Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for January 2013


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #11
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The year is 1946, and the song “Dil Jalta Hai. . .” from ‘Pehli Nazar’ (1945, MD – Anil Biswas) is now well known. The staying power and popularity of this song can be judged from the fact that over the years, many people started to consider this song as his debut song, completely forgetting his other songs from 1941 to 1944. With this success behind him, Mukesh was now a more sought after singer, as is evident from the dramatic increase in his singing assignments in 1946.
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Today (13 january 2013) is the 87th birth anniversary of Shakti Samanta (13 january 1926- 9 april 2009). Some of the most memorable Hindi movies in 1960s and 1970s were Shakti Films production. Movies like “Howrah Bridge” (1958), “China Town” (1961), “Kashmir Ki Kali” (1964), “An Evening in Paris” (1967), “Kati Patang” (1970), “Amar Prem” (1971) were Shakti Samanta’s movies.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

For the Generations that became young in 50s, 60s or the 70s, Dev Anand was their Idol. The theatres showing his films used to be crowded with youngsters who tried to copy his style, mannerisms, Hair style etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular conributor to this blog.

Today is the Birth Anniversary of C.Ramchandra or Ramchandra Narhari Chitalkar.

Only the other day I got hold of the Marathi Autobiography of C.Ramchandra(CR),titled ‘ Majhya Jeevanachi Sargam’ (Saragam of my life.) Copyright by Yeshwant Ramchandra Chitalkar-1977.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In K L Saigal’s films, the songs sung by most of other singers remained on the periphery as compared to his magic spelled songs. Even on Radio Ceylon’s programme on old film songs which used to be broadcasted between 7.30-8.00 a.m. in olden days, I rarely heard songs of other singers in K L Saigal’s films while K L Saigal’s song used to be the final song of the programme. Take for example songs of ‘My Sister’ (1944). There are at least two beautiful solo songs sung by Utpala Sen but as compared with Saigal’s four songs which were hugely popular in my younger days, I had not heard any of her songs from this film until I bought one 78 RPM gramophone record in early 70s on which one side of the record had ‘jal jaane do is duniya ko’. I heard her other song from the film only last year.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The best way to write about a poet is to write about his works, his poetry. But when we come to a poet of the stature of Rajinder Krishan, it becomes a very difficult task to write about his poetry. One simply does not know where to start. The body of work is enormous, and the number of pleasing heart stealers is so numerous, that just a sample list of favorites will go beyond a reasonable length for a write up. And no matter how representative one makes this sampler list, readers and friends will come up with wonderful gems of A grade quality that must be included.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In Hindi film industry, more than the talent in the chosen field, one needs to be saleable in terms of box office success to become a successful artist. In addition, one needs to have a godfather in the Hindi film industry like a producer/director belonging to a big banner film production company. In the sphere of music direction, there were many talented maestros in the 50s and 60s who composed some memorable songs for the Hindi films. But they could not sustain themselves for long thus failing to make it to the big league of music directors of Hindi film industry. They did not have godfathers in the film industry. Some of them did not become saleable despite churning out beautiful songs.
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