to Sahir’s poetry and writing.

He has in his poems talked about Women’s issues and raised his concerns over their ‘plight’ in the Society and how women are still subjected to insult, exploitation, torture which is still prevailing around us. The issues Sahir wrote about and had concerns about are still relevant since years and years and on …

While Sahir has given us many memorable ‘romantic songs’ he has also given us many memorable or ‘immortal’, bhajans which lead us to the world of the sublime, to introspect within ourselves. His many motivational songs can inspire people and have been a source of motivation to many like me in this journey of life. They will continue to be so if someone listen to them with interest and also studies life and times of Sahir in right earnest.

In today’s post I have a lovely song penned by Sahir touching the ‘romantic’ side of his poetry and presenting one of those many many lovable and beautiful songs which Sahir Ludhianvi has written.

Today’s song is from the ‘1980’ movie ‘Insaaf Ka Taraazu’.

‘Insaaf Ka Taraazu-1980’ was produced and directed by B.R. Chopra for his home production ‘B.R. Films, Bombay’.

Ravi Chopra was the Associate Producer for this movie.

It had Zeenat Aman, Raj Babbar (new discovery), Deepak Parashar (new discovery), Padmini Kolhapure, Shreeram Lagoo, Simi Garewal, Iftekhar, Jagdish Raj, Vijay Sharma, Prem Sagar and Sunil Dhawan.

Om Shivpuri, Sujit Kumar, Yunus Parvez, Sudha Shivpuri, and Hiralal make a ‘guest appearance’ in this movie.

Dharmendra makes a ‘special appearance’ in this movie.

This movie had four songs written by Sahir Ludhianvi and composed by Ravindra Jain. Asha Bhonsle, Hemlata and Mahendra Kapoor gave their voices to the songs in this movie.

Story, Screenplay and Dialogues for this movie were written by Shabd Kumar. S.B. Mane was the Chief Editor for this movie, while R.P. Bapat was the Associate Editor.

Two songs from this movie have been posted earlier on this blog as given below;

Song Title Post Date
Insaaf ka taraazu 27.09.2013
Log aurat ko faqat jism samajh lete hain 08.03.2017

Today we are going to enjoy the third song of this movie sung by Asha Bhonsle and Mahendra Kapoor.

Lyrics are by Sahir Ludhianvi and music composed by Ravindra Jain as mentioned above.

Incidentally, and this I noted today only while drafting this post and going through the HFGK Vol-V, this movie was passed by Censor Board (or the certificate was issued on) on 25.10.1980.
Sahir Ludhianvi passed on the same day 25.10.1980. I am not aware if the movie was also released in theatres on the same day.

Let us now listen to this song of eternal – everlasting love …

Video

Song-Hazaar khwaab haqeeqat ka roop le lenge (Insaaf Ka Taraazu)(1980) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravindra Jain
Both

Lyrics

Hazaar khwaab
Haqeeqat ka roop le lenge
Hazaar khwaab
Haqeeqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o o
Muhabbaton mein hai donon ka
Ek hi matlab
Muhabbaton mein hai donon ka
Ek hi matlab
Adaa se na kaho ya
Muskuraa ke haan keh do o o

Hazaar khwaab
Haqeeqat ka roop le ae lenge

Hazaar khwaab
Bahaaron ke aur sitaaron ke
Tumhaare saath meri zindagi mein
Aaye hain
Tumhaari baahon ke jhoole mein
Jhoolne ke liye
Machal machal ke mere ang
Gun gunaaye hain

Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o o
Hazaar khwaab
Haqeeqat ka roop le lenge

Bharegi maang tumhaari
Wo din bhi kya hoga
Sajegi sej hawaaon ki
Saans mehkegi
Tum apne haath se sarkaaoge
Mera aanchal
Ajeeb aag mere
Tan badan mein dehkegi

Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le lenge
Magar ye shart hai tum
Muskuraa ke haan keh do o
Hazaar khwaab
Haqeeqat ka roop le lenge

Ho o o o o
Aa aa aa aa
Aa aa aa aa aa aa aahaa
Aa aa aa aa aa aa aa aa

Main apni zulfon ke saaye
Bichhaaungi tum par

Main tumpe apni jawaan
Dhadkanen lutaaunga
Main subah tum ko jagaaungi
Lab pe lab rakh kar

Main tumko bheench ke kuchh aur
Paas laaunga
Ho o
Ye saare shauq
Saare shauq
Ye saare shauq
Sadaaqat ka roop le ae lenge

Magar ye shart hai tum
Muskuraa ke haan keh do o o
Muhabbaton mein hai donon ka
Ek hi matlab
Adaa se na kaho

Ya aa
Muskuraa aa ke haan keh do
Hazaar khwaab
Haqeeqat ka roop le lenge ae

(Meaning of Sadāqat – True or sincere friendship; love, affection; friendliness; sincerity, candour; loyalty, fidelity; truth)

———————————-
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————–

हज़ार ख्वाब
हकीकत का रूप ले लेंगे
हज़ार ख्वाब
हकीकत का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो
मुहब्बतों में है दोनों का
एक ही मतलब
मुहब्बतों में है दोनों का
एक ही मतलब
अदा से ना कहो या
मुस्कुरा के हाँ कह दो ओ ओ

