Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Beggar’s song’ Category


Today (31 july 2013) is the 33rd death anniversary of Rafi(24 december 1924- 31 july 1980). Today is the day when we pay our heartfelt tribute to him. It is not that we do not remember him on the other days of the year except his anniversaries. Far from it. We in this blog have averaged more that one Rafi song a day for the five years and more that this blog has been in existence. In other words, we remember him everyday. He is in our thoughts everyday in almost every waking hours and sometimes in our sleeping hours as well in our dreams.
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“Miss Mary” (1957) was an AVM Productions movie. It was produced by A V Meiyappan and directed by L V Prasad. The movie had Meena Kumari, Kishore Kumar, Gemini Ganeshan, Jamuna, Achla Sachdev, Jagdish Sethi, Randhir, Om Prakash, Karunanidhi, Maruti, Shivraj, Kesari, Meenakshi etc in it.
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“Sansaar” (1951) was a Gemini Pictures production. It was directed by S S Vasan. Most actors of this movie were from South Indian movie industry. The movie had Ishwarlal, M. K. Radha, Vanaja, Mohana, Agha, Meera, J. S. Kashyap, Anil Kumar, Kalla, Ratnappa, Pushpavalli, Swaraj, David Abraham etc in it.
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“Ek Phool Do Maali” (1969) was a Goel Cine Corporation Movie. It was produced and directed by Devendra Goel. The movie had Sanjay Khan, Sadhna, Balraj Sahni, Bobby, Manorama, Shyam Kumar, Brahmachari, Brahm Bharadwaj, Praveen Paul, Abu Baker, David Abraham, Durga Khote, Shabnam etc in it.
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Today (5 september) is Salil Chaudhary’s death anniversary. Salil Chaudhary was one Hindi movie music. Or it would be more appropriate to say that he was a pioneer of Indian movie music. He composed music in movies of as many as ten languages. Majority of these movies were in Bangla, Hindi and Malayalam though.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the late 60s, there was a time when I would watch one Hindi film almost every week-end in the theatre. The one aspect of the films which used to irritate me at that time was actors suddenly going into singing mode thus interrupting, like a speed breaker on the highway, the smooth flow of the narration. Some people would even walk out of the theatre as soon as the song started on the screen and come back only after the end of the song. Of course the audience would not do that when a song is melodious and well picturised.
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