Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I came to know about the film NIRMOHI (1952) sometime in the late 1960s when my friend and office colleague, Vijay Nafde introduced me to his 78 RPM record collections. During our periodic get together in his house, he used to make me listen to some rare songs (of that time) and that included songs from unheard films for which music directors like C Ramchandra, Madan Mohan, Roshan etc composed the songs. ‘Nirmohi’ (1952) was one of those unheard films from which I remember to have listened the only song, dukhiyaare naina dhoondhen piyaa ko .
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

For the last eight months or so, I have been scouting for some rare songs which are yet to be posted on the Blog. My first preference was to get those rare songs which have not yet made their presence in YT. During my search, I concentrated mainly of the songs of 1940s and about 50 of such songs have already made their appearances in the Blog. There are some more in my kitty of the 1940s segment, a few of which have already been uploaded on YT. But I thought I would take some pause for the 1940s and divert my attention to the rare songs of the 1950s.
For the 1950s songs, my initial experience showed that in respect of well-known playback singers like Lata Mangeshkar, Mohammed Rafi, Mukesh, Talat Mehmood, Kishore Kumar, Suraiya, Geeta Dutt, Asha Bhonsle, Suman Kalyanpur etc, there was no need for me to find their rare songs. Almost all of their songs for which mp3 clips are available on the internet, have already been uploaded on YT. I believe that all these playback singers have their fans in YT who would ensure that almost all the songs of their idols get posted on YT. That leaves me room to search for rare songs of only the second string and other lesser known playback singers for the 1950s segment. And I like to explore songs of such category of playback singers.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is a well-known fact that the singing career of Suman Kalyanpur in Hindi film industry remained under the shadow of Lata Mangeshkar mainly because many in the Hindi film industry felt that her voice was too close to that of Lata Mangeshkar. When Suman Kalyanpur started her playback singing career in 1954, Lata Mangeshkar was already well established in Hindi films. When the choice came for the music directors between the two, producers and/or distributors would pressurize music directors to engage Lata Mangeshkar as her songs were more saleable than that of the new comers. There could be some other reasons also which stunted her career path.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is already the Hindu month of Shraavvan (Saawan) in North India and the month starts for the states south of Vindhya, from Wednesday, August 3rd 2016. But with heavy rains for the last two days, the hills around Sanjay Gandhi National Park (I stay close to the Park) turning green and the chirping of birds in the early morning in our society, I feel that I am already in the midst of Saawan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

 

I was in the midst of writing a short write-up on a song from the film ‘Jawaani Ki Reet’ (1939) produced under the banner of New Theatres. The film was not available to view in DVD/VCD format. Luckily, I could get a short review of the film in February 1940 issue of  ‘Filmindia’ magazine which gave me some indication as to the theme of the story. The story reminded me of the film ‘Kangan’ (1939) produced under the banner of Bombay Talkies, as I had watched the 40-minute snippet of the film on YT a few days back.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The ghazal ‘na kisi ki aankh kaa noor hoon’ has been embroiled in a debate about its authorship. This ghazal became popular and well known when Mohammed Rafi sang it for the film ‘Laal Qila’ (1960). The ghazal was credited to Bahadur Shah Zafar, the last Mughal emperor. In fact, this ghazal was picturised on Bahadur Shah Zafar, this role played by M Kumar. The sentiment expressed in the ghazal fitted very well with the status of Bahadur Shah Zafar as the last Mughal king whose writ did not work beyond the walled city of Delhi. It was this that probably led many to believe that the ghazal was the expression of his inner feelings of sorrow and self-pity.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the story of a ‘self-proprietorship firm’ uniquely named ‘Atul Song A Day’ (hereinafter called the Company) which was set up on July 19, 2008 by Atul Besra. In his venture, he received encouragement from Raja, his Cricforum friend. The mission was to produce at least one song a day. However, due to abundant supply of ‘raw material’ and the demand for the ‘finished product’, the production was increased to more than one song a day within 3 months of its existence.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws. This is his 400th writeup in the blog

apni marzi se kahaan apne safar ke hum hain
rukh hawaaon kaa jidhar kaa hai udhar ke hum hain

-Nida Fazli

[There is no choice for us as to where we embark on the journey.
Where the direction of the wind is the place to which we belong].
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

DIL KI PYAAS (1935) was produced under the banner of Bharat Lakshmi Pictures and it was directed by J J Madan and Sorabji Karewala. The star cast included Jahanara Kajjan, Patient Cooper, Mukhtar Begum, Fida Hussain, Surajram, Violet Cooper, Gama etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The shelf life of a Hindi pop (also called Indipop) song is generally very short. But one that has smitten me seems to be an exception. I have been watching the video clip of the song over a year. The more I listened, more I was curious to know as to why I liked this pop song especially when I have not been a great admirer of such genre of songs.
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