हज़ार ख्वाब
हकीकत का रूप ले ए लेंगे

हज़ार ख्वाब
बहारों के और सितारों के
तुम्हारे साथ मेरी ज़िन्दगी में
आये हैं
तुम्हारी बाहों के झूले में
झूलने के लिए
मचल मचल के मेरे अंग
गुन गुनाए हैं

हो ओ ओ ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़
सदाक़त का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे

भरेगी मांग तुम्हारी
वो दिन भी क्या होगा
सजेगी सेज हवाओं की
सांस महकेगी
तुम अपने हाथ से सरकार्ओगे
मेरा आँचल
अजीब आग मेरे
तन बदन में देह्केगी

हो ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़ सदाक़त का रूप ले लेंगे
मगर ये शर्त है तुम
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे

हो ओ ओ ओ ओ
आ आ आ आ
आ आ आ आ आ आ आहा
आ आ आ आ आ आ आ

मैं अपनी जुल्फों के साए
बिछाउंगी तुम पर

मैं तुमपे अपनी जवाँ
धड़कने लुटाऊंगा
मैं सुबह तुमको जगाऊंगी
लब पे लब रख कर

मैं तुमको भींच के कुछ पास लाऊंगा
हो ओ ओ ओ
ये सारे शौक़
सारे शौक़
ये सारे शौक़ सदाक़त का रूप ले लेंगे

मगर ये शर्त हा तुम
मुस्कुरा के हाँ कह दो ओ ओ
मुहब्बतों में है दोनों का
एक ही मतलब
अदा से ना कहो

या आ
मुस्कुरा के हाँ कह दो ओ ओ
हज़ार ख्वाब
हकीकत का रूप ले लेंगे ए


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3883 Post No. : 14910

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 12
————————————————

Ten years ago, this day in 2009, the film ‘Darling Darling’ made its debut on our blog. This 1977 production from Fortune Films International, has six songs. The song that brought in this film to our blog is the Kishore Kumar favorite – “Aise Na Mujhe Tum Dekho”.

Then, over the past decade, only one more song of this film was added. And now, in the 10 Year Challenge series, we are bringing on the third song of this film. An interesting side thought – maybe in the years to come, this blog and its data, relating to various stats, as well as patterns of how the films went from debut to yippee, will become fodder for PhD research projects at universities that have film studies departments. Research scholars will be analyzing such data to find correlations between the patterns of appearance of the songs of a film, and the perceived quality of its music, and its popularity curve. Interesting food for thought, right?

This 1977 film of Dev Anand, is not his own Navketan production. It was still the 1970s, and despite a descending graph, Dev Anand was still in demand enough to be called upon by other friendly production houses to play the lead role. In 1977, he was in his 54th year, and still going strong as the hero.

The film, from the banner of Fortune Films International, was directed by Gogi Anand. The star cast of this film reveals many a names which can be considered as fixtures in Dev Anand films; check out the names – Dev Anand, Zeenat Aman, Mehmood, Jeevan, Nadira, Dhiraj Kumar, Poonam, Durga Khote, Sajjan, Helen, Ranjan, Raj Verma, Shivraj, Shaifali, V Gopal, Jankidas, Hercules, Jhankna Desai, Geeta Khanna, Juliyan, Baby Guddi, Baby Padmini, Monto, Sheikh, Beerbal, Shahid Bijnauri, and Dhanna.

This song is performed in a mental asylum – a device that is used by directors to inject free format comic relief into the storyline. Dev Anand and Mehmood are leading the song performance. Dev Anand is sporting a full  beard as part of a disguise, and Mehmood appears in a tie and his birthday suit – well, almost 🙂 . As the song progresses, one realizes that they are on a search and rescue mission of some sort, as we see interludes of familiar faces as captives under duress. We get fleeting glimpses of Zeenat Aman, Sajjan and Nadira. We have already had a glimpse of Jeevan, in the very first scene of this song, leaving the premises with a large suitcase in his hand. One can also identify junior actor Sheikh, just behind Dev Anand and Mehmood, as the opening lines of this song are being rendered. I am sure there are more junior artists in this crowd of ‘mad’ persons which can be named, but I am not able to identify more.
[Note: Regulars will recall actor Sheikh – he has performed on screen, the iconic qawwaali “Hamen To Loot Liya Mil Ke Husn Waalon Ne“, in the film ‘Al Hilal’ (1958).]

The song is penned by Anand Bakshi and the music composition is by RD Burman. The singing voices are of Kishore Kumar and Mehmood.

