Archive for the ‘Post by Sadanand Kamath’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
INDRAASAN (Ekaadashi Mahima) (1952) appears to an obscure movie. In a few places on the internet, the film is spelled as ‘Indrasen’. I went by how the film was spelled on the publicity photographs of some scenes from the film. The film had some well-known actors of the 30s and 40s consisting of Prem Adib, Paro Devi, Ishwarlal, Durga Khote, Nand Kishore, Ranjana etc. The film was produced under the banner of Greenland Pictures, Bombay and was directed by Raja Nene.
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Palkan ki paalki aansoo sanwaarta
Posted on: August 16, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
PATIT PAAWAN (1955) was produced by Hemavati Sapru under the banner of D K Films and was directed by Vasant Painter. The star cast included D K Sapru, Sulochana, Ulhas, Hamavati, Lalita Pawar, Bipin Gupta, Jeewan, Ranjan Haksar, Nand Kishore, Parshuram etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The moment the image of Ameerbai Karnataki comes to my mind, I remember some of her most popular songs, mostly full of pathos, melancholy, and devotion. In fact, the most popular songs of her singing career come from these genres. She started her filmy career in 1934 as an actor-singer but realising that the potential for career as a playback singer was bright after the system of playback singing was introduced in Bombay film industry in 1937, she confined herself mainly to playback singing thereafter. After her songs in ‘Kismet’ (1943) became very popular, for the next five years or so, she remained one of the top playback singers. Of the total of around 375 songs she sang during her filmy career, more than 50% was accounted for during 1943-48.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In the 1950s, many new female singers joined Hindi film industry to try their luck in making their careers in playback singing. Many of them went into oblivion after a couple of years or so. Playback singing career of a few of them like Seeta Kalyanpur, Suman Purohit ended with one or two films. A few others like Meenal Wagh (11 songs during 1950-54), Kaumudini Munshi (10 songs during 1954-68) could remain connected with Hindi film music for longer period but their singing output was low. While some of them may not have pursued the playback singing career due to personal reasons, there is no doubt about the fact that with the emergence of Lata Mangeshkar in early 50s along with established playback singers like Geeta Dutt and Shamshad Begum, the newcomers faced tough competition from them.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The ghazal na kisi ki aankh ka noor hoon was earlier wrongly associated with Bahadur Shah Zafar, the last Mughal emperor as most of us thought that this ghazal was written by him. The sentiments expressed in the ghazal suited his state of mind after the decline of the Mughal dynasty and the uprising of 1857. Recently, it has been proved that the author of this ghazal was Muztar Khairabadi (1865-1927).
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- In: "Broken heart" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Ira Nigam Solo Song | Ira Nigam Song | Lover's Complaint | Lyrics contributed by readers | Post by Sadanand Kamath | sad song | Songs of 1940s (1941 to 1950) | Songs of 1950 | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The playback system came in to vogue some time in 1935 in Bombay film industry. The system really got stabilized only from early 40s. At that time, among the female playback singers, Ameerbai Karnataki, Rajkumari, Zohrabai Ambaalewaali and Shamshad Begum dominated the Hindi film industry. There were other playback singers like Parul Ghosh, Zeenat Begum, Hamida Bano, Naseem Akhtar, Mohantara Talpade, Dilshad Begum etc. While a few among them had migrated to Pakistan, others playback singers either could not stand against the competition with the well- established playback singers or they had to give up their careers, probably for domestic and personal reasons.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Whenever I listen to songs rendered by Hafeez Khan Mastana, popularly known as Khan Mastana, I feel very sad and sorry for him. He was the son of Ustad Waheed Khan of Etawah Gharana who was a well-known sitar and surbahar player. The renowned sitarist Ustad Vilayat Khan was Khan Mastana’s first cousin.
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Aisi chot jiyaa ne khaayi
Posted on: August 4, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I came to know about the film NIRMOHI (1952) sometime in the late 1960s when my friend and office colleague, Vijay Nafde introduced me to his 78 RPM record collections. During our periodic get together in his house, he used to make me listen to some rare songs (of that time) and that included songs from unheard films for which music directors like C Ramchandra, Madan Mohan, Roshan etc composed the songs. ‘Nirmohi’ (1952) was one of those unheard films from which I remember to have listened the only song, dukhiyaare naina dhoondhen piyaa ko .
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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