Archive for the ‘Asha Bhonsle songs’ Category
Hai ye wohi aasmaan
Posted on: March 31, 2012
This article is written by Sudhir, a fellow enthusiast of hindi movie music and a regular contributor to this blog.
This song, I remember from many years ago, having heard it on the radio and then in collections of Talat Mehmood. Just browsing through the YouTube, I discovered this song again after a long time, and then an added bonus too. This song is also sung by Asha Bhosle in the same film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I was not aware of the film MERA SALAAM (1957) until few days back when I came across while searching for some songs on a website. This was a period film produced under the banner of Sushil Pictures and directed by Harbans. Bharat Bhushan and Bina Rai were in the lead roles with Veena, K N Singh, Gope, Durga Khote, Nishi, Cuckoo in supporting roles. The film had some lovely songs which were written by Sheven Rizvi and set to music by Hafeez Khan. Some of the song’s orchestration appear to be somewhat different than what is normally heard in the songs of that period. For example, the song ‘husn kehte hain mujhe’ probably depicting a mushaira competition between Bharat Bhushan and Bina Rai is rendered without the use of any musical instrument. Then, it has a nasheed ( Islamic devotional song) ‘madinewale se mera salam keh dena’ sung by Mohammed Rafi, Bande Hasan and others, the composition of which, in my view comes close to the qawwali style.
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“Inspector” (1970) was a movie which was produced by Chand and directed by S K Kapoor. The movie had Joy Mukherjee, Alka, Helen, Rajendra Nath, Kiran Kumar, Zeb Rehman, Samina, Murad, M.B. Shetty, Asha Nadkarni, Jayant etc in it.
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Shama pe aake o parwaane
Posted on: March 30, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Given that during most of the 50s, C Ramchandra was very favorably inclined towards Lata, I was just wanting to find out what is the earliest that he had used the voice of Asha Bhosle. I did a quick scan of the films for which C Ram has composed music, in the Geet Kosh, from 1950 onwards. And unless I made a mistake in my scanning, the film ‘Meenaar’ in 1954 seems to be the first time that Asha Bhosle has sung for C Ramchandra. If not mistaken, then this is likely the first such occasion.
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“Pyaar Kiya To Darna Kyaa” (1963) was a Vikram Productions movie. It was directed by B S Ranga. The movie had Shammi Kapoor, B. Saroja Devi, Pran, Prithviraj Kapoor, Om Prakash, Agha, Helen, Shobha Khote, Nazir, Hussain, Pushpawalli, Rukmini Devi etc in it.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Rewinding back to 1950. The earlier year, 1949, had proved to be a golden year for music and songs in Hindi films. Many a memorable films and many many memorable songs got released in this year, and many relatively new artists got launched on hugely prolific careers. Some writers accord the period from 1949 to 1952 as the best period of music in Hindi film industry. But one voice was relatively unheard. A very new singer by the name Asha Bhosle, was just fledgling, and a career that was still to take a shape. Sixty one years hence, she would be celebrated as the most recorded singer in history. But back, in 1949 and 1950, you could count her songs on your fingers. All of sixteen years old at that time, and already saddled with turbulent personal affairs, no wonder that she did not have many songs to her credit in this golden period of Hindi film music.
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Kehne waale tu bhi keh le
Posted on: March 26, 2012
- In: Asha Bhonsle songs | Blog century song | Century songs for the blog | Lyrics by Ava Suri | Lyrics contributed by readers | Manna Dey songs | qawwali | Rafi songs | S Balbir song | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1964 | Theme song | Title song | Yearwise breakup of songs
- 14 Comments
The makers of “Qawwali Ki Raat” (1964) had a tough task ahead of them. They were required to make a movie along the lines of “Barsaat Ki Raat” (1960).
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Jab tak duniya rahi rahegi
Posted on: March 26, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I have not seen the film YE DIL KISKO DOON (1963) but I have watched all the available video clips of the songs umpteen times . I enjoyed these songs some of which are audio-visual treats. The film was produced under the banner of Bindu Kala Mandir and directed by Kanak Mishra who was also the story and screen play writer. Star cast included Shashi Kapoor, Ragini, Agha,Jayshree Gadkar, Jeevan, Sajjan, Asit Sen etc. All songs of the film were written by Qamar Jalalabadi and set to music by Iqbal Qureshi. The film’s name may have been inspired by a Helen song ‘itni badi mehefil aur ek dil kisko doon’ from the film ‘Dil Apna Aur Preet Paraayi” (1960), but could not inspire thea udience to come to the theatres and watch the film. The film failed at the box office and with this, Shashi Kapoor’s struggling days to establish him as a lead actor were prolonged. It was about 2 years later that he could established himself as a lead actor with the box office success of the film ‘Jab Jab Phool Khile’ (1965). For Iqbal Qureshi, the film’s music director, once again the luck was not in his favour. His efforts in churning out great songs were wasted in a film that has now been almost forgotten.
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Raam duhaayi hai raam duhaayi hai
Posted on: March 26, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Roshan, a name that immediately brings to mind the iconic qawwalis of ‘Barsaat Ki Raat’ (1960), or the perennial sentimental favorite “Caarvaan Guzar Gayaa, Gubaar Dekhte Rahey” from the film ‘Nai Umar Ki Nai Fasal’ (1965). A master musician who would blend the classical and the folk with graceful ease, Roshan had his training under famous masters such as Ustad Allauddin Khan and Ustad Bundu Khan (saarangi king). After working with All India Radio in Delhi for about a decade, he moved to Bombay in 1948 in search of a career as a music director in films. He got introduced to Kidar Sharma, who was so impressed by his musical acumen that he actually made some changes to his next production. Plans were underway for the film ‘Neki Aur Badi’, and Snehal Bhatkar was already assigned the music direction responsibility. After meeting with Roshan, Kidar Sharma had a talk with Snehal Bhatkar, who agreed to let Roshan handle the music department. That is how the debut break came Roshan’s way.
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Daiyya re daiyya laaj mohe laage
Posted on: March 25, 2012
This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In a recent post (“koi aaya lachak uthi kaaya”), I had talked about seeing the film Dastaan (1972) on a flight.
As it turned out, that was not the only film I saw on that flight. It was a long flight so I managed to see another film that I’d been wanting to see for a long time – Leader (1964), starring Dilip Kumar and Vyjanthimala.
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