This brings on the third song of this film – across a span of ten years. 🙂

Song – O Laila, Tujhe Dhoondhe Tera Chhaila  (Darling Darling) (1977) Singer – Kishore Kumar, RD Burman, Lyrics – Anand Bakshi, MD – RD Burman
Unidentified Male Voice
Chorus

Lyrics

o laila..aa
tujhe dhoondhe tera chhaila..aa

o laila..aa
tujhe dhoondhe tera chhaila..aa

haa haa haa haa haa haa
ye sach hai
ya filmi gaana hai

ye duniya kya hai
ye duniya paagal khaana hai
paagal khaane ke andar ik paagal khaana hai
arre ye duniya kya hai
ye duniya paagal khaana hai
paagal khaane ke andar ik paagal khaana hai
jitney baahar hain
un ko ik din andar aana hai
o laila..aa
tujhe dhoondhe tera chhaila..aa
o laila..aa
tujhe dhoondhe tera chhaila..aa
arre jitney baahar hain
un ko ik din andar aana hai
hai hai hai

kahin na kahin
yahaan ya wahaan
arre kahaan
wahaan
yahaan
wahaan
yahaan nahin
wahaan nahin
wahaan nahin
yahaan nahin
wahaan

jamuna ke teer
laila ko dhoondhe
jamuna ke teer
laila ko dhoondhe
jamuna ke teer
jamuna ke teer
jamuna ke teer
kya bolne ka kamaal hai sachchi

is dil mein
ya is ghar mein
is dil mein
ya is ghar mein
kahin na kahin
arre aag lagi hai

arre dhuaan hi dhuaan hai bhai dhuaan

is mein sabko jal jaan hai
paagal khaana hai
arre paagal khaane ke andar ik paagal khaana hai
ke jitney baahar hain
un ko yak din andar aana hai
hai hai hai
o laila..aa
tujhe dhoondhe tera chhaila..aa
o laila..aa
tujhe dhoondhe tera chhaila..aa

hum premee hain deewaane nahin hain
hum panchhi hain parwaane nahin hain
hum premee hain deewaane nahin hain
hum panchhi hain parwaane nahin hain
hum ud jaayenge
humko jakad lo
zanzeeren laao
laao laao
in ko jakad lo
jakad lo

mushkil hum ko samjhaana hai
paagal khaan hai
arre paagal khaane ke andar ik paagal khaana hai
ke jitney baahar hain
un ko yak din andar aana hai
hai hai hai
o laila..aa
tujhe dhoondhe tera chhaila..aa
o laila..aa
tujhe dhoondhe tera chhaila..aa

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ओ लैला॰॰आ
तुझे ढूँढे तेरा छैला॰॰आ

ओ लैला॰॰आ
तुझे ढूँढे तेरा छैला

हाहा हा हा हा हा हा
ये सच है
या फिल्मी गाना है

ये दुनिया क्या है
ये दुनिया पागलखाना है
अरे ये दुनिया क्या है
ये दुनिया पागलखाना है
पागलखाने के अंदर इक पागलखाना है
जितने बाहर हैं
उन को इक दिन अंदर आना है
ओ लैला॰॰आ
तुझे ढूँढे तेरा छैला॰॰आ
ओ लैला॰॰आ
तुझे ढूँढे तेरा छैला
अरे जितने बाहर हैं
उन को इक दिन अंदर आना है
है है है

कहीं ना कहीं
यहाँ या वहाँ
अरे कहाँ
वहाँ
यहाँ
वहाँ
यहाँ नहीं
वहाँ नहीं
वहाँ नहीं
यहाँ नहीं
वहाँ

जमुना के तीर
लैला को ढूँढे
जमुना के तीर
लैला को ढूँढे
जमुना के तीर
जमुना के तीर
जमुना के तीर
क्या बोलने का कमाल है सच्ची

इस दिल में
या इस घर में
इस दिल में
या इस घर में
कहीं ना कहीं
अरे आग लगी है

अरे धुआँ हि धुआँ हैं भई धुआँ

इस में सबको जल जाना है
पागलखाना है
अरे पागलखाने के अंदर इक पागलखाना है
के जितने बाहर हैं
उन को यक दिन अंदर आना है
ओ लैला॰॰आ
तुझे ढूँढे तेरा छैला॰॰आ
ओ लैला॰॰आ
तुझे ढूँढे तेरा छैला

हम प्रेमी हैं दीवाने नहीं हैं
हम पंछी हैं परवाने नहीं हैं
हम प्रेमी हैं दीवाने नहीं हैं
हम पंछी हैं परवाने नहीं हैं
हम उड़ जाएँगे
हमको जकड़ लो
ज़ंजीरें लाओ
लाओ लाओ
इनको जकड़ लो
जकड़ लो

मुश्किल हमको समझाना है
पागलखाना है
अरे पागलखाने के अंदर इक पागलखाना है
के जितने बाहर हैं
उन को यक दिन अंदर आना है
ओ लैला॰॰आ
तुझे ढूँढे तेरा छैला॰॰आ
ओ लैला॰॰आ
तुझे ढूँढे तेरा छैला


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3858 Post No. : 14872 Movie Count :

4066

#the Decade of Seventies – 1971 – 1980 #
———————————————————–
#Bhoole-Bisre Geet # 80 # Paapi-1977 #
————————————————————–

When our dear Atul ji recently started an ‘innovative’ initiative under the ‘ten-year challenge’ or ‘Blog ten-year challenge’ I felt excited and browsed through some dates of February 2009 on the blog to check about the songs and the the movies which featured on these dates ten year back.

