Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for August 2013


“Saawan Aaya Re” (1949) was a Prakash Pictures Production movie. It was directed by Ravindra Dave. The movie had Kishore Sahu, Ramola Devi, Raj Adeeb, Om Prakash, Munawwar Sultana, Ramsingh, Randhir, Indu, Jankidas etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Last night, when the 700th song of Kishore Da was posted, immediately there was a comment by Mahesh Bhai Mammadapur, requesting to know whether Kishore Da has any songs sung under the music direction of Naushad. Decidedly, this pairing is absolutely rare, because their peak periods were far apart. When Naushad was on the top in 50s and 60s, Kishore Da was considered less than a mainstream singer. And when Kishore Da ruled the world of Hindi film music in the 70s and 80s, Naushad Sb was a spent force, with really very few films to his credit during this period.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Parichay (1972) was Gulzar’s third film as a director. With this film began a fruitful association with R D Burman, who would henceforth give music nearly to all his films, so long the latter lived. Achanak(1973), Mausam (1977), Meera (1979) and Lekin (1999) being the exceptions.
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“Stree” (1961) was a Rajkamal Production movie. It was directed by V Shantaram. The movie had V Shantaram, Rajshree, Babloo, Charusheela, Sandhya, Vandana, K. Date, Baburao, Pendharkar, Indira, Uma, Padma Chavan, Bhagwan, etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Be-qaraar Dil Tu Gaaye Jaa”

The sounds of restlessness coming from a restive heart. A voice that exists in a multitude of colors and flavors and moods. A voice that has entertained the listeners for the better part of four decades. A voice that has left an indelible stamp on the history of Hindi Cinema and Hindi Film Music. A voice that holds the trademark on the ultimate songs of fun that are completely and irrefutably non-replicable, priceless gems of yodeling, mimicry and voice modulation. A voice that became the alter-ego of many a successful careers, so much so that in the 70s and 80s, the lead male actors would not consider their careers and performances complete unless this voice was in the background. Even thespian Dilip Kumar, after having spent three decades in the industry, eventually performed on screen, with this voice behind him (‘Sagina’, 1974). A voice that was nominated 27 times for Filmfare awards for best male singer, in a span of just 16 years (1970 to 1986), winning it eight times in the process. A voice whose power of influence simply could not be matched, especially during the peak years in the 1970s and 80s.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Today, 4th August, is the birth anniversary of our beloved Kishore Kumar. Or, as he is affectionately called, Kishore da.

It gives me great pleasure to post a tribute to him on this occasion.
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“Dostana” (1980) was produced by Yash Johar and directed by Raj Khosla. The movie had Amitabh Bachchan, Shatrughan Sinha, Zeenat Aman, Prem Chopra, Amrish Puri, Helen, Pran, Paintal etc in it. Another movie with a copycat title was Rakesh Kumar’s “Yaarana” (1981), also starring Amitabh Bachchan.
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