Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Century songs for the blog’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Many Colors of Love #20 – The Gambles of Love
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And so wrote the scribe

nainon se jo naina takraaye to
kaun haara aur kaun jeeta

…….
…….
……..
is pyaar ki baazi mein hans kar
jo dil haara wo sab jeeta
jo dil haara wo sab jeeta

And they often say, the matters of heart are a gamble of life. The game of love is very exacting. And the insistence of the game-master is that no wager is big enough in this game of love. The game is played with odds which at times will compel you to bet everything in an all or nothing deal.

This post turns out to be special. Along with the love series special on the ‘Gambles of Love’, we are also making another celebration that combines surprise with anniversary and milestone. Read on, and you will find out.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The pen whose first creations mesmerized everyone with the magic of “Mera Sunder Sapna Beet Gayaa” and “Yaad Karoge Yaad Karoge Ik Din Humko Yaad Karoge”. A dream debut that most artists just think about. He was introduced to Shashadhar Mukherjee, then still with Filmistan, and got the assignment to write for the 1947 film ‘Do Bhai’. Sachin Da took the words and wove a musical magic around them, and gave them to the voice of Geeta Rai (later Geeta Dutt). It need not even be mentioned that the rest is history.

Remembering Raja Mehdi Ali Khan on the anniversary of his passing away (on 29th July). And we couple the remembrance with a celebration – reaching the 200 songs milestone on our blog.
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This article is written jointly by Atul and Sudhir. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 10000th song post in the blog.
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Atul Song-A-Day 10K Song Milestone Celebrations –46 (Song number 10000)
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Writeup by Atul
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So the eagerly awaited moment is here. It was planned to happen on 19 july 2014, on the sixth anniversary of the blog, but that was not to be and it has finally happened one day later. Paucity of time necessitated by urgent personal and even official engagements/ matters were the cause for this delay by one day. I also had to reluctantly defer three eagerly awaited writeups, viz introductory posts on M/s Arunkumar Deshmukh, Raja and Sudhir ji. They very graciously agreed to have their introductions deferred in view of the circumstances. I am very thankful for their understanding.

If one notices, the lion’s share of the writeups for the last few days have been done by Sudhir ji. He has been spending unimaginable hours on the blog for the last few days despite being tied up in his own personal and professional engagements. And this 10000th post is very much a result of his own initiative, meticulous research and hard work. My heartfelt thanks goes to Sudhir ji without whom this blog would not be what it is today.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The mention of this name brings to mind, the mindless sidelining and disregard of talent that was ever the most gifted and capable. But that is life – the unfortunate unkindness it metes out to some people is beyond our intelligence to understand. Comes to mind the lines of Meera Bai’s bhajan –

Koel Kar Dini Kaali
Santo, Karman Ki Gati Nyaari

That the Koel bird is endowed with such a beautiful voice that is incomparable, but the same Maker also made it black and ugly, such are the vagaries of destiny.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 9900th song post in the blog.

Friends, it is time to loosen the seat belts, and to start getting ready for the big celebration. Getting into the home stretch now, today we hit the last major milestone before the coveted grand prize that has been beckoning us from the horizon now, for quite some time.
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This is the 300th article in the blog by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BHAJAN MALA – GOLDEN 50s…(Pushp-12….Last of the series)
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So, we are ending this Bhajan series today with the most appropriate and suitable Bhajan for the occasion, from the film- Mahapooja-54. The bhajan is sung by Amirbai Karnataki and Tara Harish-both in their last phase of the career. This is a Bhajan-almost an Aarati, but not exactly-in praise of Shri Satyanarayan Swami.
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This article is the 700th article written in the blog by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Many Colors of Love #15 – The Tales of Love
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And so wrote the scribe

darr laagey duniya se balmaa ho
ulfat naa baney afsaana

In the matters of heart, when the blossoming emotions of love come to a head, then there comes a day when this precious secret of the lovers comes to be known. Sometimes it is known within a close circle, and sometimes it comes to the lips of all and sundry. A matter that was securely hidden in the two hearts now forms the grist for gossip mills. And thus are born the tales of love.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One of my pet grouses against Hindi movies is that they do not lay stress on working for a living. Hindi movies show people either romancing their beloved or singing sad songs when separated by the beloved. And those who do not indulge in such activities are shown remonstrating with the almighty for their misfortune. Hindi movie characters are rarely shown working for their living.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The pen that wrote the immensely soothing verses of “Haath Seene Pe Jo Rakh Do To Qaraar Aa Jaaye” (‘Mirza Sahibaan’, 1947), is the same pen that also produced such immensely fun and popular iconic number like “Laara Lappa Laara Lappa Laai Rakhdaa” (‘Ek Thi Ladki’, 1949) with music director Vinod, and such a comely and alluring blockbusters like “Huzoor e Waala, Jo Ho Ijaazat”(‘Ye Raat Phir Na Aayegi’, 1966), created with OP Nayyar.
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Jaao rasiyaa

Posted on: May 24, 2014


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sometimes the temptation to write an article about an artist is to start with a sampler of the fabulous, memorable songs by him/her, to represent the variety, the flavor and the endearing memories that artist has created as a legacy and a treasure presented for generations to enjoy. But when one is writing about an artist of the stature of Rafi, or Lata, or Naushad, giving even an extended sampler for such artists is like lighting a lamp in bright sunlight (literally ‘suraj ko diya dikhana’). There are a few artists of such eminence that need no introductions through a sampler list of their songs. A name that definitely belongs to this category is Majrooh Sb.

Remembering Majrooh Sultanpuri on the anniversary of his passing away today (24th May).
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