I also mentioned in my comments on the blog that I would try to contribute as possible for this ‘challenge’ too. However, since I already have few of my earlier articles to be finished and other topics on my list, I could not contribute much to it till now. But I can see few opportunities for me in the coming days of this month 🙂

When I checked the songs posted ten years back for February 9th, I find that all the movies that were represeted that day viz. ‘Kismat-1968’, ‘Jugnu-1973’, ‘Brahmachari-1968’, ‘Sadhna-1958’, ‘Udan Khatola-1955’, ‘Paapi-1953’ and ‘Badi Bahan-1949’ have already been Yippeeeed’ on the blog or all songs from these movies have been covered on the blog.

The name of this movie ‘Paapi-1953’ reminded me of ‘Paapi-1977’. Though I had not watched this movie ‘Paapi-1977’, its name had been in my vague memory since my childhood and whenever I had been going through HFGK Vol. V, I had always thought of presenting a song from this movie since it belongs to the ‘Seventies’. This would also serve my purpose of ‘introducing the movie with same titles’ on the blog.

On our blog we already have ‘Paapi-1943’ and ‘Paapi-1953’ launched earlier.

Today ‘Paapi-1977’ makes its debut on the blog …

‘Paapi-1977’ was produced and directed by O.P. Ralhan for his home productions ‘Ralhan Productions. Bombay’. O.P. Ralhan also wrote the story and screenplay of this movie. Dialogues of this movie were written by Qamar Jalalabadi. Editing for this movie was done by Vasant Borkar.

It had Sunil Dutt, Sanjeev Kumar, Zeenat Aman, Reena Roy, Prem Chopra, Padma Khanna, Madan Puri, Iftekhar, Durga Khote, Jagdish Raj, Jatin, Appi Umrani, Dhanraj, Tuntun, Moolchand, Baby Deepa, Rajan Kapoor, Master Vikas, and Alka with O.P. Ralhan, Kamaldeep, Rajnath, Sheela, Ratan Gaurang, Jawahar Kaul and others.

Danny Dengzongpa makes a special appearance in this movie. Hina Kausar, Manmohan Krishan, Kamal Kapoor, Nana Palsikar, Sudhir makes a guest appearance in this movie.

This movie was passed by Censor Board on 10.01.1977.

As per HFGK there are nine songs in this movie written by Naqsh Lyallpuri (five songs), Kulwant Jani (three songs) and Harindranath Chatopadhyay (one song). Lata Mangeshkar, Mohd Rafi, Mahendra Kapoor, Ranu Mukherji and Miss Lorna had given their voices to the songs in this movie.

Music for this movie was composed by Bappi Lahiri. And on listening to few songs from this movie one may think of its composed by Pancham Da, same like the music of ‘Chhaila Babu-1977’ which was composed by Laxmikant-Pyarelal in R.D. Burman style 🙂
I do not remember it, but I don’t think that I had listened to any of the songs from this movie earlier. Except the song that I am presenting today which after listening sound somewhat familiar to me or may be which I had heard on radio earlier. This song is sung by Lata Mangeshkar and lyrics are by Naqsh Lyallpuri.
Also, I think that the songs from this movie may have been forgotten and none of them became popular.

From the nine songs in this movie Lata Mangeshkar has sung as many as four solo songs in this movie. Rafi Saab had one solo, while Mahendra Kapoor had two solo songs, and Ranu Mukherji and Lorna had sung one duet song in this movie.

On listening few times this song grows and I like it too.

Music is composed by Bappi Lahiri as mentioned above.

Since I have not watched this movie, I can’t say much about it or the songs from this movie. I would request knowledgeable readers to throw more light on this movie and its songs. Though, going by the star-cast of this movie I think this must be an ‘entertaining’ and ‘interesting to watch’ movie…

Let us now enjoy the today’s song from ‘Paapi-1977’ which is performed on screen by Zeenat Aman and we can see Prem Chopra, Padma Khanna, and others in the picturization of this song …

(Lyrics have been noted down as per the audio link which is a longer link)


Audio

Song-Shama Jaley ya na jaley (Paapi)(1977) Singer-Lata, Lyrics-Naqsh Llayalpuri, MD-Bappi Lahiri

Lyrics

Shamaa jaley yaa na jaley ae
Raushan hai apna jahaan°°°aan

Shamaa jaley ae yaa na jaley
Raushan hai apna jahaan
Gorey badan ki chaandni
Kam to nahin meri jaan
Meri jaan °°° aan
Meri jaan
Meri jaan°°° aan aa
Shamaa jaley
yaa na jaley
Rashan hai apna jahaa°°°aan

Daali ye badan ki
Pyaasi hai milan ki
Dil mein dabi hai aag si
Aisaa na ho o
Uthhne lagey ae
Jaltey badan se dhuaan
Meri jaan°°° aan
Meri jaan
Meri jaan°°° aan aa aa
Shamaa jaley yaa na jaley
Raushan hai apna jahaan

Honthhon se churaa le ae
Mahakte se ujaale
Yoon pyaar ka daaman sajaa aa
Saansen teri
Saansen meri
Chhede nayi daastaan
Meri jaan °°° aan
Meri jaan
Meri jaan°°° aan aa aa
Shamaa jaley yaa na jaley ae
Raushan hai apna jahaan
Gorey badan ki chaandni
Kam to nahin meri jaan
Meri jaan °°° aan
Meri jaan
Meri jaan°°° aan aa
Shamaa jaley ae yaa na jaley
Raushan hai apna jahaa°°°aan
Raushan hai apna jahaa°°°aan
Raushan hai apna jahaa°°°aan

————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————–
शम्मा जले या ना जले ए
रोशन है अपना जहां °°°आन

शम्मा जले या ना जले ए
रोशन है अपना जहान
गोरे बदन की चांदनी
कम तो नहीं मेरी जान
मेरी जान °°°आन
मेरी जान
मेरी जान °°°आन आ आ
शम्मा जले या ना जले ए
रोशन है अपना जहां °°°आन

डाली ये बदन की
प्यासी है मिलन की
दिल में दबी है आग सी
ऐसा न हो ओ
उठने लगे ए
जलते बदन से धुंआ
मेरी जान °°°आन
मेरी जान
मेरी जान °°°आन आ आ
शम्मा जले या ना जले ए
रोशन है अपना जहान

होठों से चुरा ले ए
महकते से उजाले
यूं प्यार का दामन सजा आ
साँसे तेरी
साँसे मेरी
छेड़े नयी दास्तान
मेरी जान °°°आन
मेरी जान
मेरी जान °°°आन आ आ
शम्मा जले या ना जले ए
रोशन है अपना जहान
गोरे बदन की चांदनी
कम तो नहीं मेरी जान
मेरी जान °°°आन
मेरी जान
मेरी जान °°°आन आ आ
शम्मा जले या ना जले ए
रोशन है अपना जहां °°°आन
रोशन है अपना जहां °°°आन
रोशन है अपना जहां °°°आन


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3825 Post No. : 14829

Wonder pe Thunder !

Today’s song is from film ‘Hare Rama Hare Krishna’ (1971). When I found that this very popular and famous song of the early 70s was yet to be covered in the blog, my first reaction was to disbelieve it. I was almost sure that there was some mistake. I scanned the entire ‘H’ alphabet film list, bur could not see this song under any heading. Then I checked the year wise and MD wise lists – with same result. I was wondering how this song has escaped from the keen eyes of our contributors, who are specialists in the songs of the 70s ! At the end of it, I even checked with Atul ji, who confirmed that the song, indeed, was yet to be covered by us. This was a bonanza for me.

This is one of the songs of RD Burman, which I liked very much. Comparatively, he was one of the new composers in those times – in my opinion – though he had already done about 40 films before ‘Hare Rama Hare Krishna’ (HRHK). In last few years I had liked few songs from his earlier films like ‘Parichay’ (1972), ‘Seeta aur Geeta’ (1972), ‘Caravan’ (1971), ‘Kati Patang’ (1970) and ‘Teesri Manzil’ (1966). However, he suffered in my hands, due to my biased view of film songs of the period of 70s and beyond and except few more songs of RD Burman, I never liked his music, which in general I felt, was too loud and mostly copied from other sources (see several U-Tube videos on this issue, as a proof). However, I concede that he was a worthy son of a worthy composer compared to some other composer-son composers and that his music was much better than theirs and that he lasted for a longer period, cut short only by his sudden death in 1994, at the age of 55 years.

Today’s song is sung by Asha Bhosle and chorus and its video shows that it was sung on screen by a Hippie Girl (Zeenat Aman) amidst a smoking Hippie crowd. Somewhere in the year 1966, I had visited Goa (Panaji) to participate in a conference. During my visit, we had 2 free days and we roamed around the beautiful beaches of Goa. Goa had been liberated from the Portuguese about 6 years back and the Indian tourists did not have enough time yet to spoil the beaches and cities of Goa. So we could really enjoy our trip. During our beach visits we saw many Hippie groups, behaving in a ‘who cares’ attitude on the beaches. No wonder, many of my colleagues took their photographs to show in their respective private circles. That was a time when the Hippie culture had spread around the world.

Hippie (also spelled hippy) people were members of a counter cultural movement during the 1960s and 1970s, that rejected the mores of mainstream American life. The movement originated on college campuses in the United States, and also spread to other countries. Hippies felt alienated from middle-class society, which they saw as dominated by materialism and repression, and they developed their own distinctive lifestyle. They favoured long hair and casual, often unconventional, attire, sometimes in ‘psychedelic’ colours.

Many males grew beards, and both men and women wore sandals and beads. Long flowing granny dresses were popular with women, and rimless granny glasses with both men and women. Hippies commonly took up communal or cooperative living arrangements, and they often adopted vegetarian diets based on unprocessed foods and practiced holistic medicine. Hippies tended to be dropouts from society, foregoing regular jobs and careers, although some developed small businesses that catered to other hippies.

Hippies advocated non-violence and love, a popular phrase being “Make love, not war,” for which they were sometimes called ‘flower children’. They promoted openness and tolerance as alternatives to the restrictions and regimentation they saw in the middle-class society. Hippies often practiced open sexual relationships and lived in various types of family groups. They commonly sought spiritual guidance from sources outside the Judeo-Christian tradition, particularly Buddhism and other Eastern religions. Hippies promoted the recreational use of hallucinogenic drugs, particularly marijuana and LSD (lysergic acid diethylamide), in so-called head trips, justifying the practice as a way of expanding consciousness.

By the mid-1970s the movement had waned, and by the 1980s hippies had given way to a new generation of young people who were intent on making careers for themselves in business and who came to be known as yuppies (young urban professionals). Nonetheless, hippies continued to have an influence on the wider culture, seen, for example, in more relaxed attitudes toward sex, in the new concern for the environment, and in a widespread lessening of formality.

Film HRHK was Dev Anand’s idea. Initially, he wanted Zahida to become its Heroine. She, however rejected the offer when she learnt that in the film, she would be Dev’s sister – Jasbir. Dev Anand also wanted SD Burman to do the music. When Dada heard the original story, in which Zeenat falls in love with Dev, not knowing that he was her brother, Dada flatly refused the film and also advised Dev to change the story, as Indian public would be averse to an incest story. Eventually RD Burman was selected as MD.

Similarly, this song – “Dum Maaro Dum” was originally to be a duet of Usha Uthup and Lata Mangeshkar. Possibly Asha Bhosle, who was on the verge of leaving OPN and joining RD Burman (who had applied for a divorce with Rita –  his wife) scuttled the plan and the song came to Asha as a solo and another duet with usha Uthup. RD burman then changed the whole tune of the song, using Asha’s skill of singing in higher pitches.

All songs of this film became popular, especially “Phoolon Ka Taaron Ka Sabka Kehna Hai” and “Dum Maaro Dum” were heard everywhere. The lyrics of the song “Dum Maaro Dum” were very apt to indicate and describe the philosophy and frustration of the younger generation in that period –

duniya ne hum ko diya kya
duniya se hum ne liya kya
hum sab ki parvah karen kyun
sabne hamara kiya kya

All this clearly indicated what was eating the minds of young people.

Fortunately, 70s was the period when the Hippie culture was on decline worldwide. As such, this type of philosophy and such cult did not fit into the Indian mind set in any case. Therefore, this culture did not grow much here and had a natural end – like everywhere else in the world.

Two interesting anecdotes about this film. One, Dev Anand in his autobiography -“Romancing With Life “, published in 2007, had confessed that during this film, he had fallen in love with Zeenat. He was to make a confession to her, when he learnt that she had gone very close to Raj Kapoor. In one party, he also saw Raj kapoor hugging Zeenat and she was responding to him. Dev was disillusioned. He knew that Zeenat was keen to work in RK’s film ‘Satyam Shivam Sundaram’, and that all this was due to that only. He simply removed her thought from his mind.

Second is about the Burmans. In the program ‘Phool Khile Hain Gulshan Gulshan’, Pancham narrated that – “Papa used to go for morning walk everyday in Juhu. People recognised him and would say, look, SD Burman is going. One day he came back very excited. He told me, today people recognised me and said, Look RD Burman’s father is going. Papa was proud of me that my music in HRHK was famous and popular.”

Nandu Chawathe- a leading fiddler and violinist was associated with Pancham in those days. This person – Nandu Chawathe, was a guest in one of our get togethers of Atulites in Mumbai, thanks to one of our members Nitin ji Shah. He had played some songs on his violin in that meeting,  Chawathe says that Dev Anand was very much upset, when Asha replaced Lata and Pancham took time to compose the new tune for Asha Bhosle. The final product, however, pleased Dev Anand.

The story of the film, as given in wiki, is –

In the background of the rise of the International Hare Krishna movement in the 1970s, is a Montreal-based family of the Jaiswals, consisting of mom, dad, son, Prashant, and daughter, Jasbir. Due to differences, Mr and Mrs Jaiswal separate, leaving Jasbir with dad, and Prashant with his mom. Eventually Prashant and his mom travel to India, leaving father and daughter behind in Montreal. Mr. Jaiswal remarries, and brings his new wife to live in his home. Jasbir is told by her nanny that her mother & brother are dead. Back in India Prashant is sent to a boarding school and his father makes sure that none of Prashant’s letters reach Jasbir, so that it would be easy on her part to get over emotional trauma. Jasbir is upset with her inconsiderate step-mother and ignorant father who is deeply immersed in his business.

Years later, Prashant has grown up to be a pilot. He has received a letter from his dad that Jasbir, who had rebelled and left home, is now located in Kathmandu, Nepal, with a group of hippies. Prashant decides to find his sister and hopefully get her back to the family. When Prashant lands in Kathmandu he does not find Jasbir, but instead finds Janice, who is indeed his sister with a new name. Janice has no recollection of her childhood, and is always in the company of hippies spending most of her time consuming alcohol & drugs with them.

Janice lives with the hippies in the property rented out by local landlord Drona. Drona’s real business is stealing ancient artifacts from Kathmandu and selling it to foreign nationals. Michael, one of the hippies, is the one who does all the dirty work for him. Janice’s boyfriend Deepak misunderstands that Prashant is trying to woo Janice, hence they exchange a few blows every time they meet. Meanwhile, Drona has an eye on Shanti, a local salesgirl working in one of the shops owned by him. Shanti has feelings for Prashant which creates one more enemy for him. Later Prashant and Shanti elope and get married. At the same time a precious idol is stolen from local temple by Michael, which he hides in Janice’s house. Prashant secretly observes all this. Drona tries to frame Shanti for theft by secretly planting another stolen artifact in her house. Later he spreads the word that since the day Prashant has arrived idols are being stolen and he is stalking local girls.

The police commissioner is a friend of Prashant’s father, and has already received a letter stating the purpose of Prashant’s visit to Kathmandu. He suspects that Drona is trying to frame Prashant because he has married Shanti. He gets a search warrant for the entire property of Drona and recovers a diary which has contact details of his friends abroad who help him sell the stolen artifacts. The police also recover the stolen artifact from Shanti’s home, squarely blaming Prashant for it. Shanti is deeply hurt by this and looks around for Prashant. Prashant meanwhile is with Janice, trying to convince her that he is her brother, who she had been told dead long back. Michael overhears the conversation & conspires to put the blame on the brother-sister duo. Taking advantage of the situation Drona and Michael instigate the locals against Prashant by framing him for the theft and duping Shanti under pretext of marriage. The hippies and the locals are now ready to bash Prashant the moment they come across him.

When Prashant again tries to meet Janice, the hippies give him a solid thrashing. The police commissioner intervenes and Prashant is saved. At the same time the true face of Drona is uncovered and he meets his end trying to run away from police. Janice sees that both her parents have arrived to meet her and realizes that Prashant is indeed her brother. Janice is deeply hurt that her parents had to see her in this state. She runs away from them and commits suicide. In her suicide note she tells Prashant how deeply she loved him and she never intended him to find her in this state and suicide was the only way out for her.

‘Hare Rama Hare Krishna’ (released on 9-12-1971) was a Landmark film for Navketan – a film production company, which could boast of a world record (yet unbeaten) that the company was run for 62 years by the same person who established it in 1949 ! The cult song “Dum Maaro Dum” became so popular that no function was complete without this song for the next 10 years! Enjoy this song here today…..

[Author’s Note: The article uses information from books ‘Gaata Rahe Mera Dil’ and ‘Music Beyond Boundaries’, Wiki, The Hindu and my notes].

Video (Partial)

Audio (Complete)

Song – Dum Maro Dum, Mit Jaayen Gham  (Hare Rama Hare Krishna) (1971) Singer – Asha Bhosle, Lyrics – Anand Bakshi, Music – RD Burman
Female Chorus
Male Chorus

Lyrics (Provided by Sudhir)

hush..shh..shh..shh

dum maaro dum..mm..mmaaaa
mit jaaye gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

dum maaro dum..mm..mmaaaa
mit jaaye gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

pa..aa pa ra pa pa tu tu tu
aa..aa ee..ee
ta raa ta raa ta raa ta raa raa..aa

duniya ne hum ko diya kya
duniya se hum ne liya kya
hum sab ki parvah karen kyon
sab ne hamaara kiya kya
duniya ne hum ko diya kya
duniya se hum ne liya kya
hum sab ki parvah karen kyon
sab ne hamaara kiya kya

aaaa aaaa aaaa aaaa

dum maaro dum..mm..mmaaaa
mit jaayen gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

hush..shh..shh..shh

dum maaro dum..mm..mmaaaa
mit jaaye gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

chaahe jiyenge marenge
hum na kisi se darenge
hum ko na roke zamaana
jo chaahenge hum karenge

aaaa aaaa aaaa aaaa

dum maaro dum..mm..mmaaaa
mit jaayen gham..mm..mmaaaa
bolo subah shaa..aam
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram
hare krishn hare ram

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
हश॰॰शश॰॰शश॰॰शश

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम

पा॰॰आ प र पा पा तु तु तु
आ॰॰आ ई॰॰ई
त रा त रा त रा त रा रा॰॰आ

दुनिया ने हमको दिया क्या
दुनिया से हमने लिया क्या
हम सबकी परवाह करें क्यों
सब ने हमारा किया क्या

आ॰॰ आ॰॰ आ॰॰ आ॰॰

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम

हश॰॰शश॰॰शश॰॰शश

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम

चाहे जिएंगे मरेंगे
हम ना किसी से डरेंगे
हमको ना रोके ज़माना
जो चाहेंगे हम करेंगे

आ॰॰ आ॰॰ आ॰॰ आ॰॰

दम मारो दम॰॰मम्म॰॰मम्मआ॰॰आ
मिट जाएँ ग़म॰॰मम्म॰॰मम्मआ॰॰आ
बोलो सुबह शा॰॰आम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम
हरे कृष्ण हरे राम


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3822 Post No. : 14823

‘PANCHAM-RAFI’ Jodi’s Variety Songs – 4
– – – – – – – – – – – – – – – – – – – – –

Today 4th January is the twenty fifth ‘Remembrance Day’ (27th June’1939- 04th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. One cannot believe that it is twenty five years now since Pancham Da left us. His songs are a daily routine for me and maybe many like me, and so it never appears that he is not there. He is always there with us – the music lovers.

I wish to send an article with other song composed by Pancham for this occasion, however could not finish that article hence I for today’s occasion I am sharing herewith one of my already pending article under the series ‘Pancham-Rafi Jodi’s variety songs. We already have the following songs earlier in this series posted on the blog;

Jaag devta naag devta

Raqqaasa mare naam

Maine kab chaaha ke doolha banoonga

So coming back after a long gap in this series, today we have song composed by RD Burman from the movie ‘Takkar’ (1980). Today’s song of ‘Pancham – Rafi Jodi Songs’ is a melodious devotional song.

‘Takkar’ is a Padmalaya Films Production. produced by GA Sheshagiri Rao and directed by K Bapaiyaa. The movie had Sanjeev Kumar, Zeenat Aman, Jeetendra, Jayaprada, Vinod Mehra (double role), Bindiya Goswami, Ranjeet, Mac Mohan, Ashok Kumar, Kamini Kaushal, Sujit Kumar, Jeevan, Mukri, Asrani, Shivaraj, Leela Chitnis, Komila Virk, Jalal Agha, Mohan Choti, Master Bittoo, A. Abdul Hameed, Mac Mohan, Umesh Sharma, Swaraj Gupta, Anand Mohan, Umesh Khanna, K N Reddy, Pawan Babu, Asha Sachdev, Prema Narayan etc. in it.

As per HFGK this movie was passed by Censor Board on 07.04.1980. It had total seven songs in it wherein Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, and Mohd Rafi gave their voices to the songs in this movie. Lyrics for this movie were written by Anand Bakshi and Music was composed by R.D. Burman.

I do not remember to have heard this song till this post. Also from the list of other songs of this movie they don’t seem familiar to me. Though I am aware that there was this movie in those days, but have not watched it then and even till date. This is the second song from this film to appear on the blog.

Here is the brief about this film that Atul ji mentioned while posting the first song from this film (on 09.09.2013) – Moorty Ganesh Ki Andar Daulat Desh Ki.

In today’s song Sanjeev Kumar and Zeenat Aman are lip syncing in Mohd Rafi and Asha Bhonsle’s voice respectively on the screen. Ashok Kumar, Kamini Kaushal, Jeevan, Bindiya Goswami and others are seen in the song.

From the video of the song one can assume that Zeenat Aman looks for her ‘Shyam’ in Sanjeev Kumar and Ashok Kumar seems to find the spiritual one, few seem to be interested in Kanhaiyya’s moorty itself and Sanjeev Kumar preparing to take on the evils or he too wants to get this ‘moorty’. Only those who have watched this movie can help us.

But the song is a nice hummable one. As mentioned above lyrics of this song are by Anand Bakshi and it is composed by RD Burman.

Let us now enjoy this interesting song.

Song – Maakhan Chor Nandkishore Manmohan Ghanshyam Re (Takkar) (1980) Singer – Mohammed Rafi, Asha Bhonsle, Lyrics – Anand Bakshi, MD – RD Burman
Mohammed Rafi + Asha Bhonsle

Lyrics

maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

arey maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

devki maa ne janam diya aur
maiyya yashoda ne paala aa aa aa
devki maa ne janam diya aur
maiyya yashoda ne paala aa
tu gokul ka gwaala
bindraban ka bansari waala aa

ho aaj teri bansi phir baaji
mere mann ke dhaam re
kitne tere roop re
kitne tere naam re

ho maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re

kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa aa
kaali naag ke saath ladaa tu
zaalim kans ko maara aa aa
baal awasthaa mein hi tune
khela khel ye saara

tera bachpan
tera jeewan
jaise ek sangraam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re ae
kitne tere naam re ae

tu ne sabka chain churaaya
o chitchor kanhaiyya aa aa aa
tu ne sabka chain churaaya
o chitchor kanhaiyya
o o o
o jaane kab ghar aaye dekhe
raah yashoda maiyya
arey vyaakul radha dhoondhe shyam
na aaya ho gayi shaam re
kitne tere roop re
kitne tere naam re

o maakhanchor nandkishore
manmohan ghanshyam re
kitne tere roop re
kitne tere naam re ae …


———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

अरे माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ आ आ
देवकी माँ ने जनम दिया और
मैय्या यशोदा ने पाला आ
तू गोकुल का ग्वाला
बिंद्राबन का बंसरी वाला आ

हो आज तेरी बंसी फिर बाजी
मेरे मन के धाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

हो माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ आ
काली नाग के साथ लड़ा तू
ज़ालिम कंस कों मारा आ आ
बाल अवस्था में ही तुने
खेला खेल ये सारा

तेरा बचपन
तेरा जीवन
जैसे एक संग्राम रे
कितने तेरे रूप रे
कितने तेरे नाम रे

ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए

तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या आ आ आ
तुने सबका चैन चुराया
ओ चितचोर कन्हैय्या
ओ ओ ओ
जाने कब घर आये देखे
राह यशोदा मैय्या
अरे व्याकुल राधा ढूंढें श्याम
न आया हो गयी शाम रे
कितने तेरे रूप रे
कितने तेरे नाम रे


ओ माखनचोर नंदकिशोर
मनमोहन घनश्याम रे
कितने तेरे रूप रे ए
कितने तेरे नाम रे ए …


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15400 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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